A pair of celadon Te-shoku candle sticks by contemporary potter Orita Tatsuya enclosed in the original signed wooden box. The elegantly sculpted base rises to a dish in which is imbedded a brass pin to secure the candle, with a long tapering handle. The handle features a bamboo nodule decoration in the center, with a curl of clay at the end, the rough edges of which, like a shaving of planed wood contrasting with the perfection of the form...

Ido-style (deep well) matcha jawan (Tea Bowl) made by contemporary ceramic artist, Sachiko Furuya. Height: 3.5", Dia. 3.5". Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa...

Rozome style decorated chawan in the Sanyon design. The green overglaze is very reminiscent of Japanese Fujina style glazes and is very rich in person, the interior is a hakame style white slip

Stoneware, slip and glazes

4.60" X 4.35"

Functional, decorative and food safe

Elegantly balanced on a slenderly proportioned foot, this piece by Bizen native Kondo Masahiko displays a surprising level of skill for a potter still in the process of making a name for himself. With swirling ash glaze and a dazzling ceramic landscape, this piece is perfect for tea practitioners and collectors alike.

Born in Okayama prefecture in 1971, Kondo fashions his Bizen pieces in a traditional wood-fired kiln in the township of Ushimado...

Matcha Chawan, Tea Bowl, by Munetoshi Tagami of Hinata Kiln, Mashiko. "Fuyu Chawan" (Winter Tea Bowl) shape. Kaki glaze, black interior. H.2.75"(7cm) x Dia.4.75"(12cm.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro...

This bowl is just an ideal look at the many aspects for which Shigaraki is known. The entire is incredibly natural looking, as if erosion and growth have spent eons together creating the paternation. This of course, truly happens over about 5 days, the effects born from the natural combination of fire, ash, flow and placement within the kiln...

Just as the coldest depths of winter are reached, after the chrysanthemum has given up and before the red or white plum is even consideration, the Ro-bai (yellow plum) is the first to step up and say the cold will not last forever, opening its dusty yellow blossoms to the harsh winter sky. This dainty looking five lobed sake cup embodies that spirit, appearing frail, but built of sturdy Seto clay with thick, hardy petals...

The best sake related piece I have ever seen by Koinuma Michio enclosed in the original signed wooden box titled very simply Tokkuri. The draping curves and weep of color is superb, and sets this above all others. Michio has long been inspired by archaic forms, and this is reminiscent of the roughly 5000-year-old Jomon Venus (a National Treasure) unearthed in Chino, Nagano prefecture...

Sake Cup, guinomi, by Tagami Isamu, Hinata Kiln, of Mashiko, Tochigi Prefecture. 8-faceted shape with kaki yu ("persimmon" glaze) and aka-e (red overglaze enamel.) The motif of the broken sugar cane appears on one the facets in homage to the image made famous by Hamada Shoji who taught Isamu's father-in-law, Sudo Takeo. H.2.25"(5.5cm) x Dia.2.875"(7cm.) Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo...

Lee Seung O's innovative paper assemblage, 36 x 26 inches, 91 x 66 cm. Lee's work is in the permanent collection of many major museums, including the National Museum of Contemporary Art in Seoul, and he has an excellent auction record, with not a single work going unsold in the many major auctions that have listed his work over the last several years, including Christie's. It is said of Lee Seung O that he is an old spirit with a young mind...

Liquid Green ash seems to overflow the rim of this heavily potted Iga vase by Iga star Kojima Kenji enclosed in the original signed wooden box titled Iga Mimitsuki Hanaire. The term Mimi refers to ears, usually a pair of lug like handles opposing each other on a pot. Here the ears have been elongated, more like lobes of some ancient sage, and become one with the wide flange of the base. Otherwise the mouth is modulating, the body cut and whacked with random symbols and pallet scars...

A vibrant image of a gourd filled with colorful sages at play by Shigemori Yoko. The surrounding black ink is like a Zen painting, immediate and spontaneous; struck out in quick dramatic strokes. By comparison the dynamic figures contained within appear to be painted in light, leisurely strokes with daps of soft color. This is one of several ink and colored sketches we received from her estate and had mounted as scrolls...

An excellent companion to the Guinomi also by this popular artist, here is an unprecedented works in this family sized Shino Yunomi (Tea Cups) by Hayashi Shotaro enclosed in their original signed wooden boxes titled Ao Murasaki (Blue and Purple) Shino Yunomi and Fuji Murasaki (Purple Wisteria) Shino Yunomi. Marbleized pinks, molten iron blending with rust, moss green , white, blue and everything in between can be seen in the amazing onslaught of color.
Size, D 8.9 cm H 10.3 cm
...

Very nice set of small kaiseki or sushi plates from the Bishu-gama kiln made by Bizen potter Yamamoto Soshu (Munehide).

Each small plate is in perfect condition, measures 3.75" x .75" and is cleared marked on the reverse and has a bota-mochi style decoration on the face of each piece. No box.

A heavily encrusted glossy sake flask by Tanimoto Kei compliments a Guinomi displaying a rustic matte finish by his son Tanimoto Takeshi enclosed in the original signed wooden boxes titled Iga Tokkuri and Iga Guinomi respectively. Bīdoro glaze (a type of natural wood ash glaze formed by firing, named from vidro, the Portuguese word for glass) coalesces into a yellow crystal rivulet on one side of the Tokkuri, opposite is a shadow of gray ash. The Cup on the other hand, bears heavy scorch mar...

A set of 8 sake cups by members of Sodeisha enclosed in a singular compartmentalized wooden box titled Yose-hai and signed Sodeisha followed by the Sodeisha stamp. Sodeisha (Crawling Through Mud Association) is a group of revolutionary post war ceramic artists whose influence remains strong today. Artists in this set include: Suzuki Osamu, Toba Yoshimasa, Kanaegae Kazutaka, Kawamura Sachiko, Yoshitake Hiromu, Inoue Midori, Nakanishi Kosuke and Tsuji Kanji.
Suzuki Osamu (1926-2001) was, ...

This is a GUINOMI of HAGI WARE by DEISHI SHIBUYA. He is famous for HAGI WARE. HAGI is the pottery of YAMAGUCHI PREFECTURE in JAPAN. Very good white glaze like thick cream. The box is original, made for this item and has the artist's signature. Please enjoy delicious SAKE with this wonderful work of Mr. SHIBUYA.Condition: Very good. Width: 2.4". Height: 2.1". Weight: 170 gr.

Guinomi, Sake Cup, by John Miller; Portland, OR. Nuka glaze with Temmoku glazed rim. H. 1.875"(4.75cm.) x Dia. 2.75"(7cm.) Vol=2.25oz(65ml.)John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illiustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school. While at Mass Art studying under Ben Ryterband (who spent time studying pottery in Japan...