Description: 陆儼少(1909-1993) 秋山耸翠圖 水墨設色紙本立軸 1979年作 款識:秋山耸翠一九七九年三月陆儼少畫於海上。鈐印二方。Hanging Scroll of Verdant Autumn Mountains / Lu Yanshao (1909-1993) Dated 1979 Inscribed with two artist seals.
Dimensions: 70 X 15 1/2 inches 177.8 X 39.4 cm
Artist or Maker: Lu Yanshao (1909-1993)
Medium: Ink & Color on Paper
Date: 1979
Condition Report: Hand-Painted, Good Condition
Provenance: Property of a Canadian co...
Offered is an early signed and dated 1977 hand-blown studio glass perfume bottle. The bottle has two polished windows, which reveal a pale amber chamber encased in swirling multi-colored and black glass with a black glass stopper. The bottle is 5 ½ " tall, including the dauber, by 4" wide. It is in very good condition, with one very minor flea bit and no other scratches, chips, scuffs, or repairs noted. The bottle is signed and dated on the bottom, as shown...
Juicy color and fun form in contemporary glass. Both odd and elegant, paladin vases feature a contrasting color at the mouth. These are brilliant in groups, and tasty on their own.
Studio Paran is the creative partnership of Richard Jones and Mark Lorenzi. They met in the glass shop of the Rhode Island School of Design.
Studio Paran strives to design work that is unique, affordable and relevant...
The second Living National Treasure of Mashiko. The first was his teacher Shōji Hamada.
A ash-glazed stoneware box and cover with an intaglio design of grasses filled with white slip. Shimaoka’s seal within the foot-rim.
Approximately 11.5 cm high, 10.3 diameter...
This important Zen tea bowl named “Phoenix Appears” (Hōōrai 鳳来) is a collaboration between the famous Kyoto potter Imai Masayuki 今井 政之 (1930-2023) and the equally well known Zen monk Matsunaga Gōzan 松長剛山 (b. 1943), Abbot of Kōtō-in, a subtemple of Daitoku-ji since 1971 and the 13th titular head of Hisada-ryu Arisugawa-kei school of tea. The chawan was made in the early 1970s, shortly after he ascended to abbotship of Kōtō-in...
Japanese Mid - Late 20th century bronze vase with crane design by NEYA CHUROKU (1897-1987). The vase has a standing crane holding its head and neck up on the front and a crane bending down in the back. The bottom has the Churoku mark. Neya Churoku, a student of Tsuda Shinobu, exhibited at many exhibitions including the 1933 World Exhibition in Chicago and the 15th Teiten (1934) where he won the Tokusen (grand prize). Comes with TOMOBAKO, original artist signed wooden storage box...
Japanese 20th century bronze vase with abstract leaf design by TSUDA JOYO. The vase measures 16" tall by 6 5/8" in diameter.
Ao glazed wide footed teabowl, chawan form, with a Shono pattern around the bowl
Stoneware, slip and glazes
4.75" X 4"
Functional, decorative and food safe
Ceramics decorated by Zen monks are seldom seen and this piece is no exception. Two red enamel characters are boldly brushed in red enamel conveying the strong bond between Zen and the tea ceremony. The bowl is inscribed and named Taste of Zen (Zenmi 禅味), and dates to the 1970s, when Seki Bokuō 関牧翁 (1903 – 1991) was well into his abbotship at Tenryū-ji, one of most important, and certainly most beautiful temples in Kyoto...
Although reports vary, it is generally thought that Zeze-yaki had its heyday in the late Momoyama to early Edo period under the influence and patronage of legendary artists/ men of tea, Honami Koetsu and Kobori Enshu. It was also counted among the seven best kilns selected by Enshu Kobori (1579-1647), a tea master and military commander of that era. In the mid-1600s the tradition died out for a time after the destruction of the kiln by fire...
Maki not only did Large red kanji on black backgrounds, which I have denominated Big Reds.He also did Big Yellows, as in this dramatic print Poem 71-7 (Mind). Size: 32.6 x 17.2in/83 x 44cm.
For comparison, I've also included Poem 68-71 (Mind). It is in frame 8.
Finest Kyo-yaki tea bowl with a hand painted golden lobster design by famous Japanese artist Sugita Shohei the 4th...
A beautiful city view of Brussels in watercolor and gouache by artist SARNOFF measures. 8x8.5” , frame size 20x21”
A true Mashiko Chawan by greatest Shoji Hamada with a real beautiful Ameyu glaze, double boxed and originally signed and sealed by the artist.
This treasure was part of the exhibition "The artists who searched for Mingei".
Hamada Shoji (1894-1978) was one of the leading potters of the Japanese Mingei (Folk Craft) movement...
Charming fresh water container (Mizusashi) by Oshio Shōzan III 三代 大塩昭山 (b. 1935), an important potter working in Akahada ware that is produced in Nara Prefecture. Akahada potters are famous for tea ceremony wares. Piece is for late 1970s, stoneware with overglazed enamel, it is 14.6 x 14.4 cm. Potter’s seals on the bottom Akahadayama (赤膚山) and Shōzan (昭山)...
A tea bowl with stunning glaze by the legendary Miyashita Zenji 宮下善爾 (1939-2012), one of the greatest contemporary Kyoto potters. This is an early work, when he focused on celadon-like glazes. At that time he was studying ancient Chinese pieces, and was influenced by his father who excelled in celadon...
Large, relatively tall chawan, as used in the tea ceremony. Light brown coarse stoneware covered with a celadon colored translucent glaze with brown speckles and with a purple and blue-green splash on the front. Unsigned. Japan, Aizu, Fukushima prefecture, Japan, Showa era, circa 1973.
Comes with the original fitted wooden tomobako, inscribed on the outside … chawan; on the inside signed ‘made by Ryoichi, 7th generation of the Munakata kiln’ and with the seal Munakata-gama (Munakata k...
A striking porcelain double gourd vase by the eminent Kutani potter Matsumoto Saichi V
The tall shape has four raised ribs on the matt buff/white glazed body, the bottom gourd boldly painted with sets of green stripes on a tan ground. The buff/white glaze is curious, on close inspection it looks like crushed oyster shell. Signed on the base. The vase comes with its original signed and inscribed box.
Approximately 31.7 cm high. The vase and box are both perfect.
Matsumoto Saich...