Un panneau de bois sculpté en relief d'une divinité. Travail indien ou Himalayen. Ceratinement trés ancien. Au revers le bois a été fortement vermoulu, toutefois l'ensemble est solide. 205x130mm

Vietnamese Annamese 15th century blue and white yuhuchun vase, fairly good condition with restoration on the top part / trumpet part, please see picture for detail, size: 24 cm height.

19th century porcelain netsuke of a street entertiner - an acrobat / contortionist - performing on a low stand. Very well made, nice face, pleasant patina. Four feet of the stand are old kintsugi (gold lacquer) repairs. Height 2 inches.

19th century miniature Hirado porcelain sculpture of a reclining karako (Chinese boy) leaning on his right elbow and holding a fan in his left hand. Excellent crisp modeling with incised details - see his superb dreamy face, well defined hand and clothing details. Unusual feature - the unglazed flat bottom is well incised with the continuation of the design...

Antique Chinese cloisonné round container with enamel floral and "Shou" designs. The top of the lid has a round, flat jade finial. The inside top and bottom of the container has a center lotus design with inlaid metal scrolling vine patterns upon light blue enamel. Republic Period (Circa 1912) Size: 7.5" height, 11" width

Edo Period (19c) Yusai Awazu Brown Glaze Chawan formerly in the collection of Nishimura Toshimichi.
The mark Awazu is stamped at the bottom.

Yusai Awazu (1770-1848) was a government official in Inaba Province, an old province of Japan in the area that is today the eastern part of Tottori Prefecture, in the late Edo period.

He was from the house that served as Toneri (servants for imperial house and aristocrats) for generations, and was a disciple of Suehiro Unge in Hig...

A good quality and well carved She shaped (韘型佩) nephrite pendant, decorated with dragon and phoenix. Han style, but we believe that it was carved later, maybe Qing Dynasty. Condition: Good antique condition, natural veins, brown and dark inclusions, please see photos for details. Length: a little less than 3 inches.

An exceptional antique Japanese bowwood carved netsuke - the Yama Inu - a dog resting his paw on his masters scull. Protecting him in even past the point of death. Superstition related to the okuri(yama) inu are extremely old, and are found in all parts of Japan.
The meaning of the dog also speaks about patience, reliability, and obedience. It focuses on protection, guardianship, and service. The dog spirit animal is a noble animal...

Very rare huangyangmu (rosewood) pipe ornament of an acrobat riding a guardian lion ; also the only one with such a character I ever saw.
The lion holds a mobile ball in its mouth; wonderful patina and beautiful colour, tiny chip at the lion’s mouth ; 5c

A large Kuro-Oribe chawan, hand thrown and carved from fine Mino clay during the later Meiji Period (1868 - 1912). It comes with a very good Japanese wooden box.

Oribe-yaki – I guess no other pottery had a greater influence on the aesthetics of Japanese pottery.

Oribe ware is a historically important Japanese pottery variety that emerged during the late Momoyama and early Edo periods in Tajimi, in modern day Gifu prefecture...

Small stela dedicated to Bhairava. The Hindu god is standing on a corpse and holding the snake ("naga") in his right hand, a skull cap ("kapala") in his left hand, and his weapons in his other two hands. Black stone with remnants of ritual material. Nepal, circa 15th century. Height: 5 3/4" (14,5 cm). Mounted on a custom stand. Erosion, otherwise good condition

19th Century Japanese Musha Ningyô of Ushiwakamaru, the boy who would grow up to become the great 12th Century warrior, Minamoto no Yoshitsune. This wonderful Boys Day Ningyo is the rarest of all the Boys Day figures. He is a fine example of Meiji Period Ningyo making. He wears gorgeous brocades and has a very expressive face. He is never seen wearing a helmet, in order to show his fantastic hairstyle. 12.25 x 16.5 inches, 31 x 42 cm. Excellent Condition.

There are many items in one room with a lot of focus needed as the name
of this Gallery. You really have to spend the time with individually when visit Gallery.
My photos are showing only partial collection. So the best way to study
individual item will be obtaining exhibition catalog "Colors of Kyoto" written by
Dr. Shinya Maezaki and Dr. Sinead Vilbar. It will give you great insight of
Seifu Yohei’s process of their creation in Kyoto during those years...

Japanese wood zuishin figures probably from early 1900s. They are figures of the Toneri, the imperial guardsmen from the Heian period (794-1185). Later in the Kamakura period, they became the gate keepers of the Shinto shrines. Zuishin are sometimes called sa(left)-daijin and ya(arrows)-daijin (arrow-minister). The first character 'dai' means large or great and the second character means 'god'...

Chinese Neolithic tripod earthenware ewer (gui) of the Dawenkou culture (4th-3rd millennium BCE) meant for use in religious ceremonies. The vessel has a flared, upwards pointing mouth with a single ribbed handle on its back, ribbing along the body's edges, and its tripod legs are dramatically tapered to the feet.

Dimensions: 4.5" x 3" x 5.25" H

Burmese carved and painted marble head of Buddha, beautiful serene expression, exquisitely subtle details for example the carved arching brows and slightly smiling mouth, black hair with traces of gold, 18th century. Comes with black metal stand. Age: 17th-18th century. Total size on stand: 26 1/4" high x 8 1/2" wide x 8 1/2" deep.

Japanese Imari ware porcelain charger with the image of a large koi fish in blue cobalt underglaze, with red and blue ground of scrolls, plum blossoms, the plate with fluted foliate petal edges, the underside with blue floral motifs and bands. The underside has a blue marking.

Circa 1800s

Dimensions: 14" x 2 3/4" H

Antique Japanese 15ft long section of silk fabric, hand-woven with gold thread in motifs of flora and fauna on a bright orange background.

Size: 180" L (15ft) x 27.5"

Antique Korean herbalist's medicine chest. Standing on low feet, this chest has 51 drawers and a small compartment at the very bottom opened by sliders. Each drawer is labeled in Korean and has a small metal ring for a drawer pull. The inside of the drawers are divided into two sections.

Age: 19th century

Dimensions: 36 1/4" high x 35 1/2" wide x 9 1/4" deep

Hanging scroll with image of the descent of the Buddha to welcome the souls of the deceased and accompany them to the Western Paradise. He is standing on a lotus on clouds and holds his hand in gebon josho. The mudra is the appropriate level for common citizens to be reborn in. Mineral colors and gold on silk. The garment exquisitely decorated in gold. Japan, late Muromachi or early Edo period, 16th century.
Image: 38 ¼ X 15 ¾ inches. Mounting: 84 ¼ x 21 3/8 inches...

This is a early Nippon collectors dream, beautiful and profusely decorated with a background of rolling mountains and trees, displaying an early morning sunrise. Enlarged birds and lakeside bulrushes are elegantly sculpted in high relief detail, the handles and mouth rim as well as the bulrushes are dotted with jewel-like turquoise beads, colors of chocolate, salmon pink, orange, and yellow dazzle the eyes...

Exceptionally beautiful Japanese basket for ikebana (art of flower arranging). The handle is made with natural burl Cherry branch. The body is globular with large woven bamboo and a wide, flat rim. Perfect condition. Taisho Period (circa 1920's) Size: 18" height, 9.5" width

Antique Tibetan bone carving, originally from a Shaman's robe worn during religious ceremonies. All hand-carved with a deity figure surrounded by highly intricate decorative motifs. Includes custom made iron display stand.Dates from the 18th century.

Size: 4.5" H x 1.5" L x .5" W (carving only) 6.5" H x 2" L x 2" W (on stand)

Terracotta vase, of elaborate form, with a polychrome decoration, painted around the body, representing eight birds. Indus Valley Civilisation, Harappan Culture, 3300-1700 B.C. Height: 6.7 cm, outside diameter: 12.1 cm. A few chips, some soil encrustation, otherwise good condition. Provenance: Paris auction sale 1969.

Antique Japanese scroll painting of Kannon also known as Guanyin. The Goddess of Mercy sits on a rock overhanging a still body of water. She is silhouetted by the full moon. Painted in sumi-e ink on paper. There is a seal in the lower right hand side.

Age: Edo Period (1603-1867)

Dimensions: Total size of scroll: 70 1/2" high x 15 3/4" wide (18" wide including rollers). Size of art: 37 1/2" high x 11 1/2" wide

A fine and rare MING DYNASTY JARLET with craquelé light brown glaze and splashes of blue and white glaze here and there. The base is also glazed except for the resting ring on the base. Found in the MUSI RIVER, close to Palembang City, which was the Capital of the SRIVIJAYA KNGDOM and which had a vast trade network with China and Siam. Condition overall good, one inconsequential chip on the lip of the top ring. Size:height 13 cm x 13 cm. diameter at the center. Rare Collector's item!

A beautiful late Qing dynasty Chinese Canton enamel ladle in very good condition, just with some normal wear on the bottom. L:17cm

Earthenware offering plate depicting Buddha sitting in a niche, his hands in "bhumisparsa mudra". On his right is another Buddha also in a niche. Thailand, Khmer period known as Lopburi, 12-14th century. 84 mm high x 84 mm wide x 17 mm thick. The piece is nicely mounted on a custom stand. Abrasion due to age, otherwise good condition.

An iron, Ko-Tosho (early sword smith's) tsuba. The slightest taper from seppa dai towards rim. Pierced decoration. Purchased from Andy Quirt (ex Skip Holbrook collection) at the February 2016 Tampa show, he thought it depicted gourds. I guess the beholder might see different things...

Yuan dynasty small jar decorated with iron spotted at the body.5,5cm high. Good condition except very small fretting at the rim.

Chawan, tea bowl to be used in the tea ceremony, of distorted oval shape (kutsu or clog, or shoe-shape). Thick cream-colored stoneware that turned red during firing in the unglazed area, covered with a translucent greenish ash glaze that collected in the bottom and around the rim and is very thin around the sides. The sides are ‘rough’, giving a look into the clay.

Japan, Seto region, very early Edo period.

H 3 x W 5.5 in.

Excellent condition

Comes with a red silk po...

Exhibition Photos for Seifu Yohei III, IV works at The Cleveland Museum of Art, July 2017 thru January 2018.

Seifu Yohei III (1850, Kiei 3rd, thru 1914, Taisho 3rd).
He was born in name of Okada family, when he was young man he wanted to become as the painter so he became the student of Tanomura Chokunyu in Osaka and studied Japanese painting and Nanga painting but he gave up as the painter because of his illness. Later he became the student of Seifu Yohei II and change to pottery...

19th Century Japanese Gold Makie Lacquer Kobako Kogo Box with Horse

The box is 0.63 inch (1.6 cm) tall by 2.3 inches (5.85 cm) in length and 2.2 inches (5.5 cm) wide. It is 13 gram.

It has small chips, peeling of lacquer, hairline crack, stains, rubbing of lacquer and gold and surfaces wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason,...

11th generation Raku Kichizaemon Keinyu (1817-1902) White Raku Sake Bottle Tokkuri.

The mark of the potter is stamped at the bottom. Keinyu used this mark after his retirement.
The red clay was used which was glazed and fired. It is a rare work that depicts the standing cranes of parents and child. He often used crane decoration in his later years such as Fukurokuju tea bowl exhibited in Kyoto in autumn 2020. (Autumn Special Exhibition. Teabowls by Successive Generations of the ...

A Chinese cloisonne enamel cup-stand with unusual leafy mask decoration. Qianlong/Jiaqing, 1780-1820. 13.25 cms diam. Good condition.

An Arita Export porcelain plate in Dutch ‘Kraak’ style. A plate with the same border is illustrated in the Impey Collection “Japanese Export Porcelain, Catalogue of the collection of the Ashmolean Museum, Oxford. Hotei Publishing, Amsterdam, 2002”, item 12. The border pattern shows a striking similarity to that used for V.O.C. orders produced at the Hikeoba and Sarugawa kilns. Circa 1680.

Approximately 21.7 cm diameter. Perfect condition.

Please study the ...

An Arita porcelain whistle in the form of a reclining Chinese boy. Decorated in Kakiemon-type overglaze blue, green and iron-red enamels. Circa 1680 ~ 1700.

A similar whistle is illustrated in Christiaan J. A. Jorg’s ‘Fine & Curious, Japanese Export Porcelain in Dutch Collections.’

Approximately 7.6 cm long. Perfect condition.

Please study the photographs.

Within the UK payment by bank transfer is preferred.

Customers resident in China must mak...

16th Century Chinese Lacquered Bronze Polychrome Monk Figure

It is 10.4 inches (26.4 cm) tall by 4.1 inches (10.5 cm) wide. It is 1939 gram.

It has rubbing of paint and peeling of lacquer, holes at the back, chips at the bottom, oxidation, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of ...

A rare Yuan dynasty 14th century double gourd ewer with cover, rounded side with double gourd shape and unglazed base, this ewer decorated with under glaze iron spots with qingbai glaze.
Ewer is in good condition with spout broken off and re attach and covered with silver mounted, complete condition on handle and bodies still original.
Size: 12.5 cm height.

Tang terra cotta image of a Fat Lady. Traces of original pigment (please note the belt in enlargements). Miniatures are extremely rare. H: 8.4cm. Good condition- no damage or repair.

Chinese Qing dynasty bronze stand for incense burner. 12,3 cm diameter. 2,9 cm high. 567 gram weight. original conditions, free from any repair. please see on the pictures.

DESCRIPTION: A large and attractive Sumida Gawa tankard with a red ribbed body, graceful handle, and high relief figures of two children. A traditional flowing flambe' glaze in dark brown and beige coats the top third of the mouth and handle. Fine attention to detail has been paid to the handmade figures of children standing on ledges against the ribbed, cold painted body. On the back in blue characters is the potter's mark of Inque Ryosai, a family of three generations of potters who made S...

One-of-a-kind!!! This is an item sui generis. A yellow glazed Raku chawan, dating from the Meiji Period (ca. 120 years old) with its original signed wood box.

The chawan is in superb condition with no chips or cracks. Around the bowl are carved chinese characters. The tea bowl is very solid and fits perfectly into the palm of the hands. Great chawan!

Size: 9,6 cm height x 11,7 cm diameter.

Shipping included

This is a Very rare in the Edo period Asamai-shibori textile.It's handspun & natural indigo dye cotton. The texture of this thick indigo-dyed cotton has the characteristics of the Edo period. Shibori thread remains in several places. There is no stain. There is one small hole. The lining has brushed cotton and is double-layered. Size:Length:124cm(48.8inch ) / Width: 86.0cm(33.8inci)Box.D

Bronze Ayutthaya Period Buddha subduing Mara, back of Base imperfect, 17/18th Century, Thailand, nice dark patina.

Are you interested in high quality chinese paintings? Up for sale is this rare 19th. century ancestor portrait of an important gentleman. It is exquisitily painted with oil colours on linen and emanates an intensive sense of real chinese art.

The colours are still vivid and shiny, and the paint cracks intensify the antique aura. It is very valuable.

The Size is 99 cm x 51 cm (38,98'' x 20,08''). It is not framed and will be safely shipped in tube.

Further informa...

A very large rare string of ceramic beads from the neolithic period. The necklace measures 106 centimeters from end to end. The condition is very fine considering the age.These beads date back to 500 to 1000 BC

Early to mid- 19th century netsuke representing nio (one of the Buddhist Guardian Kings) sitting on a huge old straw sandal and mending it with a rope. Excellent carving, beautifully stained, wonderful wear and patina. Signed TOMOCHIKA in oval reserve on the bottom - the artist is Tomochika the First as discussed on p. 1148 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick. Height 1.2 inches.

A pendant with a good luck symbol on one side and an interesting cat face design on the other. Size: W. 5.5cm. L. 3.8cm.

An antique Japanese Bamboo Ikebana basket in a Sea Urchin shell form with fine weave and two woven ring handles. Often incorporated into the art of flower arranging, it also doubles as a sculptural table centerpiece.

Age: Meiji Era (1868-1912)

Dimensions: 11 1/2" High by 14" Diameter

Large Bronze Dragon Head Qilin Censer with Wood Stand, 17th Century

The qilin is 18 inches (46 cm) tall with stand, 14.5 inches (37 cm) without stand, and 15.75 inches (40 cm) wide.

It is in good condition with no repairs, or cracks, except small chips at his jaw (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% ...

Fine Chinese Blue and White small vase, with penciled decoration of a lotus scroll below hatched and flame borders. C1650/60. Ht. 5.0" (12.7cm). Perfect condition.

Superbly cast bronze belt hook with a finely detailed dragon head at its top with gold and silver eyes, ears and nose, and with gold and silver inlaid geometric designs on the rest of the body. A knob at the back for attachment to a belt. Nice reddish green age patina, partly encrusted. China, Warring States period. Height: 10.5 cm. Very good condition. Provenance: acquired in 1987 from a reputed Paris dealer specialising in Asian antiques. IMPORTANT NOTE: this unique object will be exported ...

 

Late 1800s

Glazed on the biscuit with green, yellow and brown enamels. On the base are three unglazed spots on which the piece was fired. Stopper in the form of bat, handle in form of stem and spout in the form of blossom. Very good condition with only minor construction flaws glazed over in the firing.

Width: 3 in.; Height: 2 7/8 in.

Chinese Song dynasty longquan celadon washer bowl. 12,7 cm diameter. Good condition.

Antique Burmese handmade solid silver, superb quality large rectangular box adorned with Anantasayana, Burma, late 19th century.

The hinged lid is decorated with finely hand chased and embossed in high relief Sheshashayi Vishnu and the birth of Lord Brahma, depicting the four-armed Lord Vishnu reclining on a bed formed by the serpent scrolls of Sheshanaga and protected by the Naga’s heads. The four-faced and four-armed Brahma in the lotus emanates from Vishnu’s navel. He is accompanie...

An extremely cute pair of ceramic sculptures of two young Chinese children peeking over a balcony. The pair of children appear to be fragments of an old roof tile, and each one is set upon a wooden stand. The modeling of the children is exceptional, especially the character in their faces. They are dressed quite elaborately, one with a deep yellow glazed robe and the other with a grey robe with white crackle glaze. The balcony is colored with a blue green glaze with deep blue and yellow glaze on...

A rare early Ming dynasty 15th century blue and white large bowl, rounded side with flared rim, straight foot and glazed base, bowl outer wall decorated with fine under glaze blue of fish and anhua weave motif, center also with fish and weave motif.
Bowl is in very good condition no chip, no crack, no restoration.
Size: 19 cm diameter, 8cm height.

Unusual Japanese 2-panel calligraphy screen with highly stylized brushstrokes, bordered with silver leaf and silk. The left character reads "Gi" (or Righteousness); On the right reads "Dao" (the path or way). The inscriptions appear to mean "Righteousness must always be pursued".

Signature of a monk or a priest in his late 70s named Kakuan, appearing to date Spring 1851 with a description of the studio in which the painting was made. It is also written that Kakuan was overcome by gr...