A Japanese Satsuma ceramic bowl adorned with relief glazes and gold details depicting a motif of Manchurian Cranes in flight, symbols of longevity and happiness in Japanese culture. Inside, the bowl features a dense motif of a thousand butterflies, often associated with symbols of transformation and rebirth. The bowl is signed Sozan under the base within a rectangular reserve. Origin: Japan Period: Meiji end of 19th century. Dimensions: 8.5 x 16 cm. State of conservation: Very ...

Antique Choba Tansu (merchant's chest) from the Tohoku area of Northern Japan. Made with Kiri (Paulownia) wood front and Sugi (Cryptomeria) wood frame and interior. There are six exterior drawers, a compartment with sliding panels, and a safe box all with dramatic round lock plates. Iron hardware also includes Warabite shaped drawer pulls, quarter round corner bracing and half round lock plate and hinge on the safe box...

Cloisonné vase, with base and edge in silver, decorated with polychrome enamels held by a silver thread, depicting a pheasant on the banks of a watercourse surrounded by blooming cherry blossoms and chrysanthemums. The pheasant, chrysanthemums and cherry blossoms are three significant elements in Japanese culture, each of which carries with it a distinctive symbolism and importance. Origin: Japan Period: Meiji, early 20th century. Dimensions: 25 x 15 cm. State of conservation: Ve...

An antique Japanese Taiko drum and stand made of Keyaki (Zelkova), leather and hand forged iron hardware. The leather on both sides is decorated with the Mitsudomoe (Tomoe) symbol represented in Shinto shrines dedicated to Hachiman, the God of war and archery. The image displays natural wear from years of practicing and performances...

Japanese antique carved boxwood figure of Soko-tanuki. Here he is disguised as a monk with a large temple bell. The story goes that a tanuki (who is famous for his shapeshifting abilities) worked in the temple for many years. One day while he was taking a nap, he was caught in his original form...

A carved wood figure of a wandering priest, robes billowing in the wind, his large straw hat full of holes, signed Yasuchika on the back. Dating from the late Edo to Meiji period, it is by a member of the Tsuchiya Yasuchika lineage. The figure is 31 cm (12 inches) tall and in excellent condition, complete with walking stick.

Antique Japanese bronze vase, with two swimming koi fish in high relief. Hand-signed by the artist on its side. Given as a gift in 1964 with special commemorative inscription on foot.

Meiji period (1868-1912)

Dimensions : 9" x 9" x 15" H

Chiseled wood sculpture representing a seated monkey holding peaches of longevity in his hands.
The figure of the monkey with longevity peaches is a popular image in China, however this subject was also widely used by the Japanese. According to the legend the monkey Sun, king of monkeys, upset that he was not invited to the banquet of the Queen Mother, entered the garden of the goddess Xiwangmu in the mountains of Kun Lun and ate all the heavenly peaches she grew there...

A charming little okimono of three monkeys posed in the famous style known in Japanese: Sanzaru (Hear no evil, See no evil, Say no evil). Inlaid eyes, amazing detail work on the fur and the face. Signed Shugetsu. Age: Meiji Period. Size: D: 1.6" H: 2.8".

An antique four case Japanese Inro with lacquer and gold flecked images of pine trees with a bone netsuke of a monkey holding a persimmon and an agate ojime.

Date: early Meiji Period: Circa 1880's

Dimensions: 4" long X 2.5" wide

Japanese incense box in the form of a flattened drum with realistic wood grain pattern in gold flake togidashi maki-e lacquer and high relief lacquer to resemble iron studs along the sides. The top of the box is done in low-relief maki-e gold lacquer with the image of a mother hen and father rooster pecking for food with their three infant chicks. The crest and waddle of each rooster are done with touches of red lacquer. The interior box and bottom are done in dense nashiji lacquer gold flakes...

Incense burner in lacquer, hexagonal and curved shaped, decorated with hira and takamaki-e in gold and silver lacquer on a nashi-ji background, peonies along the banks of a river and a mount. The lid has a cruciform opening.
A mon is affixed to one side of the diffuser. It is the mon of the family Ōkubo (大久保氏)a family belonging to the Fudai-Daimyo house (the vassals of the Tokugawa family).
The head of the family was created Daimyo by the Tokugawa family in 1684...

Japanese green studio crackle ware vase with applied silver floral motifs. With tomobako. The foot is signed Shofu Katei (1870-1928). Small wear losses.

Shofu Katei was born in 1870 in Seto, Japan. He later moved to Kyoto where has was adopted into the prestigious Shofu family kiln to create Japanese ceramics. In 1908, he set up the Shofu Ceramics Company, Ltd. and was awarded a Green Ribbon in 1915.

Dimensions: 5" W x 7 1/2" H (Tomobako 6 1/2" x 9" H)

An antique Japanese Kotansu (personal storage chest) made of Toneriko (Japanese Ash) and Keyaki (Zelkova) woods. All original Urushi lacquer and hand made bronze/nickel hardware including the Mokko handles. The accent corners and backplates have incised designs of feathers, vines, and flowers. The bottom drawer is lacquered in Makie with Bamboo and a landscape design while the body has a lacquered silhouette of auspicious lucky Japanese symboled...

Japanese two-panel folding screen of horses crossing a bridge with scenic background of mountains. Taisho period early 20th century.

Size: 71" L x 53" H (entire screen) 30" L x 43" H (each panel)

Bearing a roiro-nuri ground and decorated with an abandonned plough and oxen harness in inlaid-mother of pearl and gold takamaki-e, the reverse with a warber in the falling rain inlaid in gilt metal and gold togidashi maki-e, the cord runers lacquered kinji, the upper surface of the top case and the interior risers decorated with clouds, scattered cherry blossoms, and a crescent moon in gold togidashi maki-e, nashiji, and hirame. Signed Kajikawa saku with a red jar seal, and Goto Mitsunori (K...

Antique Japanese Futon Tansu Section with vertical slats on panel doors. Meiji Period, circa 1860s. Excellent condition. Size: 73" Long 31.5" Deep 39" High.

DESCRIPTION: A skillfully lacquered suzuri-bako (writing box) from the Meiji Period, early 1900’s. The lid of the rectangular box is decorated with a takamakie floral design in gold, silver and shu (a hue of red-orange) lacquer on a black ro-iro ground. The interior of the lid and box are sprinkled in a nashiji cloud motif. This suzuri-bako is a complete set, fitted with the original water dropper and inkstone and its original kiri (paulownia) wood box with inscription...