This fine and rare pottery model of a foreigner was made during the Tang Dynasty (AD 618 - 906). It is made from a red pottery that has been cold-painted in a thick white pigment with the facial details picked out in red and black pigments. This elegant figure, a groom, stands with his shoulders raised, head raised and turned to his right, one hand outstretched. Note the detail of the clothing, the headgear and especiall...
This bowl is painted overall with a floral design in orange, green, and yellow enamels with black enamel outlines. The interior rim is decorated with a similar motif, and a single flower is painted on the interior base. The foot is encircled with double lines in underglaze cobalt blue and an underglaze cobalt blue design is painted on the base. The bowl has typical rim-fritting, and there is a small chip to the interior of the foot that has b...
Newest nocturne mid size original regional landscape marine painting by Mimi Dee in a dramatic predominantly inky blue and rose pink depiction of a full moon half hidden by clouds in an ink blue sky and primordial cape marsh nocturne.
Very camera ...
This figure of a seated scholar is glazed turquoise with amber colored highlights. The back is mostly unglazed except for the original white slip coating, now darkened with age. The interior is hollow and unglazed, exposing the reddish clay body. The white slip coating continues for an inch or so into the interior cavity. The face is covered with a thin white slip (now darkened) but is otherwise unglazed. The turquoise glazed hat has a few old losses to the glaze wh...
Arguably the most desirable and collectable pottery sculpture from the Tang Dynasty (AD 618 – 906) is the female courtier, or "fat lady". This figure is a large and particularly elegant example.
The lady stands upright with her hands clasped together under her voluminous robe. Note also the elaborate hairstyle but most striking are the fine details to her face: simply exquisite! It is made from a buff-col...
Arguably the most desirable pottery sculpture from the Tang Dynasty is the female courtier, or "fat lady". This figure was made around the mid 8th century and is a particularly elegant example. The lady stands with her hands clasped together under her flowing robe and her head turned a little to the left. Note also the elaborate hairstyle. It is relatively highly-fired and made from a bu...
This exceptional pair of pottery horses was made during the early Tang Dynasty (AD 618 - 906). They are finely-modelled and "full of life", both in the act of walking. One has its right leg forward with head turned to its left, the other has its left leg forward with its head turned a little to its right. Each has a separately-made rider seated on a saddle, one male, one female, tha...
Perhaps the most desirable and collectable pottery sculpture from the Tang Dynasty is the female courtier, or "fat lady". This fine example was made during the Tang Dynasty (AD 618 - 906).
The lady stands with her head turned a little to her left and tilted slightly at a quizzical" angle. She is wearing a particularly voluminous long robe. Her hands are clearly held together across her chest beneath her ...
The multi cultural ethnographic evil eye protection motif, used in jewelry by the ancient Romans, Asian Dzi, Victorian, Latin American countries and continuously through out the middle east was h...
Approximately 19 cm diameter, 22 cm high (on stand). In good condition overall with only some signs of use on the belly of the censer to report. The censer and stand weigh 4.3 kg.
Please s...
A superbly conceived design; jars of this general type have been found in excavations dating as far back as the Spring and Autumn Period (770-475 BC). Although perhaps not obviously Chinese in design, this type of vessel is one of the most recognisable forms of Han Dynasty pottery and is thought by some archaeologists to be anthropomorphic, with the shape and "swirling" design of the main body based on the female human form.
Th...
This rare bronze vessel dates to the Eastern Zhou period (770 - 221 BC). Such vessels are invariably referred to as "ritual wine vessels". It is of a rounded rectangular form. The body stands on four feet, one in each corner and of a mythical winged-human form. The front has a loop handled surmounted with a stylised buffalo head, its mouth open wide. The cover has a reticulated oval final in the form of interlinked s...