An original photograph of gauchos (Aregentine cowboys) on their horses, wading through a river, by the noted Argentine photographer PEDRO LUIS RAOTA (1934-1996), signed by him in marker at lower right. The work measures 17 1/4" by 12 3/4" (24" by 20" in metal frame). The paper has an unusual texture, seen best in the photos of the signature area...

Original etching "Autumn", featuring a woman with cornucopia hat, surrounded by cherubs presumably after the harvest, 1970, signed in the plate at lower left center by the famous Surrealist artist SALVADOR DALI (1904-1989). This example is printed in sanguine. Albert Fields in his catalog raisonne said that this was an edition of 1,000; Michler says 5,000...

A color lithograph print, circa 1930 I believe, pencil signed at lower left margin and with printed signature in the margin at right, by the noted Israeli artist ABEL PANN (1883-1963). The subject is a group of primitively-dressed people near a knoll by a body of water surrounded by trees and hills; the central figure seems to be playing a lute in this poetic, Arcadian place. The print may possibly be from the artist's "Bible" series of 1930. Pann was born in Latvia or Belarus...

A most unusual item and conversation piece: a color print, 26" by 22" as framed, the subject a decorated Christmas tree, titled at top "Joy to the World", "Arnold & Maria" at bottom center, numbered 31/100 examples at lower left margin, and pencil signed at lower right, by none other than one of the most famous people on the planet, Arnold Schwarzenegger...

A pair of old prints in color---I believe, some sort of lithography process similar to chromolithography in feeling, one featuring the Notre Dame cathedral in Paris, the other the Second Empire "Pont au Change" bridge connecting the Ile de la Cite to the Rive Droite. The current bridge was rebuilt between 1856 and 1860 and therefore bears the letter N, the imperial insignia of Napoleon III. It is composed of three 31 meter long arches and is 30 meters wide...

Lithograph print "The Tyresmith", 1890, featuring a Chelsea (London) wheelwright's shop, by JAMES ABBOTT McNEIL WHISTLER (1834-1903). Forges and smithies are said to have been a lifelong favorite subject of Whistler. My research online suggests that this example is one of the 500 to 1000 examples printed from a transfer stone, to be published in The Whirlwind 2, no. 20, issue of November 15, 1890...

Nineteenth century lithograph print issued by Sarony Major & Knapp, lithographers, 449 Broadway, New York, after a painting by Stanley. The print measures 6" by 9" inside the mat and 10 3/4" by 14" in gold frame.

Print in grays, black and white with some subtle color, on silk, 10 3/4" by 13 1/4" inside the mat, 21 1/2" by 23" in silvery gray frame, pencil signed at lower right margin by the noted Austrian artist HANS FIGURA (1898-1978). Figura is known for his aquatints on paper and silk, featuring scenes of the Tyrolean Alps, Venice, other European locales, and even New York and elsewhere in the United States. He was prolific...

A circa 1940 lithograph, signed in the plate, and bearing pencil signature of the printer in margin under the mat, by the noted California Scene artist PHIL PARADISE (1905-1997). This seems to be a scarce work, as I see only two other examples after an online search. Those two were pencil signed by the artist and numbered out of an edition of 100. So we can assume that this was a limited edition...

Original 1977 Marc Chagall (1887-1985) color lithograph "The Village", (Mourlot 917), executed for the "Le Chemin de L'Amitie" issue of Derriere Le Miroir (No. 225), 1977, in an unsigned edition of 15,000. This example came to be signed later by Chagall in pencil at lower right ("complimentary signature"), perhaps at a special gallery or printer event. The sheet measures 14 1/2" by 21", with a simple blue frame (no mat). There are condition issues...

Original scarce 1915 etching known variously as "Sunset Williamsburg Bridge", or, "New York, From the Williamsburg Bridge", signed at lower right margin in pencil by the important American etcher, illustrator, critic, author and teacher JOSEPH PENNELL (1857-1926). The sheet, unframed, measures 11 1/2" by 16 5/8". After the signature, the "imp." indicates that Pennell would have printed this himself...

Original scarce and desirable unframed 1915 etching known as "New York, From Brooklyn", signed at lower center in pencil by the important American etcher, illustrator, critic, author and teacher JOSEPH PENNELL (1857-1926). The sheet, unframed, measures 11 1/4" by 15 1/2". The artist needs little introduction, as he was one of America's most prolific graphic artists, having produced many, many etchings and lithographs, not to mention watercolors, oils and drawings...

A red-headed woman in a dark brown dress is fingering the leaves of a nearby tree; lettering in gold, background in gray, 20" by 13 1/2" inside the double mat, with approximately 3/4" on a side extra on the vertical dimension and 1/2" on a side on the horizontal dimension, under the mat, the work laid down to foamboard and with 3 vertical folds and 1 horizontal fold...

Scarce 1941 color lithograph print titled in the lower left margin "Babes in the wood" and facsimile signature in right margin by the noted California artist CONRAD BUFF (1886-1975). These prints are sometimes found with pencil signatures, and many were issued in small editions generally under 200 examples. I cannot be certain as to the edition size of this particular title. Museums collect Buff's prints, which have been overshadowed by his bold, colorful, often modernistic landscape painting...

A fine copper engraving of the year 1596, by the noted Old Master JAN PIETERSZ SAENREDAM (1565-1607), featuring young couples in a festive mood, in a Dutch town at the end of the sixteenth century. The print (Hollstein catalogue raisonne #133) is titled "Feiernde und Tanzende Junge Paare" (roughly, "Celebrating and Dancing Young Couples"). It measures 12" by 15 3/8" inside the present mat and the piece is 18 1/2" by 24 3/4" in the contemporary strip gold framing. It is in remarkable condition...

**FOUR** identically framed early (1830) color aquatint engraving prints of classic English sporting art subject, the Grand Leicestershire Steeple Chase, 1829, printed by the noted R. Ackermann Jr. of Regent Street, London. The plates are from a series, though this is not a complete series; the group includes Plate 1, Plate 5, Plate 6, and Plate 7. They all measure 14" by 17 1/4" inside the framing (18 1/2" by 21 1/2" framed). They are antique prints nearly 200 years old, and as such they h...

Fine decorative 19th century engraving print, titled at bottom margin "Philadelphia from Belmont (WEST PARK)", by English-born artist ROBERT HINSHELWOOD (1812-1879). Hinshelwood came to the United States in 1835 as a young man and pursued his art skills, in both painting and engraving. In this case he seems to have engraved after his own original painting---a fairly rare skill combination. Hinshelwood worked for Harpers and other publications of his day, and also as an engraver for Continenta...

A **PAIR** of etchings, 21" by 17" as identically framed, one a still life of flowers in a vase in an interior, the other of a mother holding her child, only the floral work pencil signed, rather illegibly, at lower right (signature beginning with the "Sz...." common in Hungarian), and titled in Hungarian at lower left (as a Hungarian-speaker tells me) "Still Life" or "Flower Still Life". On the reverse backing of one is written in English "from Budapest--July 1966". Both are generally clean t...

Two antique prints circa 17th century, matted together, one featuring profiles of a man's head (6 1/2" by 9 1/2"), the other a study of a bare foot and a foot in a sandal (6 1/2" by 4 1/2"), the head profiles, originally drawn by Annibale Carracci (1560-1609) for his "Livre de Portraiture", subsequently transferred into engravings, likely by Jan Van Haelbeck (fl. 1600-1630) and published in Paris in 1667 by Francois de Poilly. Carracci's name is at lower left, and de Poilly at lower right. The ...

Interesting and unusual print by a so far unidentified artist, 10 1/4" by 8" inside the mat, 15" by 12 1/2" simply framed, the subject a white-haired fiddler seated in a chair. The Mark Twain-appearing man vaguely resembles figures you've seen in prints by Thomas Hart Benton, and the print REALLY resembles a work by artist Eric Bransby (born 1916), recently recognized with an exhibition at a well-known Denver gallery. I submitted images of the print to the gallery to ask them if they thought t...

Katsuhara Shinya (Tatsuhara Inuki) (1951-2015)
A woman with mirror in art deco style
Size: 16.25 x 7.25 inches.
Medium: Japanese woodblock print.
Date ca.: Late 20th century, pre-1995.
Edition: 72/200 numbered in pencil on back.
Signed "Shinya" in the image and sealed.
Enlargement 2 shows the upper part of the print in which the black background features a checkerboard pattern that only becomes visible in side light.
Condition: Excellent.

Large fine English antique mid 19th century print of mounted riders in traditional red coats, and their trained hounds, in an extensive landscape, the title "John Josselyn Esq. and the Suffolk Hounds", engraved by Charles Mottram (1807-1876) after the painting by Edward Robert Smythe (1810-1899). The print, mounted long ago to a board, was published circa 1865 by Henry Graves & Co. of Pall Mall. The print, **to be shipped without glass**, is in good displayable antique condition, though not pe...

THIRTEEN prints in total, varying in size, the largest (the set of ten) measuring 12 1/2" by 9 3/4", TWO initialed in pencil in the margins by the noted Ukrainian-born, French artist SONIA DELAUNAY (1885-1979). Ten of the prints are from the 1930 set of approximately 40 stencils "Compositions/Couleurs/Idees" published by Editions d'Art Charles Moreau. Two of those are initialed "S.D." in pencil by the artist at lower right. Condition is generally very good, with some displaying some evidence...

An original circa 1870's photograph of a sculpture of a warrior, in the National Museum of Greece in Athens, the photograph by the famed "Fratelli (brothers) ALINARI" of Florence, Italy. The photo measures 9 1/2" by 7 1/2" inside the mat and 22 1/2" by 19" framed behind (scratched) Plexi. On the reverse is a hand written not giving the Alinari name and title "Stele du guerrier Aristion/Museee Nationale Athens, Greece". The Alinari brothers, Leopoldo (1832-1865), Giuseppe (1836-1892) and Romua...

Colored etching, 7 3/4" by 4 3/8" inside the mat, 13 1/4" by 9 3/4" framed, pencil signed at lower right margin, with "No. 18" notation, by the famous French artist, JEAN-FRANCOIS RAFFAELLI (1850-1924). This is a sympathetic depiction of a common woman of the lower class, gathering sticks on a chilly day for her cooking fire or hearth. Raffaelli found the common, the poor, the working class, and the underprivileged people of Paris and its industrial suburbs to be his favorite subjects. He stu...

An English antique line engraving by Taylor, published by Alexander Hogg in "The Antiquities of England and Wales", 1795, the subject given as "View of Lambeth Palace in Surrey". The print measures 7 1/4" by 9 1/4" (and 13 1/2" by 15 1/2" framed). The print looks decidedly antique, the paper with old crinkles, and it is simply laid against a pinkish board. It appears to have been possibly trimmed at bottom. The decorative print is hand colored. Frame is modern day yet complementary, and in g...

Original lithograph print, 7 1/4" by 10 3/8" inside the mat opening, the sheet 8 1/4" by 12 3/4", the title "Greeting Card for Aime Maeght", printed by Mourlot in the year 1960 in an unknown edition, on heavy Arches paper. The print is taped at top on the reverse. I note some abrasions: a diagonal scored pressure line at upper right, which extends into the mat, suggesting contact with something sharp; a comma-shaped abrasion in center to the left of the woman, only visible from an angle; a ti...

Hand colored stipple engraving botanical print, titled "LONICERA Alpigena", and "CHEVREFEUILLE Alpigene" in French (a type of honeysuckle), after the highly important Belgian-born botanical artist of the late years of the 18th century and early years of the 19th, PIERRE-JOSEPH REDOUTE (1759-1840). The original drawings from which the images derive were created sometime around 1810 and the prints were created not long thereafter. Redoute was renowned in his own time for his skills, patronized by ...

Three engravings, from a set (consecutively numbered in Roman numerals), but separate though loosely framed together, margins for the most part tightly trimmed, each measuring roughly 6 1/2" by 5 1/2". The scenes of the old towns are named in Latin, German, and French. Judging from the architecture, the towers and buildings are certainly from the northern part of Europe, most likely Germany. Artist is undetermined at this point. Some research could reveal that information. The prints are lo...

After the Salvador Dali 1959 painting "Virgen de Guadalupe", this is a circa 1982 pencil signed lithograph print measuring 28" by 16 3/4" inside the mat (36" by 25" as framed). The piece is pencil signed at lower right and numbered 132/300 at lower left. This particular print is widely considered a late, unauthorized edition so is offered strictly as manner of or after the great Dali's work, the signature not by Dali, who died in 1989 and was not signing in the years before his death. It is ...

Tinted color appearance photograph of West Gate, Garden of the Gods, Colorado, by the noted William Henry Jackson (April 4, 1843 – June 30, 1942), an American painter, Civil War veteran, geological survey photographer and explorer, famous for his images of the American West. The work measures 4 1/4" by 7 1/4" (11 1/4" by 14 1/4" framed). I am not a specialist in photographica of the American West, but from research this appears to be what is called a "photochrom" of a black and white image or...

This is a rare collection of black and white mounted photos I acquired from an estate in Bel Air, California some years ago, all bearing on the reverse a green stamp "From the Estate of Norman Cousins", sizes ranging from 14" by 7 1/2" to 17" by 13". These are circa 1960's works by the noted American political journalist, author, professor, world peace advocate, and photographer, Norman Cousins (1915-1990). He was a talented and avid photographer, though he is not especially remembered today f...

Original lithograph print, "Les Soliloques du Pauvre" for the jacket of the book of poems by the noted French poet Gabriel Randon (1867-1933), who went by the pen name "Jehan Rictus". The print measures 7 5/8" by 12 7/8" inside the mat, and as framed measurements are 16 1/2" by 21". Steinlen (1859-1923) of course was the major Swiss artist known for his drawings and prints during the late years of the 19th century and early years of the twentieth. Well integrated into the cultural circles in ...

Old photo of a seaside Greek temple with Doric columns, 10" by 14" (17" by 20 1/2" in metal framing with mat). I am not a specialist in vintage photography, but this seems to have some age. There is some silvering at lower right. The print might have been created from an old negative with some damage as there are some white spots in the print that are not damage to the print itself----I imagine that this is disturbance on the original negative. The mat has a little soiling or moisture staini...

Lithograph print of two little sisters, printed by Associated American Artists at mid century, signed in pencil at lower right by the popular, listed Sicilian-born artist JEAN CALOGERO (1922-2001). The print, 14" by 9 5/8" (19" by 15" framed), dates likely to the 1950's or 1960's. Calogero's colorful oils of children, and mysterious fantasy scenes including masks and Surrealist elements, are familiar to art lovers. This print has some paper browning but otherwise appears clean.

Acquired from the recent liquidation of the extensive estate of actor Charlton Heston and his wife Lydia, this is an original photograph, unsigned/unattributed, measuring 13 1/2" by 17 3/4", unframed, in a clean white mat. There are a number of contemporary notations in pencil on the mat, including "STILL LIFE MID 1920", and a $300 asking price. The photo seems to be perhaps earlier, so "circa 1900" might be reasonable. Lydia Heston was active as a professional photographer, and the estate had...