This is a fabulous rare piece of Japanese Cloisonne. It is not signed but it could have easily been made Hayashi, Kinuken, or Miwa. It stands inches 6 inches tall and is in excellent condition.

1930's Japanese Silver Rim Wireless Cloisonne Box with River & Mountain Scene & Sailboat by Ando Jubei

It is 2.16 inches (5.5 cm) tall by 5.43 inches (13.8 cm) wide and 4.2 inches (10.7 cm) long. It is 1.3 Lb.

It has surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell...

A collection of twelve samurai arrows, or yajiri, mounted on a custom built museum display stand.

Dimensions: 8 3/4" x 3" x 16" H (overall)

During the Meiji period there were only five potters ever to be awarded the prestigious designation of Imperial Court Artist: Ito Tozan, Seifu Yohei III, Miyagawa Kozan, Itaya Hazan, and the artist whose work is featured here, Suwa Sozan. Several years prior to receiving this designation, Sozan spent a period of time in Korea where he undertook the formidable task of excavating and restoring ancient Korean kilns in an attempt to replicate traditional techniques used in centuries past...

With meticulously sculpted vines and fantastic Peony blossoms in low relief on the kinuta celadon powdery blue background, this extraordinary vase is a truly Japanese expression of classical Chinese motifs...

A rare large Antique Japanese Kuruma Tansu (wheeled chest) made of solid quartered sawn Keyaki (zelkova) wood with hand forged iron hardware and wooden wheels. The upper portion of the chest has a large compartment opened by sliding panels with horizontal slats and a heavy iron latch. The bottom portion has one large drawer and two smaller drawers side by side. Gorgeous original finish with beautiful patina...

Antique Japanese Seto Ware stoneware ishizara (food plate). Covered with a cream colored slip and painted with a pair of crayfish in gosu blue glaze. Produced in or around the city of Seto in Aichi Prefecture. Seto is considered one of the Six Ancient Kilns of Japan.

Age: Tokugawa Shogunate, Edo Period (late 18th/early 19th century).

Dimensions: 8 3/4" wide x 1 3/4" high

Polychrome Sumida-gawa ceramic bowl made from sandstone, also called Sumida-yaki. Some parts are glazed. Original decoration of an old man trying to climb the bowl.

Mark of Ishiguro Koko (石黒香香): 香二, Koko. The 二 marks the repetition of a character in traditional Chinese. His name can also be written 香々 or 香二). His real name was Ishiga Gôzô (石田郷三). He is a potter of the early Meiji era...

Antique Japanese 2 section 3 ft. Mizuya (kitchen tansu) made with Hinoki (cypress) and Sugi (cedar) wood, with Keyaki (elm) hardwood burl panels. The upper section holds two open compartments behind sliding door panels with chrysanthemum pulls, the lower pair also decorated by horizontal carved panels with floral carvings, and three small drawers below. The lower section is the largest compartment for storage with no shelving behind two large sliding doors with slats...

Bronze dropper (suiteki) representing a chubby guardian lion, called komainu in Japanese or shishi in Chinese.

The komainu is inspired by the Chinese guardian lion shishi, which dates back to the Tang dynasty (581-618). Supposed to repel evil, it appears on both sides of the entrance to the doors or gates of shrines and temples.

The suiteki is a small container used to hold water that is added to the ink stone during the grinding of the ink stick, used for calligraphy...

An Imari miniature condiment set of hexagonal baluster form decorated with trailing foliage in underglaze blue, iron red and gilding. Consisting of four small ewers, three marked with A for azin, vinegar, one marked with “S” for syrup; three with plain covers, one with a perforated cover. A complete pepper pot with perforated cover, 7cm high, and a pillar form salt, 6.2cm high...

Japanese rare antique 3-panel screen painting of Raigo Zu: Amida Buddha in Raigo pose. The screen has three panels with the two outer panels half the width of the central panel so they open like shrine doors. A bronze butsudan latch keeps the doors closed. The screen opens to reveal a central panel with a large image of Amida Buddha painted in mineral colors and gold on silk and framed with silk brocade of golden clouds. The outer frame is lacquered red...

Bronze okimono with brown patina of a mouse lying down. The coat, the tail and the legs are chiselled. The details of the head are particularly detailed, such as the moustache hairs and the long eyelashes.
In Japan, the term nezumi refers to both the mouse and the rat. They are regarded as the messenger of Daikokuten, the deity of trade and wealth...

Mounted on a black lacquered platform with wooden wheels. The horse is carved from Keyaki wood, which is covered in lacquered brown leather. The eyes are reverse painted glass. It has ears of leather, with real horse hair tail and mane. The horse is outfitted with iron bits and silk harness. The kura saddle is lacquered in red, with a leather cushion seat and silk straps. Cords are attached to the abumi stirrups and aori mats. The bagu tassel fringes and cords tuck under the tail. The horse stan...

Revered Chinese scholar and tea master, Lù Yǔ is known as the “Sage of Tea” and is credited with advancing the practice of tea through the writing of his life’s work,The Classic of Tea. Here we see a masterful rendition of this historic figure done by one of the most iconic Kyoto painters—and founder of the Maruyama school—Maruyama Ōkyo.

Student of Ishida Yutei (1772-1786), Maruyama studied primarily Kano and Tosa painting and was influenced greatly by western art, par...

This is a beautiful pair of mixed metal decorated bronze vases. They are highly detailed and stand just 5 inches. Both vases are signed Miyabe Atsuyoshi. One vase has a lightly bent rim otherwise the condition of the pair is excellent.

A large pair of temple foxes carved from granite. The Inari foxes come complete with separate plinth bases. This pair of Kitsune (foxes) is finely rendered with ears pricked back, tail upright, with paws and hinds seated on its bases. The stone Imari foxes have bryophyte moss growth which is now dormant. The granite has a blackish grey ombre patina due to its age being left to oxidize in the elements.

Inari is a popular diety associated with foxes, rice, household wellbeing, business ...

Rare high grade Japanese mounted shubuichi dragon okimono. The dragon is seen as if it is in mid flight, twisting, an thrusting forward. Overall excellent original condition Shubuichi seen here has a Dark grey / silver tonality an has a trace of gold warm colors tones. Incredible detail seen from the fine scales to the tip of the dragons claws. The dragon represents freedom, good luck, and balance. Moreover, it is famous for having supernatural powers and wisdom. Although they re...

One of only five Imperial Court Artists of Meiji, ceramic pieces by Kōzan are highly prized by collectors and are ever more difficult to find on the market these days. Here we have a fantastic example of a guardian shishi from the Kōzan kiln crafted in fine celadon. Considered auspicious symbols of wealth, status, and good fortune; foo dogs—commonly referred to as shishi or koma-inu in Japan—are often seen in pairs guarding shrines, straddling in the doorways of shops, and protecting publi...

A large Japanese bronze flower vase, Edo period, 17th century. 30 cms. Provenence: The collection of the late Simon Digby, Oriental scholar, 1932-2010. A very similar vase, but with different handles, is illustrated by Michael Goedhuis, Chinese and Japanese Bronzes, 1989, pl.92.

Antique Japanese scroll painting of Buddha Amitābha also known simply as Amida Buddha. Here he stands with each foot on a lotus blossom, floating on swirling clouds against a black void as he descents. His hands are in vitarka mudra, also known as Raikō gesture of welcoming souls to Paradise (Jōdō or Sukhavati in Sanskrit). Amitābha (which means Infinite or Immeasurable light) is much loved for his gentle wisdom and his all accepting nature. Painted in ink, mineral colors and gold o...

Raku-ware carries with it a very naturalistic aura; with its implements made of raw clay, its use of fire water and air to shape and harden these implements, and with its myriad processes that produce smooth glossy surfaces—like those often found in nature. In fact, if you look more deeply into Raku, you find that many of the shapes and motifs are also inspired by nature. For example, this masterfully crafted mizusashi (fresh water pot) takes its inspiration from the shape of one of the most ...

This is another rare offering as we have never seen anything like this piece before. The piece has a beautiful mix of butterflies and flowers with a gradation of tones throughout the body. It is not signed and likely could have be made by one of these artists, Hattori, Sosuke, or Kumeno. With the lid on, the jar stands 20 1/2 inches. Condition is very good but there are some slight firing flaws in the enamel, damage to an area near one of the feet and a side blemish to the enamel. Both are sho...

This is a large and extremely rare Japanese Cloisonne vase. Though unsigned this vase was clearly created by Ogasawara Shuzo. As the images show this is a fabulous example of Meiji Era art. The vase measures 15 1/4 inches tall and 8 1/2 inches wide. Condition is outstanding but there is a tiny short line, of about 3/8 inch near the base.

Antique Japanese 2 section isho tansu (clothing chest) constructed of Kiri (paulownia) and Sugi (cedar) wood. With hand-forged iron lock plates, hardware, and handles. The upper section of the piece holds two open compartments side by side, and five shallow drawers of various size. One side of the chest has a lift-away door and the other with pair of sliding door panels framed with shou sugi ban panels. The lower section of the tansu holds five drawers for clothing and three drawers for small t...

Raku-ware carries with it a very naturalistic aura; with its implements made of raw clay, its use of fire water and air to shape and harden these implements, and with its myriad processes that produce smooth glossy surfaces—like those often found in nature. In fact, if you look more deeply into Raku, you find that many of the shapes and motifs are inspired directly by nature.

Born the second son of Raku VII, Chônyû (1714 - 1770), Ryônyû took over the title of Kichizaemon (head...

This a beautiful and unique Japanese Satsuma bowl. Yabu pieces with unique birds like this one has are rare. The piece is very finely rendered with intense work. Condition is excellent. The bowl measures 5 inches across and is 3 inches tall. This wonderful bowl is from the same great collection the large Yabu museum/exhibition bowl came from. Contact for price and shipping.

A Chinese style celadon incense burner by one of the 5 Imperial Court Artists of Meiji. Sozan spent his life perfecting techniques for celadon production first used in the Souther Song Dynasty as evidenced here with his powdery blue “kinuta” glaze. The bottom of the vessel is unglazed showing the fine porcelain clay and the adjacent glazed foot bears his Imperial Court Artist seal. While several of Sozan’s better known motifs appear on the market with a fair degree of regularity, this is t...

This beautiful processional Satsuma Jar or koro is a treasure from he Meiji era. It is signed by both Sozan and Kinkozan. This stoutly made jar is 4 1/2 inches tall and 5 inches wide. The mixed metal lid is a replacement from the Meiji era, that fits perfect and is possibly more attractive than the original. We also have the original lid. It was broken in half and glued back together. The replacement lid has a gold wash in between the raised flowers. The piece has virtually no wear to the gold....

Rectangular-shaped (nadekakugata) iron tsuba decorated with two dragonflies with copper tara-zogan inlay.

Japan – Edo period (1603-1868)
Width: 2.4 in. (6.2 cm) – depth: 2.7 in. (7 cm)

Exceptional Japanese incense cabinet kodansu in wood covered with a profusion of mother-of-pearl flowers and bone leaves, engraved and inlaid with the shibayama technique. Bottom in nashi-ji lacquer.
Handles, finishes and feet in silver. The handle can be turned to lock the cabinet.
Inside, three removable drawers in black lacquer with hiramaki-e lespedeza decoration, interior and door in nashi-ji, bone handle in the shape of buds.

This kodansu, use to store the utensils...

A stunning Japanese two-section choba tansu (merchant's chest), made from solid Keyaki (elm) wood, originating from the Mikuni region. The upper section holds a roomy, shelved interior with two bold Keyaki grain sliding door panels. The bottom section holds a long top drawer, with elongated lock plate typical to Mikuni tansu. Below are two small drawers with iron Warabite handles, with old labels in Japanese on the fronts, and a smaller set of sliding Keyaki panel doors. The very bottom of the ...

Japanese scroll painting of 3 skeletons celebrating Obon. One skeleton dances with a fan while two others pay a drum and a shamisen. The Obon festival happens in summer and is a time to honor the dead with music, dance, parades and other events. It is believed that ancestors' spirits return to the world of the living during Obon. Painted in ink and light colors on silk. Signed and with seal of Takeuchi Seiho (1864 - 1942) Seiho traveled and studied in Europe was being strongly influenced ...

An antique Japanese 3 section Kimono Biraki Isho Tansu (stacking chest on chest with hinged doors) constructed entirely of Kirinoki (Paulownia) wood. Hinged doors open to 3 removable kimono trays. Spacious storage behind the sliding doors in the top section with 3 additional side by side storage drawers. Bottom section has 2 large drawers for additional storage space. Each section can be separated for use in different rooms of the home. Retaining its original finish, it would both be funct...

A collection of samurai arrows, or yajiri, mounted on a custom built museum display stand.

Dimensions: 5 1/4" x 1 1/4" x 9 3/4" H (overall)