From the 1964 Derriere Le Miroir #149, one of five original lithographs that appeared in that issue, with original center crease and reverse text in English and French, "Red Yellow Blue", by the famous Color Field and Hard-Edge modern artist ELLSWORTH KELLY (1923-2015). This print published in November 1964 by Maeght Editeur is in superb original condition, the colors rich and not light-struck. Measurements are 15" by 21 1/2" (21" by 28" in its present silver metal framing)...

Joseph Pennell, American, 1857-1926, "Hudson Avenue Foundations," etching, image size 8 13/16 x 11 7/8 inches, Wuerth 807, printed on Arches wove paper, plate signed "JPennell 1923" pencil signed "J Pennell" l.c., private plate, etched for the Brooklyn Edison Co.

Charles F. Daubigny, French, 1817-1878, "Le Gue," Etching and drypoint, image size 9 7/8 x 13 3/8 inches, 1865, IV/V, Melot D.118, printed at bottom margin "Daubigny Sculp." l.l., "Sarazin imp. Paris" l.r. and titled "Le Gue" l.c., framed. This was Daubignys' third contribution to the "Societe des Aquafortistes", also exhibited at the Exposition Universelle", the world's fair of 1867.

William Morris Hunt, American, 1824-1879, lithograph, "Fortune Teller", 1875, image size: 7 1/2 x 7 7/16 inches, initialed in plate

An interesting painting of a rather ruddy-faced gent, in a dark jacket with a striped yellow waistcoat, holding a book at the bottom center. The reverse of the case has blue and yellow striped fabric and a lock of hair, all under beveled glass which has worn reverse painted gilding. The gilded metal case is 2" by 1 7/8".

Oil on canvas luminous landscape of a peaceful Highlands lake ("loch") in late afternoon, 20" by 30" (27" by 37" as framed), signed at lower right by prolific Scottish and English artist FRANK E. JAMIESON (1834-1899). Jamieson painted a lot of paintings, and they are widely dispersed, and though not all are masterpieces, they are very satisfying and easy to live with, and a lot less expensive than those of masters like Alfred DeBreanski...

NOT A PRINT, this is an original, hand-drawn sepia ink and watercolor on paper drawing, titled at lower center "Plumeria Tricolor". Further writing in a quaint nineteenth century hand reads "A tree 30 ft. high" and "Pint. Mono. (Montego Bay??) Jamaica x gardens of Peru x N.O. Apocyness"...

Joseph Pennell, American, 1857-1926, etching, "St. Paul's, New York",image size: 11 x 8 1/2 inches, 1915, cat. Wuerth-678, pencil signed lower right

Max Libermann, 1847-1935, German, "Simson und Delila," etching and dry point, image size 8 1/2 x 11 1/8 inches, 1906, cat. Schiefler- 55, pencil signed.

William Walcot 1874-1943 British This is a fine drypoint etching by British artist William Walcot. This image of the Brooklyn Bridge was done in his series of 5 etchings of New York City published in 1923 as a portfolio. This etching is hand signed in pencil in the lower border. The image measures 8 1/4X9 3/4 inches. Nicely Framed with archival materials.

William Lee Hankey, 1869-1952 British, "Meditation", etching, image size 8 3/4X7 1/4 inches, pencil signed, artists blindstamp

Fine early pencil drawing on wove paper, the subject a distant view of Windsor Castle and the Thames River (favorite subject of so many, many artists), signed at lower right "James M. Hart" and dated there 1855. This is a rather early work of JAMES MACDOUGAL HART (1828-1901) of later Hudson River School fame. Hart's major large scale landscape paintings have reached into six figures at auction, and sales in the tens of thousands are not unusual...

Oil on canvas laid on old board of a country landscape with an apple tree at left and a split rail fence surrounding a clearing, 14" by 21 3/4" (18" by 26 1/4" as framed), apparently unsigned, but dated 1885 in the lower right corner. I feel the painting could be by a listed artist but the painting is not talking. The predominating greens and browns and the old gold frame make for a Hudson River style painting...

A fine color etching, "Park Avenue", circa 1929, by the noted Austro-Hungarian etcher, painter, and printmaker Luigi Kasimir (1881-1962). The scarce vintage print is in apparent excellent condition (not examined out of frame). Measurements are 17 3/4" by 11 1/4" inside the mat, 26" by 19" framed. Kasimir is known today largely for his prints of street and city scenes in both Europe and America, rendered in fine detail, as color etchings, a process in which he was a pioneer...

From our African Collection: A Zande figure, circa 1960. From Northeastern Democratic Republic of the Congo, 16" h. Zande, also called Azande, also spelled Asande, a people of Central Africa who speak a language of the Adamawa-Ubangi branch of the Niger-Congo language family. Extending across the Nile-Congo drainage divide, they live partly in South Sudan, partly in the Democratic Republic of the Congo, and partly in the Central African Republic...

David Y. Cameron 1865-1945 British This is a rare original etching and drypoint by Scottish artist David Cameron. The title is: Wingless Chimera, Amiens Cathedral, it was created and printed in 1911. Hand signed in pencil, this etching measures an image area of 7 5/8X9 3/8 inches. Printed on a medium weight laid type sheet. This image was exhibited at the Royal Academy in 1911. This image appears in the Rinder catalog as image number 416.

Description: Watercolor Miniature Portrait of Madame Lebrun, in sitting position and painting. Louise Élisabeth Vigée Le Brun (Marie Élisabeth Louise; 16 April 1755 – 30 March 1842) was a French painter, and is recognized as the most famous woman-painter of the eighteenth century. The portrait is 3" in height and 2.5" wide and housed in a gilt bronze frame. Great condition. Shipping is FREE within the U.S ONLY!

This is an original woodblock print by American artist Isac Friedlander. it is titled: "Vanquished" it was created and printed in 1938, it is editioned as 1/4 impressions. The image measures 10X12 inches, printed on a light weight laid type paper. It is hand signed,titled and editioned in pencil in the lower margin. Isac Friedlander (1890-1968) was born in Latvia. In 1912 he went to Italy where he met and worked with Russian artist Maxim Gorky...