The Scottish Traveler

British School, Circa 1870

Charming Genre Scene showing a traveler beseiged by begging children. The Victorians loved this type of painting that "tells a story", Note how the little girl staring straight out pulls you into the picture

Ptg: 27" x 33"
Frame: 32.5" x 38.5"

Oil on canvas bucolic landscape, a figure tending to haystacks in a tawny field, a towering tree looking over it all, 19 1/2" by 30", (26" by 35 1/2 " framed), signed at lower right by late nineteenth century English artist G CLAYTON. There are a few works by the artist in the auction records but I see no biography. Judging from the subject matter,handling, and materials, the work would likely date to about 1890...

Watercolor painting of a blue-eyed dark haired younger man with long sideburns, seated in a chair, circa 1860's, possibly a bit earlier, apparently unsigned, 9" by 6 1/2" (12 1/4" by 10 1/4" framed). The drawing shows some evidence of 150 years of age, with some light surface scratches in a few spots, a circular discoloration on the paper at left wall, and a little other foxing/discoloration. Found in Florida. I would lean towards the work being of American, rather than English, origin.

Fine German Oil Portrait Circa 1880 Measuring 12x10” Done in Bavaria unsigned in a gold leaf frame measuring 17x16” work is signed lower left

Frederick Smallfield, (English, 1825-1915)

Genoese Flower Girl

Watercolor on paper, signed and titled on the reverse.

Painting size: 16” x 10”
Frame size: 26.75” x 20.5”

Smallfield was a painter of genre scenes in oil and watercolour. He was a student at the Royal Academy Schools in the late 1840s with the members of the Pre-Raphaelite Brotherhood, but he was probably not close to them then, for he is not mentioned in their diaries...

An evocative and well-painted framed 22-1/4" x 14-1/2" (sight size) English oil on canvas by Charles Cattermole (R.I., R.B.A., R.O.I. 1832–1900). Entitled "The Patrol's Return" on a mounted plaque on the 31-1/2" x 24" wood and plaster frame, this painting is signed CHAS CATTERMOLE on the lower right. The back has a Toronto gallery label from 1949 and the canvas is numbered 908 on the back...

British Artist John Haynes-Williams 1836-1908 “Sunday in Seville" 40x30” framed in a beautiful gilded frame measuring 56”x46”. Born in Worcester England and studied in Birmingham and later moved to a London studio

A really well painted antique small watercolor of yellow roses, 6 1/4" by 8 1/4" in strip frame, signed at right with what looked to be LCTiff----When I purchased this in San Francisco area in the 1980's or early 1990's I thought it possibly a turn of the century work by Louis Comfort Tiffany. Further research appears to establish that this is not the case. The signature does not resemble known Tiffany signatures and there is little to no record of still life works that resemble this...

A nineteenth century watercolor painting of high purple mountains looming above an arid landscape framed by two trees at right, unsigned, 6 1/2" by 9 1/2" plus 3/4" wide framing. Found in California, and I lean towards this being a view in that state, though it could be elsewhere in the West or even conceivably in a place like Italy. The houses at far left do not help to solve the riddle. The piece, glued to the backing board, is definitely quite old...

Oil on canvas, circa late nineteenth century, 21 1/2" by 26 3/4" and about one inch wide framing, unsigned, featuring feathery trees, distant snowy mountains, a lake with small sail craft, and a gentleman pulling in nets on another small boat. This painting is in need of restoration, but, I believe it well worth saving for posterity. There are some holes, the largest about 3/4" by 1/2", at lower left, a similar one at upper left, and some much smaller punctures at far right...

unsigned Scottish artist 19th century Men on Horseback oil 24x30” Framed in a beautiful gold frame measuring 30x36”

Oil on canvas luminous landscape of a peaceful Highlands lake ("loch") in late afternoon, 20" by 30" (27" by 37" as framed), signed at lower right by prolific Scottish and English artist FRANK E. JAMIESON (1834-1899). Jamieson painted a lot of paintings, and they are widely dispersed, and though not all are masterpieces, they are very satisfying and easy to live with, and a lot less expensive than those of masters like Alfred DeBreanski...

Signed Scottish Painter Watsonlandscape with cows oil on canvas measuring 30x44”

Watercolor painting of a scene that appears to be a youngster with adults at the entrance of a school, a total of five figures in the composition. The work, 13" by 10 1/4" (20" by 18" in a contemporary gold frame, no mat) is signed at lower center by well listed German artist CARL HUBNER (1814-1879). Hubner was educated in art at the Art Academy in Dusseldorf. He received instruction from Carl Ferdinand Sohn and Wilhelm von Schadow...

Oil on canvas painting of a coastal village in England, 14" by 24" (20 1/2" by 30 1/2" as nicely framed in mid 20th century gold frame), signed at lower left "W. Thornbury". This work is by a prolific (over 1,000 works in the auction record), talented, well listed, English artist who was active in the second half of the nineteenth century, WILLIAM THORNLEY (approximate birth date 1830, death date circa 1898 though I have seen online that he was active through 1903)...

Francisco José de Goya y Lucientes (/ˈɡɔɪə/; Spanish: [fɾanˈθisko xoˈse ðe ˈɣoʝa i luˈθjentes]; 30 March 1746 – 16 April 1828) was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries and throughout his long career was a commentator and chronicler of his era. Immensely successful in his lifetime, Goya is often referred to as both the last of the Old Masters and the first of the moderns...

Cupids and Dove, Oil on Board. Continental School, Late 19th Century. Signed Indistinctly Lower Left. Dimensions; 18" wide x 22" high. Wonderful Gilt Frame. Excellent condition

James Abbott McNeill Whistler 1834-1903 American This is a fine early printing of the well known etching, Bibi Valentin by American artist James M Whistler. This etching created in 1859 is impression II/II before the plate was damaged. It came to us with the original Kappel label on the back. A fine rich impression printed on a thin laid japan type paper. Signed and dated within the plate. Glascow 34.