Pair of Edwardian Modern sterling silver candlesticks. Made by Gorham in Providence in 1905. Ovoid with faceted upward tapering haft on raised foot. Socket tapering with detachable bobeche. Dramatic ribbing on socket and foot. Fully marked including maker’s stamp, date symbol, and no. A4298. Very good condition with a few pings on shaft and foot.

Dimensions: H 10 3/8 x W 4 7/8 x D 3 5/8 in. Weighted. #BY106

Pair of tall Edwardian Classical sterling silver candlesticks. Made by Barbour Silver Co. (part of International) in Hartford, Conn., ca 1910. Each: Ovoid socket with round detachable bobeche on tapering shaft with base knop; raised foot. Engraved borders comprising paterae with pendant flowers and vases joined by garland. Fully marked including maker’s stamp and no. 101C. Very good condition with a few pings.

Dimensions: H 14 1/4 x D 4 7/8 in. Weighted. #BY402

Okame, the Goddess of Mirth, is commonly paired with Usobuki in Kyogen theater. This is a rare and old pair of Okame and Usobuki ceramic figures. We have the original receipt from Things Japanese 20 years ago. We are asking the same price as the price on the receipt from 20 years ago. 6 inches (15 cm) tall.

Pair of American Edwardian glass and sterling silver candlesticks, ca 1920. Each: Faceted glass socket with flat rim mounted to same tapering shaft with relief diaper and faceted base. Raised and sterling silver foot. Marked “S819 / Sterling / 58 PWTS.” Very good condition.

Dimensions: H 13 3/8 x D 4 1/2 in. #BV876

Created by Living National Treasure Isezaki Jun, Bizen pieces like the one seen here originated in Okayama (south-western Japan) and have a long history that is closely intertwined with that of tea culture. Known for employing a natural-ash glazing techniques that require extremely long firing times (7-14 days) at very high temperatures, constant attention is required to ensure good results. Here Isezaki can be seen pushing the bounds of tradition Bizen orthodoxies in interesting and creative wa...

Tokoname pottery has a rich history that dates back over a thousand years. Originating in the town of Tokoname in Aichi Prefecture, Japan, this pottery tradition has flourished due to the region's abundant red clay deposits. The history of Tokoname pottery can be traced to the 12th century when the art form was greatly influenced by Chinese ceramics, specifically, by the Yixing clay pottery tradition. Over the centuries, Tokoname pottery evolved to develop its unique style characteri...

Large sterling silver Revere bowl, ca 1930. Retailed by Cartier in New York. Traditional form with tapering sides, curved bottom; allover spot hammering. Plain and stepped foot. Fully marked including maker’s (Old Newbury Crafters) and retailer’s stamps, no. 811, and phrase “P. Revere / Boston 1768 / Sons of Liberty / Reproduction”. Very good condition.

Dimensions: H 5 3/4 x D 11 in. Weight: 34.8 troy ounces. #BY351

Crafted from locally sourced Bizen clay, this mid-Edo period vase embodies simplicity, beauty, and understated elegance. Originally crafted as a tokkuri, or sake flask, it was recovered from the estate of a tea-practitioner who reportedly cherished it as a vase that would hold colorful flowers and various grasses throughout the seasons.

Thanks to the dedication and passion of a researcher by the name of Katsura Matasaburo (1901-1986) we can be assured that this vase is a...

Crafted from locally sourced Bizen clay, this mid-Edo period vase embodies simplicity, beauty, and understated elegance. Its unassuming form showcases the natural beauty of the clay, enhanced by a delicate ash glaze. The texture and shape evoke a sense of rustic charm, reflecting the profound harmony between human creativity and the organic world. Now several centuries old, this piece continues to serves not only as a functional display piece, but also as a symbol of the enduring leg...

The artist who produced this piece, Wataru Motomura, prides himself in living a traditional life in the eastern hills of Kyoto—long known for its rich clay and idyllic pastoral lands. Though the form of this vessel appears innovative and modern, the techniques and materials used to produce it have been around for many hundreds of years. Taking inspiration from the varied pottery traditions of his native Hyogo, Motomura is also known to use clay and methods from the Shigaraki region and many of...

Pair of George III sterling silver goblets. Made by Henry Chawner in London in 1793. Ovoid bowl on cylindrical stem flowing into raised foot. Bowl underside and foot rim reeded. Bowl interior gilt. Spare Neoclassical form that works on traditional and Modern tables. Fully marked. Very good condition.

Dimensions: H 5 7/8 x D 3 1/4 in. Total weight: 14 troy ounces. #BZ791

Pair of dramatic sterling silver seafood serving bowls. Made by Buccellati in Italy. Each: Two joined scallop-shells bowls on scallop-shell supports. A traditional form enlivened by the figure of an octopus squatting in the center, its curled and tangled legs draped over the bowls. A graphic contrast between the scales and suckers of the octopus and the controlled and stylized ornament on the shells. Very original. Beautiful craftsmanship.

Fully marked including “Buccellati” stamp and post...

Pair of Chantilly Duchess sterling silver 3-light candelabra. Made by Gorham in Providence. Each: Central socket mounted with 2-scroll arms, each terminating in single socket. Knopped and baluster shaft on raised foot. Low-relief scroll and flower ornament. Converts to candlestick. Fully marked including maker’s stamp and no. 749. Excellent condition.

Dimensions: H 8 3/8 x W 11 1/2 x D 4 3/8 in. Weighted. #BV427

Traditional Georgian sterling silver bowl. Retailed by Cartier in New York. Curved sides and raised foot. Cast lion’s head mounts with loose rings. Cast gadrooned rims. Old fashioned and substantial with plenty of room for engraving. Perfect for presentation or display. Fully marked including maker’s (Tuttle) and retailer’s stamps, and maker’s presidential date code for Lyndon Baine Johnson (1963-1969). Excellent condition.

Dimensions: H 6 1/4 x W 12 1/2 x D 11 1/4 in. Heavy weight: 59...

Pair of Strasbourg sterling silver 5-light candelabra. Made by Gorham in Providence. Each: Knopped and tapering shaft on raised foot; four s-scroll arms, each terminating in single socket mounted to wax pan surrounding central raised socket. Raised scroll borders. Converts to candlestick. Fully marked including maker’s stamp and no. 1130. Very good condition.

Dimensions: H 14 1/4 x W 9 1/2 x D 9 1/2 in. Weighted. #BZ330

Pair of magnificent French Neoclassical 950 silver 7-light candelabra, ca 1880. Each: Six leaf-wrapped s-scroll arms each terminating in single leaf-and-dart socket, mounted to central socket on shaft set in petal mount on knopped and tapering shaft; raised foot on 3 bracket-mounted feet. Imbricated leaf wreaths and garlands, fluting, beading, and pendant flowers. Two oval medallions with armorials for Bernard de Lassus, a mountaineering baron, who divided his time between the remote peaks of th...

Pair of Francis I sterling silver low 3-light candelabra. Made by Reed & Barton in Taunton, Mass. in 1952. Each: Central socket on bell-form base to which are mounted 2 split-mounted and leaf-wrapped arms, each terminating in single socket. Shaft baluster on domed foot. Applied, chased, and engraved ornament with flowers and leaves. Scrolled rims and bobeches. Converts to candlestick. Fully marked including maker’s stamp, date symbol, pattern name, and no. X571. Very good condition.

Dimensio...

Pair of Francis I sterling silver low 3-light candelabra. Made by Reed & Barton in Taunton, Mass. in 1950. Each: Central socket on bell-form base to which are mounted 2 split-mounted and leaf-wrapped arms, each terminating in single socket. Shaft baluster on domed foot. Applied, chased, and engraved ornament with flowers and leaves. Scrolled rims and bobeches. Converts to candlestick. Fully marked including maker’s stamp, date symbol, pattern name, and no. X571. Very good condition.

Dimensio...

Pair of English Neoclassical sterling silver 3-light candelabra. Made by Tiffany & Co. in New York, ca 1930. Each: Two leaf-wrapped arms, each terminating in single socket, wrapped around a central socket. Arms set in single socket mounted to tapering shaft on raised foot. Each socket tapering with detachable bobeche and wax pan. Central socket has cover with acorn finial. Faceted and reeded. Applied acanthus leaves on sockets and foot. Leaf-and-dart borders. Converts to candlestick. Fully marke...

Pair of Eisenhower-era sterling silver mint juleps. Made by Scearce in Shelbyville, Kentucky. Straight and tapering sides, and beaded and molded rim and foot. A great way in these tumultuous times to get back in touch with your inner country club Republican. Fully marked including maker’s stamp and presidential date code (DDE) for the years 1953-61. Very good condition.

Dimensions: H 3 3/4 x D 3 1/8 in. Total weight: 9 troy ounces. #BY868

Takashi Nakazato is a celebrated Japanese ceramic artist whose family's mastery of pottery now spans 14 generations. Born in Karatsu, Saga Prefecture in 1937, Nakazato inherited a rich legacy of craftsmanship dating back over 400 years. He trained extensively in traditional ceramic techniques under his father, and later pursued further studies at the Kyoto City Arts and Crafts Institute. Nakazato's work is deeply rooted in the aesthetics of Karatsu-ware, known for its earthy tones an...

Pair of Neoclassical-style gilt sterling silver tea urns. Each: Ovoid bowl on raised foot mounted to round base. Cover domed with knopped top terminating in bud finial. Swags and acanthus leaves as well as beading and leaf and dart. Fluted spout with carved leaf twist tap (one in black and one in white). Traditional vessels revved up with scaly and entwined snake handles. One marked “Sterling Silver” and the other marked “Sterling”. Very good condition with rich color.

Dimensions: H ...

Several years ago we were invited by our very talented kintsugi craftsman to what is known as a “kura-ake” or storehouse opening. Many reading this may be familiar with the traditional storehouses in Japan (kura) with their thick plaster walls used to store valuable items—sometimes for hundreds of years—safe from humid air, insects, and the like. On occession, after the passing of a parent or relative, these storehouses are opened up and the art pieces and valuables inside ar...

Pair of English Neoclassical sterling silver 3-light candelabra. Made by Tiffany & Co. in New York, ca 1928. Each: Two leaf-wrapped arms, each terminating in single socket, wrapped around a central socket. Arms set in single socket mounted to tapering shaft on raised foot. Each socket tapering with detachable bobeche and wax pan. Faceted and reeded. Applied acanthus leaves on sockets and foot. Leaf-and-dart borders. Converts to candlestick. Fully marked including maker’s stamp, pattern no. 212...

Seto is a pottery tradition established in the 12th century with the aim of reproducing fine Chinese porcelain and tenmoku-style tea bowls—which were hard to come by in Japan at the time. Later, during the Muromachi period, Seto potters established kilns in Mino thus starting the period known as ko-Seto, or “old Seto.” These pieces were distinctive as they were produced in small batches and with great care. Later in Edo, the large-kiln style of production or “ogama” was introduced ushe...

This pretty brooch with stones mounted in silver-topped 18k gold has been designed in the shape of a flower. The petals have been formed from 5 incised citrines in a warm smokey yellow-brown color which surround a cut diamond in the center. The stem of the flower and the petals' border are all highlighted by inlaid old European and rose-cut diamonds. The back has been marked with a French guarantee stamp. The brooch measures approximately 1 3/4" X 1 1/4" and was made Circa:1880. It is a lov...

Going back over 1,300 years, Seto-ware has the distinction of being Japan’s oldest pottery tradition still active today. Made from the rich clay and silica of the region of production, Seto porcelain in particular has been highly prized throughout the history of Japan. The piece shown here can be described as Seto-guro (Black Seto) and is an excellent example of this type of pottery. The writing on the box describes it as being from Muromachi, so well over 400 years old. The form and compositi...

"...A simple and attractive account of the Great events of the Old and New Testaments.." published in 1879 by the Henry Bill Publishing Co., Norwich CT.Introduction by Rev. Alvin Bond,D.D. Illustrated with engravings and maps.There are 584 pages along with 10 plus pages of recommendations. The engravings are in wonderful condition with the exception of the first one which has foxing...and there is some foxing especially in the front.The leather cover is worn and the spine section is missing(see...

Here we have a beautiful scroll with a mounted letter penned by famed Japanese poet Kobayashi Issa (1763-1828) who is known as one of the 4 great haiku poets of Japan along with the likes of Bashō, Buson, and Shiki. As one might expect, Kobayashi’s life was one of turbulence punctuated by several tragedies including the death of his mother at an early age and a lengthy legal battle with his step-mother over the family inheritance after the death of his father. Through it all Kobay...

A testament to the brilliance of traditional Japanese craftsmanship, this lacquered mizusashi—skillfully handcrafted from bamboo—showcases a deep crimson hue that radiates warmth and sophistication. Its seamless design and flawless finish reflect the skilled hands of the first generation artisan who crafted it, achieving a harmonious balance between form and function. Designed for use in Japanese tea ceremony, this indispensable implement would love to be put back into service o...

Kohiki is a traditional Japanese pottery style known for its simple and rustic aesthetic. It involves applying a white slip onto the vessel's surface, followed by a transparent glaze, creating a contrast between the white and exposed clay areas. Kohiki ware is commonly used in tea ceremonies but it can also be found in various other forms. Its humble and understated style, with organic textures and subdued colors, continues to be appreciated by collectors worldwide. Here we see a koh...

Edwardian Classical sterling silver baby cup. Made by Tiffany & Co. in New York. Straight sides with high-looping s-scroll handle and inset foot. Cast scroll and reeded borders at top and bottom. Fully marked including maker’s stamp, pattern no. 15097, and director’s letter T (1892-1902). Very good condition.

Dimensions: H 3 3/4 x W 4 3/8 x D 3 in. Weight: 7.3 troy ounces. #BZ362

The classic sterling silver Louvre bowl. Made by Georg Jensen in Copenhagen. Round and curved; Overhanding rim interspersed with scallops. Open support comprising alternating vertical leaves and tendrils. Raised foot. Visible hand hammering. Designed ca 1910, it reflects the master’s love of nature. So-called the Louvre bowl because an example in that museum’s collection. Fully marked including maker’s stamp (1945-77) and no. 19A. Very good condition.

Dimensions: H 6 7/8 x D 8 in. Weight...

Traditional sterling silver water pitcher. Made by Tiffany & Co. in New York, ca 1938. Gently curved body with helmet mouth, high-looping handle, and round and stepped foot. Ample with nice heft. Holds 4 1/2 pints. Fully marked including maker’s stamp, pattern no. 22625 (first produced in 1938), director’s letter m (1907-47), and volume. Very good condition.

Dimensions: H 10 1/2 x W 8 3/4 x D 5 1/4 in. Weight: 32.7 troy ounces. #BZ758

Edwardian Art Nouveau sterling silver basket. Made by Gorham in Providence, ca 1910. Scrolled and turned-down rim with engraved grape bunches and leaves overlapping open lunette frames. Stationary c-scroll handle with same; handle top vacant. Visible hand hammering. Fully marked including maker’s stamp and code TFC. Very good condition.

Dimensions: H 11 3/4 x L 13 1/4 x W 7 in. Weight: 31 troy ounces. #BZ743

Modern Classical sterling silver box. Made by Ferdinand Richard Wilm in Berlin, ca 1930. Rectangular with wraparound reeded sides; cover flat and hinged with paneled top. Fully marked including maker’s stamp. Excellent condition.

Dimensions: H 7/8 x W 6 x D 3 7/8 in. Weight: 13 troy ounces. #BZ772