This beautiful processional Satsuma Jar or koro is a treasure from he Meiji era. It is signed by both Sozan and Kinkozan. This stoutly made jar is 4 1/2 inches tall and 5 inches wide. The mixed metal lid is a replacement from the Meiji era, that fits perfect and is possibly more attractive than the original. We also have the original lid. It was broken in half and glued back together. The replacement lid has a gold wash in between the raised flowers. The piece has virtually no wear to the gold...

A massive Japanese solid Keyaki (elm) hardwood Kannon Biraki merchant's chest. Decorated with hand-forged iron plating, the motifs seen throughout the piece's hardware include the image of Ebisu, one of the Seven Lucky Gods of Fortune, proudly holding up a freshly caught fish, a large Mokko (melon) shaped lock on the front pair of doors, with flowers and pine trees adorning the drawer below in the form of its lock and handle plates...

Dark brown wooden netsuke of a rat on a radish, horn eyes, holding a seed between its paws.

In Japan, the term "nezumi" refers to both the mouse and the rat. They are considered the messenger of Daikokuten, the deity of trade and wealth...

An exceptional Oki-goro Incense Burner in the shape of a dark glazed Catfish by Suwa Sozan I enclosed in the original signed wooden box titled Namazu Koro dated the 6th month of Taisho 10 (1921). This would have been placed over a dish in which a burning incense cone would have been placed. It is 48 cm (18-1/2 inches) long, 23 cm (9 inches) tall and appears in excellent condition...

Unusual Japanese 2-panel calligraphy screen with highly stylized brushstrokes, bordered with silver leaf and silk. The left character reads "Gi" (or Righteousness); On the right reads "Dao" (the path or way). The inscriptions appear to mean "Righteousness must always be pursued".

Signature of a monk or a priest in his late 70s named Kakuan, appearing to date Spring 1851 with a description of the studio in which the painting was made...

A crow at rest upon a rock raises its head in a gruff cry by Suwa Sozan I enclosed in the original signed wooden box titled Karasu Okimono. It is pierced in the back, allowing it to be an oki-koro incense burner. It is 34 cm (13-1/2 inches) tall and in excellent condition. A nearly identical piece was published in the 1923 book Sozan Toko, attributed to his late period...

Raku-ware carries with it a very naturalistic aura; with its implements made of raw clay, its use of fire water and air to shape and harden these implements, and with its myriad processes that produce smooth glossy surfaces—like those often found in nature. In fact, if you look more deeply into Raku, you find that many of the shapes and motifs are also inspired by nature...

Rare large Japanese locking bar tansu made of solid gorgeous quartered sawn Keyaki (elm) hardwood. Finished in its original translucent lacquer finish with a black lacquer frame and dark red lacquer front, top, and sides...

In the world of Japanese ceramics, Tamamizu-ware has an almost mythical standing. A branch of the main Raku line, at one time the two kilns held equal prominence, both being endorsed by the major tea schools of Kyoto and both being favored by the Imperial household. The first in the line was an illegitimate son of Kichizaemon Ichinyu (Yahē) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho)...

An exquisite lacquered box covered in gold powder prominently bearing the imperial crest given as a gift to Baron Nakamura Satoru in Meiji 44 (1911). According to the inside of the lid this box was created for the Meiji emperor and given in gratitude to the Baron for his support in creating the Keanfu memorial for fallen soldiers of the Russo-Japanese war...

Japanese antique pair of zenko, good spirit kitsune (foxes) specifically associated with the goddess, Inari. These figures are carved of wood and painted with gofun, a white paste made from oyster shells. Details are painted using black and red pigments. Gold lacquered hoshi no tama, resembling flames and symbolizing magical jewels that hold part of the kitsune's power, are held by each fox on the tip of it's tail...

Here is a beautiful but unsigned Namikawa Sosuke vase. Those familiar with Sosuke's work, will know this vase was made by the master and is authentic. It's a stoutly made piece with silver rims. It stands 6 1/4 inches tall. This vase is in excellent condition. I have also provided an image of a later made, but very similar signed Sosuke vase.

Black-patina bronze hare standing on its hind legs.

In Japanese, the hare and the rabbit are designated by a single word: usagi. The hare occupies an important place in the legends and superstitions of Japan. Like many other animals, it is supposed to reach a fabulous age and become blue at five hundred years.

Japan - Meiji Era (1868-1912)
Height: 5.7 in. (14.5 cm) - width: 2.8 in. (7 cm) - depth: 4.3 in. (11 cm)

Antique Japanese stone sekitō (pagoda) with three tiers. Made of granite and carved in 7 stacking pieces. The central square section is carved with a seated Buddha on four sides. The top spire is carved with 9 tiers between lotus petals. The surface has a beautiful patina and is covered with areas lichen and moss.

Age: Edo Period (1603-1867)

Dimensions: 75" high x 24 1/2" wide x 24 1/2" deep

An antique Japanese bronze Kirin standing over a Peony blossom as it protects the prosperity it imbues. Originally a cherished fragment from a bronze vase, it was professionally museum mounted to showcase its beauty and elegance.

Age: Meiji Era (1868-1912)

Dimensions with stand: 8" Wide by 6 3/4" High by 4 1/8" Deep

Very beautiful Japanese table with four legs in gold, black and brown lacquer with two richly decorated tops. The upper tray presents a decoration of bats, kumori (蝙蝠), in flight in gold hiramaki-e lacquer on a brown lacquer background. The openwork side panels feature the same motif. The lower tray and the legs display a decoration of moving or lying sika deer (鹿), also in hiramaki-e gold lacquer on a black lacquer background.

This small piece of fur...

An antique Japanese Kasane Kimono Tansu (stacking chest on chest) made entirely of Kiri (Paulownia) wood. All original hand forged iron hardware including the Gumbai drawer handles and the stylized Chrysanthemum lock plates. Each section has two full width drawers for abundant storage and each section has side handles for carrying the tansu. Constructed using Japanese joinery and hardened wooden nails.

Age: Early Meiji Era (1868-1880)

Dimensions: 39 5/8" Wide by 40 1/2" High by ...

A collection of twelve samurai arrows, or yajiri, mounted on a custom built museum display stand.

Dimensions: 8 3/4" x 3" x 16" H (overall)