Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors. Interestingly, though it may likely not have been intentional, the abstract sym...
Early 20th Century rose quartz carving of 2 beauties. Made of one piece, it is difficult to find a double figure carving like this. Presented on a custom rosewood stand, this rose quartz carving has really nice details that we were not able to fully capture with a camera. It is much nicer in person and you won't be disappointed. In excellent condition, it measures on stand 10-1/2" high x 5" wide x 2". Carving alone measures 9-1/8" high.
Guangxu Period, 1875-1908
The slightly tapering form is sturdily potted and is enameled in grisaille with a bird perched on a wisteria branch amid roses toward the base. The scene, repeated on the broad sides, is reserved in a ground of yellow enamel. The narrow ends show two wisteria branches. This composition is known on other porcelains, all of which were commissioned for the Empress Dowager. The interior as well as the base are glazed white and a scrolling design in thin red enamel is ...
Kangxi style, but probably early 1800s
This vase is painted in green, yellow, turquoise and black enamel on a pale aubergine background, depicting various dignitary figures in a garden setting. The interior is fully glazed white, having some minor pitting and small iron specks in the glaze. The base is unglazed with areas of light orange re-oxidation from the firing, and the fine white paste is visible around the perimeter. There is a spurious Zhengde mark in black enamel on the shoulder. ...
A large and very impressive tomb pottery horseman, Chinese, 1368-1644 AD. The type has been thoroughly tested and was burnt approx 500 years ago, placing it in the mid Ming period, c. early-mid 16th. century.
The pottery horseman, a higher-ranking officer, was probably originally equipped with a standard of wood, that has now decayed. He is clad in body armor in blue and torquise and wears a cone- shaped helmet. He is riding a white horse with details in torquise.
A rare to...
Published in 1913, by Valentine & Sons, Dundee, London, and Montreal, this extremely rare publication, "Ten Little Nigger Boys", is a highly creative and imaginative variation of the original 1869 minstrel song "Ten Little Niggers", composed by the British songwriter Frank Green.
(Likely inspired by Frank Green's lyrics, Agatha Christie, in 1939, composed her very well-known "Ten Little Niggers" story, with the title for the 1940 US edition changed to "And Then There Were None", the final lin...
A wild boar kōgo by famous Kyoto potter Imai Masayuki 今井政之 (1930-2023). Decoration is a stylized version of the ancient Chinese character for wild boar. Masayuki used his famous inlaid colored clay technique in producing this piece. Imai Masayuki and the late Miyashita Zenji are considered the two masters of the colored clay technique in Japan.
Title: Inlaid Zodiac Wild Boar Incense Container (Zōgan kanshi i kōgo 象嵌干支亥香盒)
Colored and inlaid stoneware, 3.8 cm high a...
This type of fukusa is a cover placed over a gift at the time of a gift-giving ceremony such as the "Yui-noh" which is held prior to a wedding. The evergreen pine symbolizes the strength and devotion of men; the plum blossoms represent purity, subtle beauty and the inner strength of women. Bamboo is often used to describe the personality of men and women; for example, a person being as straight (honest) as bamboo could also mean flexible (bendable) to a large extent. When pine (matsu, SHO), bam...
Great example of a Durand champagne glass with ruby red cup and foot joined by an ambergris stem. The cup, stem and foot are nicely ribbed and measure 6 inches tall. The cup is 4 3/8 inches in diameter and the foot is 3 1/16 inches in diameter. The foot has a rolled rim and has a small polished pontil mark. This example is pristine.
A colorless Webb ewer or cruet decorated with an acid etched floral design and having an acorn stopper. The 7 ½ inch tall piece is 10 inches tall with the stopper in place. The stopper is not the original but is the correct style of stopper for this piece.
Fine Japanese 18th Century Moulded Arita Blue & White Porcelain Bowl
This attractive moulded porcelain bowl with an iron-brown edged foliate rim was made during the 18th century. The underglaze blue decoration of very good colour features three human figures in a garden. Around the outer wall is an elaborate scrolling design.
Diameter 13 cm. It is in fine condition with no repair or restoration and a good ring when tapped.
For information: This bowl was sold to a local collector by o...
24034879 A nice small Pairpoint Rosaria compote, shape B-366. The compote has a Rosaria foot and bowl connected by a colorless stem with a bubble ball connector. Both the foot and the bowl are enhanced with a diamond quilted pattern. There is a polished pontil mark and there is no damage. The compote is 6 1/4 inches in diameter and 6 inches tall.
A pair of Steuben Cyprian twist stem candlesticks, aquamarine with celeste blue rims. The candlesticks are 10 inches tall and are shape 6331 as shown in the factory line drawings. The candlesticks are undamaged and unsigned.
24054902 A satin finish Wheeling peachblow number 13 stick vase in a lustreless finish by Hobbs, Brockunier & Co. of Wheeling, WV. The vase is 8 ½ inches tall and 3 1/4 inches in diameter. There are no imperfections.
Chinese Ming Dynasty Blue & White Porcelain Bowl (Hongzhi)
This blue and white porcelain bowl with flared rim was made during the late 15th - early 16th century (Hongzhi reign 1488 – 1505). The outer wall is decorated in underglaze blue with a honeycomb pattern. The central decoration is loosely based on a vajra (Buddhist sceptre) with various other decorations around the inner wall. It is coated in a finely-crackled glaze.
Diameter 14.5 cm. Condition is very good: there is a hairlin...
Chinese Ming Dynasty Glazed Pottery Ridge Tile - Lion Dog
This sturdy ridge tile in the form of a seated lion-dog dates to the latter part of the Ming Dynasty (c. 1600 - 1644). It is coated in a thick and finely-crackled attractive turquoise glaze. The curved underneath of the tile remains unglazed and has the impressions of a finely-woven cloth on which it must have been placed during manufacture.
Height 22 cm. There is a chip to one ear and kiln scars on both sides of the animal's mout...
Large Chinese Neolithic Machang Painted Pottery Jar (Repaired)
This large and impressive pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is quite "heavily-potted" with a smooth surface and is fairly highly-fired. The surface colour of the pottery varies in places, a result of uneven conditions during firing. It has a short neck with flared m...
RED-PAINTING PAPER PLATE
Anonymous Japanese pottery okimono object, as a symbol of love and peace, H 12.2 x W 9 x D 6.8 cm (4.80 x 3.54 x 2.67in)
selected by titcoRet
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Thank you.
Large Chinese Qing dynasty oval form lidded jar densely decorated on the front in underglaze blue on a faintly celadon tinted white ground with a phoenix bird among peonies. Three blue clouds are on the lid. The base and interior are glazed while the foot is unglazed. Late 19th century. 12 1/2" high. Very good overall condition. The unglazed mouth rim has tiny imperfections. There are a few glaze losses to the tip and side of the finial that might be from the original production. From th...
Fine Large Chinese Han Dynasty Glazed Pottery Hu Jar (with Oxford TL Test)
This fine and impressive pottery jar (hu) was made during the Han Dynasty (206 BC - AD 220). It is made from a fairly high-fired reddish pottery and coated in a particularly attractive glossy thick streaky green and finely-crackled glaze, the colour of which varies according to its thickness. Interestingly, the drips of glaze to the mouth rim and the pooling of glaze to the flat base show that this jar was fired upsid...
Chinese Qing dynasty pewter-encased rectangular form “san ke zhu” (three pearl) lidded Yixing pottery teapot incised to one side in bamboo, the reverse with a calligraphic inscription signed Chun Quan. The inscription translates roughly as: “Sitting quietly [under] a bright moon [occupying] half of a window, with a book [in hand] and a fragrant incense [burning].” The top edge holds an applied coin and mixed metal strips. Flat, rectangular lid. Jade spout, handle, and square finial. The ...
Large Chinese Eastern Zhou / Warring States Cord-Impressed Pottery Jar
This rare and attractively-shaped pottery jar of semi-spherical form was made during the Warring States period (475 - 221 BC) or possible earlier (Eastern Zhou period 770 - 221 BC). It is made from a relatively highly-fired fine grey pottery. The lower body has been decorated with repeated cord impressions that are particularly crisp. Interestingly, there is a network of ancient root/plants growths to much of the inner s...
Rolex 16mm Yellow Gold Plate Buckle 20mm Forest Green color Genuine Crocodile Strap. The strap is a new genuine stitched and padded very high grade "Hand Made in Italy". The Rolex buckle is plated (not solid gold) but is very secure and looks very nice! THIS IS A FINE COLLECTIBLE. INVEST IN HARD ASSETS, DON'T INVEST IN THE STOCK MARKET. BUY SOMETHING PROVEN IN TIME.
We have been selling vintage watches on E-Bay since 1998 as watchco1973 with 14,500 feed backs, 100% positive. You ca...
Rolex 16mm Yellow Gold Plate Buckle 20mm Tobacco color Genuine Crocodile Strap. The strap is a new genuine stitched and padded very high grade "Hand Made in Italy". The Rolex buckle is plated (not solid gold) but is very secure and looks very nice! THIS IS A FINE COLLECTIBLE. INVEST IN HARD ASSETS, DON'T INVEST IN THE STOCK MARKET. BUY SOMETHING PROVEN IN TIME.
We have been selling vintage watches on E-Bay since 1998 as watchco1973 with 14,500 feed backs, 100% positive. You can buy...
Fine & Rare Chinese Warring States Pottery Bird with Oxford TL Test
This very rare pottery model of a bird, either a duck or a goose, was made during the Warring States period (475 - 221 BC). It is "heavily-potted" and made from quite a high-fired grey pottery. The duck stands with its neck and wings stretched, as if in the act of preparing to fly. Note the detail, especially to the wings, with the tiger heads. The style and decoration suggest this model was based on a bronze example. On the...
Fine & Rare Chinese Southern Song Dynasty Qingbai Glazed Porcelain Dish (with carved & moulded decoration)
This attractive porcelain dish, or shallow bowl, was made during the Southern Song Dynasty (AD 1127 - 1279). It is coated in a finely-crackled pale greenish translucent qingbai glaze, save for the rim and flat base that remain intentionally unglazed. To the small flat base is a Chinese character in fired-on black pigment that most likely represents a name.
The upper surface is decor...
Chinese late Qing to Republic period guanpixiang table-top chest with a mansard-style hinged top that lifts to expose a single shallow tray above a pair of doors opening to five drawers with metal pulls all upon an attached base. A circular lockplate with ruyi-form clasp is on the front. Two side carrying handles. These chests were typically utilized by men to hold seals and related accessories while women were known to use them for cosmetics storage. Early 20th century. 15” high x 14 1/2” ...
Chinese late Qing dynasty Guangxu period rectangular form porcelain plaque painted in famille rose enamels and gilt highlights with a crane on a pine branch above thick leafy flowers. A poem at the upper left is dated in Chinese cycle years to winter of 1902 and signed Jiang Yongyuan (active circa 1899-1919) at Zhushan, a district of Jingdezhen. A raised rim frames the composition. 15 1/4" long by 9 1/4" wide by 7/8” deep. There is a fine old brown hairline crack extending down from the top....
ANDROGYNY PERSONIFIED
Massive hermaphrodite sculpture that applies the original form of natural wood as is based on the essence of Japanese polytheism, 20th century, Height 73 cm.
selected by hotoke
* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully acknowledged our Sales Policy under any circumstanc...
A reversible gold pendant featuring a green and amber colored jade koi fish. The pendant is marked 14k Gump's. The gold shows some discoloration and would benefit from a buffing. There is also light wear with a very tiny nick on the gold edge of the jade side ( see first picture upper right). It measures 1" x 3/4"" and weighs 6.23gr.
Ca 1940 A signed, solid gold piece by Preformed Parts, manufacturer of Tiffany and Cartier jewelry. George Schuler design. The piece weighs a substantial 13.2 grams and measures 1-1/4" x 2". Similar designs by both companies may be found on the web.
A fine, antique handmade pure silver tea kettle (ginbin) with knobbed surface covering the body. Each knobbed, Arare, is meticulously formed and added. Open-work knob on lid with finely worked details. Signed in the botton: Dai (great) including small pure silver mark (gin). Fitted kiri-box. H 17 cm (with handle), D 13 cm. Weight: 387 g. Condition: Excellent, used item , a slight dent on the left side of the sprout.
A Cobalt-Blue Painted White Porcelain Incense Burner Joseon Dynasty 19th Century. A true treasure. A similar example recently sold at auction in Seoul for 1.5 million dollars. The cracks are not damage. They are original to the piece and happened during firing. The polyhedral incense burner set on a square four-leg foot, overall covered with underglaze cobalt blue paint, decorated in white porcelain low-relief of the Ten Signs of Long Life (Shipjaengsaeng) with finely incised details, the flarin...
Fine and Rare Korean 19th Century Guardian Painting in Gold Leaf and Mineral Pigments on Silk in Excellent Condition with Vivid Colors. This would have hung on the door of a home to protect the household. This is the finest example of a door guardian painting we have ever seen. Frame: 22 x 10 inches, 56 x 25.5 cm; Painting: 19.5 x 7.5 inches, 50 x 19 cm.
A large rouleau vase of porcelain decorated with the Three Auspicious Gods (sanxing) of Daoism, in polychrome enamel glazes (famille verte style) on a deep, blue ground.
Excellent quality of work. China, late Qing to early Republican Period, ca. 1900–1925. Marked with a Kangxi-period nianhao. H 46 cm. Condition: Excellent.
The only authentic 19th Century Korean shaman paintings offered for sale. Sublimely rendered here is the spirit of divine response, Kameung Sillyeong. There are many 20th century reproductions of these types of paintings. Authentic Joseon Dynasty examples like this exist only in museums. And even in museums, a pair like this is very rare. You can discern them by the material and quality, such as fine hand-woven silk and mineral pigments that give warmth and depth and are vivid but not garish lik...
