A fine portrait miniature of a handsome gentleman painted on natural wafer by Henry Inman. The sitter is wearing a black jacket and stock, and a white waistcoat, shirt, and collar. Displayed in a cast foliate case with the reverse having a glazed aperture with a cast foliate surround and containing a lock of hair.

The painting is in excellent condition with no issues to note. The case is also in fine fettle, although the reverse could use a bit of cleaning...

FAKE ANTS AND ENAMELED WARE

Ant's legs are wire and movable. 1960s, Japan. Ant: approx. 2cm (0.78in), Container: approx. 16 x 10 x H 3cm (6.29 x 3.93 x 1.18in)


selected by Jinta




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A fine oil painting on panel in illustration style, depicting a river steamer surrounded by hostile Indians on horseback in a decidedly arid western landscape, 26" by 24", on board, (35" by 33" in quality original weathered wood-style frame), signed at lower right by the noted Western American illustrator artist GUY DEEL (1933-2005)...

Paco LANE portrait Woman Snow o/c 30x24” Paco Lane, is a Washington DC-based artist who has been painting in a myriad of styles for many years and is part of the Lane family of renown artist. ... Paco Jacques Lane was born on October 24, 1969 in Virginia just outside of Wash- ington DC. From an early childhood Paco was encouraged The artist in Greenwich CT, 2003. and allowed great freedom to pursue a natural interest in the visual arts...

Original intaglio by Wendell H. Black (American, 1919-1972). First edition, and a rare example of a work actually printed and signed by the artist (This first edition was later completed posthumously by Berkley Chappell.) Titled "S/P '50-'55" lower left, numbered 4/25 center, and signed W. Black '55 lower right. In a period mid-century frame. 22 by 15 image alone, 33 by 24 in the frame. Provenance available.

Arthur William Heintzelman, American, 1891-1965, "Ma Petite Voisine", drypoint etching, image size: 11 1/8 x 7 3/4 inches, ed. 80, 1935 cat. Smith-204, pencil signed lower right

At first glance appearing to be a print, this is in fact a painstakingly executed watercolor drawing, likely French I am thinking, measuring 16" by 20 1/2" (23 3/4" by 28" framed). The subject is of formal 18th century (earlier?) figures lounging on a classical Versailles-like terrace. They are surrounded by a balustrade, fountain, distant trees, and, in the immediate foreground, a border of oversized flowers...

A beautifully framed, plain beautiful oil on canvas painting, 15" by 18" (23" by 25 1/2" framed), the subject figures in a country landscape, painted skillfully in true impressionist style, by listed French artist EUGENE CHAFFANEL (1860-1929). The artist is Benezit-listed, though biographical information seems to be scarce. He hailed from the Nancy region of western France, and seems to have made a trip to New York in 1887. Chaffanel painted landscape, genre, and portraits...

This is a Signed and Dated Portrait by Fr. Schell. The artist trained under Thomas Eakins and his influence can be seen in this portrait. The artist was from Philadelphia and connected with the Philadelphia Fine Arts Museum. It is mounted in a new goldleaf frame and the canvas measures 24 1/2" x 20 1/2". Excellent Condition.

Oil on canvas, 27" by 39" (32 1/2" by 44 1/2" as framed), the scene a deep blue lake with small boats and a dock, puffy clouds filling the sky on a peaceful summer day. It is an expansive scene, large enough to invite the viewer to feel he is a part of it. I suppose the work is Swedish or Danish. The artist chose to sign with just the conjoined initials "HM" at lower left, where it is also dated 1948...

A beautifully painted watercolor on natural wafer, with a very strong attribution to John Barry as the artist. The sitter is an attractive woman with brown eyes and gray-brown hair cascading down her shoulder. She is wearing a dark blue velvet bow in her hair, a gauzy white fichu, and a blue dress with fine white lines and small white dots.

The painting is in superb condition, with no chips, cracks, bowing, or restoration...

Oil on canvasboard circa 1960 painting of a variety of flowers in a ceramic yellow vase artistically placed on a textile with another ceramic vessel nearby, signed at lower left "Betty Way". The work, which measures 24" by 18", also bears a label on the reverse with the artist's name and address in Springfield, Pennsylvania, a suburb of Philadelphia. To date I have not located a known artist by this name. A Betty Way of Harrisburg, PA was a newspaper circulation manager...

William Zorach (February 28, 1889 – November 15, 1966)[1] was an American sculptor, painter, printmaker, and writer. He won the Logan Medal of the arts...

Cape Ann Harbor Scene oil on canvas 20" x 16" unframed Russ Webster was a long time resident of Lynn Massachusetts. He worked as a commercial artist at General Electric in Lynn Massachusetts. He studied in Rockport with Wayne Morrell, Paul Strisick and especially Emile A. Gruppe, who remained a long time friend and traveling companion. His studies with Gruppe took him to Florida, Northern New England and Europe...

Beautiful minimalist work by the artist Glenn Pizer, work has oil on canvas and is a masterpiece in white. Glenn is known for his magnificent colorful work

An extremely powerful portrait attributed to Jeremiah Paul Jr., though it is possible that Benjamin Trott was the artist. In any case, due to the technique and strong features of the sitter, the painting has an immediate impact on the viewer and was done by a highly skilled artist.

The overall condition of the painting is excellent, as is the case, The size is 2 7/8" by 2 1/4". Please note that the first photo is an accurate depiction of the miniature, and the second photo, which has all man...

A pair of fine lithograph prints on Arches paper, from an edition of 300 examples, signed in the plate, printed in 1966 in Paris by Andre Sauret for Mourlot Freres. The prints are from a set of twelve images that were used as illustrations in the book "Stempeniou" by Cholen Aleikhem. The major Jewish-Ukrainian artist, EMANUEL MANE-KATZ (1894-1962) began working on the project in Geneva in 1958, at which time he created the gouaches on which the prints were later based. He completed the work i...

Comic scenes of Wartime camp life were part of every major Civil War artist portfolio. Measuring 30 x 25“ circa 1864 For a time, Price studied portrait painting with William Reading, an artist in Louisville, Kentucky, and later with Oliver Frazer in Lexington, Kentucky. In 1849, Price left Kentucky for New York City where he enrolled in the School of Design and studied for five months. The following year, Price had reopened his studio in Lexington, but he was persuaded to move to Louisvill...