Another of Maki's all-white prints, this one is of a Chinese coin. wu wei zhi zu Frame 5 shows the Han dynasty coin which inspired this 1981 print.

In 1976 Haku Maki did three pairs of prints in which the black and white were reversed. One set is shown here. The cement blocks were used to print the white on black, then cleaned to do black on white. These were done in such themes as Mind Wind and Cloud. These are strong sweeping images in rather large prints. The two Wind images here are typical of the type. They are all about 15" x 20" and in editions of 150.

"Arc de Triomphe" Oil on canvas, 16" x 12" unframed, 19" x 15" framed Andre Gisson was born with the name Anders Gittleson, in Brooklyn, New York but lived in Westport, Connecticut for most of his life. He traveled extensively and studied throughout Europe and the Far East. Mr. Gittleson was a leading American realist painter. He graduated from the Pratt Institute and was a Captain in the Army during WWII...

Note 10 part II continues to discuss the evolution of Maki's prints.

This is one of three research notes that were numbered 23. This one is about Work 73-2, a Maki homage to a 19th-century Chinese writer. Dan Tretiak wrote: Enigma. The original eBay seller wrote this in his listing. He really got it right. Maki’s print has the four-character phrase as done by Deng in his writing in the 19th century We confirm Deng and Maki were in sync. The arrangement of Maki’s gold seal is more used in Chinese than Japanese. In any case ENJOY

Haku Maki was a major creative Japanese print maker of the second half of the 20th century. His major output from 1965 to 1990 consisted to several different themes of prints Kanji was the main theme for the first 15 years of that period. Then. Ceramics was second. But he also did a large number of prints with persimmon on theme. Most of the persimmon prints showed just one fruit. A few showed two Only two showed 3. These are shown here Both prints are serene no jarring colors or edges...

Work 73-12A is a firm and strong dragon not fierce not wimpy. The central kanji is offset by a small yellow Maki sun at the top left and a red splash on the right. They counterbalance each other and give color and verve to the whole print.

Work 73-56 L (fish). This is the second of Maki’s three huge prints that I have owned. This is Work 73-56 L (fish). Several aspects of this image are intriguing. My archive of Maki prints reveals that Maki produced over 100 different images in 1973. I have been able to account for many of them: 1 to 50 and 99 to 110. I had never known what went in the middle. Now I know at least one was work 73-56, the third huge print that Maki did. It is 3 x 6 feet...

In The Life and Works of Haku Maki I refer fairly briefly to his Big Reds and other large prints of the late 1960s and early 1970s. In this Research Note I present a more thorough compendium of this type of image and commentary. If any readers know of an image which should be in this Note, please let me know. For now please enjoy these. Poem 70-63 (Me) was acquired in 2010. Poem 71-90 ed of 108 Dance 69-2 NOTE: This is the first part of a two-part note. The second part is Note 7 B.

Original lithograph on wove paper by Hermann Max Pechstein (German,1881-1955), dated 1917, signed in the plate HMP and dated 1917, and signed in pencil and dated lower right. Image size: approximately 10cm by 16cm. An extremely rare original lithograph by a major artist. Cf: LACMA Collection. Provenance: the estate of a Holocaust survivor in Charlotte NC.

Please read the research note in frame 12 of the photos. There apparently was some misnumbering--there is no Note 13.

The photo on the left shows a double portrait by John Singer Sargent of Mr. John White Field and his wife. This painting was done in the early 1880's and is in the collection of Pennyslvania Academy of Fine Arts. The image on the right shows an earlier portrait of Mr. Field by Sargent. Notice Mr. Field is blind in his left eye, which is enlarged and his right eye is focused which is a good eye. It is my opinion that Mr. Field rejected the first portrait of himself done by Sargent...

Daniel Tretiak, after publishing his book The Life and Works of Haku Maki in 2007, found that he had more to say about prints as they came into his life. And so he wrote Research Notes and published them on this site.

From our European Collection, a fine 19th century original oil on panel by British painter and listed artist William Anslow Thornley (1857-1898), entitled "Moonlight on the Thames." Signed "Thornley" lower left.

Size and condition: 13 inches x 11 inches framed dimensions, approximately 10 inches x 8 inches unframed image size. This painting has been taken care of well, there is only some very minor age-related soiling and minor scuffing to the frame.

This Guest Research Note 1 is much ado about Nothing. The Maki print in question is 73-50A (Nothing). The essay is by David Bieling.

teaching example board wrapped in thin paper last 2 images seller claims this is from Oakland Museum seller claims it is signed by Maki the writing and the date are NOT Maki style Maki did the print but did he sign it? did he sign this "painting" friend doubts Oakland Museum and Maki would not have meshed

This monogram appears on the lower right corner of the Flemish painting in our listing. We read this monogram to be two connecting masonic letter "R&D". We belive this represents the painters of this painting. A new outside lab confirms the color gold on this canvas altar painting is real "GOLD"!! After reviewing the Bob Jones Gallery 400+ collection of religious art, we found no real gold on canvas paintings in their collection. GOLD ON CANVAS IS SUPER RARE!!

"Vases On The Rug" watercolor on paper. View size 16 3/4" x 13 3/4", framed 24 3/4" x 21 3/4" Winthrop Duthie Turney was born in New York City and studied at the Art Students League. He was a member of the Fifteen Gallery Group, Allied Artists of America, Brooklyn Society of Modern Artists and the National Society of Mural Painters. Turney exhibited widely, including the Allied Artists of America (which awarded him a prize in 1944), Museum of Modern Art, and the Whitney Museum of American Art...