A rare flower and dove bracelet, #23 in sterling silver with Chrysoprase cabochons designed by the Danish silversmith, Georg Jensen. Marked with the stylized GJ in a rectangle that dates it between 1933-44. Also marked with Sterling, Denmark, 925 and 23 for the style number.

Measures 7" long and 1" at the widest. Weighs 35 gr. Has a round box closure that holds securely. Additionally it has a fold over safety catch.

In fine condition with a warm patina. The detail is exquisite with ...

This type of fukusa is a cover placed over a gift at the time of a gift-giving ceremony such as the "Yui-noh" which is held prior to a wedding. The evergreen pine symbolizes the strength and devotion of men; the plum blossoms represent purity, subtle beauty and the inner strength of women. Bamboo is often used to describe the personality of men and women; for example, a person being as straight (honest) as bamboo could also mean flexible (bendable) to a large extent. When pine (matsu, SHO), bam...

A box for keeping incense – kogo – decorated with a carriage used by court nobles and members of the Imperial family of the past in dense gold dust sprinkle on a black lacquer background. The sky sprinkled with clouds of nashiji. Insides with dense nashiji. The bottom section decorated with a rock surrounded by bamboo in gold togidashi and kao of tea master Hisada Soya. Silver rims.

Tiny signature in gold lacquer on the bottom: Gaho.

The kogo was made for the tea master Hisada So...

Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors. Interestingly, though it may likely not have been intentional, the abstract sym...

From a well-known series entitled “Chōtō” (Listening to the Waves) this large contoured vase features a sandy glaze that the sculptor claims is an expression of the features of the landscape where he grew up.

Born in the port city of Shimoda, Sakiyama studied art in Osaka and then later went on to open his own kiln that he named “Hidaka” (High Sun). Appearing to have a natural gift for form and proportion, his pieces soon attracted the attention of galleries and collectors...

Antique Chinese late Qing Dynasty woman’s informal satin silk robe, finely embroidered in satin silk stitch with six roundels displaying vases with branches of various flowers and butterflies, amidst branches, peonies, magnolias, and goldfish, all picked out in bright shades of red, blue, pink, brown, and orange, reserved on a cream - white ground, and edged by black silk. The cuffs, embroidered in suite, are bordered with a band of brocade woven with five-clawed Principal Celestial Long Drago...

A Victorian 15k diamond hair brooch circa 1870. This great example of Victorian period sentimental or mourning hair jewellery is in 15k yellow gold with a centrally set genuine 12 pt. rose cut diamond and a compartment on the back containing a curl of blonde hair with a silk cord. The brooch is unmarked but tested and is guaranteed to be gold, and the diamond has been checked with a gemologist. The hair compartment on this 1-7/8" x 1-1/8" pin has the original bevelled glass, and this pin weigh...

Rare Chinese Yuan Dynasty Early "Blue & White" Vase

This rare pear-shaped vase or bottle was made during the Yuan Dynasty (AD 1279 - 1368) by one of the kilns at Yuxi county in Yunnan province, one of the first places in the world where blue & white ware was produced. It is "heavily-potted" and decorated in underglaze cobalt blue with floral and leaf designs. It is coated with a clear glaze that falls short of the heavy irregularly cut foot. Similar wares were first unearthed in 1973 in Lufe...

Chinese Ming Dynasty Blue & White Porcelain Bowl (Hongzhi)

This blue and white porcelain bowl with flared rim was made during the late 15th - early 16th century (Hongzhi reign 1488 – 1505). The outer wall is decorated in underglaze blue with a honeycomb pattern. The central decoration is loosely based on a vajra (Buddhist sceptre) with various other decorations around the inner wall. It is coated in a finely-crackled glaze.

Diameter 14.5 cm. Condition is very good: there is a hairlin...

Chinese Ming Dynasty Glazed Pottery Ridge Tile - Lion Dog

This sturdy ridge tile in the form of a seated lion-dog dates to the latter part of the Ming Dynasty (c. 1600 - 1644). It is coated in a thick and finely-crackled attractive turquoise glaze. The curved underneath of the tile remains unglazed and has the impressions of a finely-woven cloth on which it must have been placed during manufacture.

Height 22 cm. There is a chip to one ear and kiln scars on both sides of the animal's mout...

Large Chinese Neolithic Machang Painted Pottery Jar (Repaired)

This large and impressive pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is quite "heavily-potted" with a smooth surface and is fairly highly-fired. The surface colour of the pottery varies in places, a result of uneven conditions during firing. It has a short neck with flared m...

RED-PAINTING PAPER PLATE

Anonymous Japanese pottery okimono object, as a symbol of love and peace, H 12.2 x W 9 x D 6.8 cm (4.80 x 3.54 x 2.67in)


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Large Chinese Qing dynasty oval form lidded jar densely decorated on the front in underglaze blue on a faintly celadon tinted white ground with a phoenix bird among peonies. Three blue clouds are on the lid. The base and interior are glazed while the foot is unglazed. Late 19th century. 12 1/2" high. Very good overall condition. The unglazed mouth rim has tiny imperfections. There are a few glaze losses to the tip and side of the finial that might be from the original production. From th...

Chinese Qing dynasty Tongzhi mark and period (1862-1874) cylindrical food container decorated around the circumference with four overglaze iron-red five-clawed dragons in profile above a band of underglaze blue waves. Each dragon is among underglaze blue clouds and separated from each other by a pair of vertical blue cloud bands shaped like opposing bats. A geometric blue band extends along the top. Each side has twisted metal handles supported by two animal mask lugs with gilt highlights. W...

Fine Large Chinese Han Dynasty Glazed Pottery Hu Jar (with Oxford TL Test)

This fine and impressive pottery jar (hu) was made during the Han Dynasty (206 BC - AD 220). It is made from a fairly high-fired reddish pottery and coated in a particularly attractive glossy thick streaky green and finely-crackled glaze, the colour of which varies according to its thickness. Interestingly, the drips of glaze to the mouth rim and the pooling of glaze to the flat base show that this jar was fired upsid...

Solid sterling earrings with inset chrysoprase by Jensen USA designer, Laurence Foss. These were made in 2005 and bought directly from the artist. They hang 2-1/2" excluding wires. One corner/edge of a pendant is a tiny bit curved but it was purchased that way.

Chinese Qing dynasty pewter-encased rectangular form “san ke zhu” (three pearl) lidded Yixing pottery teapot incised to one side in bamboo, the reverse with a calligraphic inscription signed Chun Quan. The inscription translates roughly as: “Sitting quietly [under] a bright moon [occupying] half of a window, with a book [in hand] and a fragrant incense [burning].” The top edge holds an applied coin and mixed metal strips. Flat, rectangular lid. Jade spout, handle, and square finial. The ...

Large Chinese Eastern Zhou / Warring States Cord-Impressed Pottery Jar

This rare and attractively-shaped pottery jar of semi-spherical form was made during the Warring States period (475 - 221 BC) or possible earlier (Eastern Zhou period 770 - 221 BC). It is made from a relatively highly-fired fine grey pottery. The lower body has been decorated with repeated cord impressions that are particularly crisp. Interestingly, there is a network of ancient root/plants growths to much of the inner s...