In excellent condition, this bird-shaped, or “torigata” vase is a beautiful example of Iga pottery from last century. A master of form, material, and technique, the potter Furutani Michio (1946-2000) wrote several books later translated to English on the construction and use of the “anagama”—an earth-dug, wood-fired, small-batch kiln traditionally used in Japan—celebrated for the extraordinary results that often emerge from its fires...

Lively wood fired Shino chawan by Kido Sadaaki. This stoneware chawan has a variety of wood fired effects from a thin coating of green ash about the surface to a crusty ash build up on the face of the pot. the bowl form fits well in the hand and the lip undulates enough to get the eye to observe the melted feldspar running into the interior and the deep, rich green pool that punctuates the center...

This piece was fired for 10 days in the "anagama" old style kiln, with red pine fire woods. It's very beautiful with natural glaze by ashes and flame. Size; 6.0cm(D)/4.5cm(H) Accessary; wooden box signed by artist

A wild boar kōgo by famous Kyoto potter Imai Masayuki 今井政之 (1930-2023). Decoration is a stylized version of the ancient Chinese character for wild boar. Masayuki used his famous inlaid colored clay technique in producing this piece. Imai Masayuki and the late Miyashita Zenji are considered the two masters of the colored clay technique in Japan...

This piece is made of shigaraki clay, covered shino glaze and painted by iron glaze and covered oribe glaze (oxidized copper). The oribe glaze has colored to very clear green. Size: 8.4cm(D) 13.5cm (H) Accessary: wooden box signed by artist

Ceramics decorated by Zen monks are seldom seen and this piece is no exception. Two red enamel characters are boldly brushed in red enamel conveying the strong bond between Zen and the tea ceremony. The bowl is inscribed and named Taste of Zen (Zenmi 禅味), and dates to the 1970s, when Seki Bokuō 関牧翁 (1903 – 1991) was well into his abbotship at Tenryū-ji, one of most important, and certainly most beautiful temples in Kyoto...

Stunning incised and purple glazed bowl by one of the best contemporary Seto potters, Katō Reikichi 加藤令吉 (b. 1953). Title: Purple Colored Bowl (Shisai hachi 紫彩鉢) Medium: incised and glazed stoneware Size: 5.9 x 19.6 x 18.7 cm Signed on the bottom: Rei (Rei 令) Date: Shōwa Period, mid 1980s Condition: no flaws: no cracks or repairs; minor imperfections from firing...

This sake bottle is a very rare piece among Sugimoto's works. Ordinary, shigaraki pieces are fired in the anagama fire woods kiln, however this pieces is carved and colored with pigment, And fired in the kiln with charcoal. The pattern is called "shikishi kasane" a pair of square piece of fancy papers. It's a happy theme. The white grains are feldspar included in shigaraki clay. Special price. Size:7.5cm(D) 19.5cm(H) Accessary: wooden box signed by the artist

This sake cup is covered by white mud and clear glaze. The highlight and charm of Kohiki is that skin of piece becomes to change as using. Size: 9.0cm (D) 3.9cm(H) Accessary: wooden box signed by the artist

This sake cup is a very rare piece among Sugimoto's works. Ordinary, shigaraki pieces are fired in the anagama fire woods kiln, however this pieces is carved and colored with pigment, And fired in the kiln with charcoal. The pattern is called "shikishi kasane" a pair of square piece of fancy papers. It's a happy theme. The white grains are feldspar included in shigaraki clay. Size:6.2cm(D) 5.6cm(H) Accessary: wooden box signed by the artist

One of the highlight in this piece is in the crystal of feldspar around the base, it's a charm of ido cup most of all. Size: 9.0cm(D) 4.8cm(H) Accessary: wooden box signed by the artist

This sake cup is covered by white mud and clear glaze. The highlight and charm of Kohiki is that skin of piece becomes to change as using. Size: 8.5cm (D) 4.3cm(H) Accessary: wooden box signed by the artist

This sake cup has abstract painting with copper glaze. And covered by white mud and clear glaze. The highlight and charm of Kohiki is that skin of piece becomes to change as using. Size: 8.9cm (D) 4.0cm(H) Accessary: wooden box signed by the artist

This piece is made of copper glaze called "oribe". At first , it is covered with feldspar and painted with iron and next it is covered with copper glaze. It is firing into burning charcoal in the kiln, so there are complicated atmosphere, oxidation and reduction. The oxidation atmosphere makes the copper glaze red, the reduction atmosphere makes it green and the mixture atmosphere makes complicated color. Size 6.0 cm (D) 5.7cm (H) Accessary : wooden box signed by the potter.

Small, round covered box for keeping incense, kogo in Japanese, in the shape of a coiled snaked. It’s head is in the center of the cover, protruding. Gray, coarse stoneware with small inclusions, the outside turned brown from the heat in the kiln. Eyes are inlaid rings of clay, giving the snake a slightly goofy expression.

Potter’s mark on the bottom of the lower section...

MOON JAR M

Contemporary white porcelain jar by Lee Yong-soon (b.1957, Korea), with his unique interpretation for the ancient jars of the Joseon dynasty, approx. D 20.5 x H 18.5cm (8.07 x 7.28in)...

MOON JAR S

Contemporary white porcelain jar by Lee Yong-soon (b.1957, Korea), with his unique interpretation for the ancient jars of the Joseon dynasty, approx. D 17 x H 17cm (6.69 x 6.69in)...

Shide "拾得" is a Zen monk in Tang period China, he has been the theme of ink picture mainly together with Hanshan "寒山". They were They had been disengaging from the world and famous for poets. Shide had been cleaning the temple every day, so he was depicted with a bloom. This statue has made of clay and fired with specialized glaze by Sadamitsu Sugimoto well known as a great master in Japanese pottery scene. Accessory : wooden box signed by the potter.