Kogo, Lidded Incense Container, in shape of apple. Saggar-fired with grass wrapped around kogo to create "hidasuki" effect. H.1.5"(4cm) x Dia2.25"(5.75cm) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Bold and powerful te-oke form by Mashiko veteran potter, Takauchi Shugo (b. 1937). Roughly thrown, Takauchi then hacked away vertical channels down the form adding dimension to the pot and disrupting the thrown marks that encircle the vase which stands as a quintessential form by this potter. The aggressive handle has incised decoration which is also highlighted by settles deep green Oribe glaze with bidoro style drips hanging perpetually beneath the device...

Set of 4 wood-fired sake cups (guinomi) with Nuka glaze interior & unglazed, fire-marked, exterior and foot. By John Benn; Harstine Island, WA. H.1.625 - 1.875" (4.00 - 4.75cm) x Dia. 3.75"(9.5cm.) John Benn studied with F. Carleton Ball and Ken Stevens at the U. of Puget Sound in Tacoma, and with Howard Shapiro and Sandra Simon in the MFA Program at the School of the Art Institute of Chicago. In 1976, he built his first wood kiln...

Invisible from the top, glimmering stones catch the light in the raw cracked clay on the outside of this dark earthen bowl by Ogawa Machiko enclosed in the original signed wooden box titled Yami to Sei (Darkness and Stars) Chawan. A beautiful bowl showing the artists fascination with the combination of smooth crystalline surfaces and raw matte clay. The interior is glazed, while the outside is raw clay...

Mizusashi style covered jar with iron partridge feather and temmoku glazes with lugs attached at the waist

Stoneware and glazes

8" x 7"

Functional, decorative and food safe

Wood-fired Tea Bowl, matcha chawan, by George Gledhill; Payette, ID. White Shino glaze. H.3.125"(8cm) x Dia.5.125"(13cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

What an amazing looking piece, highlighting all the best in Bizen qualities by Kakurezaki Ryuichi enclosed in the original signed wooden box. Every aspect of this work is unique, the slightest change in viewing point gives new insight into the work and the artist who created it. Kuro goma, burnt red clay, pale green natural ash glaze and drips of charred black glaze running. If you get tired of looking at it, just turn the vase 30 degrees for an entirely new vantage...

A traditionally crafted Bizen sake cup with a rich mineral glaze giving this guinomi a metallic look. The craftsman who made this piece, Takahiro Ishii, was born in Tokyo in 1977, and, after studying ceramics for a number of years, he moved to Bizen to become a ceramics teacher and later opened his own kiln. He takes a philosophic approach to his work as evidenced by the following quote, “As a ceramicist, I feel that the point is not just to produce pieces...

A beautiful vessel / seashell Kara of organic shape with a sideways, seedpod opening in mat mottled turquoise glaze producing a feeling of underwater ambiance. The rest of outer body and the side, elongated shell is done with his usual technique of grooving the surface with needles and rubbing iron into the grooves resulting in those great dark brown and white lines. The contrast between the two techniques is producing a fantastic visual effect. Signed: Tanoue Shinya...

An example of some of the finest porcelain modern Japan has to offer. According to the Wakao Kei, the artist who crafted this piece, it took him years of trial and error to perfect these stunning translucent glazes and associated techniques such as getting the right flowing consistency and pooling effect around the base...

A beautiful example of the iconic Zogan inlayed clay work of Takeuchi Shingo enclosed in the original signed wooden box. The deep bowl swells in the midriff, closing at the rim to concentrate the aroma, with thin sides to allow the warmth to escape to the hands, a perfect bowl for winter tea. It is slightly elongated, 13 x 12 x 8.5 cm (5 x 4-3/4 x 3-1/2 inches) and is in excellent condition...

A phoenix flairs majestically out in minute detail on this large sometsuke vase by Nakamoto Chikuzan enclosed in the original signed wooden box. Written with an exacting hand, the bird is made up of hundreds of tiny strokes of the masters brush. Ordinarily we do not work with sometsuke however this is a powerful piece deserving exception. The vase is 13 inches (33 cm) tall and in perfect condition. Nakamoto Chikuzan I (1911-2000) cultivated his roots at the Tobe Industrial School before emba...

Crafted with meticulous attention to detail, each pewter cup showcases a unique luster that this metal alloy is revered for; highlighting its historical significance and enduring appeal. In Japanese fashion, the cups feature a sleek and minimalist design with asymmetrical balance, adding character perfect for formal yet relaxed quarters and offering a unique and refined way to savor the delicate flavors of sake.

The talented metal-caster who created this charming set of...

Tokkuri, Sake Decanter, Mashiko-yaki, by Tagami Munetoshi. Kaki (persimmon) glaze with ichimatsu (checkerboard) pattern of red & green overglaze enamel decorations of snow on bamboo grass (yuki mochi sasa) & stripes. H. 5.5"(14cm) x Dia. 3.375"(8.5cm). Volume = 13oz(380cc.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the...

An elegant bowl swept in a Zen circle of ink by Shigemori Yoko, the vessel evidencing several dips in white slip, creating a captivating sensibility which contests the simplicity of the coloration. It is 14 cm diameter, 8 cm tall and in perfect condition, directly from the artist’ family and comes enclosed in a wooden box annotated by her nephew.
Shigemori Yoko (1953-2021) was born in Kagoshima. Yoko came to Kyoto where she initially studied painting at the Kyoto Tankidai Art College, th...

A pair of eight sided Shino Yunomi Cups by Suzuki Osamu (Kura) enclosed in the original signed wooden box titled Shino Yunomi. Each is decorated with triangles about the skirt, in red on white and in white on red. A striking combination, they are 7.5 cm (3 inches) tall, roughly the same diameter, and in excellent condition. A major retrospective will be held on the artist in Japan.
Suzuki Osamu was born in Gifu prefecture in 1934, and graduated the Tajimi Technical School ceramics divisi...

A profusion of color descends the granulated surface of the melted form by Maruta Munehiko enclosed in the original signed wooden box titled Chosen Karatsu Tsubo. The grandiose embellishment of color creates a sublime sense of tension between the dark glazed and color infusion. The shape is hammered and beaten by the flame from the extreme heat . Although very much in the Chosen Karatsu tradition, the execution is unequivocally contemporary.
Size, D 24.1 cm H 19.6 cm
Condit...

A sculpture in black glaze by Yoshitake Hiroshi enclosed in the original signed wooden box titled Sakuhin B and dating circa 1980. Very much in the vein of this important avant-garde organization, it has a great deal of presence compacted into a small space. A nearly identical work is published in the book: Sodeisha, 35th Anniversary (Sodeisha, Sanjugoshunen Kinenhan, 1983) which is titled Suikan (Inebriated). Interestingly, Suikan is also a homonym for water pipes. The sculpture is roughly ...