Lavender clouds like rain threatening on a foggy landscape form on the surface of this cool Sake set by Kaneta Masanao enclosed in the original signed wooden boxes titled Hagi Haku-yu Yohen Kurinuki Chuki and Hagi Kurinuki Guinomi. The white glazing has altered to soft lavender in the firing process, creating a feeling of opulence over the organic vessel...

A second brilliant Modernist Vase by Yamamuro Hyakusei enclosed in the original signed wooden box titled Akatsuki (dawn). It is 24.5 cm (just les than 10 inches) diameter, 20cm (8 inches) tall and in excellent condition.
Yamamuro Hyakusei (1900-1990) was a bronze casting artist from the Showa to early Heisei eras. After graduating from Toyama Prefectural Takaoka Crafts School in 1919, he entered Hattori Watch Shop, working his way up to head of the arts and crafts department...

Tokkuri, Sake Decanter, by Sachiko Furuya; Honolulu, HI. Black, White, Bamboo Ash glazes. H. 4.75"(12cm) x Dia. 3.25"(8.25cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa...

A technique most commonly seen in Tenmoku tea bowls, “konoha” is accomplished by applying a coating to an actual leaf and then attaching the leaf to the surface of an artwork before firing. The exact details of this process seem somewhat murky as it appears to be a well-guarded secret among potters. After some research we were unable to identify the potter; and, although there is a signature on the bottom that appears to read “Raishō,” we could find no potter by this name...

Porcelain Cube Tower Vase in the signature geometric style of Korean contemporary ceramic artist, Lee Min Kyu. The body subtly tapers at the top and bottom. This vase makes a great set when combined with the Lee Min Kyu Porcelain Bowl (Stock #0388), as seen in the last photo here. Height: 15.5 inches, 39 cm; Circumference: 18 inches, 45.5 cm.

Large Oribe glazed tsubo with hakeme slip decoration and a broad, flared lip.

Stoneware, slip and glazes

11.5" x 8.5"

Medieval influenced jug with repeated impressed design around the apex of the jug with a further stamp at the base of the rounded handle. Though this glaze simulates "galena" glazes, it is lead free and food safe!

Stoneware and glazes

8" X 6.75"

Functional, decorative and food safe

A striking sake cups set the popular young star Ichikawa Toru enclosed in the original signed wooden box and date to 2021. it is this subtle attention to shape and texture which elevates the work of Ichikawa Toru.
Size, D 13.8 cm and 17.1 cm H 10.3 cm and 11.6 cm
Condition, Excellent
Ichikawa Toru was born in Tokyo in 1973. he was apprenticed to the Bizen master Kakurezaki Ryuichi for five years before establishing his own kiln in 2015 in Okayama...

We are glad to present you a real precious superb Uzukumaru tsubo by probably the best potter in the world, Tsujimura Shiro, enclosed in the original signed wooden box. Shell marks, kutsuki, ash blasting. The piece is 7-3/4 inches (19.5 cm) tall, 6 inches (15.5 cm) diameter and in excellent condition...

Shiro Tsujimura was born in 1947, in the town of Gose, Nara prefecture, Japan. His first love was oil painting and when he was 18 years old, he aspired to become a painter...

Only a master of aesthetics and a hermit could put his tea bowl together, here an amazing work by Harada Shuroku enclosed in the original signed wooden box titled Bizen Ran-cho Chawan (Unsystematic). Inside the lid it is named Cloud Evaporating into Dragon.  The spectacular glaze effects are surpassed by the texture, seemingly made by an octopus; and it might take eight hands to hold this masterpiece. 
Size, D 14.2 x 15.6 cm H 11.2  cm
Condition, Excellent 
A graduate of ...

A highly original work by Iga potter Nakata Atsushi. The description on the box reads “Mentori Chawan” in this case “men” meaning side, or edge, and “tori” meaning to shear off, or to remove. The name describes how various surfaces of the tea bowl have been shaved off at angles to create this compelling form...

Kingfisher. Painted with ink and pigments on paper. Signed and sealed.

Sasaki Ainichi(1955-), lives in Tokyo.　His specialty paintings: Landscapes, flowers and birds. He was published in art yearbook.

It is a new piece and in excellent condition. The piece is accompanied by a paulownia wood storage box.

Painting: W12 3/4” x H35 1/4” (W32.5cm x H89.5cm)
Scroll: W17 7/8”x H66” (W45.5cm x H167.5cm)

The pottery style know as “nerikomi” or sometimes “neriage” in Japan is a technique where various colors and consistencies of clay are stacked together and then cut through to reveal a unique pattern. Here we see a beautiful execution of this approach by potter Wakasugi Naomi (b. 1974) who spent many years perfecting the technique...

Kaku-gata, squared teabowl form with combed kushime slip decoration and haiyu and temmoku glazes over. The small, pedestal foot is cut square to compliment the form.

Stoneware, slip and glazes

This teabowl measures 4.75 across the face, 5.75" diagonally and 4" tall

Functional, decorative and food safe

Narrated DVD about Mashiko artist potter, Matsuzaki Ken. This DVD features the preparation of clay, hand building, coil building, throwing, throwing chawan, glazing and firing by Ken at his studio and wood fired kiln.

Matsuzaki Ken is internationally recognized for his unique synthesis of what he was taught from Shimaoka Tatsuzo and by proxy from Hamada Shoji and his own blend of these styles together with his view of Shino, yohen, Oribe and various other styles...

The colors seen in this ceramic piece are not often encountered in the world of Japanese tea-ware pottery—a field dominated mainly by styles such as Raku, Hagi, and other traditions with relatively conservative and predictable color schemes. The aquamarine blue is rather striking, reminiscent of coral encountered in the pristine waters of tropical and remote destinations...

Perhaps because of its proximity (or lack thereof) to central Japan, the beautiful lacquer wares of Akita may be lesser known than other regions. Here is an exquisite sake cup and katakuchi serer of turned wood covered in multiple layers of soft, black lacquer by Sato Fumiyuki of the Kawatsura lacquer tradition. A belt of gilded binding wrapping the body is the only decoration...

Blue, yellow, white, red and gold decorated the green "reptilian skin" Oribe glazed body of this Contemporary sake set by Ujiie Kodai , enclosed in their original signed wooden boxes, dating to 2022.This is a handful, great tactile qualities and entrancing to look at.
Size, Tokkuri D 11.4 cm H 21.1 cm
Size, Guinomi D 8.1 cm H 7.1 cm
Condition, Excellent
Ujiie Kodai, a rising star in the word of pottery, was born in Sendai in 1990...