As if cut from a solid block of clay, this bowl appears to be constructed of intersecting planes, though the chawan was first thrown, altered and cut, mentori style. This modern chawan is by master innovator and Bizen potter, Kakurezaki Ryuichi. Apprenticed to Isezaki Jun, he learned the traditional methods of Bizen pottery and firing and has added so much more to his style and vision of clay...

Charred glaze runs in rivulets, blasted around the sides of this Kamahen Bizen vase by Yamamoto Izuru enclosed in the original signed wooden box. The vessel is 10 inches (25.5 cm) tall, roughly 5 inches (13 cm) diameter and in excellent condition.
Yamamoto Izuru was born into the family of famous potter Yamamoto Toshu in 1944...

Serene Hagi chawan by veteran Yamaguchi Prefecture potter, Okada Yu (b.1941). Thrown of a rich daido clay and covered with first a slip and than an ash glaze, this chawan was fired in a wood fired climbing kiln the way that Hagi has been fired for centuries...

This chawan represents a modern retelling of Tamba (Tanba) pottery and is by one of the new generation potters; Imanishi Masahiko (b. 1971). This glazed chawan was pulled out of a red hot kiln, hikidashi style and the frozen surface is a wide variety of colors and tones including bidoro green, blue, black and shimmering silver-grey on the foot. The wet surface has a real depth to it making for a rather unique and rarely seen style...

It is amazing the number of shades of gray playing across this simple tile-sculpture by Hayami Shiro. Just less than 2 feet (59 cm) tall. There is a small chip in the base (see photos). Due to size shipping will be accrued separately.
Hayami Shiro (b. 1927) was born in Kagawa Prefecture in 1927, and graduated the Tokushima Industrial University in 1949. His first exhibitions did not materialize until 1964, and from there he flourished...

Air bubbles appear trapped in the glaze like a thin slab of ice. This is a fantastic Chozara by Inoue Yoshihisa enclosed in the original signed wooden box. It measures 30-1/2 x 9 x 1 inches (77 x 23 x 2.5 cm) and is in perfect condition. Due to size the cost of shipping will be accrued separately for this item.
Yoshihisa (b. 1947) studied ceramics under Kiyomizu Rokube VI, certainly one reason for his emphasis on sculptural concerns...

A massive Oribe Slab by Hayashi Shotaro enclosed in the original signed wooden box titled Oribe Cho-ho-Zara. It is 25-1/2 x 13 x 4-1/2 inches (65 x 35 x 11.5 cm) and in excellent condition. Due to size the cost of shipping will be accrued separately for this item.
Shotaro is one of Japans true genius potters, moving far beyond tradition, glaze research and firing technique, to a place of inception...

The surface of this rough slab is like an eroded plain with rivulets of glass running to a clouded pool in the center, signed along the edge and enclosed in the original signed wooden box by Sugimoto Sadamitsu. It is roughly 20-1/2 x 8-1/2 x 3 inches (52 x 21.5 x 8 cm) and in perfect condition.
Sadamitsu was born in Tokyo in 1935. A strong adherent to the Zen tradition, Sadamitsu established his own kiln at 33, receiving the kiln name from his mentor Daitokuji priest Tachibana Oki...

No words to describe this incredible large vase by Koyama Kiyoko,signed on the base and enclosed in the original signed and stamped wooden box.

Kiyoko b.1936 started as a painter who drew designs on pottery. Today, she is considered one of the leading Shigaraki potters both nationally and internationally...

Large, robust Falling Leaves patterned teabowl thrown out of an earthy red terra cotta

Terra cotta, slips and glaze

5.65" x 4.25"

Functional, decorative and food safe

Mayumi Oda print 15/66, the title is painted in black on black, "Mother Help Us Outgrow Our Madness and Fear". A female form holds a baby and is preparing to feed it. Signed, titled and numbered at the bottom. Red Stamp.

N'aie Pas Peur by Mayumi Oda. N'aie pas peur translates has have not fear, the piece is also known as The Black Madonna. A mother and child stand together under a golden mandorla. The mother is Mary, mother of Jesus, she holds a white lily. This is print 7/50.

We can present you a pair of gold and silver leaf raku Shimadai Chawans by first class potter Waraku Kawasaki.

They have been made in 1975.

Shimadai Chawans (always a small and a large one for men and women) are very auspicious in the Japanese Culture.

It is used especially for a New Year's day or other auspicious days.

Both bowls have a very impressing glaze and will be sold with the original Woodbox with sign and seal of Waraku Kawasaki...

Contemporary print by Mayumi Oda. A baby rides a catfish that leaps out of the ocean. The waves are outlined below the fish. The print is signed at the bottom in pencil.

Large medieval style Iga chawan by Kishimoto Kennin.This well addressed chawan has a variety of Iga characteristics from running ash and bidoro to a rich hi-iro fire color that Kishimoto is known for...

SIZE : Width 5.1'' , Length 4.6'', Height 3.1'', Weight 290 g + Signed box 290 g

This is a tea bowl of Japanese SHIGARAKI pottery ware...

Although I do not often use the term, this is a masterpiece by Iga artist Banura Shiro enclosed in the original signed wooden box. Even under the glaze the texture of the clay is clearly visible, rivulets of green glass arching around the body with slashes of color over the red terracotta. It is thin walled and quite light beguiling the size. The Tsubo is 15 inches (38 cm) tall, roughly 13-1/2 inches (35 cm) diameter and is in excellent condition. Due to size the cost of shipping will be acc...

Nothing I can say can convey the rugged beauty locked up of this Oribe Mizusashi, signed and enclosed in the original signed wooden box. Matsuzaki Ken is one of the most important potters in Japan, born in Tokyo in 1950.

He graduated from the Fine Arts Ceramic Department at Tamagawa University in 1972, and moved to Mashiko to take up an apprenticeship under Living National Treasure Shimaoka Tatsuzo, putting him in direct lineage with Mingei legend Hamada Shoji.

In 1978 he establ...