Special Offer: Reduced from $1200. now $700. Impressive Ming Dynasty pottery “sancai” green and amber glazed wedding bed. There are two repairs: appears to have been cut in half and then glued back together and there is one on repair at the top of the roof façade- all noted in last enlargements. H: 47cm18.5in and W: 35.5/13.9in x 20cm/8in.

Hiroshi Yoshida
Glittering Sea, from The Inland Sea Series
(Hikaru Umi, Setonaikaishu)
Date: 1926. Date of this edition not known.
Medium: Japanese woodblock print mounted as kakejiku scroll.
Signed and sealed in the image.
Size: Oban. Scroll: 45.5 inches 17.75 inches. Blue sheet: 20.5 x 15.75. Visible image: 14.5 x 9.75 inches.
Condition: Creasing from scrolling.
Note: Scroll mounting over the margins prevents us from confirming the presence or absence of...

Shiko Munakata (1903 ~ 1975)
Date: April 10, 1959.
Seated Figure. Here titled by the artist, "At Columbus" (コランバスに於て). Also signed by the artist and dedicated in pencil in Japanese at the top right, "to Ms. Ryuko Sato".
Munakata's famous 1959 United States lecture tour took him through Ohio. On the tour, he was known to carve one-off woodblock prints on the spot at gatherings and present them to hosts or guests, as once described on the Antiques Roadshow. We believ...

Kobayashi Kiyochika
Rainy Day at Kudan from the Hasegawa Night Scenes series.
Size: Chuban. Approximately 11 x 8 inches.
Date: 1938-60.
Publisher: Nishinomiya Yosaku. Unusual "Nishinomiya Art" stamp on verso.
Sealed by artist.
Reference: Hasegawa catalog No. 1242.
Medium: Japanese woodblock print.
Condition: Paper residue at back left. Very light crease at lower left corner.

Shoda Koho
Country Scene (sepia version) from the Hasegawa Night Scenes series. Also known as "Canal by Moonlight"
Size: Chuban. Approximately 10.25 x 7.5 inches.
Date: 1938-60.
Publisher: Nishinomiya Yosaku. Unusual "Nishinomiya Art" stamp on verso.
Sealed by artist.
Medium: This Japanese woodblock print is on a thick card like some very early Hasegawa Night scene editions.
Condition: Back of card is toned. One small point of foxing in sky.

Tsuchiya Koitsu
Yotsuya
Publisher: Doi Hangaten (Doi seal).
Date: 1930s-1950s.
Print size: Approximately 3.75 x 2.5 inches.
Koitsu catalog no.: TK-DH-205.
Woodblock print tipped along top edge to original, unused 5 x 3 inch holiday card.
Medium: Japanese woodblock print.
Condition: Excellent.

Jinbo Tomoyo (1902-1994)
Pensive Girl
Date: 1939.
Size: 16.5 x 11.25 inches.
Edition: First and only.
Signed and sealed by the artist.
Edition: 56 of 100. Hand numbered in Japanese on back beside one hundred limitation seal.
Artist's red seal on back with date and seals of carver (Ishizaka Kenichi) and printer (Nakamura Sanjiro).
Mica highlights on hair ornaments.
Medium: Japanese woodblock print.
Condition: Abrasion at index finger area. A few ...

Chinese silver mug, ca 1910. Straight and upward tapering sides and c-scroll handle. A spare form enlivened with applied wraparound dragon chasing its tail. Marks include stamp for Wang Hing, a maker and retailer in Canton and Hong Kong. Very good condition.

Dimensions: H 5 x W 5 x D 3 1/4 in. Weight: 10.8 troy ounces. #BX461

Tsuchiya Koitsu
Four Small Woodblock Prints
Titles: Kiyomizu Temple, Arashiyama, Kawaguchi Lake, and Kintai Bridge in Iwaki
Date: 1940s-50s.
Size: Approximately 3.5 x 2.25 inches.
Publisher: Shobido Tanaka.
Koitsu catalog nos. TK-SB-50, TK-SB-51, TK-SB-52, TK-SB-53.
These woodblock prints are tipped at the top edge to the covers of blank bridge tallies.
Condition: Excellent.

Title: Tokumochi
Artist's signature not read. The second kanji in the signature is read "haru" or "shun."
Print size: Approximately 5.125 x 3.375 inches.
Date: ca. 1930s.
Publisher: Takemura Hideo.
Medium: Japanese woodblock print tipped along its top edge onto a 6.625 x 4.75-inch greeting card containing a signed message.
Condition: Print excellent. Card is discolored.

Title: Mountain Temple and Snow
Artist: Not known.
Print size: Approximately 5.675 x 3.5 inches.
Date: 1950s-60s
Publisher: Watanabe Shozaburo.
Print is tipped along its top edge to original blank card.
Medium: Japanese woodblock print.
Condition: Excellent.

Pair of Portuguese Classical silver candlesticks, ca 1840. Each: Globular socket with turned downleaf-and-dart rim; knopped and baluster shaft on domed foot mounted to shaped square base with applied leaf rim and splayed corner paw supports. Dentil, diaper, pointille, guilloche, and gadrooned ornament. Marked. Very good condition with deep patina.

Dimensions: H 8 3/8 x W 3 7/8 x D 3 7/8 in. Total weight: 22 troy ounces. #BV975

A testament to the brilliance of traditional Japanese craftsmanship, this lacquered mizusashi—skillfully handcrafted from bamboo—showcases a deep crimson hue that radiates warmth and sophistication. Its seamless design and flawless finish reflect the skilled hands of the first generation artisan who crafted it, achieving a harmonious balance between form and function. Designed for use in Japanese tea ceremony, this indispensable implement would love to be put back into service o...

The term “tenmoku” (heavens eye) refers both to a shape of tea bowl popularized in the Song Dynasty dating back almost 1,000 years, and also to a style of glaze that these pieces are renowned for. In the case of tea bowls themselves, the troughs often have darker coloration with radiating colored rays and, depending on the style, often resemble the iris of a human eye. In the case of the glaze, the individual oil spots that appear on the walls of the vessel can sometime also rese...

Shien
Pagoda in Snow
Date: 1930s-1950s.
Publisher: Watanabe Shozaburo.
Size: Approximately 6 x 4 inches.
Sealed by the artist.
Print is tipped along its top edge to original holiday card with message inside.
Medium: Japanese woodblock print.
Condition: Excellent.

Lake Tanganyika Scene in Watercolor measuring 28”x 33”. More information coming soon

Kawase Hasui
Kiso River (catalog title: Mt. Fuji with Sailboat)
Date: 1930s.
Size: Koban. Approximately 7.875 x 5.375 inches.
Publisher: Watanabe Shozaburo.
Artist's oval seal at lower left.
"Made in Japan" stamped on verso.
Reference: Hotei #Hp-1.
Medium: Japanese woodblock print.
Condition: Excellent.

This Meiji period vase is made of fine white porcelain fashioned after classic Chinese motifs.. The potter, first generation Miura Chikusen, is the same generation as many of the better known Imperial Court artists (Kozan, Siefu, Tozan, etc…) and just as accomplished in terms of mastery of technique, level of artistic expression, and volume of pieces produced.

An exceptionally skilled Meiji potter, Chikusen (1854 – 1915) specialized in high-quality Kiyomizu-yaki and...

Danish Biedermeier Gothic Troubadour silver hunting horn on stand, 1855.

Horn has two applied bands with leafing scrollwork and cast green man applied to front. At top a third band with mandolin-strumming maidens and coat of arms-bearing pages in cloister colonnade. Cover domed with leaf-mounted cast figural finial in form of winged Classical man in drapery and helmet pouring wine into a cup. Tail cap has acanthus leaf border with cast owl finial. Gilt-washed interior.

Shaped stand with stra...

A magnificent oil on canvas color block study circa 1970, done in the time of then Abstract Expressionist period of Art. Unsigned measuring 59” x 41” Please see #3463 for a matching artwork

Chinese porcelain hat stand vase with a hand painted scene of a boy playfully dangling a toy spider in front of his pet cat. Mother and brother are standing nearby watching. Dates early 20th C. Measures 11.5" high x 5" diameter.

Kiyoshi Saito
Maiko
Date: ca. 1960.
Size: Oban. Approximately 17.25 x 11.5 inches.
Pencil signed and sealed by Saito.
Self-published by the artist.
Silver mica is used on the collar.
Medium: Japanese woodblock print.
Condition: Top back margin has paper residue. Very faint toning.

Arai Yoshimune
Fishing Boat
Date: 1910s.
An early edition on original card-like paper.
Size: Chuban. Approximately 9.75 x 7 inches.
Publisher: Hasegawa. From the famous "Night Scenes" series. Hasegawa catalog No. 1245.
Medium: Japanese woodblock print.
Condition: Excellent.

A stylized grass motif painted in ferrous pigment across each side and on the inside of this mukozuke serving dish marks it as being more likely produced in Karatsu as opposed to having come out of a Mino kiln. Though very similar styles and techniques were utilized during the late 16th or early 17th C. when this would have been produced; the color, distribution of glaze, and patterning suggest Karatsu. While at one time this would have been part of a set of 5 pieces, very few sets s...

With an uncanny ability to emulate features of the natural environment, the creator of this sake vessel,Tsujimura Yui, is one of Japan’s most skilled potters working in the field today. With a breathtaking ash glaze that appears half planned and half left to the dictates of the kiln, we can see a number of textures and colors that one might encounter in a Zen garden or while hiking along a mountain brook. The front of the vessel is adorned with an “enso,” however, unlike the tr...

Tokoname pottery has a rich history that dates back over a thousand years. Originating in the town of Tokoname in Aichi Prefecture, Japan, this pottery tradition has flourished due to the region's abundant red clay deposits. The history of Tokoname pottery can be traced to the 12th century when the art form was greatly influenced by Chinese ceramics, specifically, by the Yixing clay pottery tradition. Over the centuries, Tokoname pottery evolved to develop its unique style characteri...

The term “Raku” was once reserved for a style of pottery produced by a specific household in Kyoto that began over 450 years ago. Over the years, as it gained popularity, several branch kilns were established (Ōhi, Tamamizu) and a number of other lineages arose making pieces in the style of Raku, though they were not formally associated with the Raku household. Today, we see that Raku has become a world-wide phenomena and the name is no longer reserved strictly for the Raku fami...

Several years ago we were invited by our very talented kintsugi craftsman to what is known as a “kura-ake” or storehouse opening. Many reading this may be familiar with the traditional storehouses in Japan (kura) with their thick plaster walls used to store valuable items—sometimes for hundreds of years—safe from humid air, insects, and the like. On occession, after the passing of a parent or relative, these storehouses are opened up and the art pieces and valuables inside ar...

Tsuchiya Koitsu
Snowy Miyajima
Date: 1936.
Size: Chuban. Approximately 10.75 x 7.75 inches.
Publisher: Doi Hangaten.
Printer: Yokoi. Carver: Harada. This combination of seals indicates an early postwar edition.
Reference: TK-DH-25 in Koitsu catalogue.
Medium: Japanese woodblock print.
Condition: Back has one tape remnant at top right. Slight fading.

Vietnamese silver box, late 19th century. Rectangular with straight sides. Cover flat and hinged. Box sides have embossed blossoming branches, bamboo, and bird; engraved leaves and flowers at corners. Cover top has embossed slithering, scaly dragons with horns and talons in same frame; blossoming branches at corners. Ground stippled. Maker's mark for Guang Qing Yong. Very good condition with deep patina.

Dimensions: H 3 1/2 x W 6 1/4 x D 4 1/8 in. Weight: 18.4 troy ounces. #BW325

Special tha...

Pair of German Biedermeier Classical silver candlesticks, ca 1830. Each: Socket mounted to leaf flange in turn mounted to baluster shaft on raised round foot on square base. Fluting, gadrooning, acanthus leaf, and leaf-and-dart ornament. Marked. Very good condition with nice patina.

Dimensions: H 10 1/8 x W 3 1/2 x D 3 1/2 in. Weighted. #BY091

Handsome European stone trinket box, ca 1910. Rectangular with straight sides and sharp corners. Shoulder and base chamfered. Cover hinged, inset, and chamfered. Silver-plated mouth and cover rims. Cover has cabled border and filigree scrolled tab. Stone mottled red. Very good condition.

Dimensions: H 2 x W 4 x D 2 1/2 in. #BX269

Kohiki is a traditional Japanese pottery style known for its simple and rustic aesthetic. It involves applying a white slip onto the vessel's surface, followed by a transparent glaze, creating a contrast between the white and exposed clay areas. Kohiki ware is commonly used in tea ceremonies but it can also be found in various other forms. Its humble and understated style, with organic textures and subdued colors, continues to be appreciated by collectors worldwide. Here we see a koh...

A flip calendar with a tiny woodblock print of a torii gate and a litho of The Teahouse Jiji-ga-chaya at Meguro by Hiroshige.
Date: 1934
Overall size: 5.25 x 2.5 inches.
Christmas greeting on back.
Condition: Excellent.

Charles W. Bartlett
Title: Kobe
Date: 1915
Board size: 12 x 8.75 inches. Image size: 10.75 x 7.25 inches.
Medium: Watercolor on paper.
Signed "C.W.B", titled, dated, and dedicated in pencil.
Condition: Painting is laid down to board. Paper toned in places.
Note: As signed, the work was painted in 1915, the year Bartlett arrived in Japan, and was subsequently presented as a Christmas gift in 1936.

Handwoven with delicate precision, this Japanese bamboo ikebana basket showcases the beauty of traditional bamboo weaving and the elegance of classic Chinese design that much of Japanese traditional art is based on. Its sturdy construction and balanced proportions make it perfect for ikebana arrangements, merging floral artistry with cultural aesthetics.

Though little is known about this artisan, I was able to find examples of their work in several high-end Japanese g...