Found in a small antique shop in central Kyoto, this piece immediately caught my eye and I knew I had to buy it. With no original box and a potting mark that could not be deciphered, this one remains a beautiful mystery. The style itself is very close to that of internationally renowned 8th generation Hagi potter Kaneta Masanao (b. 1953); so much so in fact that we decided to contact this artist to see if it was one of their pieces. They courteously replied back that it was not...

This subtle, yet impressive mizusashi is by modern Karatsu legend; Nakazato Takeshi (b. 1937). This rounded, bowl shaped mizusashi is coated in a velvety layer of green ash with several areas of flashed iron red hi-iro and a patch of glassy bidoro where the piece faced the assaulting fire from Takeshi’s Ryutagama wood kiln. This pot was created slightly out of round and has a wonderful custom made roiro black lacquer lid to finish of the piece...

An exquisite work of micro-calligraphy by young female artist Tamura Seito IV enclosed in the original signed wooden box titled Karakusa moyo koro. It is roughly 4 inches tall and in new condition. Tamura Seito is a fourth-generation potter and chosen to inherit the tradition of Saiji micro-calligraphy for the Tamura family. She graduated Tsukuba University in 2004, then began to study under Tamura Keisei...

Ash dusts the terracotta surface studded with shiseki inclusions like rhinestones on a cowboy shirt on this Chawan by Kishimoto Kennin enclosed in the original signed wooden box titled Iga Chawan On top, and named Ichigo Ichie (one time, one meeting). On one side, skewed at a jaunty angle, one great eye of color, like a meditation stone in a temple garden lying among the red moss. This exemplifies the mastery and clarity of work by this potter...

Donated 2005 at a value of $250+ based on 2005 precious metal's prices. Hand wrought in an American studio this sterling metal sculpture necklace set for donation to Brigham Women's Hospital Center for Chest Disease. Although gifts are not signed with a name, this was stamped: HANDMADE STERLING. 2 0z Studio Red Garnet & White Pearl Jewelry Set. It was auctioned at their First Annual Dinner Dance & Silent Auction held @ the Boston Marriott Newton Hotel - 2345 Commonwealth Ave., Newton (Rte...

Tea Cup, Yunomi, by Tagami Munetoshi of Hinata Kiln, Mashiko, Tochigi Prefecture. Ame-yu (amber glaze.) Slip trailed designs piped onto outside shoulders. H.2.875"(7.25cm) x Dia.3.75"(9.5cm.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro...

Millefiori art glass plate by Moretti

Murano, Italy

Late 20th century

Measures 6 1/2" in diameter

Signed with signature murrine

Excellent condition

An exquisite vessel of pure white carved with ripples by Living National Treasure (Ningen Kokuho) Maeta Akihiro enclosed in the original signed wooden box titled Seihakuji Chomon Henko. It is 27 cm (10-1/2 inches) tall and in excellent condition.
Maeta Akihiro was born in Tottori city in 1954, graduating the Osaka University of Art in 1977...

Blue, yellow, white, red and gold decorated the green "reptilian skin" Oribe glazed body of this Contemporary sake set by Ujiie Kodai , enclosed in their original signed wooden boxes, dating to 2022.This is a handful, great tactile qualities and entrancing to look at.
Size, Tokkuri D 11.4 cm H 21.1 cm
Size, Guinomi D 8.1 cm H 7.1 cm
Condition, Excellent
Ujiie Kodai, a rising star in the word of pottery, was born in Sendai in 1990...

Korean Contemporary Marbleware Bottle by Seo Kuk Jin

Guinomi, Sake Cup, Shino Glaze. John Miller; Portland, OR. H. 2.125" (5.25cm) x Dia. 2.75" (7cm.) Vol. 4.25oz (130cc.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illiustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school...

A pair of cups in silver and blue with gold by rising star Ichikawa Toru enclosed in the original signed wood box complete with Shifuku and Shiori. Each is roughly 9.5 cm (4 inches) diameter, 8 cm (3-1/4 inches) tall and both are in new condition. There is quite a contrast, fascinating to hold and view...

A very serene Yuteki temmoku chawan by the famous Taniguchi Ryozo. Taniguchi, along with Miura Shurei, Kimura Moriyasu and Morikazu and Kamada Koji are famous proponents of the "oilspot" field.

This chawan is an excellent example of Taniguchi's work and masterful control of his glazes. He was a master of glaze technology and perfect forms.

This chawan measures 5.2" X 2.8" and is in perfect condition and comes complete with it's signed box.

Taniguchi Ryozo has had numerous one-...

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work created with karatsu-ido glaze aiming to ancient Korea as sake cup. His sake cup is v...

Square Plate, Mashiko-yaki, by Tagami Isamu of Hinata Kiln. Ji-gusuri Tetsu-yu Kakubachi (gray glaze, iron glaze, square dish/plate,) with pattern of yuki mochi sasa (snow on bamboo grass leaves.) H. 1.25"(3cm) x 6.5"(16.5cm square.)Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He was originally trained as a Japanese chef and had his own restaurant before embarking on a career in pottery, giving him a u...

One time price drop on this mizusashi at the owners request.

Classic, robust Ko-Iga style mizusashi by veteran potter, Kojima Kenji. Clearly based on some Iga archetype this solid mizusashi was thrown and slightly manipulated to give the form a nice sense of gesture before adding thick and purposeful lugs and adding marks across the surface to further define the landscape of the piece. The face, entire shoulder and lid are covered in ash from a dark ominous area where the mizusashi sat in ...

Kakehanaire (Hanging Flower Vase,) Wood-fired, ash glaze, with copper ring attached in back for hanging on a wall or post. H.6.625"(17cm) x Dia.3.125"(8cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their in...

Molten ash wraps its fingers around the organic form of this amazing Bizen Chawan by Oiwa Tomoyuki enclosed in the original signed wooden box titled Kuro Wan and date to 2020. The plasticity of the glaze as it creeps around the surface, over raw clay, mountains of ash and spatters of lighter encrustations is truly a sight to appreciate. A masterpiece by this Young artist and every angle creates a new view.
Size, D 12.1x15.1 cm H 10.6 cm
Condition, Excellent
Oiwa To...