A Zuni Polychromed Wood Kachina Group, depciting three Koyemsi, or Mud Heads, of classic articulated form and decoration, one, carrying Kianakwe Shikan’ona, White Kianakwe of the East on its back, dressed in a cloth manta, the white painted case mask with concentric bands in numerous colors with white dotted details, the other, carrying a bowl in his hand; possibly a depiction of the Kianakwe Ceremony. Heights: from 10" tp 13.75".

Japanese Cedar, Cyprus wood two(2) section Tansu, Ca. Meiji period 1890's, 42" high, 35 1/2" wide, 16 1/2" deep, 2 graduated size long drawers above 2 long drawers in lower section, total 4 long drawers. Old red lacquer on black iron back plates are still visible. Small hole on the lower left side of bottom frame. The condition is original as found condition.

A large rouleau vase of porcelain decorated with the Three Auspicious Gods (sanxing) of Daoism, in polychrome enamel glazes (famille verte style) on a deep, blue ground. Excellent quality of work. China, late Qing to early Republican Period, ca. 1900–1925. Marked with a Kangxi-period nianhao. H 46 cm. Condition: Excellent.

Chinese Qing dynasty circular form lidded cinnabar lacquer box, the lid well carved in relief with scholars and attendants under lush trees in a landscape setting with mountains in the background. The convex sides are decorated in floral reserves interspersed with scrolling foliage. The interior surfaces and base are covered in plain black lacquer over the wood substrate. 10” diameter by 5 1/2" high. Very heavy for its size. Weighs 4.4 lbs. (2 kg). There is an area of damage on the edge of ...

Cedar wooden ‘post-hide’ or hashira kakushi that is used as a decoration of the vertical post in a room that is not a corner post, or the vertical post of the tokonoma (niche). The post-hide is the same width as the the vertical pillar posts in a Japanese house, hiding it thus almost completely in width.
Dark stained cedar wood, the sides covered in black lacquer, the front inlaid in ceramic with Raiden the thunder god who is angling with an anchor for one of his thunder drums that dro...

A large and very impressive tomb pottery horseman, Chinese, 1368-1644 AD. The type has been thoroughly tested and was burnt approx 500 years ago, placing it in the mid Ming period, c. early-mid 16th. century.

The pottery horseman, a higher-ranking officer, was probably originally equipped with a standard of wood, that has now decayed. He is clad in body armor in blue and torquise and wears a cone- shaped helmet. He is riding a white horse with details in torquise.

A rare to...

A box for keeping incense – kogo – decorated with a carriage used by court nobles and members of the Imperial family of the past in dense gold dust sprinkle on a black lacquer background. The sky sprinkled with clouds of nashiji. Insides with dense nashiji. The bottom section decorated with a rock surrounded by bamboo in gold togidashi and kao of tea master Hisada Soya. Silver rims.

Tiny signature in gold lacquer on the bottom: Gaho.

The kogo was made for the tea master Hisada So...

Folk Art Portrait by American Artist, attributed to Sheldon Peck (1797-1868). This Portrait was purchased at a North Carolina auction from the Larew Collection. The 19th century oil on canvas portrait of a gentleman was said to be Thomas Johnston from Concord, NC (Sept. 1850). It was marked on the original canvas (relined) bought in Davie County. It is mounted in a mahogany veneer frame with yellow pine backing. Canvas 29" 24" and the Frame is 38" x 33". The portrait was restored in 1973 by Hen...

A lightweight pair of sterling arrowhead earrings with feather dangles highlighted by coral cabs. For pierced ears, they are marked Sterling, hang 2-1/4" and weigh 7.8gr.

An ancient Egyptian alabaster torso of a striding man. Wearing a kilt and with arms depicted on each side. 5.5 inches high. Late Period, 600-30 B.C. Purchased on the Paris art market. Said to be originally purchased a long time ago at the Paris flea market.

Fine Tall Chinese Tang Dynasty Painted Pottery Lady with Oxford TL Test (44cm)

Arguably the most desirable and collectable pottery sculpture from the Tang Dynasty (AD 618 – 906) is the female courtier, or "fat lady". This figure is a large and particularly elegant example.

The lady stands upright with her hands clasped together under her voluminous robe. Note also the elaborate hairstyle but most striking are the fine details to her face: simply exquisite! It is made from a buff-col...

Very Rare LARGE Chinese Qin Dynasty Pottery Cocoon / Listening Jar with Oxford TL Test

This oversized vessel, in the form of a "cocoon jar", was made during the Qin Dynasty (221 - 206 BC) or possibly a little earlier during the Warring States period (475 - 221 BC), but even then by the Qin state. It is made from a fairly high-fired fine-grained grey pottery. The whole of the outer surface of the body is decorated with repeated cord or woven impressions with vertical bands then being made aro...

A pair of 10 inch tall Pairpoint candlesticks in colorless glass with amethyst additions. The sticks are decorated in the classic “Waterford” pattern and are identified as shape F1622 Florentine candlesticks in the 1915 - 1920 company literature as illustrated in Padgett’s “Pairpoint Glass.” There is no damage to either candlestick.

A large Persian book cover made of papier-mâché with leather-binding. Both sides hand-painted in polychrome gouache and gold under lacquered varnish. The outsides showing a dignitary with consort on a throne surrounded by musicians and a festival with horsemen, musicians and veiled women, both depictions framed by inscriptions. The interior with scrolls of tendrils in gold on red ground. Condition: some craquelure, flaking and wear, traces of age, some retouchings. Dimension: closed: 30 x 43 c...

Great example of a Durand champagne glass with ruby red cup and foot joined by an ambergris stem. The cup, stem and foot are nicely ribbed and measure 6 inches tall. The cup is 4 3/8 inches in diameter and the foot is 3 1/16 inches in diameter. The foot has a rolled rim and has a small polished pontil mark. This example is pristine.

Sabra Field (American, born 1935)
Going Home
Date: ca 1980 (as noted on separate board)
Paper size: 13 x 8.5 inches.
Image size: 9.5 x 5 inches.
Medium: Woodcut print.
Condition: Light scuff on mountain.

A colorless Webb ewer or cruet decorated with an acid etched floral design and having an acorn stopper. The 7 ½ inch tall piece is 10 inches tall with the stopper in place. The stopper is not the original but is the correct style of stopper for this piece.

24034879 A nice small Pairpoint Rosaria compote, shape B-366. The compote has a Rosaria foot and bowl connected by a colorless stem with a bubble ball connector. Both the foot and the bowl are enhanced with a diamond quilted pattern. There is a polished pontil mark and there is no damage. The compote is 6 1/4 inches in diameter and 6 inches tall.