Maru-wan style teabowl with Ao glaze over a black and white "grasses" pattern
Stoneware, slips and glazes
4.75" X 4.2"
Functional, decorative and food safe
No words can describe these two incredible vases by Koyama Kiyoko, signed on the base and enclosed in the original signed and stamped wooden boxes. Kiyoko, born 1936 started as a painter who drew designs on pottery. Today, she is considered one of the leading Shigaraki potters both nationally and internationally...
Vase with lug handles and hanging stick, white Shino glaze. By Sachiko Furuya, Honolulu, HI. H. 8.75"(22.25cm) x Dia. 4.5"(11.5cm.) Length of bamboo handle is 22"(56cm) and may need removal if item is shipped.
Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea...
Rich glazed hakeme (hakame) waisted vase with lustrous Oribe glaze on the exterior and complex temmoku on the interior
Stoneware, slip and glazes
10" X 6"
Korean Contemporary Buncheong Ceramic Art by Kim See Man. Buncheong is a unique and centuries-old style of ceramics characterized by a white slip surface that is usually decorated in a spontaneous and expressive manner. This has been imitated in Japan's mishima ware...
This pieces is large vase with tokkuri shape. It has covered by ashes in anagama and gold trimming at the mouth, very beautiful contrast.
YouTube movie: https://www.youtube.com/watch?v=Jyxmiceoz4c
Accessary: wooden box signed by artist
A magnificent Shigaraki vase by Furutani Kazuya enclosed in the original signed wooden box titled Shigaraki Konsei Hanaire (Blended Clay). The mixed earth creates a unique texture with green ash and burnt red where it has been licked by flame, yet remains pale from the shadows of the kiln, each side is unique, and there is never a dull moment.
Size, D 12.4 cm H 23.1 cm
Condition, Excellent
Furutani Kazuya (b. 1976) is one of Japan’s most promising young stars...
Ameyu Vase with Cobalt, gosu lattice decoration.
Stone ware
10.75" X 5.5"
Stoneware collared vase with rich amber, ameyu glaze and vibrant cobalt decoration.
Bulbous vase form with grasses repeat design under a rich Ao glaze
Stoneware, slips and glazes
6.75" X 6"
Koie Ryoji (1938-2020) Korean Style Handmade Tsubo Vase
Size
Height 27.5cm
Width 17cm
In excellent condition
Supplied with signed wooden box
Koie Ryoji
Born in the historic city of Tokoname, Japan, in 1938, Koie Ryoji 鯉江良二 emerged as a prominent figure in the world of ceramics. Tokoname, renowned for its rich ceramic heritage, served as an ideal backdrop for Koie's artistic journey...
Mizusashi, Fresh Water Jar used in Chanoyu, by George Gledhill; Payette, ID. Wood and Gas fired with Ash Glaze interior. H. 6.375"(16cm) x Dia. 7.25"(18.5cm.) Mouth opening 4.375"(11cm.) Volume = 58oz (1,850cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates...
Flower Vase with lug handles on shoulder, by Sachiko Furuya; Honolulu, HI. Black, White, Iron glazes. H. 6.25"(16cm) x Dia. 4.75"(12cm,) Mouth opening 2.0" (5cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea...
Korean Contemporary Buncheong Ceramic Art by Kim See Man. Buncheong is a unique and centuries-old style of ceramics characterized by a white slip surface that is usually decorated in a spontaneous and expressive manner. This has been imitated in Japan's mishima ware...
Large Oribe influenced vase with trumpet style flared neck and mouth and incised around the shoulder of the body of the piece. The neck is flanked by two coiled style ring knobs.
Stoneware and glazes
15.5" x 8"
Baluster style vase glazed in a rich partridge feather iron and temmoku glazes
Stoneware and glazes
13.75" x 6.6"
Ancient Iga pottery works had been made for a few decades since last Momoyama period from early Edo period. They were fired over 1250 degrees Celsius for 10 days and repeated 3 times and more with no glaze, they has natural glaze that is consist of melted ashes, burnt deposits and scarlet by fire.
They are well known as dynamic style and loved by many tea ceremony master like as famous Oribe Furuta...
Mingei influenced stark white slipped bottle vase with dramatic hakame executed with a stiff boar's fur brush. This shape is a bit reminescent of Scandanavian form of the 1950's
Stoneware, slip and glaze
10.2" X 5.5"
Sadamitsu Sugimoto, a great master of the ceramic art scene in Japan, was led by Tachibana Daiki the great Zen teacher and has been producing a lot of masterpieces through over 40 years .He has been studying the world of “wabi, sabi, and yugen” as his life's theme.
*Tachibana Daiki is well known that former Arkansas Gov...
Vase with wide base, Shino and Bamboo Ash Glazes, by Sachiko Furuya; Honolulu, HI. H. 7"(18cm) x W. 5.75"(14.5cm.)
Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited her work in ga...
Thrown and altered flask vase with a rich Oribe glaze over a stylized Enso
Stoneware and glazes
9.5" X 7" X 5.5"
Large temmoku and haiyu ash glazed kinuta mallet vase with lobed indents around the body of the vase. The ash glaze streaks and runs down the vase neck and boils in activity on the shoulder
Stoneware and glazes
13.75" X 6.25
Robust Oribe style ovoid jar with hakeme slip decoration under my medieval green and temmoku glazes. The lip is glazed in a rich temmoku glaze
Stoneware, slip and glazes
10.25" X 7"
Vase, Hanaire, Mashiko-yaki, by Tagami Munetoshi. 8-sided body with round neck and lip. Deep black Temmoku glaze. H.7.5"(19.5cm) x Dia.2.75"(7cm.) Ideal for placement in tokonoma. Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and then right after high schoo...
Great Master has been challenging to the pieces comparable to antiques, this piece is made of celadon and copper glaze under celadon. Copper glaze turns beautiful purple color.
The shape shows Japanese traditional drum "tsutsumi".
YouTube: https://www.youtube.com/watch?v=2iR4V81RuAI
Size: 10.0cm(D)/28.3cm(H)
Accessary: wooden box signed by artist
Resist design crane neck style vase with slips and Harmony pattern under a lustrous glaze
Stoneware, slips and several glazes
10.25" X 5.6"
A very versatile and innovative artist, Sakata Jinnai produces pieces such as the vase seen here in his easily recognizable trademark style. Many of his pieces are earthy and primal in compositions, often inlaid with gold or partially painted in “makie” using various lacquers for dramatic effect. Waves and contours also feature prominently in his work; inspired, he says, by cosmic energies and architectures of the universe. Sakata very actively exhibits his pieces and looks for interesting c...
Japanese inlay ceramics (zōgan) are created by making incisions on the surface of a clay body which are then filled with various colored clays, creating a pattern. After the pattern is finalized, an overglaze is applied and the piece is sent to the kiln to be fired. As can be seen here, the results are quite striking and produce unique patterns that cannot be replicated through painting alone. Inlaying as a technique is thought to have originally derived from practices in metal and ...
Korean Contemporary Buncheong Ceramic Art by Kim See Man. Buncheong is a unique and centuries-old style of ceramics characterized by a white slip surface that is usually decorated in a spontaneous and expressive manner. This has been imitated in Japan's mishima ware. Kim See Man's work has been exhibited at a long list of major museums, including the Asian Art Museum of San Francisco, Yale University Art Gallery, Freer/Sackler Gallery of Art, Indianapolis Museum of Art, Museum of Fine Arts in Bo...
Oribe and temmoku glazed lobed vase with impressed medallion within each section. The footring has an small area where glaze ran
Stoneware and glazes
9.25" X 6"
Keikan-ko (Chicken Head) Vase, by Sachiko Furuya; Honolulu, HI. Inspired by a historical Chinese shape. Shino and Bamboo Ash Glazes, with braid handle. H. 9.5"(24cm) x W. 5.75"(14.5cm.)
Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degre...
In Japan, famous for its generational potting families, only a handful have made it all the way through to the 14th generation—the Nakazato line being one of them with over 400 years of history. Handcrafted by the current 14th potter in the renowned Karatsu tradition, this piece displays subtle, earthy tones and organic textures reminiscent of nature. Blending elements seamlessly, a canvas is created that complements the beauty of the floral elements in glossy contrast across the s...
Tall tataki, paddled hanging vase with my Oribe glaze with accents of iron over the textured surface. Though this piece will stand upright on its own, it is intended as a hanging vase as it would not be exceptionally sturdy supported on the foot.
Stoneware and glazes
13" x 2.8"
Round ko-tsubo, small vase with temmoku glaze and clear panels with multi-color enamels in vertical stripes
Stoneware, slip, glazes and overglaze enamels
7" X 7"
A fabulous textured on those faceted sake cups and Ichirin Sashi (Single Flower Vase) by Sakai Hiroshi enclosed in the original signed wooden boxes.
Size, Vase, D 9.2 cm H 19.1 cm
Size, Cups, D 6,7cm and 6.5cm
H 5.2cm and 6.6cm
Condition, Excellent
Ao glazed, thrown and altered vase form with panels of Shono rain pattern
Stoneware, slip and glazes
8.25" X 7.5" at it's widest
White Shino glaze Vase with studded neck & shoulder, by Sachiko Furuya; Honolulu, HI. H. 9.125"(23cm) x Dia. 4.5"(11.5cm.)
Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited her wor...
No words to describe this incredible large vase by Koyama Kiyoko,signed on the base and enclosed in the original signed and stamped wooden box.
Kiyoko b.1936 started as a painter who drew designs on pottery. Today, she is considered one of the leading Shigaraki potters both nationally and internationally. Kiyoko was the subject of the feature film Days of Fire (Hibi) - please watch a video on the homepage of Momoyama Gallery - and is the pioneering female wood firing artist in Japa...
Try describing this incredible Vase is not difficult: Spectacular is all that comes to mind. This large vase is covered in glassy Oribe green glaze by the important Mino Ware master potter Tsukamoto Haruhiko, born in Mino in 1959
His work, reflects a certain, more modern departure from the established tradition, without compromising the quality of its craft and design.
Tsukamoto Haruhiko studying with Nonaka Shunsei and Asai Reiji. He struck out on his own in 1985 and sinc...
Saffron hakeme yellow iron glazed double gourd bottle vase with subtle raked slip under the glaze
Stoneware, slip and glazes
9.75" x 5.5"
Functional, decorative and food safe
Elegant tall temmoku vase with stamped lugs at the neck. This glaze is very visually intriguing as it appears different when viewed in different light sources. The surface is covered in a frogskin texture that looks like small oilspotting.
Stoneware and glazes
13.75" X 7"
Robust temmoku glazed vase form with vivid masame patterned texture through out the body of the vase
Stoneware and temmoku glaze
9.8" X 6.4"
A beautifully crafted vase from a studio potter in the hills of Iga, a few hours drive east of Kyoto. Iga-ware has quite a long history—by some accounts dating back to the 7th and 8th century—with the major kilns being established some time around the end of the 16th century. Similar in many ways to Shigaraki pottery, the glaze is the result of kiln ash being vitrified and melted on to the surface of the clay body at extremely high temperatures during firing, which can last many days. To add...
A fine Tokkuri by the greatest Shigaraki Legend Tsujimura Shiro. It is enclosed in the original signed wooden box.
Shiro was born in Nara in 1947, likely needs no introduction, certainly one of Japans most well known potters, he has been displayed both nationally and internationally innumerable times.
Tsujimura Shiro first became interested in pottery while studying to be a painter in Tokyo. He rejected the notion of apprenticing with an established master or attending art s...
Rich temmoku glazed vase form with archaic inspired impressed decoration around the body
Stoneware and glaze
8.25" X 6"
Seo Byung Ho was the recipient of the top prize in the 2009 World Ceramic Biennale, the highest paid ceramic art prize in the world. With this lovely pair of sculptural vases, Seo has combined the shape of a traditional vessel with the form of a fish, a symbol of eternal vigilance because the fish never closes its eyes. For the same reason, the fish is also a symbol of diligence that has long been a source of inspiration for Korean scholars, and is a common motif employed in scholar's implements...
This piece was fired for 11 days with pine fire wood in anagama. Melted ashes has turned to green glass as natural glaze, it's very beautiful, And shells that was placed to avoid sticking has become to natural pattern.
YouTube movie: https://www.youtube.com/watch?v=DKmdIyVGWEg
Accessary: wooden box signed by artist
Size: 10.6cm(base diameter) 23.3cm(height)
Large cylindrical vase with vivid impressed wood texture and glazed in my Ao glaze
Stoneware and glazes
11" X 6"
Wood-fired flower vase by George Gledhil; Payette, ID. Attached lugs in style of "mimi-tsuki" (ears attached) "kabin" (flower vase) of Iga-yaki. H.6.375"(16cm) x Dia.3.75"(9.5cm.)
Inspired by Japanese Iga ware. H.6.375"(16cm) x Dia.3.75"(9.5cm.)
There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea p...
Large wasp waisted vase with chimney style neck glazed in a rich temmoku and tetsu0yu combination with large ring lugs flanking the neck.
Stoneware and glazes
15.75" x 7.5"
Massive natural ash glazed Shigaraki flower vase made by veteran potter Takahashi Shunsai (1927-2011).
Takahashi Shunsai 高橋春斎 is the second child of Takahashi Rakusai III. He grew up with his brother (Rakusai IV) watching his father's work, eventually becoming a Shigaraki ceramist himself.
He studied at the Saga Ceramic Research Center, Kyoto Prefectural Ceramists’ Technical Institute and, after mastering his skills, he established his own kiln in 1968.
He has been...
Large Momoyama influenced tataki paddled Oribe vase with large lugs applied on the neck. The pot was fired on wads, which were ground off and the areas are smooth to the touch. This piece has a great deal of volume and is much larger than the dimensions imply.
Stoneware and glazes, made by Craig Bird of Albedo 3 Studio
12.5" x 7" max.
A spectacular work by Sugimoto Sadamitsu enclosed in the original signed wooden box titled Aka (red) Hanaire. The feeling is like Raku, with a very thin glaze over rough clay affecting hi-iro colors within the glazing. This is a wonderful piece for showing this master-potters control of glazing and firing technique.
Size, D 1.3 cm H 16.4 cm
Condition, Excellent
Sugimoto Sadamitsu was born in Tokyo in 1935. A strong adherent to the Zen tradition, Sadamitsu establ...
Thrown, altered and assembled Oribe vase based on a traditional Japanese Dotaku, bell form. Traditional Oribe glaze and panels of white and black stripes on either side
Stoneware, slips and glazes
8.75" X 5.75" X 7.25"
Hanging Vase, Kakehanaire, by George Gledhill; Payette, ID. Saggar fired with grass. This pot experienced heavy charring on the bottom during firing (see enlargements.) H. 3.625"(9cm) x Dia. 3.25"(8.25cm.), with copper ring attached in back for hanging on a wall or post. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism,...
Ancient Iga pottery works had been made for a few decades since last Momoyama period from early Edo period. They were fired over 1250 degrees Celsius for 10 days and repeated 3 times and more with no glaze, they has natural glaze that is consist of melted ashes, burnt deposits and scarlet by fire.
They are well known as dynamic style and loved by many tea ceremony master like as famous Oribe Furuta. However, they needed expensive costs, so they could not be continued.
And Sadamitsu Sugimoto re...
Keikan-ko (Chicken Head) Vase by Sachiko Furuya; Honolulu, HI. Inspired by a historical Chinese shape. Shino and Bamboo Ash glazes. Double neck with braid handle. H. 9"(23cm) x W. 6"(15.25cm.)
Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art...
Incised and Inlaid Stoneware Vessel by Cho Chung Hyun (born 1940), a retired professor and Dean of Fine Arts at Ehwa Womans University. This piece was recently featured in an exhibition at the Korea Society. Cho Chung Hyun's work is inspired by Korea’s onggi pots. This piece tells a 3,000 year-long story of Korean ceramics, from red-bodied Neolithic pottery, the triangle patterns of Silla ware, the inlaid work of Goryeo ceramics, the form of onggi pots from the Joseon Dynasty, right up to toda...
Robust hakeme (hakame) vase with a bold, expressionist style glaze splash inspired by the bold "ink traces" of Nantembo the famous Zen calligrapher
Stoneware, slip and glazes
7.7" X 6.75"
Robust medieval green mallet form (kinuta) vase with hakeme slip decoration
Stoneware, slip and glazes
10.5" X 5.65"
Tall thrown and squared vase form with kushime/combed slip decoration under a "Galena" style glaze with trace accents of my finger prints in the glaze (though galena inspired, this and all of my glazes are lead free)
Stoneware, slip and glazes
12" X 4.25" X 4.25"
Functional, decorative and food safe