Austrian Biedermeier silver gilt casket, 1846. Bellied, lobed, and rectangular. Hinged cover same and concave with raised center and swing-mounted scroll bracket cast handle with flowers. Hardstone mounts including porphyry and lapis lazuli as well as cabochon jewels. On front two turquoise cabochon beads of which one a push button for opening cover. At ends carved intaglio heads, one a Classical soldier and the other a philosopher. Corner paw supports. On exterior the gilding is deeply toned; ...

German Biedermeier Classical silver tray, ca 1860. Plain oval well. Sides have open border in form of leaves set in ovals. Cast leaf-and-dart rim on lined ground. A practical serving piece with lots of Mitteleuropa charm. Marked. Very good condition.

Dimensions: H 1 3/8 x W 18 x D 12 3/4 in. Weight: 37 troy ounces. #BY866

South American dish, ca 1920. Lozenge-form with flared rim and 3 splayed supports comprising Brazilian 1000 Reis coins minted in the first two decades of the twentieth century. A great way to give “currency” to your décor. Very good condition with deep patina.

Dimensions: H 1 1/2 x W 7 3/4 x D 7 3/8 in. Weight: 17 troy ounces. #BY753

South American dish, ca 1920. Hexagonal with flared rim comprising Brazilian 500 Reis coins minted from the 1850s to 1880s. Three cast leaf-mounted paw supports. A great way to give “currency” to your décor. Very good condition with deep patina.

Dimensions: H 1 1/2 x W 8 1/4 x D 7 1/2 in. Weight: 13 troy ounces. #BY752

German 800 silver cow creamer, ca 1910. A sweet beast with flexed ears, stubby horns, and slightly agape mouth spout. A stocky body with spindly legs and firmly planted hooves; flicked-back tail handle and hinged flap for refills. Marked. Very good condition.

Dimensions: H 4 x L 5 3/4 x W 1 7/8 in. Weight: 5.3 troy ounces. #BZ349

Set of 6 Japanese silver shot glasses. Each: Straight and tapering sides; applied horned and taloned dragon. For the strong stuff. Unmarked. Very good condition.

Dimensions: H 1 5/8 x D 1 3/8 in. Total weight: 5 troy ounces. #BY231

German Classical 800 silver centerpiece, ca 1910. Solid oval well and curved sides with reeded rim, open basketweave, and chased and engraved ornament: Leafing scroll frames inhabited by cherubs feasting on grapes in company of a goat as well as waving torches and hoisting flower baskets overhead. Cast double-scroll end handles surmounted by cast figures of same, precariously perched and drapery-clad cherubs. Four scroll- and flower-mounted stepped supports. Gilt-washed interior. Fully marked ...

Classical coin silver basket. Made by Haddock, Lincoln & Foss in Boston, ca 1860. Round and curved with four cast leaf-mounted leaf supports. Beaded mouth rim and c-scroll swing handle. Marked with maker’s stamp. Very good condition with nice patina.

Dimensions: H (without handle) 3 3/8 x D 5 in. H (with handle) 6 3/8 in. Weight: 8.2 troy ounces. #BZ390

Restauration Classical silver gilt box. Made by Jean-Baptiste Claude Odiot in Paris, ca 1820. Drum form with spread base; cover raised. Cast egg-and-dart and floral rims. Heart engraved with single script letter monogram set in flower wreath on cover top and body. Sumptuous Return-of-the-Bourbons luxe from the Ancien Regime do-over years. Fully marked including maker’s stamp and the fineness (950) stamp instituted in 1819. Very good condition with nice toning.

Dimensions: H 2 1/4 x D 1 5/8 i...

Classical silver butter dish. Made by Vilhelm Christensen in Copenhagen in 1890. Globular; cover hinged side disc and barbell mounts. Cast double-scroll mounted brackets for tongs and four lion head monopodium supports. Engraved fretwork and stylized pendant flowers. Danish restraint from the perfervid fin-de-siecle. Three-letter script monogram engraved on underside. Marked with maker’s stamp, assayer’s stamp (Simon Groth), and Copenhagen Three Tower mark dated 1890. Very good condition. La...

Takashi Nakazato is a celebrated Japanese ceramic artist whose family's mastery of pottery now spans 14 generations. Born in Karatsu, Saga Prefecture in 1937, Nakazato inherited a rich legacy of craftsmanship dating back over 400 years. He trained extensively in traditional ceramic techniques under his father, and later pursued further studies at the Kyoto City Arts and Crafts Institute. Nakazato's work is deeply rooted in the aesthetics of Karatsu-ware, known for its earthy tones an...

Appearing to be from a 2006 excavation site in Tokyo known to be a former residence of the Owari Tokugawa clan—the most senior contingent of the Tokugawa clan that united Japan under one rule—this lovely Mishima tea bowl is one of just two I have seen appear on the Japanese art market over the years. The previous bowl also listed on our site had a large portion reconstructed with a gold repair. This piece meanwhile is entirely intact and even has its original box. Details about t...

Japanese Mugiwara pottery emerged in the Mino region of Japan during the Momoyama period in the late 16th century. It is renowned for its distinctive straw-rope patterns etched into or painted on its surfaces that typically contains hues of indigo, mustard, hazel, ochre, and sometimes greens. The creation of Mugiwara pottery involves a process of hand-building or wheel-throwing clay pieces—typically serving dishes, vases, and teaware items—and then meticulously applying a straw-r...

Not to be confused with the Olympic medalist, this Tomita Hiroyuki (b. 1977) is a talented potter pushing the bounds of an otherwise conservative field where many ceramic forms are carried forward for centuries and sometimes millennia. Beginning his artistic endeavors in the field of metal casting, he soon met and became a student to Ijuin Mariko who introduced him to the world of ceramics. In 2007 he opened his own workshop and since that time he has been actively creating and exhib...

Japanese Jubako, traditional stacked lacquerware food boxes, represent not only culinary refinement but also an important aspect of Japanese food culture. These elegantly tiered containers, often adorned with intricate designs and vibrant colors, are integral to the presentation of special occasion meals such as New Year’s celebrations and formal picnics. Crafted with meticulous attention to detail, Jubako boxes like the one featured here showcase the artistry of Japanese lacquerwa...

Crafted with meticulous attention to detail and showcasing a soft and gracefully executed red glaze, this Raku tea bowl exudes a sense of ease, tenderness, and tranquility. Adorned with subtle crackling patterns and variations in texture, the tea bowl's surface adds to its unique and organic feel. Made by one of the true veterans of Japanese pottery, these are some of the finest Raku tea bowls you will find in all of Japan.

Sugimoto (b. 1935) is one of the most important...

Crafted from locally sourced Bizen clay, this mid-Edo period vase embodies simplicity, beauty, and understated elegance. Originally crafted as a tokkuri, or sake flask, it was recovered from the estate of a tea-practitioner who reportedly cherished it as a vase that would hold colorful flowers and various grasses throughout the seasons.

Thanks to the dedication and passion of a researcher by the name of Katsura Matasaburo (1901-1986) we can be assured that this vase is a...

Japanese bamboo crafting, known as "Takezaiku," is a traditional art form that involves the skilled manipulation of bamboo to create various functional and decorative objects. Craftsmen trained in this art carefully select bamboo of appropriate size and quality, then use specialized tools to cut, shape, and join the bamboo pieces. Techniques such as splitting, bending, weaving, and binding are employed to achieve intricate designs and durable structures. Bamboo crafting encompasses a...

During the Meiji period in Japan, the humble iron kettle, known as a "tetsubin," emerged as an iconic symbol of traditional craftsmanship and functional artistry. Crafted with meticulous attention to detail and often adorned with intricate designs—as can be seen here with a cherry blossom motif and a what appears to be a pine-cone for a gripper—they became an essential tool in the Japanese tea ceremony. These kettles were prized not only for their practicality in boiling water bu...

Restauration Classical silver gilt box. Made by Jean-Baptiste Claude Odiot in Paris, ca 1820. Rectangular with straight sides and leaf-and-dart base rim. Cover flat and hinged with same as well as leaf-and-flower border. Cover top has central heart engraved with single script letter monogram set in flower wreath; leaf and flower border. Sumptuous Return-of-the-Bourbons luxe from the Ancien Regime do-over years. Fully marked including maker’s stamp and the fineness (950) stamp instituted in 18...

Restauration Classical silver gilt box. Made by Jean-Baptiste Claude Odiot in Paris, ca 1820. Rectangular with straight sides and leaf-and-dart base rim. Cover flat and hinged with same as well as leaf-and-flower border. Cover top has central heart engraved with single script letter monogram set in flower wreath; leaf and flower border. Sumptuous Return-of-the-Bourbons luxe. Fully marked including maker’s stamp and the fineness (950) stamp instituted in 1819. Very good condition with nice ton...

A pair of blue topaz earrings. The pear shaped stones measure 1/2" x 3/8" while the setting measures 3/4" x 5/8". The butterfly clutches are marked 14k.

Victorian silver baby cup. Made by S. Kirk & Son in Baltimore. Straight sides with allover floral repousse on stippled ground. Cast and capped leaf scroll handle and pointille foot border. Fully marked including maker’s stamp (1846-61) and alloy “11 OZ.” (that is 11/12 or 916 silver). Very good condition.

Dimensions: H 3 3/8 x W 4 x D 2 3/4 in. Weight: 4.8 troy ounces. #BY966

German Renaissance 800 silver wine bottle coaster, ca 1890. Round and deep well. Central rondel (vacant) in engine-turned frame radiating leaf and scroll ornament on lined ground. Wide and flat rim with embossed curvilinear scrollwork and ovals (vacant) between beaded borders. Fully marked including maker’s (Koch & Bergfeld) and retailer’s (Gebrüder Friedländer) stamps. Very good condition with deep patina.

Dimensions: H 1/4 x D 6 1/2 in. Well diameter: 4 in. Weight: 3.5 troy ounces. #BY...

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.

As can be seen here, this piece is of the green variety and looks to be from the mid-to-early Edo period as can be determined ...

A mesmerizing piece of ceramic art, this exquisite tenmoku tea bowl embodies the rich traditions of Japanese craftsmanship that are inspired by over a millennia of Chinese artistry. With its distinctive deep red glaze, reminiscent of brilliant sunsets, red chili peppers, and festival colors; its presence creates an enchanting visual allure. The bowl's form is elegantly simple, with a gently flared rim that invites contemplation. Crafted with precision and care, this piece reflects th...

German 800 silver figural bird spice box, ca 1900. A raven with hunched shoulders, tucked-down wings, and spindly legs; detachable head downturned with pensive eyes and long pointed beak. A brooding desk ornament guaranteed to ensure stately solitude. Marks include Hanau maker’s stamp (Neresheimer). Very good condition.

Dimensions: H 11 x W 6 1/2 x D 3 3/4 in. Weight: 18 troy ounces. #BZ289

German 800 silver playing card box, ca 1920. Rectangular with straight sides. Cover hinged with chamfered tab; top flat with two glazed windows faced with a King of Hearts and Queen of Spades. Interior wood-lined and partitioned with ribbon tabs. Leather-lined bottom. With cards. Perfect for a quiet evening at home. Marks include maker’s stamp HB (probably Hermann Bauer). Very good condition.

Overall dimensions: H 1 1/2 x W 5 5/8 x D 4 1/2 in. Gross weight (box only): 11 troy ounces. #BZ291 ...

German 800 silver figural bird spice box, ca 1900. A hen with neat feathers and firmly planted talons. Detachable head tilted to side with intent glass eyes and small crown. A sweet barnyard helpmate with funny, flouncy tail. A desirable table ornament from all angles. Hanau marks. Very good condition with nice patina.

Dimensions: H 8 3/4 x L 9 x W 4 1/4 in. Weight: 22.5 troy ounces. #BZ290

German 800 cast silver figural bird bowl, ca 1910. Swan with plumy wings and tail, and ringed s-scroll neck with graceful head terminating in long and closed bill. Hollow with gilt-washed interior for holding treats. Fully marked including maker’s stamp (Martin Mayer). Very good condition.

Dimensions: H 5 1/4 x L 6 3/4 x W 4 1/4 in. Weight: 9 troy ounces. #BY011

Victorian Classical coin silver baby cup, ca 1860. Baluster bowl with cast leaf-capped double-scroll handle and raised foot. Chased leaf and tendrils forming frame (vacant). Beaded and Greek key rims. Unidentified marks associated with Philadelphia and phrase “Pure Coin”. Very good condition with deep patina.

Overall dimensions: H 4 7/8 x W 4 1/2 x D 3 in. Weight: 6 troy ounces. #BX744

German 800 silver box, ca 1910. Rectangular with straight sides. Cover flat and hinged; tapering sides applied with flower head border. Embossed Olden Days scenes of merrymaking with dancing and flirting by men in neck ruffs and women in laced bodices. On front are massed soldiers carrying swords and pikes. Gilt interior. Corner leaf-mounted scroll supports. Marked “800” with Hanau maker’s stamp (Karl Söhnlein & Söhne). Very good condition.

Overall dimensions: H 4 x W 4 x D 2 7/8 in. ...

Classical coin silver christening mug, ca 1850. Baluster bowl with high-looping leaf-capped s-scroll handle and round stepped foot. Large scrolled frame (vacant) surrounded by rural idyll with house and barn set in bosky landscape. In foreground a hunter takes aim at a fox. No vermin allowed in paradise. New York retailer’s stamp (Ball, Black & Co.) and star and eagle associated with Hartford production. Very good condition with nice patina.

Overall dimensions: H 5 x W 5 x D 3 1/8 in. Weight...

Set of 4 European gilt 935 silver and glass figural Buddha place card holders, ca 1925. Each: Contemplative and cross-legged figure of the Zen-man himself in molded glass. For a Siddhartha serene dinner party. Colors are green, blue, orange, and clear. Chamfered rectangular base and u-form back support. In leather-bound case with fitted velvet and silk lining. Marked. Very good condition.

Dimensions: H 1 5/8 x W 7/8 x D 3/4 in. Case: H 1 1/2 x W 5 3/4 x D 2 5/8 in. #BY940

When the founder of the Urasenke style of tea ceremony, Sen-So Soshitsu (1622 -1697) was invited to Kanazawa as the master of tea ceremony for the powerful Kaga lords in 1666, the first Chōzaemon came with him and established Ōhi-yaki in Kanazawa. Chōzaemon had been the chief apprentice to the Raku family in Kyoto and took with him many of the principles and ideas associated with Raku-ware. Since those auspicious beginnings, Ōhi-ware has held a high place in the world of tea cere...

French Belle Epoque Classical 950 silver gravy boat on stand, ca 1910. Boat has ovoid bowl with helmet mouth and raised oval foot with imbricated leaf rim. High-looping and split leaf-mounted handle with armorial engraved in beaded oval frame. Stand oval with open well and four trefoil supports. Both have stippled tubular frames alternating with stylized flower heads. Reeding. Fully marked with Minerva head and maker’s stamp (Alphonse Dutac). Very good condition.

Dimensions: Boat: H 6 x W 8...