A lovely sterling cuff bracelet with onyx and angel skin coral cabachon stones by Arizona metalsmith Kim Rawdin. Kim Rawdin studied painting and art education in college in New York and his interest in jewelry started when he took a job as an art teacher on a Navajo reservation in Arizona...

Made in America. Heart, face, couple motif copper and sterling silver pendant earrings set finished with lover's gemstones of garnet and rose quartz. All metal completely hand fabricated and hammered in a USA studio by and signed: Handmade - Mimi Dee - Sterling.

The hand hammered pendant can be worn on your own omega, neckcuff, chain, cord or beads. The hand formed ear hooks are stamped and signed...

A Beautiful wide and low porcelain chawan covers in deep rice blue clay by Kimura Yoshihiro enclosed in the original signed wooden box titled Hekiyu Chawan.
Size, D 16.4 cm H 6.2 cm
Condition, Excellent
Born in 1946, after more than a year of travelling around the world , he built his kiln in Hiroshima and began his pottery career. Eschewing the world of public Exhibition, Yoshihiro has concentrated on private venues and museums...

Wood-fired Tea Bowl by George Gledhill; Payette, ID. H.3"(7.5cm) x Dia.4.75"(12cm.) Shino & Ash glaze. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Wood-fired Guinomi, Sake Cup, by John Benn; Harstine Island, WA. Temmoku & Nuka Glazes. H. 2.375"(6cm) x Dia. 2.75"(7cm.) John Benn studied with F. Carleton Ball and Ken Stevens at the U. of Puget Sound in Tacoma, and with Howard Shapiro and Sandra Simon in the MFA Program at the School of the Art Institute of Chicago. In 1976, he built his first wood kiln...

Guinomi, Sake Cup, by John Miller; Portland, OR. Temmoku & Nuka glazes, Iron Slip. H.1.5"(4cm) x Dia.2.5"(6.25cm.) Vol=1.75oz(50ml.)John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illiustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school...

Reminiscent of the wildly popular avant-garde works of Suzuki Goro, this striking modern interpretation of the classic tokkuri (sake flask) was done by budding artist Ikeda Shogo.

Born in 1976 in the southern port city of Kagoshima on the island of Kyushu, from a young age Ikeda would have been exposed to a great variety of ceramic-wares from the numerous historical kilns native to the region including Satsuma, Arita, Imari, and Karatsu...

A lobed bottle form vase by Kishimoto Kennin enclosed in the original signed wooden box titled Seiji Ichiriin Sashi.  The surface is fissured like a block of shattered ice the color of a carribean lagoon.  About the opening a hint of rust defines the rim.  A blue sapphire…  
Size, W 11.2 cm ( 4-1/2 inches)  H 15.9  cm ( 6-1/4 inches) 
Condition, Excellent 
Kishimoto Kennin has been working with clay since the 1950s, devouring styles along the way...

Seo Byung Ho was the recipient of the top prize in the 2009 World Ceramic Biennale, the highest paid ceramic art prize in the world. With this lovely pair of sculptural vases, Seo has combined the shape of a traditional vessel with the form of a fish, a symbol of eternal vigilance because the fish never closes its eyes. For the same reason, the fish is also a symbol of diligence that has long been a source of inspiration for Korean scholars, and is a common motif employed in scholar's implements...

Mizusashi, Fresh Water Jar used in Chanoyu, by George Gledhill; Payette, ID. Wood fired with Shino Glaze, ca. 2009. H. 5.75"(14.5cm) x Dia. 8"(20.25cm.) Mouth opening 4.125"(10.5cm.) Volume = 88oz (2,750cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates...

Wood-fired Tea Bowl, matcha chawan, with signed wooden box by George Gledhill; Payette, ID. Ash glaze. H.3.125"(8cm) x Dia.4.5"(11.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates...

Black splashes over spattered white slip draw the eye into the window in the darkenss on the side of this exquisite chawan tea bowl by master fo that genre Koie Ryoji enclosed in the original signed wooden box titled understatedly Chawan. The title is the only thing simple about this complex combination of contemporary clay, glaze, tradition, form, function, past and future. A simply stunning work by the master of tea bowls.
Size, W 12.6 cm (5 inches) H 8.3 cm (3.5 inches)
C...

Large Oribe glazed tsubo with hakeme slip decoration and a broad, flared lip.

Stoneware, slip and glazes

11.5" x 8.5"

Caribbean-Blue glass fills this crusty earthen bowl by Ogawa Machiko enclosed in the original signed wooden box titled Saiyu Bachi. It is roughly 27cm (11 inches) diameter, 10 cm (4 inches) tall and in excellent condition.
Ogawa Machiko was born in Sapporo on the Northern Island of Hokkaido in 1946. She studied under future Living National Treasures Fujimoto Yoshimichi, Tamura Koichi and Kato Hajime at the Tokyo University of Arts, graduating in 1969, then went on to further studies in ...

A very unusual jar covered in crinkled metallic green glaze with a wooden lid covered with cloth wrapped in a net of orange chord made to hold tea leaves by Sugimoto Sadamitsu enclosed in the original signed wooden box. The appearance is deceptively large. Spectacular kiln effects live up to this artists reputation. It is 8 inches (20 cm) diameter, 8-1/2 inches (21.5 cm) tall plus lid. And in excellent condition.. This is the first and only tea leaf jar (Chatsubo) I have seen by this import...

Endorsed by the recent Head Tea Master of Urasenke as an exceptional work, this black Raku tea bowl was granted the poetic name “Kokon” Ko, meaning “the distant past” and Kon meaning “the here and now.” This name carries with it the connotation that tradition and accumulated generational knowledge can, in a sense, connect us with the people, places, and situations of times gone by; helping us better understand our present day roles in the ongoing play of form and energy.

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A solid silver cross marked Sterling NC on the bail for Nancy Custer. The cross measures 3" x 1-1/2" including bail. Light wear on the back.

This plate is made of Shigaraki clay and covered with ash glaze, it's shaped just like as dynamic wood block. The one part is repaired by gold , it's called "Kintsugi". Size: 34.0cm(length) 35.5cm(width) 9.0(height) Accessary: none, wooden box signed by artist is available with extra charge.