Drawing, I believe in charcoal, 12 3/4" by 18 1/2" inside the matting, framed, but no glass, signed at lower left "M. Moss" and dated "March '93", the subject a large wooden house on a lake surrounded by mountains, small boats tied up in front. I think this is American but I suppose it could also be English; I'm undecided..........though, the framing suggests would make me lean towards American, as the reverse was backed by the typically American wood slats with knotholes...

***One of two very similar works by the artist in my shop, that should truly be kept together as a pair (see item JB0437)***Oil on canvas 19th century landscape with gnarled old tree, fence and birds, 15 3/4" by 12 3/4" (19 1/2" by 16 1/2" as framed), signed at lower left by well listed artist PIERRE LOUIS JOSEPH DE CONINCK (1828-1910). This French artist's works appear with some regularity at European auctions, the more important examples in the past having brought to over $30,000...

Nineteenth Century Oil Painting of a Manhattan New York View From Staten Island Naïve Artist 23x35” unsigned

Robert E. Lee Watercolor Circa 1860s 8x11 inch a contemporary work when the Civil War was raging

A French oil on canvas painting of a flirting couple, the male dressed as a pierrot clown, she in an elegant ornate dress, the work signed at lower left with what appears as "Jos. Bellet". The work could possibly be by JEAN PIERRE JOSEPH ALFRED BELLET DU POISAT (1823-1883), but further research may be required to confirm the artist. Measurements are 13" by 9 3/4" (20 1/2" by 16 3/4" in old gold frame)...

A beautiful courier and Ives Print titled Hudson river from Rugels House, nineteenth Century Print measures 10 x 14“, frame size 14 x 18“

A fine Italian painting in the style of Boldini and John Singer Sargent. The work is signed lower left. More information coming soon.

Antique French pencil drawing of a woman. This original portrait comes from an artists portfolio dated 1847. Presented in an exquisite French mat with finest quality 24k gold leaf frame. Image 14"L x 11"W. Framed size 23" L x 19" W

Japanese Nineteenth Century Carved Sculpture of a Deity Measuring 18 inch in height

Large (22" by 36", unframed) pastel drawing on heavy paper, which has been in turn laid on canvas, signed at lower left center by the well-listed American landscape artist GEORGE DOUGLAS BREWERTON (1827-1901). The impressive drawing features a Hudson River School-like landscape with no figures, the hazy ball of the sun dominating the sky. The overall effect is one of Luminism. Brewerton led a fascinating life for his times...

"Admirer de loin" oil on board 13 3/4" W x 10 1/2" H Edouard Toudouze was born on July 28, 1848 in Paris. He was the youngest son of August Gabriel Toudouze, a French architect who was, for a time, the Chief Architect of Marseilles. His mother, Adèle Anais Colin-Toudouze, was the daughter of Alexandre-Marie Colin, a history painter. Toudouze was also the nephew of Jean-Baptiste-Auguste Leloir. He completed studies during his youth at a school in Sainte-Barbe...

Printed 1850 Map for France, 21" x 14"(frame size), 17" x 11"(print size), Title is "France En 1850", "A Paris, chez, edit Rue de La Pareheminerie", Atlas National Illustre", 3 tears on the top and bottom, yellowed paper with some yellowed spot, belongs to the private collection in DC area.

F.C. YOHN Stage Scene c1898 Sp. American war w/c19x13” Frederick Coffay Yohn (February 8, 1875 – June 6, 1933), often recognized only by his initials, F. C. Yohn, was an artist and magazine illustrator. Yohn's work appeared in publications including Scribner's Magazine, Harper's Magazine, and Collier's Weekly. Books he illustrated included Jack London's A Daughter of the Snows, Frances Hodgson Burnett's The Dawn of a To-morrow and Henry Cabot Lodge's Story of the American Revolution...

View of the Great Conflagration at New York, July 19th 1845 by N. Curner, color lithograph, Frame size 18 x 19.5".

**One of two very similar works by the artist in my shop, preferably to be kept together- Oil on canvas, 16 1/4" by 12 3/4", in an old master style but of mid to late 19th century date, teaturing a house, tree and dogs and travelers, signed at lower left by noted, auctioned artist PIERRE LOUIS JOSEPH DE CONINCK (1828-1910). This is an almost monochromatic, very understated, subtle painting; perhaps a study for a larger, highly finished work...

Comic scenes of Wartime camp life were part of every major Civil War artist portfolio. Measuring 30 x 25“ circa 1864 For a time, Price studied portrait painting with William Reading, an artist in Louisville, Kentucky, and later with Oliver Frazer in Lexington, Kentucky. In 1849, Price left Kentucky for New York City where he enrolled in the School of Design and studied for five months...

Born in Germany in 1857 in the town of Harthau, he moved to America and painted in New England and traveled to paint in Europe where this scene was done in Katwijk, which also happens to be the town where he died in 1929. The work depicts the sailing ships of the 19th century in pastel on sanded paper measuring 17x26 inches in a whine period frame

“Stopping The Runaway Cartiage” early 19th century aquatint measuring 12x14”,artwork is beautifully framed 3.5x5.5 inch

Printed by Delatre in Paris, this Felix Bracquemonde frontispiece measures 14 x 9 3/4 inches, published by Alfred Cadart, Paris. Created in 1865, this bold allegorical etching was created as the frontispiece to a volume of the renowned periodical of the Société des Aqua-Fortistes, a group promoting etching as a fine art. Richly inked on watermarked Aqua-Fortistes laid paper, which was made especially for these publications.

Wrestling Lithograph by Augustus Bernard Liege, circa 1900. 12 x 9:"

Troisième Position de Salut, Fencing, by J Delin, 18th century colored lithograph etching. 10 x 10". Frame Size 16.5 x 17.5".

A very rare Watercolor heighten with gouache I have a western Gentleman from the Kennedy galleries provenance 13“ x 19“, frame size is 20 x 15 1/2“

W. T. Smedley, 1858 1920, from the Kennedy galleries a Work Inc. on paper dated 1891 9 x 9 1/2“ frame size 17 x 17“

Confederate Flags Watercolor dated 1896,11x7 1/2 inches, in its original frame 16x12 inches

Antique (circa mid 19th century) watercolor and ink drawing, of the famous ruins of Palmyra, Syria, which were partially damaged during the relatively recent ISIS occupation of the archaeological site. Research indicates the piece is after an early 19th century print. Artist is anonymous. Dimensions are 9 3/4" by 14 3/4" inside the mat (with hand drawn lines) and 16" by 20" overall (unframed, just in the mat, which is laid down over the art). On reverse someone once wrote "Palmyra Turkey"...

A beautiful drawing in pencil on French Arches Laid paper measuring 7x9” done circa 1870s

NINETEENTH CENTURY, CHINESE NANKING “OPERA” CARVED AND FRAMED WALL SCULPTURE, Measuring 21” x 32”. The carving done circa 1840 and mounted and framed in the 1940’s. The work was typically done for export to the Irish market…..please also see # 3582

Circa 1850 lithograph with hand coloring, titled at bottom "The Flight into Egypt", published by the noted American lithographer James Baillie. Baillie began his career in the late 1830's as a picture framer in New York City, and then worked as a colorist for the Currier and Ives firm. By 1843 or 1844 he had struck out on his own, producing a wide range of lithographed images in the style of his former employer...

Original India botanical by the famous Japhur-naturalist artist Neerja featuring a native medicinal plant. The works of this 19th century community of talented Indian painters are desired for their brilliant jewel-like quality and fine detail...

A early nineteenth century renaissance revival painting depicting the allegory of justice. Oil on canvas measuring 24x30 inches framed in a rococo gilded frame

The Pensive Shepherdess

(British School, 19th Century)

Oil on canvas, Unsigned

Painting size: 30” x 20”
Frame size: 36.25” x 26.5”

This sweet genre painting of a shepherdess with her flock reflects the theme of the child-of-nature, a sensibility embraced by Victorians during the 19th century. The figure’s youth and comely face convey innocence, while her steadfast pose next to the goldenrod suggests that she is at ease in her environment.

An outstanding antique Mother of Pearl icon, 18th century Palestine. The icon has a warm golden tone and is finely hand-carved in high relief. It depicts a marriage ceremony between the Virgin Mary and Saint Joseph, with a richly attired high priest clasping the hands of Mary and Joseph. Joseph is depicted as placing the ring of betrothal on the finger of Our Lady. The icon comes with an elaborately hand-carved gilt wood Baroque style frame.

The carving is based on the well-known painting ...

"Voyage of Life" Signed TC (Thomas Cole) c. 1840s-1850s, attributed to Frederich Edwin Church Oil on Canvas PRICE ON REQUEST

Scarce and interesting pencil drawing with some white highlights, on heavy paper, 15" by 20", of one of Quebec's most famous sights, "The Falls of Montmorency/Near Quebec". The work is signed at lower left "Blandford 1871" and at lower right it reads "Miss Alice Tiffany". This is a folky, somewhat primitive work, from an early date, of a kind that is rarely seen. The frozen falls were an impressive 19th century spectacle in early Canada and were the subject of paintings by the likes of Cornel...

Etching by the British artist Sir Francis Seymour Haden measuring 5 7/8 x 8 7/8 inches, pencil signed, plate dated, 1877, cat: Schneiderman-155. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law James Whistler. In addition to being a highly regarded artist he was a successful surgeon, accomplished author and dedicated angler. He was a founder and the first president of the Royal Society of Painter-Etchers and Engravers and ...

An ORIGINAL drawing of a mid-19th century gentleman, 8 1/2" by 5 7/8" (16" by 13 1/2" framed), signed at lower right by the well-listed French-born artist, etcher and sculptor, ALPHONSE LEGROS (1837-1911). The drawing is primarily in soft pencil, with some watercolor in the suggestion of a chair, and some faint red in the face area. Legros was born in Dijon in eastern France. He was in Paris while still young, exposed to the art world there. By 1863 he had moved to London, where he achieved r...