First born son to Living National Treasure Isezaki Jun, Koichiro (b. 1974) has quickly made a name for himself as an independent artist. Not content to rely solely on family reputation, he has set off on his own path, making innovations in clay and also in the ideas and principles surrounding his craft...
Utsushi Aka-raku tea bowl called 'Seppo' (snow on the mountain peak) made by great contemporary artist Shoraku Sasaki. It comes with its originally signed and sealed wooden box. This Seppo Bowl is a replica of the famous tea bowl made by Honami Koetsu (see last picture), who was one of the most famous artists during the Edo period (1600's). He was known as the 'Da Vinci' of Japan...
Kuwata Takuro makes the most characteristic pottery we have ever seen, and when you look at this spectacular piece it is easy to understand why.
This is his Ki-Ji Kinsai Chawan which comes with his originally with his seal, calligraphy and fingerprint signed wooden box.
Takuro surely needs no introduction. He was born in 1981 in Hiroshima and graduated from the Department of Fine Arts at Kyoto Saga University in 2001...
Accents formed using iron pigment stand out across a backdrop of blue-green glaze. The base and a portion of the inside of this ceremonial tea bowl are unglazed displaying rich clay. Created by Shibayama Toshiya, this is an example of contemporary Japanese ceramics at its finest.
A native of Nagoya Shibayama (b. 1959) is exceptionally versatile, working in styles such as Seto, Shino, Karatsu, and Shigaraki among others...
This magnificent Oni Azami chawan is a perfect embodiment of the tradition of Japanese pottery by legendary master and modern avangarde artist Suzuki Goro, mint condition and enclosed in its original signed wood box and a hand painted cloth by the artist himself.
Oni means demon, in Japanese, and azami is the name of a famous flower in Japan (thistle in English) with an explosive charakter. Oni Azami.
Suzuki Goro surely needs no introduction...
JUNRI HAMADA is one of the high-skilled pottery artist in Mino famous pottery production center.
Especially focused on KISETO (yellow&green glaze).
These pieces are created with kuro-oribe(black oribe)glaze
,kiseto glaze and ash glaze.
These would be easy to use at any purpose.
SIZE: 14.0cm (sides) 4.3cm (height)
JUNRI HAMADA is one of the high-skilled pottery artist in Mino famous pottery production center.
Especially focused on KISETO (yellow&green glaze).
This piece is created with kuro-oribe(black oribe)
glaze that the great tea master Oribe Furuta was fond of.
It is a little bit small so it would be easy to use.
SIZE:12.0cm(D)/6.5cm(H)
ACCESSORY: wooden box with signature by the artist
Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene.
Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated.
He has studied at Karatsu and also MIno.
And while, he has studied in tea ceremony.
His repertoires are goods for tea ceremony, sake cup,
and tableware for Japanese cuisine.
This piece is a brand new work created with painted Japanese traditional pattern as small bowl.
It is also suitable ...
One of the most attractive chawan by Ohi Chozaemon VIII (Choraku) (1902-1991) I have seen. It was made around 30 years ago in the style of Raku.
The Chozaemon family of potters has been associated with the world of the Japanese tea ceremony since the 17th century.
The Chozaemon lineage started with Hodoan (1631-1712), apprentice to the fourth heir of the Raku family of potters...
The artist who produced this piece, Wataru Motomura, prides himself in living a traditional life in the eastern hills of Kyoto—long known for its rich clay and idyllic pastoral lands. Though the form of this vessel appears innovative and modern, the techniques and materials used to produce it have been around for many hundreds of years...
When the founder of the Urasenke style of tea ceremony, Senso Soshitsu (1622 -1697) was invited to Kanazawa as the lord of the tea ceremony for the powerful Kaga lords in 1666, the first Chozaemon came with him and established Ohi-yaki ware in Kanazawa. Chozaemon had been the chief apprentice for the Raku family in Kyoto and took with him many of the principles and ideas associated with Raku-ware...
Very sophisticated Korean Celadon Tea Bowl made by greatest Han Ji Xiong around 30 years ago. Plum trees are hand-painted on the body.
The bowl is in mint condition. It comes with its originally signed and sealed wooden box and with a profile of the artist.
Size: 5,5 cm height x 15 cm in diameter.
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The distinctive and easily recognizable style of Bizen pieces, such as the one featured here, originated in Okayama (south-western Japan) and has a long history that is closely intertwined with that of tea culture. Bizen-ware is known for employing a natural-ash glazing technique that is unique to this type of pottery and which requires extremely long firing times (7-14 days) at very high temperatures. This means that constant attention is required to ensure good results...
Decidedly masculine in character with straight sculpted edges, a rich palette of color, and a calm steadiness in the hand; this tea bowl was crafted by one of Japan’s great masters, a Mashiko potter by the name of Takauchi Shugo.
A native of Tokyo, Takauchi (b...
Simple yet classic styling—this tea bowl is perfect for anyone looking for the quintessential Ido-shaped chawan crafted by one of Japan’s master Hagi potters.
Born in the famed pottery town of Karatsu in 1942, Zenzo Hatano spent a number of years learning the various styles particular to his region before taking up an apprenticeship under well-known Hagi potter Yoshiga Taibi...
Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene.
Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated.
He has studied at Karatsu and also MIno.
And while, he has studied in tea ceremony.
His repertoires are goods for tea ceremony, sake cup,
and tableware for Japanese cuisine.
This piece is a brand new work created with karatsu glaze and painting a lobster.
SIZE: 13.3cm(D)/7.7cm(H)
ACCESSOR...
Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene.
Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated.
He has studied at Karatsu and also MIno.
And while, he has studied in tea ceremony.
His repertoires are goods for tea ceremony, sake cup,
and tableware for Japanese cuisine.
This piece is a brand new work created with madara karatsu meaning mottle glaze and shaped to be traditional .
SIZ...
Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene.
Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated.
He has studied at Karatsu and also MIno.
And while, he has studied in tea ceremony.
His repertoires are goods for tea ceremony, sake cup,
and tableware for Japanese cuisine.
This piece is a brand new work created with karatsu glaze and shaped to Goki meaning sacred cup.
SIZE: 13.2cm(D)/9...
Sadamitsu Sugimoto, a great master of the ceramic art scene in Japan, was led by Tachibana Daiki the great Zen teacher and has been producing a lot of masterpieces through over 40 years .He has been studying the world of “wabi, sabi, and yugen” as his life's theme.
*Tachibana Daiki is well known that former Arkansas Gov...
Sadamitsu Sugimoto, a great master of the ceramic art scene in Japan, was led by Tachibana Daiki the great Zen teacher and has been producing a lot of masterpieces through over 40 years .He has been studying the world of “wabi, sabi, and yugen” as his life's theme.
*Tachibana Daiki is well known that former Arkansas Gov...
Wood Fired Matcha Chawan, Tea Bowl, by George Gledhill; Payette, ID. Ash Glaze. H. 3.375"(8.5cm) x Dia. 6.375"(16cm.) This bowl features a beautiful pool of glassy green glaze in the well. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him t...
Matcha Chawan, Tea Bowl, by Sachiko Furya; Honolulu, HI. Ido-gata (Well-Shaped,) Bamboo Ash and White Shino Glazes. H. 3.75"(9.5cm) x Dia. 6.25"(16cm,) Foot Ring 2.0" (5cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark Co...
Matcha Chawan, Tea Bowl, by Sachiko Furya; Honolulu, HI. Ido-gata (Well-Shaped,) Bamboo Ash and White Shino Glazes. H. 3.125"(8cm) x Dia. 6.0"(15.5cm,) Foot Ring 2.0" (5cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark Co...
Rich gosu blue glaze covers this stoneware chawan with three areas of lyrical slip trailed decoration around the bowl. Made by the great-grandson of Kawai Kanjiro, this chawan by Kawai Sota is an excellent example of his work and the current direction of the Kawai-mon now approaching a century of tradition. This chawan measures 11.5 x 11cm and is in excellent condition with its original signed wood box.
(I am keeping the description brief in an effort to get these put up in a timely fashio...
Tsutsu-shaped chawan have a unique and especially attractive shape. They are used mainly in the depths of winter to keep in the heat, and prevent the tea from cooling too quickly. Tea disciples of all stripes appreciate this type of bowl for its elegant lines and functional properties.
This tea bowl was fired in the kilns of one of Kyoto’s best known Raku-yaki potters, Sasaki Shoraku III (1944-). The Shoraku line began when the grandfather of the current potter established a kiln...
Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resident of Tokyo, at the age of 33 he moved to Shigaraki and started creating high-quality tea-ware implements, most notably, fine tea bowls in the style of early Raku masters. A devotee of Zen and a lover of tea, Sugimoto is able to create tea bowls that are not just attractive, pleasant to hold in the hand, and a joy to drink from; but tha...
A true Mashiko Chawan by greatest Shoji Hamada with a real beautiful Ameyu glaze, double boxed and originally signed and sealed by the artist.
This treasure was part of the exhibition "The artists who searched for Mingei".
Hamada Shoji (1894-1978) was one of the leading potters of the Japanese Mingei (Folk Craft) movement. He was closely associated both with Yanagi Soetsu (1889-1961), the philosopher-critic on whose theories the movement was founded, and the pioneer English st...
Wonderful Kutani Guinomi (Sake cup) with typical wan shape, produced by one of the most famous contemporary artists of Kutani, Tokuda Yasokichi III (1933-2009).
The stone ware clay was covered with dark purple glaze, which turns to light blue towards the brim. His stamp (Masahiko) is inside the unglazed foot ring.
It comes with its originally sealed and signed wooden box, inscribed on the lid: guinomi - kutani - masahiko saku.
Size: 4,4 cm height x 6,6 cm in dia...
This piece is described on the box as a Hikidashi Kuro Chawan. In Japanese hikidashi means “a pull-out drawer” and the term first came into use at Mino kilns in the 16th century to describe individual pieces that were pulled out of the wood kiln at the peak of firing to gauge if the batch was ready. The rapid cooling of such pieces often creates dramatic effects, with the most noted being rich varieties of deep black. Today this practice has fallen out of use and and only a handful of master...
Here is a brilliant Chawan by Master Mashiko Potter and Living National Treasure Shimaoka Tatsuzo enclosed in the original signed and stamped wooden box. It is in mint condition with no chips or cracks.
Shimaoka Tatsuzo (1919-2007) is one of the best-known Japanese potters. The artist studied under another pottery legend, Hamada Shoji, to become one of Mashiko master craftsmen. Shimaoka Tatsuzo became independent in 1953 and after having exposed in renowned venues in Japan, the pot...
This is the second tea bowl in our collection made by first class potter Kingyoku Nakata. It was made around 1980. A plum tree is hand-painted on the bowl. It is in mint condition with no chips or cracks.
It is well known that his works were brought by the Showa Emperor and the Prime Minister as hospitality gifts to a lot of European Presidents in 1983.
It comes with its originally signed and sealed wooden box.
Kingyoku Nakata was born in 1945. He started as a...
Using local materials and traditional methods, the creator of this work Masahiko Imanishi, has brought a distinctively modern interpretation to the classical form of the tsutsu chawan. At the same time, he somehow manages to maintain the simple rusticity that Tanba-ware is renowned for. Stretching back over 800 years, Tanba is counted as one of Japan’s 6 ancient kiln sites and is known for making large pots with red ferrous clay and natural ash glazes with a distinctive greenish tinge. More re...
Large, relatively tall chawan, as used in the tea ceremony. Light brown coarse stoneware covered with a celadon colored translucent glaze with brown speckles and with a purple and blue-green splash on the front. Unsigned. Japan, Aizu, Fukushima prefecture, Japan, Showa era, circa 1973.
Comes with the original fitted wooden tomobako, inscribed on the outside … chawan; on the inside signed ‘made by Ryoichi, 7th generation of the Munakata kiln’ and with the seal Munakata-gama (Munakata k...
This remarkable tea bowl is from the kilns of Yoshida Shuen (1940-1987)—an apprentice of Miwa Kyusetsu (1910-2012) who was awarded the status of Living National Treasure in 1983. It features a warm crackled glazing with a white translucent overcoat that beads in areas.
Hagi-yaki has a tradition stretching back over 400 years and is a high-fired stoneware type of pottery. Hagi-ware is prized for its subdued colors and classical features, especially the glazing, which is often clea...
Large Oribe style chawan thrown out of my iron based clay with thick hakeme slip applied around the body completed with a small but sturdy hand carved foot.
Stoneware, slip and glazes
13.6 x 11.5cm
Functional, decorative and food safe
Robust, manipulated teabowl with bamboo tool carved foot covered in my Oribe style glaze with iron accents over an impressed line design.
Stoneware and glaze
14 x 10cm.
Functional, decorative and food safe
Nothing I can say can convey the rugged beauty locked up of this Oribe chawan, made in 2015, signed and enclosed in the original signed wooden box and the 64 page exhibition catalogue 'Voice of the rain'. Matsuzaki Ken is one of the most important potters of our time.
Ken Matsuzaki was born in Tokyo in 1950 and received a degree in Ceramic Art from Tamagawa University School of Fine Arts, Tokyo. After graduating he moved to Mashiko in 1972 to apprentice with Tatsuzo Shimaoka (who h...
A sophisticated Mashiko chawan with beautiful glaze by greatest Shoji Hamada, enclosed in its originally signed wood box. The bowl has smoothly graduated colours, rarely seen on Hamada's tea bowls.
Hamada Shoji (1894 - 1978) was one of the founding fathers of the Studio Pottery movement, who came over to England with his friend, Bernard Leach, to start the Leach Pottery in St. Ives, Cornwall back in 1920. Like Leach, Hamada did not come from a pottery background but had studied cer...
Generous teabowl with incised decoration through black and white swirled slip under my saffron glaze
Stoneware, slips and glazes
5" x 4.2"
Functional, decorative and food safe
A true Mashiko bowl by greatest Shoji Hamada with a real beautiful glaze, enclosed in its originally signed wood box.
Hamada Shoji (1894-1978) was one of the leading potters of the Japanese Mingei (Folk Craft) movement. He was closely associated both with Yanagi Soetsu (1889-1961), the philosopher-critic on whose theories the movement was founded, and the pioneer English studio potter Bernard Leach (1887-1979), whom he helped establish the Leach Pottery in St Ives, Cornwall, during...
We like to present you this Shino Masterpiece of legendary Tokuro Kato, named 'amongst the clouds', coming with corner protections, a silk shifuku, a stamped pouch and its original double wood box, signed and sealed (Signature of 'Gen' - please compare http://www.the-saleroom.com/en-gb/auction-catalogues/christies-south-kensington/catalogue-id-srchristi10016/lot-333068c2-4555-4b6a-abba-a3f700026090). It is in absolutely mint condition, a museum quality piece of art. We also will add the fine ...
Large altered and slip combed Oribe style teabowl with rich color variations inside and out but particularly noticeable around the bottom of the bowl which is finished with a bamboo cut foot.
Stoneware, slip and glazes
5.75" max. x 4.30"
Decorative, functional and foodsafe
Dark and rich Ao glazed teabowl over a thickly slipped and combed, kushime surface. The teabowl is made out of a dark iron bearing clay that I made myself and is altered and the foot is hand cut using a sharpened piece of bamboo.
Stoneware, slip and glaze
6" x 4"
Decorative, functional and food safe
Influenced by a favorite Momoyama chawan, this broad combed slip oribe chawan balances on a stable hand cut foot
Stoneware, slip and glazes
6.25" x 3.5"
Functional, decorative and food safe
Large, robust teabowl with thick combed slip under a saffron glaze and on a mix of local clay.
Stoneware, slip and glazes
6" x 4"
Functional, decorative and food safe
Oribe and iron glazed teabowl with impressed "ripple" design around the body of the bowl.
Stoneware and glazes
5" x 4"
Decorative, functional and food safe
Wide, conical temmoku and medieval green teabowl with lined blossom design and notched, geta style foot
Stoneware and glazes
6.4" x 2.75"
Decorative, functional and food safe
Ao glazed porcelain teabowl with thick kushime slip decoration around the surface.
Porcelain and glazes
5.5" x 3.6"
Decorative, functional and food safe
A wonderful Chawan Tea Bowl by famous Kyoto Artist Yanagihara Mutsuo, enclosed in the original signed wooden box. It is designed with pure silver and has an artistic glaze changing from black to dark green with spots of rainbow colours.
Yanigahara Mutsuo (b.1934) was raised in Seto and studied in Kyoto along with contemporary Morino Taimei with whom he maintained a lifelong friendship. His work is largely sculptural, and his choice of colors is his reflection on the decadence of J...
Braid-handled Bowl with Pouring Spout, suitable for Sake, Flowers, Food; by Sachiko Furuya; Honolulu, HI. White Shino and Bamboo Ash glaze. H. (Bowl only) 3.5"(9cm) [H. w/ Handle 5.5" (14cm)] x Dia. 7.5"(19cm) [Width with Spout 9" (23cm.)] Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara F...
Serving Dish, by Sachiko Furuya; Honolulu, HI. White, Bamboo Ash, Iron glazes. H. 2.375"(6cm) x Dia. 11.125"(28.5cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited her work in ga...
Serving Bowl with sculpted leaves, grapes, and vines, by Sachiko Furuya; Honolulu, HI. White, Bamboo Ash, Iron glazes. H. 3.125"(8cm) x Dia. 9.75"(25cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, I...
Round Dish, by Sachiko Furuya; Honolulu, HI. Gray glaze. Carved ridges around shoulder of bowl. H. 2.25"(5.5cm) x Dia. 6.75"(17cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited ...
Shino glaze dish with sgraffito decoration, by Sachiko Furuya; Honolulu, HI. White Shino glaze. H. 2.0"(5cm) x Dia. 6.25"(16cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited her...
Faceted Tea Bowl, Matcha Chawan; Mashiko-yako, by Isamu Tagami. Kaki glaze with red, green, & yellow overglaze enamels. Hakeme brush-marked interior. H.2.625"(6.75cm) x Dia.4.75"(12cm.) Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He was originally trained as a Japanese chef and had his own restaurant before embarking on a career in pottery, giving him a unique perspective on functional wares. He is c...
Reishuuki, Cold Sake Decanter, by Sachiko Furuya; Honolulu, HI. Spouted Bowl with Braided Handle also suitable for flowers, food presentation. Gray glaze, decorated with applique clay loops. H. 4.75"(12cm) x Dia. 5.625"(14.5cm.) Width (including spout) = 7.0"(17.75cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon ...
Tall Bowl with Notched Rim, White Shino Glaze, by Sachiko Furuya; Honolulu, HI. H. 6.0"(15.25cm) x Dia. 6.75"(17.25cm.) The torn opening on the rim gives the bowl a very organic appearance. Suitable as a vase for flowers, or as a serving bowl. Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidob...
Slightly oval teabowl with a a cut and combed texture in slip under a rich Oribe glaze with iron-ash accents.
Stoneware, slips and glazes
5" x 3.6"
Functional, decorative and food safe
Compact ovoid tabi-chawan style teabowl glazed in my tetsu0yu and temmoku glazes creating partridge feather style effects and finished with a hand cut foot to compliment the form.
Stoneware and glazes
5" X 4.6" x 3.6"
Functional, decorative and food safe
Wood-fired Tea Bowl, Matcha Chawan, by John Benn; Harstine Island, WA. Black Glaze, with areas appearing ochre and gold. Two finger marks remain where the bowl was glaze-dipped. Stamped with artist's mark. H. 3.25"(8.25cm) x Dia. 5.75"(14.5cm.)
John Benn studied with F. Carleton Ball and Ken Stevens at the U. of Puget Sound in Tacoma, and with Howard Shapiro and Sandra Simon in the MFA Program at the School of the Art Institute of Chicago. In 1976, he built his first wood kiln. Now, he and hi...
