A Kangxi period very large baluster- shaped jar and cover, decorated in blue and white with the body showing 36 panels each enclosing a composition of butterflies amongst leafy peony sprays. The borders also reflect a floral image whilst the cover repeats the themes of the panels.
This impressive example is of monumental size 57cm (22 and 1/2 inches) high and boasts a vibrant and even blue colour and meticulous painting .
Important Note:
There is an identical jar and cover in the Topkapi S...
Offered is a very difficult-to-find grouping of twelve, matching, 19th century, porcelain, apothecary cabinet drawer pulls.
Each pull measures about 2"W x 1 3/4"H x 1 1/2" front to back (not including bolt).
The condition of the pulls is very good with only a few minor manufacturing imperfections that add to the desired patina of an antique of this age and period.
Most of the pulls sport the following, sometimes illegible, maker's mark on the bottom of the knob: "PAT. FEB 12, 89 -...
A spectacular and beautiful circa 1730 English silk embroidered apron front, exquisitely embroidered in polychrome silk and metallic threads with garlands and sprays of flowers urns. Scalloped edges are finished with embroidered metallic trim. A somewhat later but very similar example is shown in The Lotus Collection.
There are some scattered unimportant splits and very very minor and small spots of discoloration, all to be expected in such a delicate piece. The textile size is 41 3/8" by 17 ...
Made in USA. All metal hand hammered in the American Modernist or Arts & Crafts metal art smith tradition, this face motif free standing 116 grams copper metal sculpture can hold a vase or can be worn as a cuff bracelet. All hammered by one set of hands from beginning to end resulting in this art work by this metal art smith and signed: HANDMADE MIMI DEE.
See Image 2: Can be displayed on a table or in a shelf to hold a small bud vase or worn as a massive cuff bracelet. 116 grams.
St...
A Fine And Rare Khmer bronze figure of Hevajra, Angkor Baphuon Period 11th Century.
Standing in Paryankasana with his sixteen arms radiating around his body and formely the hands holding separate casted attributes.
Wearing vertical striated sampot secured by a belt and with long fish tail shaped flange falling between his legs.
The reverse with butterfly shaped element, bejewelled, his head with nine faces with incised ridged eyebrows set above incised almond shaped eyes, broad noses, pouti...
Antique Polish Baroque (17th-18th century Poland) bronze church hanging incense burner censer-thurible. The censer thurible is of baluster form with a pierced domed top and surmounted by a patriarchal cross with a double cross-bar. It is made of several elements: a domed top, bowl, a round conical base, and are cast separately and turned from a solid piece of bronze. The round conical base is fastened to the bowl by the handmade bronze screw from the antique's period time. The domed top is hand ...
A Fine Bronze Seated Buddha Sakyamuni Figure, U'Thong Style, Early 16th Century. Seated in Sattvasana, his hands in Bhumisparsa and Dhyana mudra. Wearing a sanghati with long sash. His face with meditative expression, downcast eyes under incised arched eyebrows, broad triangular nose and outlined lips, elongated earlobes. His hair arranged in rows of small curls. Measurements: Height - 43 cm (17 In) Don't hesitate to send your offer, we always do our best to offer the most attractive pieces for ...
Large Chinese Qing dynasty oval form lidded jar densely decorated on the front in underglaze blue on a faintly celadon tinted white ground with a phoenix bird among peonies. Three blue clouds are on the lid. The base and interior are glazed while the foot is unglazed. Late 19th century. 12 1/2" high. Very good overall condition. The unglazed mouth rim has tiny imperfections. There are a few glaze losses to the tip and side of the finial that might be from the original production. From th...
Chinese late Qing to Republic period guanpixiang table-top chest with a mansard-style hinged top that lifts to expose a single shallow tray above a pair of doors opening to five drawers with metal pulls all upon an attached base. A circular lockplate with ruyi-form clasp is on the front. Two side carrying handles. These chests were typically utilized by men to hold seals and related accessories while women were known to use them for cosmetics storage. Early 20th century. 15” high x 14 1/2” ...
Japanese Jubako, traditional stacked lacquerware food boxes, represent not only culinary refinement but also an important aspect of Japanese food culture. These elegantly tiered containers, often adorned with intricate designs and vibrant colors, are integral to the presentation of special occasion meals such as New Year’s celebrations and formal picnics. Crafted with meticulous attention to detail, Jubako boxes like the one featured here showcase the artistry of Japanese lacquerwa...
A Chinese Bronze Censer figure of buffalo and the figurine, Qing Dynasty. The figure of buffalo length approximately 12.6 cm and height approximately 7 cm. There's an old repaired at the one of buffalo horn. Decorated silver wire inlaid. The figurine height approximately 7.8 cm. Decorated silver wire inlaid. The figurine has few cracks around 1 cm (2 parts) and few small chips at the bottom.
Rare 19th Century Palanquin. There has never been one offered for sale before and it is unlikely you will ever see another one again. The exquisite wood carving on all sides features ancient symbolism of prosperity and longevity. 34h x 28w x 81d inches with poles, 86h x 71 x 206 cm with poles.
These authentic and extraordinarily RARE, hand-forged, wrought iron, Slave Ship Ankle Shackles were de-accessioned from a private collection. Ankle shackles such as these were used to restrain and imprison kidnapped Africans below decks in the slaver ships' holds during what is known as the ‘Middle Passage’, the brutal voyage endured by captured Africans from the West Coast of Africa to enslavement in the Americas- the second portion of what was known as the transatlantic slave trade.
Wh...
RARE modernist sterling and rhodochrosite bracelet by Theodor Fahrner, Germany, c.1960's. This famed maker closed shop in the 1970's and produced a very small output of modernist designs. The substantial bracelet is made of heavy gauge silver(weighs 3 troy oz or 90 gms) and measures 7" long. Each of the 6 concave links measures 1 1/16" wide by 1" long and will fit a medium to larger wrist because of the curved links. The 6 matching stones are original and set off the textured silver. Bracelet is...
A large and very impressive tomb pottery horseman, Chinese, 1368-1644 AD. The type has been thoroughly tested and was burnt approx 500 years ago, placing it in the mid Ming period, c. early-mid 16th. century.
The pottery horseman, a higher-ranking officer, was probably originally equipped with a standard of wood, that has now decayed. He is clad in body armor in blue and torquise and wears a cone- shaped helmet. He is riding a white horse with details in torquise.
A rare to...
Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bowl seen here. The first in this line of potters was Yahē (1662 - 1722), an illegitimate son of Kichizaemon Ichinyu (1615 - 1768) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho). Though he is the first potter of this branch, he is sometimes referred to as Tamam...
24” high Chinese late Qing dynasty Guangxu period baluster form geyao style crackle glazed porcelain vase decorated in underglaze blue with a central panel featuring a deer and crane in a landscape on a white ground. Blue pine branches extend from the central panel to the front of the golden neck. A cream-colored crackled glaze lines the base and interior of the wide dish-form mouth. The rim is dressed brown. The splayed base holds blue and white huts among mountains in front and a celadon...
Chinese Qing dynasty Kangxi marked monochrome beehive form water coupe (taibo zun) covered overall in a copper red glaze. The slightly recessed flat base and interior are white. The base holds an apocryphal underglaze blue six-character Kangxi reign mark written in three columns. This type of water pot was used to refill a low flat brush washer. 5 1/8” diameter by 3 1/2” high. Guangxu period (late 19th century). The neck and mouth have been carefully ground down. The pot is otherwise ...