Structuralist bracelet & earring set by noted modernist Paul Lobel, who produced innovative jewlery in his New York studio in the 1950s. Consisting of ridgid sterling silver links and matching earrings with their original srew-back mechanisms. The bracelet has an integrated hidden hook clasp. Bracelet measures over 7.25" long and the earrings hang 1 3/8." Signed "Lobel, Sterling" as shown. Excellent vintage condition.

Lovely Japanese Byobu Screen 6 panels with Spring Flowers.
The size of Screen: 148" L x 66" W (376 cm x 168 cm)
This Byobu is made finely and fine condition. Gold leaves and
Painting is very lovely. There is no place to be repaired.
It has the signature of artist name, Naofumi, but we do not
have profile information. Dating of screen from 1950’s.
Please note the screen was painted on gold leaf background
with watercolor paint which make tree leaves appear ...

Antique 17th century (circa 1650-1680) Japanese Arita porcelain ewer of oval form with a waisted neck and loop handles, painted in underglaze-blue with panels of peonies reserved on karakusa, the neck is with stylized peonies. The top of the handle has two holes whilst one is pierced and the other is not; the holes were made prior to the firing process of the porcelain at the request of European merchants importing Japanese porcelain for European markets because many of these types of ewer w...

An important, rare modernist brooch by the renowned African American jeweler, Art Smith. Has a copper ball caged in swirled brass coils. The ball moves for an interesting effect.

Measures 3 1/4" long and 2 3/8" at the widest. Marked with the 'Art Smith' script signature. Has a secure rollover clasp. In fine condition with areas of tarnish.

A wonderful example of Mid Century Modernist design.

An exquisite and very fine 18K yellow gold jewel by Henry Dunay, one of the greatest American jewelers of the latter 20th century. The piece comprises a 32" necklace of domed, oval gold links joined by polished arched connectors. The outer surfaces of the links are stippled in a roughly textured finish that contrast nicely with the arched connectors. Two of the links have hidden hinged clasps so that the necklace can be separated into a shorter necklace and a bracelet. Two of the arched conn...

An antique Satsuma figural group of a prone bull with a guardian. The bull with crackled cream ground, gilt noseguard and retaining rope and with polychrome painted and gilt backcover. The young man in a gilt and multicolor painted traditional Japanese garment resting on the animal while holding a book in his hand. 11.5" long, 6" high. An exceptional piece.

Condition: Flawless, ex-Christie's

Oversized Japanese woodblock print by Shufu Miyamoto (b. 1950) titled "Water Weeds at Hiroshima." The lower margin is pencil-titled in kanji and English, pencil-signed, and dated '84. It is numbered in pencil 5/150 at the lower left below the artist's red seal. Paper: 17 5/8" x 22 3/4" (image: 15 1/4" x 21 5/8"). Very good overall condition. There are some minor wrinkles in the paper at the margin edges and there is a small mark in the margin at the upper left corner.

DESCRIPTION: A classic and quite old pair of hand carved South American wood stirrups. The Guacho of Argentina, the Morochucos of Peru and the Hauso of Chile all preferred large wooden "shoes" for use as stirrups rather than the more prevalent iron stirrup. These stirrups cover the whole front of the foot, which can be an advantage when riding through tall brush. This pair has good age and obvious usage; we estimate them to date from the early 1800's. Each shoe is carved from a single piece...

Fine Chinese Tang Dynasty Painted Pottery Female Courtier ("Fat Lady") AD 618 - 906

Perhaps the most desirable and collectable pottery sculpture from the Tang Dynasty is the female courtier, or "fat lady". This fine example was made during the Tang Dynasty (AD 618 - 906).

The lady stands with her head turned a little to her left and tilted slightly at a quizzical" angle. She is wearing a particularly voluminous long robe. Her hands are clearly held together across her chest beneath her ...

Howard & Co, 264 Fifth Avenue, New York 1870-1910. 14k Yellow solid GOLD 1872 WALTHAM EXCELSOIR No. 16, ADJUSTED, EXCELSIOR No. 16 Adjusted 1872 Model all customed by Waltham and marked; especially for this Jeweler; "Made at Waltham, Mass. for Howard & Co. 5th Ave. N.Y./Excelsior No. 16, Adjusted #4,423,596. Original 16 size Waltham Watch Co. 14k solid yellow gold fancy hunting case presented by church members on Christmas, 1889. 120 Grams total weight. 53mm diameter. THIS IS A FINE COLLECTIB...

Exquisite set of Japanese Dairi bina (hina), the emperor and the empress dolls from early to mid Showa period. This is not a large set of dolls. The measurements of the wood box are 17” wide x 12 3/4” tall x 13 1/2” deep. We should add the approximate sizes of dolls. The label indicates that they are from Matsuzaka-ya, a major department store. Matsuzaka-ya started as a kimono store in late 16th century, pre Edo period. The beautiful details are packed in the small dolls - photos could n...

An extremely finely and delicately painted eggshell porcelain bowl by Wang Yijun. The poem on the reverse side reads "Wen ji qi wu xiang feng nian, fu gui rong hua ren ping an. Wang Yijun zuo" which can translate as "Practice the sword while hearing roosters (meaning work hard) and enjoy the affluence of the year; wish people wealth, prosperity and safety. Made by Wang Yijun"The seal mark to the base reads "Jingdezhen Zuo" - Made in Jingdezhen. Wang Yijun (1904 - 1989)was born in Anhui, China. A...

The warrior’s armor and helmet, samurai sword, spears, banners and paper carps (later cloth) in the sky are all tools used to showcase boy’s day in Japan. This tradition started early Edo period (1603-1868) by samurai families wishing their son’s good health and studies to be honorable samurai.

This set is made in Kyoto, Japan and is called “Kyo-armor”. Kyoto had been the capital of Japan for over 1000 years. The culture there was developed to serve the best for the emperor...

REMAINS OF HANIWA

Large remains of the ornament part of ancient Japanese hollow unglazed terracotta figure from the Kofun period (3rd-7th century) so-called ‘Haniwa'. 20 x 14 x 4.5 cm (7.87 x 5.51 x 1.77in). Still left original paint as a rare piece. Bonded repair as seen. (Clearly from the back side but not from the front side.) Handmade removable wire hanging hook is attached.


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Beautiful set of 9 Italian Mythological Subjects Faience Chargers By Cantagalli 1920s/30s each signed and measuring 12 inches in diameter. Each depicts a different mythological scene. Cantagalli was a pottery producer in Florence, Italy from the 16th century to the nineteenth century. Giuseppe Cantagalli originally operated the factory, until 1878 when his sons, Ulisse (1839-1901) and Romeo, took over after his death. The pottery pieces produced by the factory depicted Renaissance-style desi...

Rare DATE Model.  Commonly referred to among collectors as "The Big Triangle" (because of the shape of the 12 0'Clock figure).  All original and in excellent condition.  Circa: 1970.  OMEGA Automatic Seamaster 300 Caliber 565 24 Jewels, Serial No. 29,816,834.  Reference No. 165024-64 S.C. Rotating Black 30-minute Dive Bezel, Original dial with Luminous baton figures and luminous hands with sweep second. (The large arrowhead at 12 was used from 1969 - 1973) Marked: OMEGA/AUTOMATIC, and Seam...

A collection of three (3) pieces of Venini glass from 2002. All three pieces have the round clear Venini Murano Made In Italy label to the side, and all are signed venini 2002 on the base. There are no chips, cracks or repairs to any of the pieces.

The collection contains the following pieces:

A 9 inch (22.9 cm) tall 'a canne' vase in green, crystal, and light blue stripes. It tapers from 6 inches (15 cm) at the rim, down to 4 inches (10 cm) at the base.

An 8 inch (20 ...

Chinese late Qing dynasty Guangxu period rectangular form porcelain plaque painted in famille rose enamels and gilt highlights with a crane on a pine branch above thick leafy flowers. A poem at the upper left is dated in Chinese cycle years to winter of 1902 and signed Jiang Yongyuan (active circa 1899-1919) at Zhushan, a district of Jingdezhen. A raised rim frames the composition. 15 1/4" long by 9 1/4" wide by 7/8” deep. There is a fine old brown hairline crack extending down from the top....