Harold Kerr Eby 1889-1946 American This is an original etching and aquatint by American artist Kerr Eby. The title is Refugees, a study from his series of WWI images that he created as a War Artist. This pencil signed impression has an image size of 9 15/16X14 7/8 inches. This impression was last sold by Keppel in New York, it came to us in the original frame. A dramatic rich impression printed by the artist himself.

Henri Émile Benoît Matisse (French: [ɑ̃ʁi emil bənwa matis]; 31 December 1869 – 3 November 1954) was a French artist, known for both his use of colour and his fluid and original draughtsmanship...

A rare print by surrealist print maker Ozaku Seishi, professor emeritus from Tama Art University. He is best known for small edition prints, usually up to 30 copies, limitless experimentation with printing techniques and surrealist, often graphic imagery resembling distorted reality ¬neither quite explicit nor quite horror, but rendering a fairly dark version of dreams. This aquatint is from a 1974 portfolio titled “World of Children” (子どもの世界), which consisted of 30 aquatints...

Stephen Parrish, American, 1846-1938, etching, "Mills at Mispek, N.B.", image size: 8 3/4 x 11 3/4 inches, 1884, seconds state, cat. Schneider-104, pencil signed lower right.

Poem 71-76 is a yellow-gold print with a bit of a paisley influence. It is number 28 of an edition of 154. Created in 1971, it measures 13in wide x 19.5in high. It is in very good condition. There is tape residue on the back but the front is perfect. .

This Guest Note was written by Bob Craft in December 2018. It discusses Haku Maki's use of ancient calligraphy in Poem 69-47.

Gerald Leslie Brockhurst 1890-1978 English This is a fine original etching by British artist Gerald Brockhurst, The title is La Tresse, a portrait of his wife Anais done in 1926. This image is pencil signed and has an image size of 8 3/8X 6 7/8 inches. Cat. Fletcher 56. Nicely framed with archival materials.

A small etching, 5 1/4" by 4" (13 1/2" by 10 1/2" in wood frame) featuring the famous familiar front view of Notre Dame Cathedral in Paris, the foreground including the famous bookstalls and a number of figures, signed in the plate (in reverse) "Slanska" and with penciled "Eau-fort original/Slanska" in the lower margin. The name seems to be of Czech origin, and I have not located information on the artist. There is evidence of very slight hand coloring in blue, yellow and pink...

Etching in medium brown ink on very delicate tissue-like Japan paper, the subject identified at lower left margin as "Robert Louis Stevenson House", pencil signed at lower right by the important Caifornia plein air artist MARY DeNEALE MORGAN (1868-1948). The subject is a circa 1830's adobe from the Mexican era, which sheltered many visitors to Monterey over the decades, including, in 1879, the writer Robert Louis Stevenson. Today the structure is part of Monterey State Historic Park...

Young Flute Player is the title of an oil painting by Benedetto Luti from the 1720’s, now in the Hermitage. An earlier version by Luti depicted a young boy in a blue jacket without any instrument. This engraving, made by Victor Marie Picot was published in London in 1780 as Boy and Lute, obviously mixing up the motif and the artist (!). Contributing to this is probably the Walpole family crest having been pushed in between the letters of the title...

**ONE OF TWO EXAMPLES IN MY SHOP; THE OTHER IN BETTER CONDITION AND FRAMED** Lithograph on paper laid on thin board, 31 1/2" by 20 5/8", printed for the summer 1977 Galerie Claude Bernard exhibition of recent paintings by the important Ecole de Paris (School of Paris) abstractionist and colorist MAURICE ESTEVE (1904-2001). The poster, produced by the famous French house of lithography Mourlot (seen at bottom) was likely produced in an edition of under 2000 examples...

Original etching with aquatint by Wendell H. Black (American, 1919-1972), first edition, posthumously printed by Berkley Chappell. Excellent original unframed condition. Titled and numbered 7/25 l.l. Signed and dated "65" l.r. 4" by 6" image alone. For information regarding this artist please see "The Lost Prints of Wendell H. Black" by Henry Sayre. (this work is plate 1 in "The Lost Prints...)

John Taylor Arms 1887-1953 American This is one of the finest works by John Taylor Arms etching and aquatint. It was created and printed in 1940 as image number 1 of his Scandinavian Series. Pencil signed twice, dedicated to William Schaldach, lower border. The image measures 7 9/16X13 9/16 inches. It appears in the Fletcher catalog as image number 346. It is the third state of three from the edition of 330 impressions. Printed by David Strang...

”Old Memories A”, framed woodblock print by Hiroyuki Tajima. Original print, number 13 of 50, signed and dated 1966, in pencil. The abstract and balanced compositions of Tajima Hiroyuki (1911 – 1984) was a member of the sosaku hanga, an art movement in Japan, stressing the role of the artist as the sole creator. His works radiate a meditative concentration and tranquility often found in Japanese art...

A rarely seen print, featuring the familiar, landmark high bridge over the Arroyo Seco in Pasadena, California, by the well-known California plein air impressionist artist BENJAMIN CHAMBERS BROWN (1865-1942). The lithograph is in rich brown ink on watermarked paper (an "A" with eagle). The sheet measures roughly 13" by 16" (margins irregularly cut, though more than ample) and the printed image 9 3/4" by 13". The print is not pencil signed...

Nicholas Dorigny, European, 1657-1746, Engraving after Zampeire from the fresco in the church of St. Andrew della Valle at Rome, "Saint Luke", image size: 22 3/4 x 17 1/2 inches, plate size: 24 3/8 x 17 3/4 inches, Prov. JW Randal: 2528

Hans Frank, Austrian (1884-1948)
Venice II, 1925 (Venedig II, 1925)
Date: 1925.
Paper size: 17.5 X 13.25 inches (44.5 x 33.9 cm).
Window size: 16 x 12 inches (40.5 x 30.5 cm).
Signed and dated at lower right.
Medium: Color woodcut on laid Japanese paper.
Condition: Small crease at upper right corner. The odd small mark in image.
Attached with archival tape to top of a 24 x 20-inch matte).

This large print is an etching on paper in dark brown ink, and a heavily inked example at that, the subject apparently "Turkish Cemetery", according to a pencil notation in the upper left margin. Measuring 19" by 20" inside the mat (28" by 28 1/2" as framed), the work is signed in pencil in margin at lower left with the distinctive signature of the noted English modern art figure FRANK BRANGWYN (1867-1956)...