Antique 18th – early 19th Century Chinese Qing Dynasty Carved Dragon Belt Hook mounted as a magnifying glass handle in a gilt copper mount with engraved flowers and leaf decoration attached to a circular polished magnifying lens. A well carved belt hook with a large dragon head hook with bulging eyes, curled horns and pierced mouth. The body of the belt hook is carved with fine openwork with a writhing chilong holding lingzhi in its mouth. The reverse with a raised button. In the late 19th ...

An antique six panel Chinese coromandel screen with motif of birds and flowers inlaid with mother of pearl and semi precious stones. This style of screen emerged during the Ming dynasty in China and has been favored in Europe for centuries. Each element of detail has been masterfully rendered. The lacquer is in wonderful original condition showing a lusterious rich finish.

Age: Early 19th century

Dimensions: Height: 68" Width: 90"

A stunning pair of sake cups depicting monkeys by the famous Kutani potter Matsumoto Saiichi 松本佐一 (b. 1930), using his signature technique, porcelain with underglaze gold leaf. Title: Sake Cups (sakazuki 坏) Medium: porcelain with underglaze gold leaf and overglaze enamel Size: Wider: 3.2 x 8.5 cm and Taller: 5.9 x 5.4 cm Signature in enamel on the bottom of both pieces: Saiichi (佐一) Date: Heisei Period, 2003 for 2004 Condition: no flaws: no cracks or r...

A Chinese silver goblet embossed with a continuous scene of figures and horses set against a background of pavilions, mountains, pagoda and trees. It is raised on three entwined bamboo branches. This is a high quality object of vertu, the figures have human faces with features- look for a laughing old man with animated face. The details are fresh and sharp, the composition very elegant . size: 21 cm high. age: Qing period. condition; very good, no breaks , no restoration, high points good. There...

A fine Arita blue & white porcelain flower vase to be mounted on a wall, kakehana. 18th century.

The flower vase is heavily moulded with a leaping Chinese Lion or karashishi in a landscape of rocks and Tree Peonies, a classic subject in Japanese art known as “Botan-ni-Shishi”, an auspicious subject.

This old kakehana was manufactured in Arita in the mid Edo period, probably for the home market.

Approximately 16.7 cm high. A tiny glaze chip on the mouth-rim,...

A very thinly potted small blue and white Ming dynasty saucer. It is so thinly potted that if held against the light, we can see through it. The centre of the saucer has a flower that looks like a lotus pod in a double circle. The porcelain is slightly grayish in colour. It has the Cheng Hua (1465-1487) six character mark and of the period.

There are minor firing faults with frittings and chips along the rim and base. No hair line crack. Generally in good condition.

The mea...

Very Rare LARGE Chinese Qin Dynasty Pottery Cocoon / Listening Jar with Oxford TL Test

This oversized vessel, in the form of a "cocoon jar", was made during the Qin Dynasty (221 - 206 BC) or possibly a little earlier during the Warring States period (475 - 221 BC), but even then by the Qin state. It is made from a fairly high-fired fine-grained grey pottery. The whole of the outer surface of the body is decorated with repeated cord or woven impressions with vertical bands then being made aro...

Chinese Qing dynasty Kangxi marked monochrome beehive form water coupe (taibo zun) covered overall in a copper red glaze. The slightly recessed flat base and interior are white. The base holds an apocryphal underglaze blue six-character Kangxi reign mark written in three columns. This type of water pot was used to refill a low flat brush washer. 5 1/8” diameter by 3 1/2” high. Guangxu period (late 19th century). The neck and mouth have been carefully ground down. The pot is otherwise ...

TRAY OF RYOKAN

Large wooden tray actually used at old 'ryokan' (Japanese‐style hotel), Showa period, early-mid 20th century, D 35.6-34.8cm (14.01-13.70in), H 5.8cm (2.28in). Aesthetic grain expression and calm comfort for use. Expected some fine scratches due to aging with use. *Only a tray is available to purchase, as the other stuff (cups) of usage example are not attached.


selected by ONEN




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French 18th Century Louise XV period Provincial hand carved dark Oak Cupboard Buffet, 74" high, 55" wide, 20" deep-bottom cupboard section, 12 1/2" deep-top shelving area, retain old heavy Brass Hinges and black iron original lock mechanism inside. Three(3) shelves behind the decorative racks to hold plates on top, and deep hand carved large Sunflower with vines on the top, above large open space, with one shelf behind two blind doors which carved with original floral and vines in front of the ...

Description:
A charming porcelain statue was rarely found from an old collection.
In amusing subject of Mother and Child, this statue was put in the famous Chinese antique magazine Art and Collection - May edition, to celebrate the international Mother's Day of May.
It was well preserved without any crack-lines and was free from any restorations.
Of course, due to long time of burial, some abrasions were caused to the surface (see details).
Burial earth and dry plant roo...

A very rare pair of Antique European late 19th century cold painted spelter sculptures on elaborated square bases. The finely and realistically modelled sculptures depict a Chinese man and a Chinese woman in national costumes. The man is wearing a long green robe with gold swirl motifs, grey Balloon Pants and red shoes on his feet, the hair is braided and drawn back under a black hat. His left hand is grasping a Chinese musical stringed instrument (Erhu). The female is wearing a lavish robe, ela...

A wild boar kōgo by famous Kyoto potter Imai Masayuki 今井政之 (1930-2023). Decoration is a stylized version of the ancient Chinese character for wild boar. Masayuki used his famous inlaid colored clay technique in producing this piece. Imai Masayuki and the late Miyashita Zenji are considered the two masters of the colored clay technique in Japan. Title: Inlaid Zodiac Wild Boar Incense Container (Zōgan kanshi i kōgo 象嵌干支亥香盒) Colored and inlaid stoneware, 3.8 cm high a...

Ming cobalt blue + white porcelain platter depicting 4 Fish and Aquatic Plants. A rare collector's item depicting favoured subject during Chieng Hua (1465-1487) and Chia Ching (1522-1566) Reigns, i.e. 4 Fish identified as Qingyu (a fresh water Mullet), Baiyu (type of Carp), Lianyu (Bream) and Quiyu (Mandarin Fish). According to LiYiping, combination of these 4 Fish symbolises "unsullied and incorruptible". There are 2 natural firing cracks on the base of this dish (see last enlargement for det...

A Kangxi period very large baluster- shaped jar and cover, decorated in blue and white with the body showing 36 panels each enclosing a composition of butterflies amongst leafy peony sprays. The borders also reflect a floral image whilst the cover repeats the themes of the panels. This impressive example is of monumental size 57cm (22 and 1/2 inches) high and boasts a vibrant and even blue colour and meticulous painting . Important Note: There is an identical jar and cover in the Topkapi S...

The size of Screen: 277cm Wide x 138 cm High (109 " x 54 3/8")
The both side Left/Right Panel size: 47.2 cm x 138 cm (18 1/2" x 54 3/8")
4 panels in between size: 45.5 cm x 138 cm (17 7/8" x 54 3/8")
Each Fan design size: 55 cm (21 5/8") wide.

This is wonderful 6 panels Japanese Byobu screen from 1750's middle 18th Century with 21 Ougi (fans) design with gold leaf background. This type of painting properly called, "Senmenga" with fan design Byobu called "Senmen Byobu". Th...

Jiaqing Period, ca. late 1700s

Each vase is decorated overall with various flowers on a medium-blue enamel ground within a continuous geometric fretwork pattern of gilt wires. Both the rim and base is gilded, now having some wear showing on each vase. The square area on the base is left from an old sticker removed in the past. Both vases have a melon form label body with a flaring mouth rim that is partially gilded inside. The interiors are not enameled and the old bronze has taken on a gr...

Late Ming Dynasty, 1500s

This deep bowl is stoutly potted, being rather heavy toward the base, with the wall thinning gradually to the slightly flaring rim. It rests on a tall, thick footring, with a deep base that is glazed down to the dense, white porcelain paste that is exposed with some kiln grit adhering. The design in underglaze cobalt blue is of chrysanthemums, grasses and three stylized bats. The interior has a broad unglazed ring around the bottom to allow it to be stacked during ...