An antique watercolor painting of an early Maine farm house with out buildings. It is a modest setting but with a very neat and tidy welcoming look. It is 6 by 9" and with mat and frame is 9 3/4" by 13". It show lines where is was folded at one time. I have not had it out of the frame. ( I bought this in an estate sale in Maine so I am assuming it is Maine but it doesn't have to be.)

A Victorian Silver and Cut Glass Sugar Castor, with a Star Pattern on Top; London, 1893, "CWF" makers mark, for Charles William Fletcher. Dimensions; 6" high x 3.25" diameter at base. Very minor dings.

A nice coin silver rattail spoon by John Brown, active in Baltimore from 1799, after apprenticing in Philadelphia. The bowl is rather narrow, suggesting it was to be used as a pap spoon. The spoon must have been an early piece from Brown's shop, as the design is quite clearly drawn from late 18th century styles. The three-letter monogram in a bright-cut cartouche is also characteristic of the period. The back is marked with Brown's punch.

Origin: Baltimore, ca. 1800...

This miniature " bullseye with diamond point oil lamp is 5 1/2" from base to collar. The chimney adds another 4 3/4" to the height. There is a copper heat protector under the paper shade. I do believe this lamp is 100% original.

An Early Victorian Copper Lustre Pitcher, with the "Dancing Ladies" design; circa 1850. Dimensions 7" high x 4.25" at base. Some age, but in very good condition.

A blue and white parian pitcher with raised oak leaves and acorns and a “branch” handle and spout. The oak portions in white against a textured blue painted ground. Marked on the underside with the U.S. Pottery Company ribbon mark with “No. 16.” and the number 12. This mark used in the 1850’s. 8 5/8 inches tall and 6 ¾ inches across handle and spout.

Condition: no chips or repairs, but a crack in the base of the handle.

2 piece printed and hand colored Mason’s ironstone strainer dish c. 1840 A twelve sided shallow strainer that sits on a twelve sided bowl. The strainer form in delft is sometimes referred to as a cress bowl or a strawberry bowl. It’s possible that this one was meant to hold ice in the bottom as well as catch the water running off the fruit in the strainer. Decorated with a transfer of an exotic bird sitting on a branch with large blossoms and leaves...

Small vase, an early piece from the Reissner & Kessel manufactory in Turn-Teplitz in present Czechia. The exterior unglazed with carved and enameled decoration of scrollwork and flowers, the interior white-glazed. Impressed crown mark for 1892 – 1910 to the base, Amphora, Austria, model numbers and more. Near the base the exterior has got another mark, partly illegible and possibly the name of the designer (T Goto (?) cf. pics). Height "5 ½ / 14 cm. Condition: fine.

A pair of blue and white plates, transfer printed with the temple of Serapis in Pozzuoli – also to be seen in the well in writing. One in a series of Italian and Sicilian Views produced by the Don Pottery in Swinton, Yorkshire, c 1820. Unmarked. Diameter "10 / 25.5 cm. Condition: hairline and rim chip to one plate (cf. pics).

Small and beautiful silver basket bowl made in Germany c 1890. Empire style boat shape, the reticulated and engraved decoration in Rococo style with flowers and rocaille ornaments. Marks for Martin Meyer in Mainz, a leading German silversmith (1888 - ), producer of cutlery as well as Jugendstil jewelry. German control mark: crescent and crown plus 800 for the silver content. On the border a French importation mark, in use from 1864 to 1893: a small insect, a weevil...

Nice Victorian brass ladies' lace-up boot. This example has holes drilled to represent the holes for laces. The Victorians often placed these along their mantles for purely decorative purposes.

Origin: England or America, ca. 1880. Condition: excellent, light scratching near the toe. Size: 4.5" tall.

Faience écritoire / inkwell or desk set, France, c 1800. Unusually bold decoration of flowers in black and blue. The inserts apparently of the period, but not belonging. Width "7 ¼ / 18.5 cm, height "2/ 5 cm. Condition: wear consisting with age.

This is an ANTIQUE STERLING BROOKLYN BRIDGE SOUVENIR SPOON with a Beautifully Enameled Handle TOP. Overall Length is 5 7/8" with the Bowl measuring 1.25" X 2". Excellent Hand~Chased View of the BROOKLYN BRIDGE as well plus the ENAMEL FLORAL TOP. Dated 1895. There is still some remaining Vermeil on the Spoon's Exterior. A Real Gem of an ANTIQUE COLLECTOR SPOON here. jpgs tell the rest

Antique Continental silver tea cup with saucer. Germany. Circa 1870s-1880s. Size: 5.5 in. x 3.5 in. ht. Gilded interior, .750 silver standard. Engraved monogram - 'G.B.'

A Delft blue and white mid 18th century plate with a flower basket in Chinese Kangxi style surrounded by a “Kraak” border, the rim yellow glazed. Diameter "9 / 23 cm. Condition: rim frits, the border with repair and associated hairline (cf. pics). Price: $120, including worldwide registered / trackable shipping

A hard paste porcelain shallow bowl commonly used for salad with a dentil gilt rim and hand painted with bouquets and sprays of flowers. The simplicity of the painting is not an indication of poor work, there was at times a fashion for simple looking things; think of Marie Antoinette at her dairy at Versailles. This bowl is from the same period. 8 1/4 inch (21 cm) diameter.

Condition: No chips, cracks, hairlines, or repairs. Slight wear to the gilding...

With the purchase of the lease on the Nymphenburg factory by Albert Baumi in 1887 the factory started to re-produce figures that had been originally made in the 18th century. This figure of a Turk, originally modeled by Bustelli, is one of those. Like many of the 18th century figures this one is not decorated with colors. 4 ¾ inches (12 cm) tall and 5 ¼ inches (13.5 cm) across the base...

Danish Söholm, Bornholm: earthenware dish typical of this factory’s early production. Relief-moulded decoration of laurel leaves and a family scene in classical style, inspired by Danish sculptor Thorvaldsen. Late 19th c. Diam: “9 ¼ /23,5 cm . Condition: slight wear to parts of the figures in the centre