This glorious flow mulberry coffee pot is a treat on several counts, not the least of which is the fine ironstone construction and design of the pot with the Peruvian pattern by J Wedge Wood - not be confused with Josiah. The body flairs outward, cutting an impressive figure. Although there is regular crazing throughout, the condition of the pot is excellent. The underside is backstamped as noted, and also has a British Registry mark for the year 1875...

A wonderful hexagonal shaped ironstone flow mulberry covered dish with handles, often times called a vegetable dish, in the Jeddo pattern by William Adams and Sons, c. 1850. The dish and lid are structurally sound but there are a few condition defects to note. On the underside of the lid, there are 2 very shallow chips. On the underside of the foot, there are also 2 chips - 1 very small and the other about 1/4". We show pictures of all defects...

This porcelain charger was produced in France by Lazeyras, Rosenfeld & Lehman Limoges in the 1890s. It is titled on the back “Dictant Une Lettreâ€, Dictating a Letter, “after Harry Roseland". Harry Herman Roseland (c.1867-1950) was one of the most notable painters of the genre painting school around the turn of the 20th century. An American, Roseland was primarily known for paintings centered on poor African Americans. The charger measures 13 1/2 inches in diameter...

This porcelain chocolate cup and saucer was produced in Vienna, Austria in 1804. Impressed numbers on the bottom of the saucer indicate this year. It has an underglaze cobalt blue bee hive marking on both pieces. The saucer has a diameter of 5 1/2 inches and is 1 3/4 inches high. The cup is 4 1/4 inches high, including the lid. The set is considered to be a “trembleuse” with the attached gallery holding the cup on the saucer. The borders on each piece have a molded basket weave pattern...

This porcelain demitasse cup and saucer was produced in Vienna, Austria by the Franz Dorfl decorating studio around 1900. The saucer has a diameter of 3 1/4 inches and the cup is 1 3/4 inches high. The ground color is burgundy. The cup has a hand painted scene of Venus in a chariot accompanied by a cherub and doves. The painting has fine detail, vivid coloring and is artist signed. The gilded accents are raised and beaded. The quality of this cup and saucer will delight you...

Circa 1860 superb French bronze jewelry casket with velvet lining on 4 lion paw feet. With excellent detailing throughout, the lid features a foliate head known as Greenman and is bordered with roses and acanthus leaves. It has a lock on the front but the key is no longer with it. Measures 9.75" long by 5" high and 5.25 inches front to back. Weight about 9 lbs.

It has been a long while since we have offered a Massier duck for sale, due in no small part to their rarity. This duck was expertly modeled in the studio of Jerome Massier around the turn of the 20th century using the vivid and, in this case slightly iridescent glazes for which he and his cousins were justly famed. The duck is standing on what we surmise is a sandy beach, adorned with rich green, brown, and off white colors, beak slightly open...

This set of 6 porcelain plates was produced in Germany by the Carl Thieme Dresden Factory in the 1890s. The plates measure 8 1/4 inches in diameter. They have a reticulated border measuring about 1 1/4 inches with tiny blue and gold raised rosettes. Vividly colored floral sprays and a ring of flowers decorated the centers of each plate. There are gilded accents and trim around the borders. The little rosettes around the border make these plates special...

Majolica wares were all about representing nature, and this gurgle fish pitcher is no exception. These fish pitchers came in a number of variations, most of which dealt with color schemes and minor design differences. This pitcher, we believe, represents the cream of the crop in a number of respects, the first of which is the gorgeou color, the primary one being the rich nearly forest green glaze which scales to mint green. The belly is white while the tale and bib are brown...

These fine porcelain ewers are made in a neoclassical style with a slightly flaring base supporting a bulbous body whose neck narrows before ending in an elongated spout. Tall dramatic handles are attached to the vase. Rich cobalt blue panels alternate with white ground spaces each having simple floral embellishments surrounded by gilded swirls and scrolls. Heavy gilding is used throughout on these elegant ewers made c. 1895. The condition is very good except for a possible but well done repair ...

A most gorgeous porcelain bowl hand painted with green and pink fancy decorations around the rim of the bowl with a central vignette of two birds fluttering in a magnolia tree. The rim is edged with a mustard enamel. The condition is very good with some enamel loss in the bowl though not easily recognizable. The backside is marked Minton with a British registry mark dating to 1860. Structural condition is superb. Dimension: 9 1/2" d

A larger than usual maiolica dry jug jar painted on the front with the scene of Saint Martin dividing his cloak with a beggar. On the back is the cypher for the Carthusian order and the date 1700. Unfortunately it is highly unlikely that this is the date of manufacture for the jar, which is almost certainly from the late 19th century and is loosely based on the series of jars that were made from 1697 into the early 18th century. If I/m wrong and the date is the time of manufacture then at the pr...

This exceptional teapot is from the Staffordshire region of England from the very early 19th century, reasonably dated c. 1800 and attributed to the New Hall factory. It is a porcelain production imitating the very popular Chinese wares coming into the European market, and attempting to convince consumers that it was of the same quality. These pieces often depict domestic scenes but are frequently scenes from theater or novels. While in generally very good condition for its age, the pot has accu...

An outstanding pair of studio quality candlesticks from the hands of famed ceramicist Clement Massier of free form with fully modeled frogs and snails. The glaze is a complex interplay between faintly iridescent gold and hollandaise yellow. Signed C(lement) M(assier) Golfe Juan AM on underside. Excellent condition.

Dimension: 8 1/4" h

In our humble estimation, Pickard China porcelain from its early years was the Tiffany of table china. Its enameling and gilding aesthetic in the years from 1898 to about 1930 had no peer. This console bowl is testimony to that opinion as it blossoms with natural beauty from its hand painted flowers which circumscribe the interior rim in a tasteful lush gold band. The exterior features a gradient band of heavenly peach blow colors with another bouquet painted on the outside to match a correspond...

As enormous fans of early Pickard China, we are always excited to present fresh wares from this most successful period of the company's history. The footed bowl, or tazza, we offer is hand painted with transitional Art Nouveau and Art Deco influences, while still serving traditional themes such as these peaches framed with angular geometric richly gilded borders. Subtle gold flower triplets space the frames. The condition of this bowl is immaculate - even mint - and all the more remarkable given...

Of all the porcelain manufacturers in Limoges, we rate Pickard among the crème de la crème as this porcelain pitcher attests. It is a hand painted masterpiece featuring resplendent lilies of the valley bordered in some of the finest gilding we have seen. The hexagonal pitcher sweeps up into a billowing crescendo, finishing with a large spout. The attached handle is fully gilded. Condition of this exquisite pitcher is almost mint, with just the barest of fading in a couple of spots on the handl...

Francis Wheatley ( 1741-1801) first earned his fame as a portrait painter for the aristocracy, but when he fell out of favor, his landmark series of paintings of the Cries of London depicting the working poor hawking their wares on the streets of London ensured long lasting fame. Prints of his paintings were popular throughout the 19th century and early 20th. This Prattware lid was such an example produced by polychrome transfer processes.

It's condition is very having a small nick ...

Francis Wheatley ( 1741-1801) first earned his fame as a portrait painter for the aristocracy, but when he fell out of favor, his landmark series of paintings of the Cries of London depicting the working poor hawking their wares on the streets of London ensured long lasting fame. Prints of his paintings were popular throughout the 19th century and early 20th. This Prattware lid was such an example produced by polychrome transfer processes.

It's condition is very having a small nick ...

A very hard to find purple transferware jar with lid featuring a vignette of a child with mother among classical ruins. The attached handles are decorated and scroll outward; the rim is decorated with fancy borders as is the foot. Underside is impressed with P. Condition is very good with discoloration and crazing commensurate with age. Inside is a gouge which may be a production defect. We have provided a picture for your judgment. This early 19th C. jar is a super find - if you like old Staffo...

A hard to find purple transferware pitcher with central vignettes of farm life and genre scenes. The top and inside of pitcher have foliate decoration. The single piece handle is attached. Condition is very good with minor crazing and possible exterior crack for which we have shown 2 pictures. Very moderate age discoloration most noticeably on handle.

Dimension: 6" h

An antique Spode stone china covered bowl with transfer and hand painted designs in the Imari palette featuring floral motifs in the Chinese style. These wonderful early ceramic pieces are a treat to find, and often bear evidence of their 200 years of life, and this one is no different. The foot suffers 2 small chips which we have photographed, and the outside and underside have foxing as shown in the photographs. Otherwise the serving bowl is in fine condition. Different sources give slightl...

A fine Spode New Stone china small covered double handled tureen with under plate painted in the Imari palette featuring floral themes in the Chinese style. Spode introduced New Stone c. 1820, so we feel safe dating this item to c. 1825. It is in very good condition with the only flaw being minor to moderate gilding loss around the edge of the plate. As a quality feature, you will note that the inside rim of the bowl is decorated. In general it is decorated with transfer and hand colored techniq...

A superior example of Staffordshire pottery owing to a couple of factors such as the gorgeous apple green enameling, the generous gilding, and the excellent condition of the creamer. This one is painted with apple green around the body with light yellow reserves of gold framed embellishments, the neck which is decorated with swagging leaves. The large helmet shaped mouth has gold leaf as does the attached two part handle. The creamer sits on four gold decorated feet. The underside is unmarked. I...

Staffordshire Figure of Cobbler Woman, one of a pair. This one dates to mid 19th C. and is particularly desirable because it is painted in the round. Good condition with crazing, no discernible damage. Dimension: 6 1/2" h

A beautiful ironstone coffee pot with rich green foliate garden theme transfer and hand painted floral decoration, back stamped with Brougham and Mayer Hybla Ironstone. Very good condition marred by shallow chip inside lip of lid. This gorgeous example dates from about 1850-60. Dimension: 9 1/4" h

An stoneware cheese keeper or dome decorated with Bamboo and Trellis motif consisting of black enameled trellis surrounded by leaves and cherry blossoms in pink, green, and ochre. The base of the dome and the handle continue the bamboo motif. The exciting feature of the dome is its orange peel texture which adds additional interest to this Aesthetic Movement work of art. The base is raised on short pedestal and s decorated with near scarlet band encircling raised x's. The dome and base are ma...

A fine Dr. Wall Worcester sauce boat in the "Two-handled Sauceboat Landscape" pattern, with the oval body modelled with two shell shaped lips and applied with two double-scroll handles with thumb-rests. Exterior is embossed with garlands of leaves which form four circular reserves, each with an Oriental scene. The interior also displays a large Oriental scene. A workman's mark is on the underneath of the base.

Condition of this piece is excellent, especially for this particular form. The moldi...

An Art Nouveau porcelain table centrepiece relief moulded with stylized lily decoration and pre-Raphaelite style figures of a youth and a maiden. This item was designed by Ernst Wahuss and produced by Amphora (Austria) circa 1890 - 1910. Condition: excellent - no losses or damages and no repairs or restoration. 33cm (13 inches) long; 17cm (6.7 inches) high.

This porcelain cup and saucer was produced in Germany by Furstenburg between 1753 and 1770. The saucer has a diameter of 5 1/4 inches and the cup is 3 inches high at the handle. The cup has the traditional Biedermeier style handle that raises above the rim of the cup. There are hand painted bands of grape vines and grapes done in earth tones. There are gold accents and trim on the rims and handle. Condition: There is some light wear to gilding in the well of the saucer where the cup sits...

This porcelain tea cup and biscuit tray was produced in France by Haviland Limoges in the 1890s. The tray measures 8 inches long, 7 inches wide and the cup is 2 1/4 inches high. The set is made of fine, translucent porcelain. It has molded, high relief detail. The set is decorated with a factory transfer design of pastel colored florals. These wispy flowers float across the porcelain surface and down inside the cup. There is a gilded accent on the cup and tray handles. Condition: Excel...

This set of 12 porcelain plates was produced in England by Copeland’s China around 1891. They were made especially for Tiffany in New York. The plates have a diameter of 8 7/8 inches. They are made of fine bone china and have molded, high relief accents in the porcelain. Each plate has 4 hand painted birds that are named on the back. They are precisely depicted in vivid color with no two alike. The borders are elaborately gilded. These plates are works of art with a wonderful heritage. ...

A wonderful example of a rare Dr. Wall Worcester tea canister of fluted oval "French shape." There are several variations of the Hop Trellis pattern, with this one being less common. All versions of the pattern are highly collected. In the case of this variety, the upper border is a deep blue, while the lower border is a turquoise cailloute (a lacy network of oval or circular outlines, from the French, meaning "pebbled"). The main body of the caddy has iron-red trellises with gold bands twining ...

Set of 6 hand-painted, gilded Dresden cups & saucers by Richard Wehsener (each item individually hand-signed R. Wehsener, except 1 saucer). They were produced in the Wehsener Porcelain Company in Dresden, Germany and had a reputation for excellence in design. The beautifully lobed cups and scalloped saucers are exquisitely decorated with colorful hand-painted garlands of flowers and accents of gold on the handle, inner and outer rims. This delicate & elegant set was purchased from the venerable ...

An English sauce tureen and ladle, transfer printed in the Morning Glory pattern. Victorian, Staffordshire c 1880. Impressed mark T.C. Brown Westhead Moore & Co and pattern number H5156. Width "8½/ 21 cm, length of ladle "7/ 18 cm. Condition: fine. Price: $170, including worldwide SH & I

A pair of English Staffordshire ”Imari” plates, the decoration painted in under-glaze blue and enameled, the rims lustre-glazed. The backs with a printed mark Ironstone China. Early Victorian, c 1830-40. Mason’s was the first manufacturer to launch Ironstone ware but many others were to follow. Diameter "9¾ / 24,5 cm. Condition: some crackling to the glaze to one plate, and a small chip to the underside of the rim (cf. pics).

A pair of dishes, printed and hand painted with flowers in pastel shades, the edges scalloped and gilt. Doulton Burslem mark for 1885-1902. Diameter "8¾/ 22,5 cm (both plates). Condition: fine.

Three dishes or small plates in orange, black and gold, depicting the Austrian coat of arms as it is seen on the Maria Theresienthaler coins. Made as replacements for broken parts of the service originally ordered from China for Jozef Anthon Johan of Austria and dated 1820, just after the Arch Duke had entered his third marriage. These dishes however are later. They were probably made in Europe around 1900. Diameter "6 3/4/17,5 cm. Condition: small glaze flake to the under side of the rim to one...

A pair of CJ Mason porcelain plates circa 1825 A pair of distinctively molded bone china porcelain plates from the Mason factory circa 1825. Each is hand painted with a bouquet of flowers and the molded pattern enhanced with copper tinged gilding. They have no maker’s mark, but this molded porcelain is associated with the factory. Pattern mark 963 on the back of both, though the “9” is hardly there on one of the plates. 8 ½ inches diameter.

Condition: Very little wear to either, but ...

An elaborately molded plate with three hand painted sprigs of flowers. The pattern is one that was made by CJ Mason circa 1825 in the rococo revival taste. 8 ½ inches diameter.

Condition: Minor gilding wear and a few knife scratches, but otherwise no chips, cracks, hairlines or repairs.

Black-glazed English cup and saucer with floral decoration in raised enamels, Victorian, c 1850-70. The glaze is named after Jackfield, a town in Shropshire where pottery with a jet black shiny glaze first was produced in the 18th century. No mark except for an impressed J and a turquoise P (painters mark?) to base of cup. Diameter of saucer "6/ 15 cm, height of cup "2¼/ 6,5 cm. Condition: a few scratches to the saucer, otherwise fine. A small teapot with very similar decoration is offered in a...

Black-glazed English small teapot with floral decoration in raised enamels, Victorian, c 1850-70. The glaze is named after Jackfield, a town in Shropshire where pottery with a jet black shiny glaze first was produced in the 18th century. No mark except for a brown S (painters mark?) to base. Height including lid "4/ 10 cm. Condition: chips to the inside of lid (cf. pics). A cup and saucer with very similar decoration is offered in another Global Ceramics listing (cf. the last picture).

A beautiful Royal Doulton Lambeth ware vase with deep cobalt blue high luster glaze that changes to a sage green, then to a medium/light blue at the base. A floral band encircles the top with all the raised details still intact. Inside the vase has sage green glaze. In excellent condition, you will notice an imperfection at the base rim that appears to have happened in manufacture which is not uncommon. Impressed marks on base bottom. Vase measures 13 1/2" high and about 6" diameter at wides...

A superb quality very large pottery figure of a male attendant or official, dating to the earlier Ming Dynasty, 1400-1500 AD.

The figure is placed on a high hexagonal plint and wears a fine two-colour blue and turquoise glazed robe. The unglazed areas have pigmented colors in red, black and white. Finely painted facial details.

The head is attachable as often seen on the largest figures from this period.

The figure holds a blanket under his arm.

Si...

In excellent condition, Royal Doulton Lambeth ware vase with a high gloss cobalt blue glaze featuring 3 medallions that include detailing in high relief. The blue glaze has some glaze bumps common to the era. Impressed marks on base bottom. Vase measures about 9 1/2" high. Circa 1900-1920

Art Nouveau Vase by the Amphora Pottery, Turn Teplitz, Austria, decorated with moulded leaves with gilt stems, stamped base. Circa 1905-10, attributed to Paul Daschel.

Height 6.5"

Humorous Staffordshire Pottery "Admiral Nelson" Pitcher moulded in the form of Lord Nelson (but missing the wrong arm) with a rather strategically placed spout, and a Rockingham mottled brown glaze. Probably English, circa 1850.

8" x 4" x 9.5" tall

A Leeds, Yorkshire creamware plate with pierced border, late 18th century. Diameter "9½/ 24 cm. Condition: some stains to the well, a glaze flake and some small nicks to the foot rim (cf. pics).

Two pairs of tea cups with sprigged ornamental decoration in lilac and twigs of flowers in gilt. English, around 1830 and attributed to New Hall. Unmarked except for the pattern number, 7940. Diameter of saucers "6¾/ 17,5 cm and of cups "4½/ 11,5 cm. Condition: one pair fine, the other (please see the last photo) with some wear, a star crack and a hairline. This pair to go with the first (optional), at a cost not exceeding the additional shipping fee.

Antique Spode Pottery Transfer Decorated Ceramic Wine Cooler,* oval with applied handles, ribbed body and rope turned rim, the whole with yellow and blue transfer decoration. English, circa 1810. (two tiny chips, numerous frits)

*Originally designed as a footbath, these large basins are today used as wine coolers.

18.5" x 12" x 8" tall

A rare solid jasperware child's teapot, the reliefs designed by Lady Templetown. Around 1790, unmarked, by Wedgwood, Adams or Turner. To one side a scene of a young mother reading a book, slippers on her feet, her little daughter playing with a doll. The other side shows Poor Maria with her dog, Maria being a character from a popular novel of the period. The teapot might also have been produced as a solitaire, for one person only. Height including lid "3 ½/ 9 cm, width "6/ 15 cm. Condition: ex...

A strictly museum quality, large pottery figure of a male attendant, dating to the mid Ming Dynasty, ca. 1500 AD.

The figure stands on a large Lotus throne on top of high hexagonal plint in fine Sancai colours - a two-colour blue and torqoise glazed robe. Under his arm he holds a bottle.

He wears a high hat. Finely painted facial details. Lotus thrones are very rare for Ming pottery figures.

The head is attachable as often seen on the largest figures from this...

Samson of Paris, 19th century: a large godrooned dish, hand painted in the style of Watteau with a courting couple in a pastoral landscape surrounded by flowers, Deutsche Blumen. Flat back with the gilt wheel mark for Höchst /Hoechst 1765-74. Diameter "10¼/ 26,3 cm. Condition: a chip to the rim (cf. pics).

A Royal Worcester 6-1/4" face or mask jug with gold made in 1897. This exquisitely detailed jug has superb hand applied gold decoration in the form of wild daisies with yellow and reddish centers along with wild grasses. The gold is thickly applied with ridges and jewelling and the ornate handle is gold as well. The mask or face on the spout is crisp and detailed and this jug has the Grainger Royal Worcester China Works mark with the G year code for 1897. The creamy satin finish glaze is qui...

A beautiful and rare, small PUCE CAMAIEU & GOLD Porcelain Teapot with Floral Bouquets, ca. 1780, Thueringen, Germany (Gotthelf Greiner). The top is adorned with a stylized Rose for holding. Height: 10.5 cm Underglaze Crossed Swords Marking. Good overall condition.

This porcelain tea cup and saucer was produced in England by Copeland & Sons in 1883. The saucer measures 5 3/8 inches square and the cup is 2 inches high. It is made of fine bone china. There is embossed decoration on the cup and the saucer. It has an interesting squared off shape. The decoration is inspired by the Japanese, using traditional coloring in the Imari style. The gilding is elaborate and the decoration is finely hand painted. The style is classic and sophisticated. Conditi...

This porcelain tea cup and saucer was produced in England by Royal Worcester in 1878. The date letters in the mark indicate this year. The saucer has a diameter of 5 1/4 inches and the cup is 2 1/4 inches high. The saucer is shaped and molded like a lily pad and the cup is the flower. The porcelain is smooth and creamy imitating ivory. The decoration is Japanese inspired. There are hand gilded butterflies, a heron bird, branches and foliage. Three colors of gold are used and it is all emb...

This porcelain tea cup and saucer was produced in Germany by Ludwigsburg in 1770. The Ludwigsburg factory was formed in 1759 under royal patronage of Duke Carl Eugen and it became one of the leading European porcelain manufacturers between the years 1760 and 1775. The saucer has a diameter of 5 1/4 inches and is 1 1/4 inches deep. The cup is 2 1/4 inches high. The clays that were available in the area produced a beige rather than white color porcelain. The hand-painted flowers are similar to...

A Georgian Wedgwood black basalt bowl from the 1790 1800 era. In the unadorned black basalt matte finish, this classic antique bowl is stamped WEDGWOOD 6 with an incised broken circular mark near the edge. It is simple in style, 9-1/4" across and 4" high with a 1-1/4" collar and a fine foot rim. This item is in excellent condition with no chips, cracks, crazing, losses, damage or repairs other than some minor residue deposits on the interior and some linear light surface abrasions on the exter...

This porcelain cup and saucer was produced in France around 1810. There are no markings on either of the pieces. It could have been made by one of the numerous porcelain manufacturers in the Paris vicinity at that period. The saucer has a diameter of 5 inches and the cup is 3 3/8 inches high, excluding the handle. The porcelain is heavy and substantial. The decoration is hand painted. Stylized ornaments, including a cornucopia and swans, decorate the sides of the cup. The central decorati...