A large and rare, early 19th C Gathering Basket from North Carolina of rectangle shape with 2 steamed and bent handles. In great condition, it is very tightly woven with a double wrapped rim. Basket is coated with cream colored paint, probably milk paint. Wood is unknown, possibly split oak. From the private collection of an appraiser of Early Americana. Measures 28" long, 16" wide, 12" high. Note: Basket depth measures 10", with handles 12".

An antique Satsuma figural group of a prone bull with a guardian. The bull with crackled cream ground, gilt noseguard and retaining rope and with polychrome painted and gilt backcover. The young man in a gilt and multicolor painted traditional Japanese garment resting on the animal while holding a book in his hand. 11.5" long, 6" high. An exceptional piece.

Condition: Flawless, ex-Christie's

A rare and unusually large souvenir piece of wood cut from a beam from the painted chamber which was one of the oldest parts of the original Palace of Westminster, destroyed by the Great Fire of 1834. This piece of oak forms the back of a mahogany coin collector's cabinet which was made circa 1835-1850. The writing on this ancient wood panel reads: "The Oak forming this cabinet is part of a Beam removed from under the floor of the Painted Chamber (being part of the wood used in the original bu...

"Brother, can you spare a dime?" This fun vintage large cast iron Fedora hat-form paperweight is straight out of the 30's, comprised of gold painted nicely detailed banded hat with a worn look, circa 1940, probably American made. Measurements: 4 1/2" long x 3 1/2" wide x 2 1/2" high. Great condition having a few bumps and bruises made to look authentic. Slight wear to the finish adds to the overall look of the hat.

A female dancer dressed in massive and splendid Noh attire. The painting is attributed to Iwasa Matabei (1578–1650), a renowned Japanese painter who is often considered originating ukiyo-e genre painting. As is often the case with this artist, these two paintings do not bear his signature or seal, however the depiction of the figures with rich cheeks and long jaws shows typical expression of people of high social rank during medieval periods, which he exaggerated the expression was originated ...

A male dancer dressed in massive and splendid Noh attire. The painting is attributed to Iwasa Matabei (1578–1650), a renowned Japanese painter who is often considered originating ukiyo-e genre painting. As is often the case with this artist, these two paintings do not bear his signature or seal, however the depiction of the figures with rich cheeks and long jaws shows typical expression of people of high social rank during medieval periods, which he exaggerated the expression was originated fr...

Offered is a lovely and serene oil painting of an older black gentleman fishing by the riverside. The painting is done in a flowing, Impressionist style, with a masterful use of quick, loose brushstrokes and much natural light, which contributes to this peaceful scene. The artist then focuses on careful attention to detail in her execution of the lone fisherman.

The primary colors utilized are a tonal range of yellows, blues and greens suggesting a spring or early summer day. The gentleman is ...

A Zuni Polychromed Wood Kachina Group, depciting three Koyemsi, or Mud Heads, of classic articulated form and decoration, one, carrying Kianakwe Shikan’ona, White Kianakwe of the East on its back, dressed in a cloth manta, the white painted case mask with concentric bands in numerous colors with white dotted details, the other, carrying a bowl in his hand; possibly a depiction of the Kianakwe Ceremony. Heights: from 10" tp 13.75".

A very rare pair of Antique European late 19th century cold painted spelter sculptures on elaborated square bases. The finely and realistically modelled sculptures depict a Chinese man and a Chinese woman in national costumes. The man is wearing a long green robe with gold swirl motifs, grey Balloon Pants and red shoes on his feet, the hair is braided and drawn back under a black hat. His left hand is grasping a Chinese musical stringed instrument (Erhu). The female is wearing a lavish robe, ela...

Fine Chinese Tang Dynasty Painted Pottery Female Courtier ("Fat Lady") AD 618 - 906

Perhaps the most desirable and collectable pottery sculpture from the Tang Dynasty is the female courtier, or "fat lady". This fine example was made during the Tang Dynasty (AD 618 - 906).

The lady stands with her head turned a little to her left and tilted slightly at a quizzical" angle. She is wearing a particularly voluminous long robe. Her hands are clearly held together across her chest beneath her ...

A Fine Pair of Large Chinese Ming Dynasty Painted Pottery Tiles - Deer

This fine-quality pair of highly decorative pottery tiles was made during the Ming Dynasty (AD 1368 - 1644). They are made from a grey pottery and the decoration in relief features a pair of deer in a landscape. Note the detail to the deer, the carved and incised decoration as well as the impressed flower blossoms to the deers' bodies. The relief decoration has been cold-painted in various coloured pigments, good traces o...

A rare and wonderful American doll or child's bench, with a shaped crest rail over 3 spindles and a plank seat, with 6 turned legs. The crest rail and the seat are decorated with polychrome free-hand flowers. Those areas, and the splayed arms, spindles, and central leg also have gilt line borders or decorative motifs.

Because of the delicate nature of this form, and the fact that not that many were made, it is highly uncommon to find surviving examples in any condition, let alone one as beauti...

The last rare Joseon Dynasty Munjado-Chaekgeori combination screen offered for sale was a decade ago at auction. It will likely be at least that long until you see another, if you ever see one for sale again at all. Even most museums have been unable to find one to acquire. The Cleveland Museum has a fine example. This rare combination of Munjado and Chaekgeori was painted only in the Gangwon Province. Munjado screens have eight pictorial ideographs depicting the Eight Confucian Virtues: Hyo ...

Fine Pair of Chinese Early Tang Dynasty Painted Pottery Walking Horses & Detachable Riders with Oxford TL Test

This exceptional pair of pottery horses was made during the early Tang Dynasty (AD 618 - 906). They are finely-modelled and "full of life", both in the act of walking. One has its right leg forward with head turned to its left, the other has its left leg forward with its head turned a little to its right. Each has a separately-made rider seated on a saddle, one male, one female, tha...

Chinese late Qing dynasty Guangxu period rectangular form porcelain plaque painted in famille rose enamels and gilt highlights with a crane on a pine branch above thick leafy flowers. A poem at the upper left is dated in Chinese cycle years to winter of 1902 and signed Jiang Yongyuan (active circa 1899-1919) at Zhushan, a district of Jingdezhen. A raised rim frames the composition. 15 1/4" long by 9 1/4" wide by 7/8” deep. There is a fine old brown hairline crack extending down from the top....

This type of fukusa is a cover placed over a gift at the time of a gift-giving ceremony such as the "Yui-noh" which is held prior to a wedding. The evergreen pine symbolizes the strength and devotion of men; the plum blossoms represent purity, subtle beauty and the inner strength of women. Bamboo is often used to describe the personality of men and women; for example, a person being as straight (honest) as bamboo could also mean flexible (bendable) to a large extent. When pine (matsu, SHO), bam...

An impressive spouted vessel, made of bronze, adorned with elaborate relief of animals like frogs, fishes, crabs and Chinese influenced creatures like dragons and Buddhist lions. The movable handle with a crocodile. These kettle were used during festive or ritual occasions. Please refer to "Malay Brassware - A Guide to the Collections of the National Museum Singapore" and compare with object no. TM-1408-1, on the online collection database of the "National Museum of Ethnology" in Leiden, Netherl...

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This circa 1920-30's Johnny Griffin tie rack is constructed in solid brass. It remains functional for such use today; however, only two of the five original tie hooks remain.

It is in all orig...