Top Quality Bizen Hidasuki Chawan of Living National Treasure Toshu Yamamoto (1906-1994)
The mark of the potter is carved on the bottom.

Size
Height 7.2cm
Width 13.1cm

Excellent condition with no damage and no repair. Supplied with signed wooden box.

After completing his elementary education, Toshu Yamamoto embarked on his pottery journey in 1921 as an apprentice specializing in Bizen-ware. By 1933, he had established his own independent kiln...

A highly original work by Iga potter Nakata Atsushi. The description on the box reads “Mentori Chawan” in this case “men” meaning side, or edge, and “tori” meaning to shear off, or to remove. The name describes how various surfaces of the tea bowl have been shaved off at angles to create this compelling form...

This piece seems to intimate the cool of a Shibori-dyed summer Yukata, the light cloth billowing in the breeze, a stunning work by Matsui Koyo enclosed in the original signed wooden box titled Neriage Tsubo. It is 31.5 cm (12 inches) diameter, 27.5 cm (11 inches) tall and in excellent condition.
Matsui Koyo was born in the pottery village of Kasama, son of future Living National Treasure Matsui Kosei, in 1962...

Heavily influenced by Koryo potting styles and techniques, the Tobei lineage has been crafting exceptional tea-ware implements for 13 generations. The piece shown here was made by the 12th generation (Tahara) and, due to its excellent character, was endorsed by the 15th tea master of the Urasenke School of Tea, Hōunsai. Like much of Tahara pottery, the natural ash glaze displays glossy lavenders, light tans, and hues of ivory...

This impressive Shino summer tea bowl was crafted using red clay from the hills near Izumo Taisha (one of the most ancient and important Shinto shrines in Japan)...

Rivulets of color weep over the dark surface of this striking Fresh water Jar by important artist Tanaka Sajiro enclosed in the original signed wooden box titled Chosen Karatsu Hitoeguchi Mizusashi and named inside the box lid Keinoizumi (Auspicious Fountain). The meandering glaze is both inside and out, pooling in a stormy skyscape in the bottom. The vessel features the original oblong custom-made black-lacquered lid...

Wow! Is what comes to mind the first time you see this daring silver glazed organic Kake Hana-ire by Okumura Hiromi. The clay folds about onto itself, forming a seed-like pod, with an opening in the top and wings extending out both sides. A wire loop is affixed to the back for wall hanging. A signed and stamped wooden plackard by the artist accompanies the piece. It is 11 x 14 x 5 inches (28 x 36 x 13 cm) and is in fine condition...

Gold nuggets gleam on the deep lavender and black surface of this natural-formation by Inayoshi Osamu enclosed in the original signed wooden box titled Kurinuki Kinsai Kaki. Kinsai is literally gold color, and here the artist has embedded gold into the surface, allowing it to expand and bubble out in the heat of the firing process. The effect of this on the dark matt surface is both striking and original. Kurinuki is the technique of digging a form out of a block of clay...

A breathtaking work in perfect green porcelain glaze by Shimada Fumio enclosed in the original sined wooden box titled Seihakuji Budo-cho mon Tsubo (Celadon Tsubo Carved with Grape Designs). It was exhibited at the Shimada Fumio Sakuto 40 Shunen ten and Gendai Kogei Fujino Ten (2014). The vase is 20 cm (8 inches) diameter, the same height, and is in excellent condition.
Shimada Fumio is undoubtedly one of the greatest artists working in porcelain in Japan today...

Woo Jong Taek (born 1973) paints with ink and watercolor on both sides of the paper, combining the ancient techniques of Goryeo Dynasty Buddhist painting with modern techniques to create compositions that are deeply contemplative meditations on our modern times, casting the 21st Century everyman as Bodhisattva, offering us a thoughtful way to see our world. Woo is in touch with Korea's ancient history while he is also informed by the modern minjung 'people's movement' in art...

A single strand of gold lightning streaks down the darkness of this deep chawan by Tsujimura Shiro enclosed in the original signed wooden box titled Kuro Oribe Chawan on the lid, and named Raimei (Thunder Clap) inside the lid. Dating circa 2015, it is 11 x 9.5 x 10.5 cm (4-1/2 x 4 x 4-1/4 inches) and in excellent condition. The gold repair is artist made.
Tsujimura Shiro was born in Nara in 1947, and began his steps into the art world as an oil painter in 1965...

Delicate pink and blue fan-shapes like the scales on some iridescent tropical fish or feathers on an exotic bird rise in an overlapping pattern to form this open flower receptacle by Kusaba Yuji enclosed in the original signed wooden box. Neriage is well known in Northern Japan thanks to living National Teasure Matsui Kosei who worked in colored clay, however it is unheard of in Southern Japan, and in this case, made of colored porcelain...

A quintessential example of this artists most sought-after style, a ‘Scattered Blossoms’ vessel by Kondo Yutaka enclosed in the original signed wooden box titled Funka Bin (Scattered Flowers Bottle). The pattern of petals is impressed deeply into the surface, and filled with white slip, contrasting starkly against the textured black background. It is 23 cm (9 inches) tall, 17 cm (7 inches) diameter and in excellent condition. For a similar work see the collection of the Metropolitan Museum...

Vibrant yellow overfills this deep plate by Living National Treasure Tokuda Masahiko (Yasokichi III) enclosed in the original signed wooden box. It is 21cm (Just over 8 inches) diameters, 6.5cm (2-1/2 inches) tall and in perfect condition.
Tokuda Yasokichi III (Masahiko, 1933-2009) was born the first son of Tokuda Yasokichi II who had been adopted as a teenager into the Tokuda family. Masahiko graduated from the Kanazawa school of arts, and took up apprenticeship under his grandfather an...

A mesh of copper draperies hang over the dark black of this unusually shaped Tsubo by Tenmoku specialist Kimura Moriyasu enclosed in the original signed wooden box titled Shoju Tenmoku Henko. Shoju Tenmoku, literally Pine-Needle-Tenmoku, is a glaze technique where the effect joins in a mesh like pine needles overlapping, very difficult to pull off, but here Moriyasu has done it masterfully. The vessel is 30.5 cm (12 inches) tall, 19 x 16 cm (7-1/2 x 6 inches) and is in excellent condition.

This exceptionally well-formed tea bowl displays highlights of flaxen and scarlet visible through a classic black glaze. Raku tea bowls such as this are made by hand, without the use of a potter's wheel. In the process of shaping the bowls, potters handle the tea bowls in much the same manner that users will hold them as they drink from them. In this manner, a connection is formed between the creator of the tea bowl and the participants in the tea ceremony. For this and other reasons, Raku bowls...

Woo Jong Taek (born 1973) paints with ink and watercolor on both sides of the paper, combining the ancient techniques of Goryeo Dynasty Buddhist painting with modern techniques to create compositions that are deeply contemplative meditations on our modern times, casting the 21st Century everyman as Bodhisattva, offering us a thoughtful way to see our world. Woo is in touch with Korea's ancient history while he is also informed by the modern minjung 'people's movement' in art. His paintings are a...