A wonderful example of a Dr. Wall, or First period, Worcester small bowl, thinly potted and pencilled (painted with a very fine brush) in black with the "Boy on a Buffalo" pattern. The buffalo is standing by a large tree at the water's edge, sampans off the shore, with a bird, other foliage, and a building in the scene. A flower is on the interior bottom...

A beautiful pair of scissor shaped sugar nips or tongs, with shell bowls. Silver, probably Irish, Rococo style, late 18th century. Unmarked, like many early sugar nips. Width "6¼/ 16 cm, weight 67 grams. Condition: the joint is somewhat unsteady and apparently these sugar nips have never been restored.

Actually, this type ware is often mistakenly referred to as Leeds and featheredge. In reality, many factories other than Leeds made items of this nature, and the type edge here is more properly called a molded edge; elaborate raised tree and floral decoration; 10" diameter. Excellent condition.

Elegant pair of French enamelled Opera glasses that display a lovely painted couple. These stylish glasses contain a folding arm extension. Late 19th Century.
Measures: 3.74" (9.5 cm) width.
arm: 5.70" (14.5 cm) length.
arm extended: 9.25" (23.5 cm) length.

A set of five Victorian cranberry glass fingerbowls of compressed form with waisted rim. Raised on a tapered foot with polished pontil. Condition is good - varying slightly from bowl to bowl. No cracks or abrasions. Rim diameter 4 7/8 in. About 5 1/2 diameter at the broadest point. Foot diameter about 2 3/4 in.

Porcelain beaker decorated in transfer and polychrome enamels with scenes from Boston. The scenes include Faneuil Hall, Bunker Hill Monument, and Old State House. These glasses were made in Bohemia and Germany from the 1890's until World War I. We are also offering similar glasses featuring Mackinac Island, St. Louis and Cincinnati.

Origin: Bohemia, 1891-1918. Condition: near mint, with very slight wear to the gilded edges. Size: 3-3/4" tall.

Dinner plate in Sevres pattern but probably Minton c. 1850

A soft paste porcelain dinner plate unmarked, but probably Minton. In the “feuille de choux” pattern with hand painted flowers, blue accents and heavy gilding. These knock offs of 18th century Sevres were popular from the mid 19th century (c.1850) onwards and Minton made many of the very good ones. 9 ½ inches (24 cm) diameter.

Condition: no chips, cracks, hairlines or repairs...

Unusual paste earrings with three curved lines of paste gemstones dripping from a central paste cluster. Paste earrings rose in popularity in 18th century France when improvements in domestic candlelight made the appeal of such glittering gemstones soar.Paste is a type of leaded glass which was first created in the 1600's, but only in the 1700's did it achieve a level of perfection, and it was in the Georgian era that the most beautiful paste jewelry was created...

An ornately hand-engraved English sterling silver pierced sifter spoon, fully hallmarked for Sheffield 1893. This 5-3/8" spoon has a finely pierced bowl and a PW monogram; it has the maker's mark for Atkin Brothers and it weighs 29.3 grams. This spoon is in excellent condition with no dents, bends, corrosion, losses, damage or repairs...

Fabulous Chrysanthemum sterling silver coffee and tea set. Made by Tiffany & Co. in New York. This set comprises 5 pieces: coffeepot, teapot, creamer, sugar, and waste bowl.

In the celebrated pattern that is an American interpretation of a Japanese motif. To Baroque forms are applied a profusion of climbing, wrapping, and bunching flower heads...

A fine example of a coffee can made by the Seth Pennington Liverpool factory. The pattern, known as the "Scolding Woman" shows two polychrome Chinoiserie figures along with a large tree and rockwork.

The condition is superb, with no flaws and looking factory fresh. The height is 2 1/2" and the diameter is 2 1/4".

A striking oil on canvas rendering of Antietam Bridge done 24 years after the infamous Civil War battle. Signed at the lower right "J.A. Ashley 86"...

Victorian sterling silver mustard pot. Made by George Frederick Pinnell in London in 1844. Round with open scrollwork sides and spread base with applied leafing scrollwork. Hinged and domed cover with vasiform finial leaf thumb rest. Capped s-scroll handle. Open bottom. Detachable cobalt glass liner. Fully marked. Very good condition. Glass has a few rim chips.

Dimensions: H 3 3/4 x W 4 x D 2 7/8 in. Weight (silver only): 4 troy ounces. #BX206

A fine English wine glass with an ogee bowl with 16 flutes in the lower half. The stem features an unusual single series opaque twist (SSOT) configuration of 4 spiral tapes, making for a very pleasing appearance. Conical foot with a rough pontil. Good color and tool marks, with no condition issues. The height is 5 3/4", with a bowl diameter of 2" and a foot diameter of 2 3/4".

A very pretty sterling silver berry or casserole spoon by Durgin. The handle is nicely engraved in an ivy pattern, while the gilt bowl is engraved with a flock of butterflies. The back is stamped with Durgin's earliest hallmark.

Origin: America, ca. 1870. Condition: excellent, no monogram, sharp detail, gilding faded to pale lemon. Size: 9" long. Weight: 59.0 grams.

Very rare pair of 19th Century elaborately hand carved solid wooden ceremonial parasol stands, gilded and inlaid with colored mirror pieces. Good condition overall. Size: H. 15" (39 cm.) x W. 11" (28 cm.) x D. 7.5" (19 cm.). Suitable as exquisite lamp bases or as stunning consoles if turned around.

Circa 1900, a large needlework panel done in petit and gros point of a dog sitting on a stool in front of a window and bordered by various floral panels. Colors are cream and varied tones of reds, browns and tan. In a museum quality antique tiger maple frame with gold gilt liner and a wood panel back, it measures 23 x 26". Embroidery sight size measures 17.5” x 20.5".

Rare Antique Willow Pattern Cow Creamer and cover, painted earthenware. England, circa 1860

Length: 5"