Guinomi, Sake Cup, by John Miller; Portland, OR. Nuka & Temmoku glazes. H.1.75"(4.5cm) x Dia.2.75"(7cm.) Vol=2.875oz(80ml.)John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illiustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school...

Heavily influenced by Koryo potting styles and techniques, the Tobei lineage has been crafting exceptional tea-ware implements for 13 generations. The piece shown here was made by the 12th generation (Tahara) and, due to its excellent character, was endorsed by the 15th tea master of the Urasenke School of Tea, Hōunsai. Like much of Tahara pottery, the natural ash glaze displays glossy lavenders, light tans, and hues of ivory...

The Fundo stamp of Living National Treasure Kaneshige Toyo is impressed into the base of this classical Bizen Mizusashi by Toyo named Fuku no kami (God of Fortune) by 12th Grandmaster of the Omotesenke School of Tea Keio Sosa (Seisai), enclosed in a wooden box titled Bizen Mimitsuki Mizusashi, Na: Fuku no Kami and signed by Seisai., It retains the original ceramic lid as well as a lacquered lid also bearing an alternate signature of Seisai...

Balancing the scales and industrial shape by Sodeisha star Takano Moto-o enclosed in the original signed wooden box titled simply Utsuwa (Receptacle) and dating from the height of Sodeisha influence in the 1960s. It is 12 x 15 x 12 cm (5 x 6 x 5 inches) and in excellent condition...

A covered container made as an incense burner by Koyama Kiyoko slabbed and cored from Shigaraki clay and covered in glassy green motlen ash enclosed in the original signed wooden box. It is 13.5 cm (5-1/2 inches) diameter, roughly the same height and in excellent condition.
Koyama Kiyoko was born in Sasebo, Nagasaki in 1936. Following the second world war the family moved to Shiga prefecture, eventually settling in the pottery village of Shigaraki...

Like a mirror of the soul, the ovoid forms of Living National Treasure Tokuda Yasokichi III flash with brilliance, vivid color explodes, while the darkness seems infinite, impenetrable and reflecting only the world around it.  Here is a fine example of his work, pale blue blends through green into soft yellow before plummeting into darkness. The body of the vessel has been brought up to a very narrow neck, just wide enough to receive one flower before flaring out at the top...

We are glad to present you a real precious superb Uzukumaru tsubo by probably the best potter in the world, Tsujimura Shiro, enclosed in the original signed wooden box. Shell marks, kutsuki, ash blasting. The piece is 7-3/4 inches (19.5 cm) tall, 6 inches (15.5 cm) diameter and in excellent condition...

Shiro Tsujimura was born in 1947, in the town of Gose, Nara prefecture, Japan. His first love was oil painting and when he was 18 years old, he aspired to become a painter...

Small Dishes with kaki (persimmon) and gosu (blue) glazes, Mashiko-yaki, by Tagami Munetoshi of Hinata Kiln, Mashiko, Tochigi Prefecture. H.1.125"(3cm) x Dia.3.75"(9.5cm.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro...

A very unusual large Tsubo covered in iridescent metallic glaze over beige windows with millet white florals enclosed in the original signed wooden box titled Testsu Sabi-yu Zogan Kusabana-mon Tsubo (Metallic Rust Glaze Tsubo Inlayed with Floral Motif).  This is certainly one of the more unique works I have seen by this important Mashiko artist.  The iron seems to shimmer in the light, not holding just the reds of rust, but blue and green and black, depending upon the light and angle.    Mar...

Enigmatic designs intimating floral motifs mingled with splashes and dashes decorate the white textured surface of this Tsubo by Living national Treasure Fujimoto Yoshimichi enclosed in the original signed wooden box titled Aka-e Mentori Kabin.  The surface is shot through with su-ana pinholes, creating a rich texture which contrasts with the crisp, smooth rust of the rim.  Russet reds, green, black and brick intermingle to create a feast for the eyes, while the texture offers the same pleasur...

Shades of red-violet, dark iron clouds and white across the surface on this wonderful sake set by rising star Suzuki Shu enclosed in the original signed wooden boxes titled Murasaki Katakuchi and Guinomi respectively. They are beautifully uniform in a misshapen way, allowing no favoritism to the drinkers.
Size,(Katakuchi) D 15.6 cm H 8.1 cm
Size, (Guinomi)D 8.1 cm H 4.9 cm
Condition, Excellent
Suzuki Shu was born in Tokyo in 1990...

Lee Seung O's innovative paper assemblage, 36 x 18.5 inches, 91 x 47 cm. Lee's work is in the permanent collection of many major museums, including the National Museum of Contemporary Art in Seoul, and he has an excellent auction record, with not a single work going unsold in the many major auctions that have listed his work over the last several years, including Christie's. It is said of Lee Seung O that he is an old spirit with a young mind...

As if dragged from the ocean floor, the calcified form of this star shaped shell glistens with foggy blue inside, capturing the heart of the sea from which it came.  It is dark and murky near the rim,the color of ocean plants.  A superlative bowl by Koike Shoko enclosed in the original signed wooden box titled Luster-sai Kai-no-Wan. 
Size, D 14.5 cm  H 10.6  cm 
Condition, Excellent 
Born in 1943, Shoko graduated Japan’s top art school (the Tokyo University of Art) i...

Very rare example of museum-quality Shigaragki-ware by Tsujimura Shiro. It was originally given as a gift from the artist to a secret, wealthy benefactor upon the Grand Opening of the famed Miho Museum near Kyoto, Japan, in 1997.

Some time later we bought it from this famous benefactor, and since then it is in our collection.

This is a very rare and highly collectible and massive item, and it is entirely authentic with an absolutely perfect provenance...

I cannot help be see the incense stick burns in a Buddhist altar cloth when I look at this Shino Chaire by Wakao Toshisada which comes enclosed in the original signed wooden box.  Inevitably as more sticks of incense are added to a koro, some will break and fall onto the altar cloth, smoldering as they disappear into smoke, leaving only a fleeting scent and shadow-like scar in the drapery.  If one has ever been deep into the darkness of a temple, you may know the quiet feeling of contemplation...

Keikan-ko (Chicken Head) Vase, by Sachiko Furuya; Honolulu, HI...

From a well-known series entitled “Chōtō” (Listening to the Waves) this contoured vase features a sandy glaze that the sculptor claims is an expression of the features of the landscape where he grew up.

Born in the port city of Shimoda, Sakiyama studied art in Osaka and then later went on to open his own kiln that he named “Hidaka” (High Sun). Appearing to have a natural gift for form and proportion, his pieces soon attracted the attention of galleries and collectors not ...

This expertly crafted Chawan was made by great contemporary artist Kobayashi Takeharu, born in 1944. It is an elegant example of the beauty of Shino ware, a four hundred year old tradition that has produced some of the most spectacular tea ceremony vessels. This is a sober yet enchanting piece that craves to be held and used. It comes with its originally signed and sealed wooden box and a profile of the potter.

Kobayashi Takeharu has exposed all over Japan. His kiln is located in To...