Wanli period, late Ming Dynasty, ca. late 1600s
This bowl is painted overall with a floral design in orange, green, and yellow enamels with black enamel outlines. The interior rim is decorated with a similar motif, and a single flower is painted on the interior base. The foot is encircled with double lines in underglaze cobalt blue and an underglaze cobalt blue design is painted on the base. The bowl has typical rim-fritting, and there is a small chip to the interior of the foot that has b...
Chinese late Qing to Republic period guanpixiang table-top chest with a mansard-style hinged top that lifts to expose a single shallow tray above a pair of doors opening to five drawers with metal pulls all upon an attached base. A circular lockplate with ruyi-form clasp is on the front. Two side carrying handles. These chests were typically utilized by men to hold seals and related accessories while women were known to use them for cosmetics storage. Early 20th century. 15” high x 14 1/2” ...
A stunning pair of sake cups depicting monkeys by the famous Kutani potter Matsumoto Saiichi 松本佐一 (b. 1930), using his signature technique, porcelain with underglaze gold leaf.
Title: Sake Cups (sakazuki 坏)
Medium: porcelain with underglaze gold leaf and overglaze enamel
Size: Wider: 3.2 x 8.5 cm and Taller: 5.9 x 5.4 cm
Signature in enamel on the bottom of both pieces: Saiichi (佐一)
Date: Heisei Period, 2003 for 2004
Condition: no flaws: no cracks or r...
1700s / 1800s
This white and pale beige jade is carved to skillfully utilize the two tones of the stone – the beige for the clothing and the white for the face and exposed shoulder. Very good condition. Acquired in North Carolina from an estate that was involved in the tobacco trade in China.
Length: 2 ¼ in., Width: 1 in.
This early 20th century carved jade brush rest is 8 ¾” long, 3” high and 1 ¼” thick. It depicts three playful PiXiu facing each other. PiXiu are Chinese mythical creatures who are considered to be very powerful protectors in the practice of Feng Shui. Not only can they protect an individual or a family, they will also draw wealth from all directions. The PiXiu resembles a winged lion and is the ninth offspring of the dragon. It has a pair of bulging eyes, a long, bushy tail and one ...
Chinese Qing dynasty circular form lidded cinnabar lacquer box, the lid well carved in relief with scholars and attendants under lush trees in a landscape setting with mountains in the background. The convex sides are decorated in floral reserves interspersed with scrolling foliage. The interior surfaces and base are covered in plain black lacquer over the wood substrate. 10” diameter by 5 1/2" high. Very heavy for its size. Weighs 4.4 lbs. (2 kg). There is an area of damage on the edge of ...
An old and larger than average soft wood Dayak war shield painted with anthropomorphic figures and faces in red, black and white pigment.
This item was made during either the 19th or very early 20th Century.
Condition: very used; un-restored and un-repainted. There is much wear to the surface and edges and the decoration appears "faded". There is a very old replacement section of wood to the bottom left which appears to have been "cannibalised" from another old shield. Whilst most ...
Chinese Western Han Dynasty Painted Pottery Head (206 BC - AD 8)
This fine pottery head was made during the Western Han Dynasty (206 BC - AD 8). It has been "cold painted" in a base coat of white pigment on top of which have been painted pink, red and black pigments to pick out the facial details.
Height 10.5 cm. It is in very good condition with expected surface wear but no repair or restoration.
Note: the black plastic base on which it stands in the first photo is a photographic p...
A Chinese jade plaque 17/18 C. very finely carved and pierced with precious objects e.g the canopy, endless knot etc.This reticulated example with its breathtaking virtuosity and delicate , meticulous detail is a fine example of earlier Chinese lapidary art. The stone is of greyish celadon hue with spots of whitish clouds and is set on the back of a hand mirror in a frame of gilt silver which is worked with a ground of filigree and multi colour enamel decoration. All is enhanced with semi precio...
Large early Republic Chinese cloisonne lidded box on stand that could have graced a scholar’s desk. On each side is a 5 toed Imperial yellow dragon with the dragon on the lid chasing the flaming pearl of wisdom; all against a dark sky blue ground, the contrasting yellow stand really makes this piece stand out. The metal and wires are bronze gilt over copper. In excellent condition it measures 13.5" wide x 7" deep x 8.75" high
A collection of three (3) pieces of Venini glass from 2002. All three pieces have the round clear Venini Murano Made In Italy label to the side, and all are signed venini 2002 on the base. There are no chips, cracks or repairs to any of the pieces.
The collection contains the following pieces:
A 9 inch (22.9 cm) tall 'a canne' vase in green, crystal, and light blue stripes. It tapers from 6 inches (15 cm) at the rim, down to 4 inches (10 cm) at the base.
An 8 inch (20 ...
Guangxu Period, 1875-1908
The slightly tapering form is sturdily potted and is enameled in grisaille with a bird perched on a wisteria branch amid roses toward the base. The scene, repeated on the broad sides, is reserved in a ground of yellow enamel. The narrow ends show two wisteria branches. This composition is known on other porcelains, all of which were commissioned for the Empress Dowager. The interior as well as the base are glazed white and a scrolling design in thin red enamel is ...
A set of four vary rare blackwood Hungmu lady's side chairs. The chairs match as a pair except for the back panels. Two have a square and two have a circle. This most likely had some meaning for the owner.
Age: Mid Qing. Size: H:94cm. W:48cm.
Condition: No repairs. Some looseness from age. can be fixed very easily.
1800s
This tripod censer is raised on three animal-masked feet that support its large, rounded body. The rim is decorated with a key fret design, and the body has ten lappets composed of stylized mask and key fret designs all in low relief. It retains its original brown patina overall with a deep greenish gray interior from use. Good condition.
Diameter: 12 in., Height: 8 ½ in.
A massive bronze (copper tin alloy) vase cast in Han dynasty Hu shape and with Han style Taotie mask handles. The archaistic style decoration is an amalgam of Shang and Zhou dynasty motifs. These consist of upper and lower bands depicting stylized dragons and a central band of large Taotie ("monster"} masks. All are reserved against a flattened Leiwen (cloud) daiper ground. Below the upper two horizontal bands are pendent 'Cicida Blades'.
An accompanying 1973 British Museum letter suggests a...
Pair Korean Scholar's Book Chests, four(4) claws Korean Dragon and Phoenix Bird are battling in the flame, inlaid with Mother of Pearl, twisted Brass and faux tortoise shell, 41" high, 27" wide, 12 1/2" deep each in the background of dark brown lacquer with gold powder sparkling finish. Inlaid design of the wings of Phoenix Bird and Dragon are spread out into both sides, and the back is plain dark brown lacquer finish. Whole Book Chest supported by scrolling feet, shows continuous inlaid work....
Kangxi style, but probably early 1800s
This vase is painted in green, yellow, turquoise and black enamel on a pale aubergine background, depicting various dignitary figures in a garden setting. The interior is fully glazed white, having some minor pitting and small iron specks in the glaze. The base is unglazed with areas of light orange re-oxidation from the firing, and the fine white paste is visible around the perimeter. There is a spurious Zhengde mark in black enamel on the shoulder. ...
Fine Large Chinese Han Dynasty Glazed Pottery Hu Jar (with Oxford TL Test)
This fine and impressive pottery jar (hu) was made during the Han Dynasty (206 BC - AD 220). It is made from a fairly high-fired reddish pottery and coated in a particularly attractive glossy thick streaky green and finely-crackled glaze, the colour of which varies according to its thickness. Interestingly, the drips of glaze to the mouth rim and the pooling of glaze to the flat base show that this jar was fired upsid...
