A fine pair of 19th century clambroth glass candle holders. Stout but elegant baluster turned sticks with broad, stable feet. Fine and practical decorative accents. The reference to clambroth says it all - the milky glass almost translucent (more so toward the foot - see second illustration) with opaque bubbles throughout. Good condition. These are probably pretty early and likely not common to fetch a pair. Would be a refreshing "stand in" for brass in period interior. They are tall at height 1...

Ca 1940 An exquisite bracelet created by Foss during the time he worked for Georg Jensen USA. This is truly a "must have" for any Foss collector. Marked 416A. 7-1/4" x 5/8" ~ 24.3 grams

Artist: Takahashi Tasaburo (b. 1904)
Scene: Girl Before Christmas Tree. Posed like Japanse doll on platform.
Image area: 5.5 x 3.5 inches. A woodblock print tipped at the top to original cardstock.
Date: Early 1950s.
Publisher: Kyoto Hanga-In.
Condition: Excellent. Please see photo for message inside.

Okame, the Goddess of Mirth, is commonly paired with Usobuki in Kyogen theater. This is a rare and old pair of Okame and Usobuki ceramic figures. We have the original receipt from Things Japanese 20 years ago. We are asking the same price as the price on the receipt from 20 years ago. 6 inches (15 cm) tall.

Shiko Munakata (1903 ~ 1975)
Title: Nakisakebi from the Dream Carp Series originally published in 1940. This edition 1989.
Size: Approximately 13.5 x 12.25 inches
Published by Munakata Studio. Issued in Yaskawa calendar.
Medium: Japanese lithograph.
Condition: Excellent. Full margins on all sides (not shown).

Shiko Munakata (1903 ~ 1975)
Title: Onhina.
Date of this edition: 1998.
Size: Approximately 13.25 x 12.25 inches.
Published by Munakata Studio. Issued in Yaskawa calendar.
Medium: Japanese lithograph.
Condition: Excellent. Slight ripple. Full margins on all sides (not shown).

Shiko Munakata (1903 ~ 1975)
Title: Zakkei Sanbou.
Size: Approximately 13.50 x 12.25 inches.
Publisher: Published by Munakata Studio. Issued in Yaskawa calendar.
Date of this edition: 1998.
Note: We believe that the title translates as temple in the weeds.
Medium: Japanese lithograph.
Condition: Excellent. Slight ripple. Full margins on all sides (not shown).

Shiko Munakata (1903 ~ 1975)
New York, Riverside.
Date of this edition: 1983.
Size: Approximately 15.25 x 12.0 inches.
Published by Munakata Studio. Issued in Yaskawa calendar.
Medium: Japanese lithograph.
Condition: Excellent. Full margins on all sides (not shown).

Shiko Munakata (1903 ~ 1975)
Title: Taishi. Originally published in 1955. This edition 1985.
Size: Approximately 18.5 x 8.0 inches
Published by Munakata Studio. Issued in Yaskawa calendar.
Medium: Japanese lithograph.
Condition: Excellent. Slight wrinkle at corner. Full margins on all sides (not shown).

European 15k gold stickpin, ca 1880. Mounted with carved intaglio cameo, depicting a left-facing Classical female head. The color is reddish brown. It is in a gold frame mounted to a twisted shaft. Very good condition.

Dimensions: H 2 5/8 x D 5/8 in. #112  

Ohno Bakufu
Rice Reaping
Date: ca. 1950.
Size: Oban. 15 x 10.5 inches
Publisher: Kyoto Hanga-In
Carver: Matsuda. Printer: Ichimura
Medium: Japanese woodblock print.
Condition: Top margin has thin tape mark.

Ca 1892 An ornately stamped gilt metal blue chalcedony (dyed agate) bracelet in original condition with detailed crimped frames and expandable panels all accented by flowerheads and small opals. The stones' facets and tables show light wear; one stone has a small chip on a table facet, another has a small section missing adjacent the setting (please refer to pictures). Hidden box clasp and safety chain. There is some darkening to the metal. A lovely piece sold as is. 7 -1/4".

From a well-known series entitled “Chōtō” (Listening to the Waves) this large contoured vase features a sandy glaze that the sculptor claims is an expression of the features of the landscape where he grew up. The Chōtō series that launched his career proved to be wildly popular and today a number of pieces are held by museums around the world including: Brooklyn Museum; Hyôgo Museum of Ceramics; Metropolitan Museum of Art; Minneapolis Institute of Art; Musée National de Céramique, Sè...

From a well-known series entitled “Chōtō” (Listening to the Waves) this large contoured vase features a sandy glaze that the sculptor claims is an expression of the features of the landscape where he grew up.

Born in the port city of Shimoda, Sakiyama studied art in Osaka and then later went on to open his own kiln that he named “Hidaka” (High Sun). Appearing to have a natural gift for form and proportion, his pieces soon attracted the attention of galleries and collectors...