This is a Jaoanese antique edo (1863) silk tyosennishiki uchishiki textile.There is discoloration and damage due to slight rubbing.They are not disturbing, and as a whole it is in very good condition. Size: Length 128 cm (50.3inch) Width 182 cm (71.6inch)

This is Fukusa used in Kyoto for Edo period. It is very beautiful fukusa.This has a line of delicate Tsutsugaki and embroidery and a delicate sumi painting. This is produced by a bold design. This has a few stains, but does not stand out.However, there is no damage.They are not disturbing, and as a whole it is in very good condition. Size:Length 49cm (19.2inch) Width 52cm (20.4inch)

This is Rikushaku-kanban where cotton cloth spun by hand for Edo period was used for. This cotton has the good feel. As for this, a crest is a letter of Kotobuki. The letter of Kotobuki expresses words and a ceremony of the celebration. A letter and the pattern of the cross filler are dyed in Tsutsugaki. This has a stain in several places. Size 150cm x 129cm (59 "x 50.7")

This is an Early 19th Century, beautifully carved Group of Gourds. Outstanding form, polish and patina. Silk-smooth tactile qualities. Natural himotoshi. Unsigned. Netsuke measures 1.40 inches ((3.6cm) in diameter.

From the collection of the Museum of Fine Arts in Boston comes this fine Edo Period late 18th/early 19th Century Japanese Black Lacquered Box with Mother-of-Pearl Inlaid and Gold Lacquered Boats in a classic wave pattern with exceptionally well rendered mother of pearl motifs. A rare masterpiece from all sides. 8 x 5.5 x 5.5 inches, 20 14 x 14 cm. Excellent Condition.

This is Tsutsugaki Yogi of the indigo dyeing tea service set of the Edo era. The cotton is spun by hand and is very thick. A color of the cloth is deep green. The green dyeing needs a technique higher than the dyeing only for indigo plants. Therefore it is a color required to the item of the upper class. And this was drawn in a good balance in very powerful Tsutsubiki...

19th century excellently hand-carved Japanese wood netsuke depicting a Sambaso Dancer, in customary posture , standing on one leg, and garb, to include the mitrelike Okina Hat. He is carrying a Fan on his right hand. Excellent form, expression and bright colors, trademarks of Nagamichi Shuzan. It is signed Shuzan in an irregular reserve on the back of his right leg. Netsuke measures 0.92 inches (2.3cm) wide, and 2.20 inches (5.5cm) tall...

This is Edo period silk kinran, elephant and seahorse kaicyumono. What is kaicyumono (things in your pocket or pocket, especially wallets and paper cases) It's a very rare image pattern, and the metal fittings are auspicious seahorses. The silk cloth inside is kaiki...

Noh theater mask, representing the character of Shintai, a youthful deity, with a rather soft expression. The mask is signed (see pictures). Painted wood, with metal eyes. Japan, Edo period early 19th century. Height: 21 cm. The mask is nicely mounted on a custom stand. Slight abrasion on the painting in some areas, otherwise very good condition.

A nagazara or long dish dating to the late 18th or early 19th century with a central motif of a Chinese style landscape framed by a pattern of spirals and flower-heads, Asters or Chrysanthemums a deconstructed version of a contemporary Chinese Qing dynasty pattern (see Diana Cargo etc). a staple of the Chinese export trade to South East Asia, produced both at Jingdezhen and at provincial kilns in South China...

This is Yogi used in a rich merchant's family of Akita for Edo period. This is drawn in good-quality Tsutsugaki. As for this, a Chinese phoenix drawn boldly is very impressive. It is very elegant. As for this, cotton is spun by hand and is thick. As for this, cotton cloth of the lining is dyed into deep green. Good-quality Tsutsugaki often uses it to lining. This does not have a stain and damage. The state is good. Size 182cm x 172cm (71 "x 67.7")

This is a Japanese edo antique indigo dye silk katazome child kimono of ise- lobster pattern.There is a light stain, but not outstanding.It has no damage. They are not disturbing, and as a whole it is in very good condition. Recommended for your materials and collections. Size:Length:63cm / 24.8inch Cuff to cuff, across the back: 62.5cm / 24.6inch

This Noshime hira-ori silk -kasuri samurai kimono is Edo period(1800-1850). HIra-ori is wonderful beautiful lustrous silk. This kimono is samurai's clothes. When entering the castle, it put it on. It puts on the hakama and the old ceremonial dress on this kimono...

This is rinzu silk fukusa textile in Edo period(1603-1867). It is an elegant design with good history of the bamboo and bamboo shoots. All embroideries are the hands. There is no stain. There is one very little small hole. However, it is very good. I recommend it for your collection. size:47cm x 48cm (18.5" x 18.9")

Japanese Antique dark Indigo dye thick a little cotton& tsutsugaki Indigo dye jyofu(hemp) samurai dotyugi long coat of tha Edo era(1800-1867) rare.It has a few thin stains. and few remains of repair However, The stain does not stand out.It is no damage.They are not disturbing, and as a whole it is in very good condition.It is natural indigo dyed cotton and jyofu(hemp) and made of hand-spun . size:Length 130cm (51.1") sleeve to sleeve 125cm (49.2") Width of the shoulder 62cm (24.4")

It is indigo dyeing cotton Yogi of the Edo era. It uses technique of the ombre dyeing. It is dyeing of the high technique. It is handspan, handwoven and it is dyed with an indigo plant of nature. It has several places of repair traces. There is not the stain. It is all original in the Edo era. Size 147cm x 126cm(57.8"x49.6")

This is Indigo dye cotton tsutsugaki furoshiki textile of the Edo era(1800-1867). It is a very beautiful crane and a lucky design of the tortoises.It is a characteristic of tsutsugaki of the Edo era that the ear of the tortoise is expressed like a dragon. There is a thin stain. There is not damage. It is in a very good state. It is made of hand-spun cotton and natural dyed. size:141cm x 142cm (55.5" x 55.9")

An unusual and rare low bowl, hirabachi, produced at the Kakiemon kiln in the late Edo period, circa 1810-30. The design shows Mizuaoi, (Monochoria korsakowii), water hollyhocks, a distinctive marshland plant with beautiful blue flowers and luxuriant green foliage, and Sagi-so, Egret orchids, amongst a torrent of a mountain stream, juxtaposed against a stylised Karahana brocade ground. The reverse of the dish is painted with rocks and further flowers...