Rare Japonesque mixed metal tray. Made by Tiffany & Co. in New York, ca 1878. Square with curved sides and straight edges. Two birds soar and glide. One is viewed from below and the other from above (that is, from bird’s eye). An original and jokey design incorporating the exotic flattened Japanese perspective. Feathers are gold, and beaks, eyes, and wispy, dangly talons are copper. Crescent frame engraved with calligraphy-style presentation dated 1879. Ground hand hammered. Corner leaf-and-sc...

A testament to the brilliance of traditional Japanese craftsmanship, this lacquered mizusashi—skillfully handcrafted from bamboo—showcases a deep crimson hue that radiates warmth and sophistication. Its seamless design and flawless finish reflect the skilled hands of the first generation artisan who crafted it, achieving a harmonious balance between form and function. Designed for use in Japanese tea ceremony, this indispensable implement would love to be put back into service o...

Master of a very difficult technique from the Chinese Tang Dynasty (618 - 907) known in Japanese as Neriage, the potter who created this elegant vase uses extreme precision to combine sheets of differing types of clay, culminating in a unique visual effect. While many of his pieces are ringed with swirls of colors, this one is more modern and subdued. With quite a lot of character, this lovely vase will draw attention without being overpowering.

Born in Nagano, Kosei Matsui (1927-20...

Occasionally while browsing through the temple markets of Kyoto or perusing backstreets tea-ware shops, an attractive piece will catch my eye for no particular reason. When this happens, I typically buy it immediately without hesitation, trusting that I will be able to place it to a specific period or kiln given enough time and research. In some cases however, this proves to be a fruitless task and I am left only to appreciate the beauty and form of the object without having access to too many d...

Shiko Munakata (1903 ~ 1975)
Date: April 10, 1959.
Seated Figure. Here titled by the artist, "At Columbus" (コランバスに於て). Also signed by the artist and dedicated in pencil in Japanese at the top right, "to Ms. Ryuko Sato".
Munakata's famous 1959 United States lecture tour took him through Ohio. On the tour, he was known to carve one-off woodblock prints on the spot at gatherings and present them to hosts or guests, as once described on the Antiques Roadshow. We believ...

With a masterfully applied black Raku glaze and a noticeable aesthetic of austerity and stillness, this piece is what is refereed to in Japanese as an “utsushi” or what we might call in English a “tribute piece.” Such pieces are typically made by all Raku potters, regardless of the kiln and tradition, and seek to emulate famous works from the early masters over 400 years ago—in this case, a tea bowl created by the brother of the second Kichizaemon, Tanaka Somi, born sometim...

Okuhara Seiko (1837-1918; female)
Cherry Blossoms Under the Full Moon
Date: 1900s-1910s
Publisher: Daikokuya.
Unsigned. Signed examples exist.
Size: Shikishiban. Approximately 9.75 x 9.5 inches.
Medium: Japanese woodblock print.
Condition: Slight toning. Left and right edges bumped.

If you are familiar with the work of Hiramatsu Ryoma you know that he creates very unconventional ceramics inspired by forms found in nature. Here we have a set of sake cups he describes as “Ou-tekko” (pyrite) and “Ammonite” (same in English - a kind of sea fossil). Part of a series he has been developing, the ancient Ammonite fossil has been the inspiration behind his latest creations. Pyrite, meanwhile refers to the metallic patterning on the outer surface of the clay body. Truly uniqu...

Simple yet classic styling—this tea bowl is perfect for anyone looking for the quintessential Ido-shaped chawan crafted by one of Japan’s master Hagi potters.

Born in the famed pottery town of Karatsu in 1942, Zenzo Hatano spent a number of years learning the various styles particular to his region before taking up an apprenticeship under well-known Hagi potter Yoshiga Taibi. Winner of a number of awards including the Japan Crafts Exhibition Award in 1977, Hatano’s greatest d...

Dating from the 17th century, Kutani-ware is a type of fine porcelain that takes its name from the region from which it originates—the name literally means “nine valleys.” In sharp contrast to many other styles of Japanese ceramics which tend towards more modest color palettes, Kutani-ware are known for their vibrant red enameles, gold trimming, and complementary greens, yellows, and blues. This set of tokkuri is painted with a common hanging-lantern ornamental pattern known as youraku. Th...

Japanese inlay ceramics (zōgan) are created by making incisions on the surface of a clay body which are then filled with various colored clays, creating a pattern. After the pattern is finalized, an overglaze is applied and the piece is sent to the kiln to be fired. As can be seen here, the results are quite striking and produce unique patterns that cannot be replicated through painting alone. Inlaying as a technique is thought to have originally derived from practices in metal and ...

Tokoname pottery has a rich history that dates back over a thousand years. Originating in the town of Tokoname in Aichi Prefecture, Japan, this pottery tradition has flourished due to the region's abundant red clay deposits. The history of Tokoname pottery can be traced to the 12th century when the art form was greatly influenced by Chinese ceramics, specifically, by the Yixing clay pottery tradition. Over the centuries, Tokoname pottery evolved to develop its unique style characteri...

Lovely sterling silver keepsake box. Rectangular with straight sides. Cover hinged and tabbed. Cover top has engraved border with dense and overlapping flowers and leaves. Stained-wood bottom, lining, and partition. Cover interior has rectangular tablet (vacant). Hallmarked “sterling silver”. Very good condition.

Dimensions: H 1 3/4 x W 7 x D 3 3/8 in. Gross weight: 11 troy ounces. #BQ281

Large Edwardian Art Nouveau sterling silver basket. Made by Tiffany & Co. in New York, ca 1907. Bowl has solid center with engraved leaves and tendrils, surrounded by pierced interlaced scroll and leaf pattern heightened with engraving. Rim has molded c-scrolls interspersed with scallop shells. Foot solid and spread. Tapering c-scroll swing handle engraved with same. Fully marked including pattern no. 16976C (first produced in 1907) and director’s letter m. Very good condition.

Dimensions: H...

American Art Nouveau sterling silver picture frame, ca 1910. Rectangular window in same flat surround. On front acid-etched and engraved leaves and flower heads. Fluid and distended ornament interspersed with four tubular cartouches (vacant). Sides plain. With glass, silk lining, and velvet back and hinged easel support for portrait (vertical) or landscape (horizontal) display. Marked “Sterling” with no. 832. Very good condition.

Dimensions: Frame: H 10 1/8 x W 7 5/8 in. Window: H 8 3/4 x ...

English Victorian Modern sterling silver smoking box 1885. Rectangular with straight sides. Scroll-bracket handle mounted to central panel between two hinged covers. On one in blue enamel “Cigars”; on other “Cigarettes”. Cedar lined. Felt-lined underside. Fully marked including London assay stamp and maker’s initials “T.W”. Very good condition.

Dimensions: H 4 x W 7 3/4 x D 6 1/2 in. Gross weight: 28.3 troy ounces. #BX649

Art Nouveau glass and sterling silver inkwell. Made by Gorham in Providence. Rectilinear clear glass block bulbous well. Sides have carved ornament: Fluid scrollwork and stylized flowers. Short neck in sterling silver collar surrounded by squarish same mount and hinged cover. Engraved interlaced script monogram and interlaced scrolls, flowers, and leaves. Hallmark includes no. D788. Very good condition.

Dimensions: H 4 1/4 x W 3 1/2 x D 3 1/2 in. #AW242

Arai Yoshimune
The Temples in Shiba Park (penciled title, "Shinto Shrine)
Date: ca. 1910s-38.
Size: Approximately 5.5 x 3.5 inches (14 x 9.2 cm)
Artist's Yoshimune seal at lower left.
Publisher: Hasegawa Takejiro.
Medium: Japanese woodblock print attached along its top edge only to an unused holiday card.
Condition: Print is excellent. Card is toned and has lower left corner bend.

Arai Yoshimune
The Imperial Palace, Tokyo (penciled title, "Old Tokyo")
Date: ca. 1910s-38.
Size: Approximately 5.5 x 3.5 inches (14 x 9.1 cm)
Not signed (acquired with our artist-sealed Yoshimune053).
Publisher: Hasegawa Takejiro.
Medium: Japanese woodblock print attached along its top edge only to an unused holiday card.
Condition: Print is excellent. Card is toned.

Arai Yoshimune
Pleasure Boat
Date: ca. 1910s-38.
Size: Approximately 5.5 x 3.625 inches (14 x 9.4 cm)
Not signed (acquired with our artist-sealed Yoshimune053).
Publisher: Hasegawa Takejiro.
Medium: Japanese woodblock print attached along its top edge only to an unused holiday card.
Condition: Print is toned in sky. Card is toned and has bend at right.

Large Edwardian Art Nouveau sterling silver picture frame. Made by Lebkuecher in Newark, ca 1910. Rectangular window in curvilinear shaped surround. Corner frames inset and entwined with wreaths, leaves, and rondels inset with flower heads. Ornament in low relief on stippled ground. On top rail is engraved single letter monogram (M) between leafing scrolls. With glass, silk lining, and velvet back and hinged easel support. Fully marked including maker’s and retailer’s (Grogan Company) stamps...

Shoda Koho
Shrine Gate at Miyajima
From the Hasegawa Night Scenes series (No. 1251).
Size: Chuban. Approximately 10 x 7.25 inches.
Date: 1910s.
Publisher: Hasegawa Takejiro.
Edition: One of the earliest examples - on thicker card with the verso stamp, "Printed by T. Hasegawa Tokyo" (All Rights Reserved)".
Medium: Japanese woodblock print.
Condition: A couple of very small marks. Back of card toned.

A delightful Shakudo brooch featuring a laughing face with exaggerated features including large copper lips as well as copper rope detail. Made in Japan. Meiji era, ca. 1880. Excellent condition with lovely patina.

Dimensions: H 3/4 x L 1 3/4 in. #1118

American Art Nouveau glass vase with engraved silver overlay, ca 1900. Baluster with inset and flared rim and spread foot. Vertical overlay pattern comprising distended flower heads and leaves overlapping curvilinear tendrils. Heart-shaped cartouche engraved with interlaced script monogram. Glass is green. Silver has retailer's stamp (“Wm Wise & Son”). Very good condition.

Dimensions: H 12 3/8 x D 4 in. #BZ129

Hiroshige Ando
Fuchu, Nichomachi (Titled in image)
Size: Approximately 5.5 x 3.5 inches.
Date: ca 1910.
Publisher: Matsumoto Print Works. No. 419 publisher's tag on back.
Medium: Japanese woodblock print.
Condition: Excellent. Waviness corresponding to location of tag.

Hiroshige Ando
Fuchu, Nichomachi (Titled in image)
Size: Approximately 8.5 x 3.5 inches.
Date: ca 1910.
Publisher: Matsumoto Print Works. No. 40 publisher's tag on back.
Medium: Japanese woodblock print.
Condition: Bend lower right corner. Chip upper left corner.

An excellent offering from Higaki Ryota of Katsura Kiln, this piece displays a classic and iconic shape coupled with a beautiful Kase-guro glaze said to be used over 400 years ago by Chojiro. The color of this tea bowl changes quite dramatically, taking on the characteristics of its environment; light and cheerful in direct and bright lighting, more austere, deep, and reflective in standard tea room lighting. Perfect for those venturing into the world of Raku tea-ware or for those lo...

First presented at the Ishikawa Traditional Crafts Exhibition, this fine mizusashi crafted with extraordinary precision is a testament to the generational knowledge, skill, and dedication of one of Japan’s top traditional craftsman. Its tapered polished sides have a beautiful texture and luster that compliment perfectly with the hand-crafted custom lid adorning the top. Truly an exceptional artwork fused with the aesthetics of tea culture that gives it a sense of stability, calm, a...

Toshi Yoshida (1911-1995)
Winter from the Birds of the Seasons series.
"Sitting Under Snow-covered Leaves"
Date: ca. 1980.
Size: 21.5 x 13.25 inches.
Publisher: The Yoshida Family Studio. Issued by the Franklin Mint.
Signed and sealed by the artist in the image.
Medium: Japanese woodblock print.
Condition: Top back margin has tape. Very slight toning.

Gako
Moon, Beach, and Tree
Date: 1910s-30s.
Size: Chuban. Print size: Approximately 10 x 7.75.
Matte board size: 14 x 11.
Signed "Gako" by the artist.
Publisher: Takemura Hideo. Round, red Takemura seal.
Medium: Japanese woodblock print.
Condition: Print is fully adhered to the board. The board is foxed.

Turn-of-the-century Art Nouveau glass vase by historic maker Loetz with engraved silver overlay. Cylindrical with bellied top and bottom, and short inset neck. Overlay in form of open and horizontal pattern with stylized leaves and scrollwork. Glass is Titania pattern with shaded streaky green in vertical leaf arrangement. Silver marked “Sterling”. Excellent condition.

Dimensions: H 7 x D 3 1/4 in. #BV932

Arai Yoshimune
Fishing Boat
Date: 1910s.
An early edition on original card-like paper.
Size: Chuban. Approximately 9.75 x 7 inches.
Publisher: Hasegawa. From the famous "Night Scenes" series. Hasegawa catalog No. 1245.
Medium: Japanese woodblock print.
Condition: Excellent.

A beautifully crafted vase from a studio potter in the hills of Iga, a few hours drive east of Kyoto. Iga-ware has quite a long history—by some accounts dating back to the 7th and 8th century—with the major kilns being established some time around the end of the 16th century. Similar in many ways to Shigaraki pottery, the glaze is the result of kiln ash being vitrified and melted on to the surface of the clay body at extremely high temperatures during firing, which can last many days. To add...

Set of 3 plique à jour enamel and gilt 930 silver open salts. Made by Marius Hammer in Norway, ca 1910. Each: Inspired by Viking longboat with dragonhead stempost and tail sternpost, and rim comprising warrior’s shields. Stylized plant and geometric ornament. Well has radiating guilloche enamel; each in different color (blue, red, and purple). Oval form for stealthy gliding. Fine craftsmanship and rich colors. Beautiful pieces by this maker, who contributed to the revival of Norwegian art and...

Andrew Kay Womrath (1869-1939)
In collaboration with Yoshijiro Urushibara (1888-1953)
Venice at Night
Size: Chuban. Approximately 11.625 x 8 inches.
Edition: 3/50 OR 33/50. Numbered in pencil at lower left.
Date: ca 1920s.
Signed "A Kay Womrath" in pencil.
Medium: Japanese woodblock print.
Condition: Foxing nearly entirely in margin. Margin blank at lower left.
Note: An example of this night scene is paired with its daytime version in the Smithsonian ...

Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bowl seen here. The first in this line of potters was Yahē (1662 - 1722), an illegitimate son of Kichizaemon Ichinyu (1615 - 1768) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho). Though he is the first potter of this branch, he is sometimes referred to as Tamam...

Katsuhira Tokushi (1904-1971)
Rice Bales (Fumidawara)
Date: 1932
Bears the round "Toku" seal.
Size: Approximately 5.5 x 3.5 inches.
Medium: Japanese woodblock print.
Condition: Excellent. Unframed.
Katsuhira Tokushi was a true folk artist, as he grew up in rural Akita Prefecture without encountering other artists and their work.

Unlike many of the pieces in the genre of Kyo-ware, this tea bowl is decidedly demure in appearance. Milky, flowing glaze pools in places along a backdrop of ivory and coral pink sides, contrasting nicely with the rough, unrefined clay of the base. In the center of the kodai is a decorative swirl pattern reminiscent of the yin and yang.

The potter, Kanpu Kawanabe (1873 - 1947) was born into a family of weavers but went on to be trained in many of the arts related to tea ceremony. A...

This lovely Shino tea bowl fashioned from coarse Mino clay is covered in feldspar glazing, has a classic ferrous abstract painting across the front, and shows nice age—most likely from early to middle Edo.

Shino-ware dates to the Momoyama period when potters were attempting to recreate white porcelain-wares that were being imported from China at the time. Originally they were made in a single-chamber anagama style kilns set into the hillsides. Later, with the advent of large-batc...

Turn-of-the-century Art Nouveau sterling silver mirror. Made by Lebkuecher in Newark. Two bracket supports joined by concave and crisscrossing stretchers. Hinged swing oval frame inset with beveled glass. Dense and fluid engraved scrolls, leaves, and flowers on lined ground. Each support has shaped cartouche (vacant). Glass frame engraved with interlaced script monogram. A timeless addition to a lady’s vanity table. Fully marked and numbered 2473/15. Excellent condition with strong definition....

Turn-of-the-century Art Nouveau glass vase with engraved silver overlay. Made by Alvin in Providence. Conical mouth and neck and bellied bowl. Star cut to underside. Dense overlay in form of overlapping and entwined flowers, leaves, and scrollwork. Scrolled cartouche engraved with two-letter script monogram (SS). Glass is green. Silver marked including maker’s stamp and no. G3349. Very good condition.

Dimensions: H 6 1/2 x D 7 3/4 in. #BX402

When the founder of the Urasenke style of tea ceremony, Sen-So Soshitsu (1622 -1697) was invited to Kanazawa as the master of tea ceremony for the powerful Kaga lords in 1666, the first Chōzaemon came with him and established Ōhi-yaki in Kanazawa. Chōzaemon had been the chief apprentice to the Raku family in Kyoto and took with him many of the principles and ideas associated with Raku-ware. Since those auspicious beginnings, Ōhi-ware has held a high place in the world of tea cere...

Father to internationally known Hagi potter Kaneta Masanao (the 8th generation Sanzaemon potter), though he never achieved the same level of notoriety as his son, his pieces have a grace and elegance all their own as demonstrated here with this charming tea bowl. With its milky crackled glaze and split foot (wari-kodai) showing the rich clay this piece was fashioned from, it possesses strong character and has a calming presence, bringing a sense of stability. Perfect for those deepen...

If you are familiar with the work of Hiramatsu Ryoma you know that he creates very unconventional ceramics inspired by forms found in nature. Here we have a sake set he describes as “Ou-tekko” (pyrite) and “Ammonite” (same in English - a kind of sea fossil). Part of a series he has been developing, the ancient Ammonite fossil has been the inspiration behind his latest creations. Pyrite, meanwhile refers to the metallic patterning on the outer surface of the clay body. Truly unique pieces...

Katsuhira Tokushi (1904-1971)
Five Kinds of Sleigh - Akita Prefecture
Date: 1932.
Image size: Approximately 5.5 x 3.75 inches.
Prints are tipped along top edge to 9.5 x 7.0 card.
Folder included.
1. Hako Sori (Box Sleigh), 2. Naga Sori (Long Sleigh), 3. Uma Sori (Horse Sleigh), 4. Kazu Sori (Kazu Sleigh), 5. Ba Sori (Commuting Sleigh).
The artist has signed the Box Sleigh panel in pen "Katsuhira Tokushi May 17, 1951".
Note: Katsuhira Tokushi was a true fol...

Large Art Nouveau glass cologne with engraved silver overlay. Made by Gorham in Providence, ca 1910. Globular with short neck and everted rim in silver collar. Ball stopper. Symmetrical overlay in fluid whiplash tendrils and stylized leaves and flowerheads. Elongated oval frame engraved with shaded single-letter (B). Glass is red. Silver fully marked including maker’s stamp and no. D947. Very good condition.

Dimensions: H 8 3/4 x D 5 in. #BY252

Hiroshige Ando
Suidobashi, Surugadai (Suido Bridge and Surugadai)
Series: No. 48 from Meisho Edo Hyakkei (One Hundred Famous Views of Edo)
Date: Intercalary 5th month, 1857.
Size: Oban 14 x 9.75 inches.
Publisher: Uoya Eikichi.
Medium: Japanese woodblock print.
Condition: Margin blanks and tears repaired by conservator. Soiling.

Art Nouveau glass decanter with engraved silver overlay. Made by Alvin Corporation in Providence, ca 1890. Conical with cut-to-clear geometric ornament at base, and star on underside. Dense overlay with rinceaux, flowers, and scrollwork. Ball stopper with grape bunches and leaves in strapwork frames. Decanter is cranberry and stopper is clear. Silver fully marked including maker’s stamp and no. R112QT. Very good condition.

Dimensions: H 12 3/4 x D 5 1/2 in. #BX887

Plique à jour enamel and gilt 930 silver bowl. Made by Marius Hammer in Norway, ca 1910. Round with curved sides. Well green guilloche enamel. Horse bust side handles. Bands of stylized plant and geometric ornament. Fine craftsmanship and rich colors. In form of Viking kjenge (ale bowl). A beautiful piece by Hammer, who contributed to the revival of Norwegian art and history. Fully marked. Excellent condition.

Dimensions: H 4 1/4 x W 6 1/8 x D 4 in. #BY196

Edwardian Art Nouveau powder jar. Made by Foster & Bailey in Providence, ca 1910. Crystal with curved sides and short inset neck. Cut geometric ornament and stylized flower band; star on underside. Cover sterling silver; top curved with enameled ornament: Pink and blue flowers on radiating white ground bordered by pink guilloche wave ornament. Cover marked. Very good condition.

Dimensions: H 3 x D 4 1/2 in. #BU315

Edwardian Art Nouveau vanity jar. Made by Foster & Bailey in Providence, ca 1910. Crystal with curved sides and short inset neck. Cut geometric ornament and stylized flower band; star on underside. Cover sterling silver; top curved with enameled ornament: Pink and blue flowers on radiating white ground bordered by pink guilloche wave ornament. Cover marked. Very good condition.

Dimensions: H 2 x D 2 1/4 in. #BU317

A truly unique work of Shino pottery developed among the company of some of Japan’s most respected and influential potters of the last century. Defying conventions of form and genre, this exceptional mizusashi looks like it could have emerged from the ground fully formed, the result of geological processes lasting millennia. The creator of this fine work is none other than Tsuboshima Dohei, a true master of the ceramic arts.

Born in 1929, at the age of 17 Tsuboshima took an appre...

Large Edwardian Art Nouveau sterling silver basket. Made by Meriden Britannia (part of International) in Connecticut, ca 1910. Wide and shaped mouth and cylindrical body flowing into round foot. Hinged c-scroll handle. Pierced and engraved ornament, including flowers, leaves, and garlands. Reeding. Armorial frames on front and back engraved with interlaced script monogram. Fully marked including maker’s stamp and no. 920. Very good condition.

Dimensions: H (with handle) 23 x W 16 x D 9 in. W...

Art Nouveau glass claret jug with engraved silver overlay. Made by Alvin Corp. in Providence, ca 1900. Cylindrical with small lip spout and spread base; c-scroll handle in silver collar. On underside cut-to-clear star. Overlay in form of entwined and scrolling fruiting grapevine with pendant bunches and leaves. Asymmetrical scrolled cartouche engraved with interlaced script monogram. Silver fully marked including maker’s stamp and no. R326. Very good condition.

Dimensions: H 9 1/2 x W 5 1/2 ...

Eijiro Kobayashi
A High Bridge by Night.
A design influenced by James Whistler and Hiroshige.
Series: Hasegawa Night Scenes.
Date: 1910s.
Size: Chuban. Approximately 10 x 7.5 inches.
Publisher: Hasegawa Takejiro (No. 1241 in Hasegawa catalog).
Edition: One of the earliest examples - on thicker card with the verso stamp, "Printed by T. Hasegawa Tokyo" (All Rights Reserved)".
Medium: Japanese woodblock print.
Condition: Indentations in paper (see add...

Ando Hiroshige (after)
"A Fairy Moon and a Lonely Shore"
This scene depicts salt gathering at Suma Beach.
Date: ca 1910.
Size: 7.125 x 4.75 inches (18 x 12 cm).
Publisher: Matsumoto Print Works. Tag on back (#39).
Medium: Japanese woodblock print.
Condition: Mark on island and a couple foxing spots on back.

Set of 3 plique à jour enamel and gilt 930 silver open salts. Made by Marius Hammer in Norway, ca 1910. Each: Round with curved sides. Well guilloche enamel (two red, one blue). Horse bust side handles. Bands of stylized plant and geometric ornament. Fine craftsmanship and rich colors. In form of Viking kjenge (ale bowl). Beautiful pieces by this maker, who contributed to the revival of Norwegian art and history. Fully marked including maker’s stamp. Excellent condition.

Dimensions: H 2 1/2...

This scroll contains a sutra written as [寿至蓬莱不老僊], pronounced in Japanese as “Jyu-Ita-Hōrai-Furō-Sen.” Originating from Chinese, the characters “蓬莱” refer to the mythical land of “Penglai,” home to the immortals. According to legend the trees that grow here cure all disease; there are rice bowls and flasks of wine that never go empty; and its great castles are built entirely out of gold and silver.

The brushwork is done by a Rinzai sect m...

During the Kamakura period in Japan (1185-1333), a remarkable form of Buddhist sculpture known as the votive Buddha emerged. Commonly referred to as kakebotoke (hanging Buddhas), pieces like this would have been mounted on spherical plaques made of bronze or copper and hung in a Buddhist temple or possibly even in a Shinto shrine. These small-scale sculptures were created to serve as objects of devotion and were often commissioned by wealthy individuals or temples. The Kurakama perio...

Amusing shakudo brooch with copper and gold detail featuring a woman in repose. The brooch is braced by a sterling silver mount. Made in Japan. Meiji period, ca. 1880. Excellent condition with fabulous patina.

Length: 2 3/8 in. #1120