This bowl is reminiscent of a colorfully striped Nishijin-ori Kimono, blue and green and yellow on a base color of hemp. The rim rises and falls in a rhythmic dance aong the broad shoulder. Created by modern master Ajiki Hiro, it comes enclosed in the original signed wooden box titled Shio-Yu Wan, Basara. Basara is a term in Japanese aesthetics associated with the challenge of traditional ideals during the Muromachi period...

A large Namako Glazed Tea Bowl by Kashima Aya enclosed in the original signed wooden box. The technique is deceptively complex. In fact, the initial form is created, then a thin layer of ceramic is made separately, dried, then cracked, and the individual pieces are applied like mosaic to the prepared form. The space in between the tiles is then abraded, the tiles glazed with color and the space n between glazed with iron. Each piece requires a great amount of painstaking dedication to complete...

We are glad to present you a real precious superb Uzukumaru tsubo by probably the best potter in the world, Tsujimura Shiro, enclosed in the original signed wooden box. Shell marks, kutsuki, ash blasting. The piece is 7-3/4 inches (19.5 cm) tall, 6 inches (15.5 cm) diameter and in excellent condition...

Shiro Tsujimura was born in 1947, in the town of Gose, Nara prefecture, Japan. His first love was oil painting and when he was 18 years old, he aspired to become a painter...

This fiercely medieval style tokkuri was made by Echizen standout Nishiura Takeshi (b.1941) and in form and surface it is everything that classic modern Echizen is about. Using indigenous Echizen clay, local woods and firing a distinctly traditional Echizen kiln, Nishiura creates works that are in direct lineage back to the medieval times while adding his own voice to both form and surface...

Wood-fired 5-sided lidded container by George Gledhill; Payette, ID. Ash Glaze. H.2.5"(6.25cm) x W.3.375"(8.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

This subtle, yet impressive mizusashi is by modern Karatsu legend; Nakazato Takeshi (b. 1937). This rounded, bowl shaped mizusashi is coated in a velvety layer of green ash with several areas of flashed iron red hi-iro and a patch of glassy bidoro where the piece faced the assaulting fire from Takeshi’s Ryutagama wood kiln. This pot was created slightly out of round and has a wonderful custom made roiro black lacquer lid to finish of the piece...

A beautiful half orb in shimmering silver with matte Caribbean blue by Morino Taimei enclosed in the original signed wooden box titled Ginsai Hai. It is 6.5 cm (2-1/2 inches) diameter and in excellent condition.
Morino Taimei was born in Kyoto in 1934, and was first accepted into the Nitten National Exhibition at a relatively young age in 1957 (a year before graduating the Kyoto Municipal University of Fine Art!)...

A gourd shaped black Bizen Tokkuri by Oiwa Tomoyuki enclosed in the original signed wooden box titled Kuro Tokkuri. A pleasure to view, the off-kilter form is blasted with powdery dry ash on one side which turns to molten rivulets on the edges crawling around to bead up on the opposite dark shiny clay. The Tokkuri 16.5 cm (6-1/2 inches) tall and in excellent condition. Acquired on our recent trip to Bizen in June...

Distinctly fired mizusashi resembling stacked stones, this Sueki influenced Shigaraki mizusashi is absolutely timeless having the appearance of a piece medieval pot or a modern, abstract sculpture based on stones placed on top of one another. Made by Takahashi Makoto this feudal pot was fired in an anagama where it partially sat in a charcoal bed imbuing the piece with a variety of grey and stone colors with areas of rich ash having a pate-de-verre style surface at several points...

This depiction of the eternal “ensō” on a backdrop of pearly white feldspar over red clay signifies enlightenment, the eternal, the nothingness, and the freedom of the mind to envision and to create...

Thick ash covers the ovoid form of this exquisite Chaire by Tsujimura Kai enclosed in the original signed wooden box. Nostalgic with its glaze effects and form immersed in tradition, yet full of the world today, contemporary, breathing, alive. To one side a crescent moon shaped kutsuki forms a rakish grin, inviting the viewer to join in the merriment. It is a masterpiece by this young artist...

Guinomi, Sake Cup, by Sachiko Furuya; Honolulu, HI. H. 2.375"(6cm) x Dia. 2.55"(6.25cm.) Black & White glazes. Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited her work in galleries...

Vase for flowers, Shino glaze, by Sachiko Furuya; Shoreline, WA. Contemporary, H.6.5"(16.5cm) x Dia.4.75"(12cm). Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited her work in galleri...

Wow, a jaw-dropping bowl in igneous black like some volcanic expulsion by Kim Hono enclosed in the original signed wooden box. So impressed was even the artist with this piece that he has drawn an image of the bowl up the side of the box and over onto the lid. It is 11.5 x 13 x 10 cm 4-1/2 x 5 x 4 inches) and in excellent condition.
Kim Hono was born in Seto City Aichi Prefecture in 1958, and graduated the Prefectural Ceramics School in 1977, then taking up apprenticeship at a local kil...

Hanging Vase, Kakehanaire, by Sachiko Furuya; Honolulu, HI. White, Black, Bamboo Ash glaze. Torn opening. H.4.375"(11cm) x Dia. 3.25"(9cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has ex...

His name is Atsushi Hamada, expert potter Junri Hamada's son. He got an award of the encouragement prize in the Contemporary Tea-things Competition 2018. This cup are carved crab with fine technique and has been fired with woods for a few days, it is covered with natural glaze not artificial glaze. Size: 6.5cm(D) 5.8cm(H) Accessary: wooden box with signature

A playful Dragon rises from this genuine stone base, a sculpture perfect for the coming year of the Dragon by popular contemporary artist Sugitani Keizo. 18 x 15 x 25 cm (7-1/2 x 6 x 10 inches) and is in excellent condition, directly from the artist. The creature floats slightly over the stone base on a copper stud set into the stone. It comes accompanied by a signed certificate, directly from the artist.
Sugitani Keizo was born in Osaka in 1959. In 1982 he graduated the Ceramic Art Ins...

Large haikaburi style mizusashi with areas of running green and blue-green ash running down the pot. This piece was made by veteran tea potter; Suzuki Hideo.

It may be of interest that this mizusashi bares a numbered tag attached to the base of the pot and indicates that this piece was in an exhibition.

This mizusashi is in excellent condition and has its original signed box. It should be noted, the lid is a very tight fit and can only be put on and taken off in one way. That being s...