This piece is almost identical to the work submitted by the artist to the 7th Nihon Dento Kogei Ten in 1983 (featured as item number 116 in the catalog for that year) and indeed, shares the title Hi-iro In-mon Tsubo (Flame-Colored Stamp-Patterned Tsubo). It measures 34 cm (13-1/2 inches) diameter, 29.5 cm (12 inches) tall and is in excellent condition.
Kanzaki Muneaki (b 1949) is the fourth generation head of the traditional Mokusen Kiln in Koga, Shigaraki...

Staring into the garden through a window in the lattice wall, bamboo, rising gracefully from the mossy floor, rustles slightly in the breeze. This scene is captured perfectly on this chawan by Living National Treasure Shimaoka Tatsuzo enclosed in the original signed wooden box titled Gozu Zogan Kusabana Mon Wan. The Jomon rope impressions for which he is so well known create the sense of lattice-work...

Wood-fired Tea Cup, Shino & Ash glaze, by George Gledhill; Payette, ID. H.2.75"(7cm) x Dia.3.375"(8.5cm.)

Shadows of flame exhume the granular qualities of the clay on this superb Sekki (unglazed) Bottle by Mihara Ken enclosed in the original signed wooden box.  Exquisite, on one side the clay is ash gray, the opposite lively earth tones, and between is an abrupt scorched-land of shadow and color, like that violent moment between awake and sleep. 
Size, W 11.6  cm ( 4-1/2 inches)  H 16.5  cm ( 6-1/2 inches) 
Condition, Excellent 
Mihara Ken was born in Shimane prefecture i...

This magnificent chawan is a perfect embodiment of the Shino tradition of Japanese pottery by legendary master and modern avangarde artist Suzuki Goro, in mint condition and enclosed in its original signed wood box.

He surely needs no introduction. Suzuki is one of those once in 500 years' type of artists. Suzuki Goro is a potter who goes beyond that usual appellation...

Kakehanaire (Hanging Flower Vase,) Wood-fired, ash glaze, with copper ring attached in back for hanging on a wall or post. H.6.625"(17cm) x Dia.3.125"(8cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Porcelain shallow teabowl with medieval green and temmoku glazes with a bloesem design on a graceful conical form

Porcelain and glazes

6.5" X 3"

Functional, decorative and food safe

Paddled tataki style water jar with shoulder lugs and covered in one of my Oribe glazes with accents of iron to create movement on the surface.

Stoneware and glazes

7.6" x 7.65"

Bidoro rain down like a glass bead curtain over the terracotta clay of this Shigaraki Tsubo by Takahashi Shunsai enclosed in the original signed wooden box. It is 8-1/4 inches (20.5 cm) tall and in fine condition...

Matcha Chawan, Tea Bowl, by John Miller; Portland, OR. Nuka & Temmoku Glazes, White Slip. H. 3.375"(8.5cm) x Dia. 4.5"(11.5cm.)John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illiustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school...

Wood-fired Tea Cup, yunomi, by George Gledhill; Payette, ID. Shino glaze. H.3.5"(9cm) x Dia.3.25"(8.25cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

A very fine ash glazed Haiyu-Shino chawan by Heian Seijiro. This ash glazed, Haiyu, boxed chawan measures 5.4” X 3.2” and is in excellent condition. The surface of the piece is very luminescent and is wonderful crazed resembling kanyu (double refractory) style celadons

"Arc Les Gray" Oil on paper, 14" x 18" view size, 24"x 29" framed Guy Dessapt was born in 1938 and raised in the countryside of France. At a young age he began to paint countryside village scenes and spent many of his early years painting in the streets of Montmartre. Here he learned from many of the great French painters of the time. He left home at an early age and attended the Arts Decoratifs School of Paris and fell in love with the city of Paris. From there Mr...

A true Mashiko chawan by greatest Shoji Hamada, enclosed in its signed wood box and an authentification of Shinsaku Hamada.

Hamada Shoji (1894 - 1978) was one of the founding fathers of the Studio Pottery movement, who came over to England with his friend, Bernard Leach, to start the Leach Pottery in St. Ives, Cornwall back in 1920. Like Leach, Hamada did not come from a pottery background but had studied ceramics briefly in Tokyo...

An Iga Kogo by Kishimoto Kennin and Tamba Kogo by Nishihata Tadashi, both superb examples of their craft and tradition, both by these prominent artists and both enclosed in the original signed wooden boxes.  The Kennin piece is a small square reminiscent of a pillar stone from some long lost temple, the edges covered in earth, the round top lost in a covering of moss.  Here he has breathed new life into the traditional form, both paying homage and yet leaving his indelible mark on it to carry ...

Large and bold hakeme style Oribe chawan by Matsuzaki Ken. This finely formed chawan has an excellent shape to show off the casual hakeme slip decoration that was then glazed over in an oribe glaze that is full of variation, tones and effects.

The is a great deal written about Matsuzaki Ken, including a book and several dvds (videos) about this stellar Shimaoka Tatsuzo student...

Wood-fired Tea Bowl, Matcha Chawan, by John Benn; Harstine Island, WA...

25.5" x 34.75". Color and ink on cotton muslin. Born in Northamptonshire, England in 1959, Peter Bowles has had a fascination with the American Indian culture since childhood. Fulfilling a lifelong dream of living and working among the American Indian cultures, in 1989 Bowles traveled to the United States where he was strongly encouraged to pursue ledger art by Jim O’Donell. Bowles’s first commission was for Emil Her Many Horses, the curator of the ST. Francis Museum on the Rosebud Reser...