Exceptional lacquered traveling altar with a bodhisattva riding an elephant inside. The carving is finely detailed and unbelievable. Late Meiji Period C.1900. Copper metal fittings on zushi. Excellent condition. Ask for shipping quote. Height:9" by 4" (when closed).

Two early vintage albumen prints, one showing a Japanese river landscape, the second one with a group of Western and Japanese men in a garden. Mounted on coeval cardboard. Condition: fine, minimally faded, the photo with the landscape with a tiny hole, the cardboard with two lost corners. Dimension: photo: c. 20.1 cm x 26.1 cm, cardboard: 34.8 cm x 43.8 cm.

A lidded Japanese Imari porcelain vase, finely painted with landscape cartouches and Ho-o birds among brocade pattern and peonies. With 19th century French bronze mountings, the pedestal composed of four nicely modelled elephant heads and heart shaped bordure, which is repeating on the rim ring. Condition: fine, only cover inside with a tiny rim chip (see picture no. 8). Dimension: total height: 31.8 cm.

The is a small stoutly made cloisonne teapot.The piece shows better and the enamels are more glossy than what is see here in the close-up enlarged images. The condition is good but there is some enamel damage on the lid that can be seen in the images and the bronze rim of the pot is flattened a bit. The piece is 3 1/2 inches tall and about 4 inches across at the spout. Like many of Namikawa Yasuyuki pieces. the ground color is black.

Meiji (1868-1912) Japanese Seifu Yohei III Studio Porcelain Yellow Vase

It is 5.5 inches (14 cm) tall by 3.1 inches (8 cm) wide. It is 0.75 Lb.

It is in good condition with no repairs, chips or cracks, except rubbing of gold and stains (as seen in the photos).

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A pair Japanese hairpins in the fluttering style, worked in silver alloy and having attached metal strips. Showing beautiful peony flowers, one with tiny coral beads forming the center. Ending in a mimikaki (ear spoon). Condition: missing metal stripes, professional cleaning needed. Dimension: 16.9 cm long x 4.5 cm wide.

Eye-catching gold gilt Meiji Period C.1900 sake shop sign. Kanji characters read `Kiwami no Kotobuki` sake or Ultimate Happiness sake. The carving is in the shape of a sake keg. Excellent condition with minor lacquer wear. Old iron clamps were added in the back. See pictures. Size is 15" tall and 13" wide. Ask for shipping quote.

Height: 2 cm (0.8 in)
Width: 3.8 cm (1.6 in)
Depth: 3.2 cm (1.3 in)

Finely carved Japanese wooden netsuke of a snake coiled in an interesting way; good old patina; good condition

A rare and unusual Japanese cho bako ("cho" meaning small and "bako" meaning box). Made of Keyaki (elm) hardwood with its original lacquer finish. The upper region of the piece holds a pair of narrow sliding door panels, with a center locking pin to hold them securely shut, and vertical slats of branches...

One made of silver alloy in the "bira-bira" style, showing a blossom with tiny coral beads forming the center and attached butterflies. The second one is a "tama" kanzashi with pierced mixed metal ball showing floral decoration. Both ending in a mimikaki (ear spoon). Condition: the first one with missing butterflies. The second one with minimally bent prongs and little wear. Dimension: 17 cm and 16 cm long.

19th century finely hand-carved Japanese boxwood netsuke of a muscular blind masseur or Totsuka Beggar crouching and trying to lift his hugely distended scrotum. He is wearing only a fundoshi. Excellent detail and patination; he grimaces as he attempts to lift the large stone. His left eye and teeth are inlaid with light and dark horn. Very nice uneven himotoshi. Signed Hakudosai on a rectangular reserve on the bottom of the netsuke...

19th Century, very fine hand-carved netsuke depiction of a Naturalistic Human Skull (See photo #11 for comparison with actual Human Skull), with seven natural material teeth in the upper jaw, and fine parietal lines covering the cranium. Attributed to Tomochika, because of its close likeness to a spectacular netsuke of the same subject auctioned by Lempertz Auction House (photo #9), that rivals the skulls made by Sukenao (Photo #10)...

19th Century, excellently hand-carved boxwood netsuke depicting a seated Tanuki, or Japanese Badger (raccoon dog) raising his right paw in order to beat his belly, or distended scrotum as it if were a drum. Outstanding hair work, a distinguishing characteristic of this netsuke master. Wonderful natural himotoshi that is formed by the bending tail of the Tanuki over its right hind leg...

19th century finely hand-carved Japanese boxwood netsuke of a blind masseur or Totsuka Beggar crouching and trying to lift a stone, or possibly his hugely distended scrotum. He has the typical bump on his head. He squints as he attempts to lift the large object. He is wearing only a fundoshi. His right eye is inlaid with light colored horn. Excellent detail and patination. Netsuke measures 1.38 inches (3.5cm) wide, and 1.22 inches (3.1cm) tall...

A pair of Arita dishes moulded in Ko Sometsuke Kraak style decorated with a pair of scholars playing Go, one of the four accomplishments of the Chinese gentleman scholar. In which the first of the pair of figures is parodied in mitate style one of whom has a board on his head and one presumes losing opponent has a miserable expression...

A pair of Arita dishes moulded in Ko Sometsuke Kraak style decorated with a pair of scholars playing Go, one of the four accomplishments of the Chinese gentleman scholar. In which one of the pair of figures is parodied in mitate style as a proud Rooster and Hen. A short eight character poem is incorporated in the design, but is probably unrelated to the figures, reflecting the contemporary popularity of haigu combinations of painting and poetry during the late Eighteenth century...

The dish has an unusual square form with indented corners and a raised almost vertical rim which suggests that it was probably intended to be used for the serving of sashimi, sliced raw fish. This type of dish is described in Japanese as a shihou-sumioshi sara. By the late Mid Edo period sashimi had been growing in popularity being prepared by professional chefs, and was served both in aristocratic and in wealthy households and Ryokan...

This intricate floral embroidery panel may have been part of a larger piece which probably predates the carved frame that now houses the panel. The background silk is a rich dark brown and the ornate floral display can be positioned either horizontally or vertically. During the framing process, sometime between 1900-1920, The fragment was glued to a cardboard backing...where it remains today... 10.5 inches x 23 inches includes frame