A circa 1950's watercolor on heavy paper featuring a brick 19th century home on an orderly property including white split rail fencing, and a barn at right. Perhaps this is a gentleman's farm property in the eastern states, anywhere from Virginia through Ohio and up to New England. The artist, WILLIAM NETHERY, signed the watercolor at lower left and wrote "Passing Storm" on the mat at lower left, while also signing the mat again at lower right...

Richard Faralla american artist 1916-1996 1992 watercolor " The Great Mill Petaluma CA" 1992 Many original works by this artist are in the SF Museum of Modern art. Matted sight 7" by 4" matt 12" by 15"

This is an original painting in gouache on paper, 23 3/4" by 23 3/4" square, in a narrow metal frame, apparently by an unlisted artist named Gertmenian. This is an Armenian name, and the painting was found in Los Angeles, where there is a large Armenian population. If you're seeking an eye-dazzler of a painting that contains strong primary colors, consider this decorative art...

Richard Faralla american artist 1916-1996 1992 colored ink Petaluma CA 1992 Many original works by this artist are in the SF Museum of Modern art. Matted sight 7.5" by 10" matt 12.25" by 14.75"

An interesting pastel drawing of older high rise apartment buildings in a major city, perhaps New York, signed at lower right with initials "EM" or "EW" and dated there 1939. The work, 15" by 11" (21" by 16 1/4" in simple gold metal frame), deals very skillfully with what could potentially be quite sterile subject matter in the wrong hands. This could be seen as a commentary on the anonymity of high rise living in any city...

Black ink on paper still life including wine bottle, Asian pot in foreground, potted plant and objects on a distant table, 17 1/4" by 11 1/4" (25" by 19" as framed), signed at lower right by well listed artist WAYNE LA COM (1922-). The economy of draftsmanship in this ink drawing reminds of the skilled pen technique of Henri Matisse and his famous nudes. La Com is known for his skilled watercolors in the 20th century California Scene style...

Beautifully executed in black and gray with minimal color, understated still life of an old style tin coffee pot, cooking pot, and white cup, 8" by 10 1/2" inside the mat, 15 1/2" by 17 1/2" as framed. There is possibly a monogram in lower right corner but I cannot attach it to any particular artist...

Richard Faralla american artist 1916-1996 1992 colored ink Petaluma CA 1992 Many original works by this artist are in the SF Museum of Modern art. Matted sight 7.5" by 10" matt 12.25" by 14.75"

Etching titled in pencil by the artist "Stairway, San Gabriel Mission", late 1920's or 1930's, signed in the plate lower left by listed California artist WILLIAM A. ESKEY (1891-1937), 12 1/2" by 7 3/4" as framed in vintage wood. The scene is an iconic one, often captured by artists enamored of the charm and romance of California's early days. Eskey was born in West Virginia and served in the military in France...

Nineteenth century print of a scene including palace and figures strolling, titled in white gouache (by hand) "Florence" at lower center, the color throughout hand applied by a talented artist. This very nearly resembles a drawing rather than a print. Measurements 6 1/4" by 9 1/2" (14" by 18 3/4" in wood frame). The print was trimmed tight to the margin, then laid on a neutral gray/green background, and a white border was then hand applied...

A nicely executed watercolor painting of a Mediterranean or Spanish style courtyard, the stuccoed white buildings with red tile roofs and grills on windows. Apparently unsigned, the work measures 10" by 13 1/4" (18" by 21 1/4" in circa 1960's or 1970's frame). This could be a scene of Spain, Central or South America, or, even, Southern California. Condition is excellent.

An original 17th century etching, "God Appears to Moses in the Burning Bush", plate 30 from the well-known series of 52 published in 1615 in Rome by Giovanni Giacomo Rossi, the artist being ORAZIO BORGIANNI (1578-1616). These works are after the frescoes by Raphael on the second floor of the Apostolic Church in the Vatican. Borgianni, a Baroque painter who adopted the style of Caravaggio after settling in Rome in 1604, turned to etching in the final years of his short life...

Watercolor and sepia brown ink on thin paper drawing of swans in a pond surrounded by vegetation, the sheet itself 5 3/8" by 11 5/8", apparently unsigned/undated, and with no watermarks I can see. If I had to guess as to age and origin I would say circa 1800 English, possibly later 18th century. The drawing is in very good condition for its age, with quite fresh colors...

A pleasing watercolor painting of a small sail boat on a lake, trees beyond, painted in an impressionist hand. Unfortunately the talented artist did not sign the work, which is laid down on a card. Framing circa mid 1960's included the old fashioned detail-dulling non-glare glass which should be discarded. The work measures 14" by 10" inside the mat and 19 1/2" by 14 1/2" framed...

Etching of the famous Chicago River surrounded by the classic skyscrapers, signed in the plate and dated 1927 at lower right, by the listed artist OTTO J. SCHNEIDER (1875-1946). The print does not appear to be pencil signed. Note the fine detail and the 1920's automobiles in the image at right corner. Schneider was born in Illinois and is most closely associated with that state. He exhibited at the Louisiana Purchase Exposition of 1904, and the Panama Pacific Exposition of 1915...

Original etching RICIULINA AND METZETIN by Jacques Callot printed in 1621 from the series BALLI DI SFESSANIA. Series depict one of the most delightful festivals of Commedia dell’Arte based on fertility dances held in the Tuscan village of Sfessania. Pairs of popular entertainers are framed against the scenes of a fairground. One print from the series of 24 etchings, Lieure catalog number 386, first state of two, on laid paper, cut to the plate. Paper size 72x93mm. Excellent design, beautiful c...

Cyrus Seymour works "China Doll" in bamboo frame dated 1991. Dimensions: 28"H x 20"W Age: 1991 Material: Bamboo, gauche

Nicely executed little watercolor of a woman in her nineteenth century finery, 11" by 7 3/4" as newly framed behind quality Tru Vue glass, unsigned. Her dress looks like circa 1860 but I do not know for sure that this would have been painted then. It would make for a pleasing addition to a woman's bedroom or sitting area.