Ohara Koson
Cawing Crow
Size: Dai-oban. Approximately 17 x 11.5 inches.
Date: 1930s. This edition post-1950.
Reference: K5.15 and page 140 in Crows, Cranes and Camellias: the Natural World of Ohara Koson (Reigle Newland)
Publisher: Nishinomiya Yosaku
Condition: Excellent. Full original margins.

Ohara Koson
Cormorants at Coast
Size: Dai-oban. Approximately 17.25 x 11.25 inches.
Date: 1930s. This edition ca. 1960.
Reference: K3.3 and page 141 in Crows, Cranes and Camellias: the Natural World of Ohara Koson (Reigle Newland)
Publisher: Nishinomiya Yosaku
Condition: Excellent. Full original margins.

Ohara Koson
Owl and Moon
Size: O-tanzaku. Approximately 14.5 x 8.5 inches.
Date: 1930s. This edition post 1950.
Reference: K20.6 and page 97 in Crows, Cranes and Camellias: the Natural World of Ohara Koson (Reigle Newland)
Publisher: Nishinomiya Yosaku
Condition: Excellent. Full original margins. Never framed.

A very nice cut crystal cocktail shaker in amethyst overlay. The design is a classic pattern of angular mitres emanating from oval printies. These shakers were almost always acid-signed “Japan” on the base, but someone scratched out the signature on this one. Cut glass in the Art Deco style was one of the industries established in Japan during the occupation at the end of World War II. The products were of fine quality and easily competed with European glass from the era...

A classic mid-century porcelain water jug advertising Ricard anisette. In the south of France, tradition dictates that a pitcher of water should be served alongside anise-flavored aperitifs to dilute the drink. Makers such as Ricard and Pernod provided advertising pitchers to local bars and cafes to increase their sales. The squared-off shape is less common than the traditional globe-shaped pitcher, and only became popular after World War II...

Raised, undulating ridges on a field of cobalt blue highlighted with white slip and bronze flecks around the rim, this piece conjures images of the deep and stormy sea or possibly of the vast swirling cosmos...

A beautifully painted porcelain blue and white Chinese vase with four maidens in elaborately designed robes, holding various objects such as flower baskets, a paint brush, and a book. Scholar's objects have been painted around the neck. The body has an interesting raised speckle texture. Unusual signature on bottom with beautiful floral design outline. Comes with hardwood stand...

A sterling silver vermouth dispenser in the form of a watering can. These were made by Boardman and retailed primarily at Cartier's flagship store in New York and by Tiffany. This particular example was retailed by Schroth's jewelers in Montville, NJ. When tipped, the dispenser lightly sprinkles just a drip of vermouth into the glass for the perfect martini. The bottom is marked “Sterling” and is signed “Schroth”.

Origin: America, ca. 1955. Condition: excellent. Size: 3-1/8” tall...

A very rare French first standard silver (950/1000 pure silver) tastevin, the bottom bearing the coat of arms of the Confrerie des Chevaliers du Tastevin. The arms depict St. Vincent, patron saint of winemakers. The body is further decorated with the traditional raised "perles" for highlighting the reflections in the wine and recessed "cupules" and elongated "godrons" intended to concentrate the color during tasting. The handle is worked in the snake motif traditional in Burgundian tastevins...

Ohara Koson
Crows.
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: 1910s.
Publisher: Daikokuya.
Reference: K5.10 and plate 111 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland)
Medium: Japanese woodblock print.
Condition: Excellent. Never framed. Full original margins.

Unusual Low root wood table, beautiful golden color wood, the top is a cross section with dramatic burl grain radiating from the center like run rays, the base is made of a section of tree trunk. Size: 20" high x 36" long x 27" wide

Takahashi Shotei (1871-1945)
Rain at Igusa
Date: Pre-1923 earthquake. Muted color version with full title.
Size: Mitsugiri-ban...

This simple and elegant green porcelain vase was made by a student of Kiyomizu Rokubei (VI) who was well-known for creating fine porcelain pieces modeled on ancient Chinese forms.

Kato Keizan I (1886-1963) was born in Tajimi, Gifu prefecture but later moved to Kyoto and opened a kiln in Gojozaka in 1912...

This lovely white Hagi chawan rests firmly on a wari kodai or “split foot.” The crackled milky glaze varies in consistency across the curves and contours of the bowl with some areas tending towards a faint brown, adding an interesting dimension to the landscape.

The creator of this piece Matsuura Mugen (1944 - ) has spent his life in the pursuit of perfecting the art of Hagi...

Paul Jacoulet
Tatooed Woman of Falalap, West Carolines
(Femme Tatouée de Falalap Ouest Carolines)
Date: July 5, 1935.
First edition: 91/150 numbered in kanji. Fewer than 100 impressions produced.
This edition was issued without a title...

Located at the foot of an active volcano, the Ougaku kiln specializes in a type of pottery know as Sakurajima-yaki. The kiln is headed by Hashino Midori and run entirely by female potters who strive to infuse each piece they produce with the “energy” of the surrounding environment. Pieces such as the one featured here are made from volcanic ash and mineral-rich onsen spring water giving them a unique luster that is difficult to reproduce...

Japanese framed sumi print by abstract artist Toko Shinoda (1913-present). This print is titled "The Shade", with very light shadows and intersecting calligraphy lines with a streak of red. Number 14/50, signed in pencil. Size: (entire frame) 16.75" length, 13.75" width, 1" thick (artwork only) 11" height, 8" width

Kawase Hasui
Rain at Shuzenji Hot Spring
Size: Oban. Approximately 15.25 x 10.25 inches.
Date: 1933
Publisher: Watanabe Shozaburo. Bears the Watanabe "E seal" used between 1932-42 and consistent with a first edition.
Condition: Excellent with slight fading.

Japanese framed print by sosaku-hanga artist Haku Maki (1924-2000) titled "Work 73-122". Depiction of a bright embossed persimmon against black background. Signed in pencil with red artist's cartouche. Set in a black and gold wooden frame. Size: 17.25" height, 14" width (entire frame) 11.25" height, 8.5" width

Fantastic execution of the Shino pottery style in the form of a bold and attractive Henko vase...

Pilgrim's coat made of asa (hemp) with hand-written Buddhist sutra. It also has stampted Zao Gongen who is a main image of the Kinpusen-ji temple and Ominesan-ji temple. It has many red stamps of holy places where the pilgrim had visited such as Ominesan-ji, Kinpusen-ji, Zaodo etc. which are located between Wakayama and Nara prefecture where "shugen-sha ( holy man )" has been practicing Shugendo. The area was designated as "World Heritage". The first half of the 20th century. In excellent condit...

A long Japanese ranma / transom Finely hand carved from Keyaki (hardwood), beautifully carved with a scene of cranes underneath the branches of a pine tree. Edged in black with attractive woodgrain. Original Condition Size: 73.5" length, 17.5" height, 1" depth

A Rare Ming Dynasty Tianhuang Stone Seal with a Tiger-Knob The seal is carved with four Chinese characters Hao Qi Chang Cun, meaning the deed of bravery will forever exist as Heaven and Earth. Weight: Approximately 420 grams Width & Thickness: Approximately 2 X 2 inches (5.1 X 5.1 cm) Height: Approximately 4 (10.2 cm) Condition Report: Hand-Carved, Good Vintage Condition Provenance: Property of a MA Collector

A Rare Tang Dynasty Bronze Mirror with Archaic Shanzi Motifs Diameter: 7 5/8 inches (20 cm) Condition Report: Good Condition Provenance: Property of a MA Collection

Unavailable

A Rare and Exquisite Jade/Jadeite Marla Bead-String for Meditation Weight: 213 grams Length: 14 1/4 inches (36.2 cm) plus a 4-inch-long fringe Condition Report: Good Condition Provenance: Property of a MA Collection

A Rare Junyao-Styled Sky-Blue Glazed Brush-Washer with a Rosy Splash Motif and Two Year-Handles Condition Report: Good Condition Provenance: Property of a MA Collection Dimensions: Height: 3 inches (7 62 cm) Diameter: 5 3/4 inches (14.7 cm) Medium: Ceramic

A Very Rare Blue-White Vase with a Portrait of Lao Tzu, Founder of Taoism and Mark of Ming Dynasty Emperor Chenghua Reign The vase is exceptional in both its design and figure-painting motif. Condition Report: Good Condition Provenance: Property of a CT Collection Dimensions: Height: 15 3/4 inches (40 cm) Medium: Porcelainware Terms & Conditions of Sale NYDJ Chinese Art Gallery advises its prospective buyers to evaluate each lot of its auction with discretion and self-provided professional...

A Peach Bloom Taibaizun Pot with Six-Character Mark of Qing Dynasty Emperor Kangxi Condition Report: Good Condition Provenance: Property of a NY collector Dimensions: Height: 3 3/4 inches (9.53 cm) Medium: Porcelainware

Tattoo ink container of cylindrical shape decorated with a monkey in relief, in a rather aggressive posture, holding the container with its four paws. Wood, with a fine dark brown patina. The piece is nicely mounted on a custom plexi stand. Height (without stand): 6.5 cm. Old restoration on one of the limbs (almost invisible), otherwise very good condition.

A mid-Century frosted glass cocktail shaker by the Federal Glass Co. The shaker is decorated with a colorful scene of dancing Native Americans with teepees and smoke signals in the background.

Origin: America, ca. 1950. Condition: excellent, all original, no chips or cracks. Dimensions: 10" tall.

This small vessel, similar in a shape to a tokkuri, is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre. Fired at extreme temperatures for days in an anagama, the iron in the clay and in the glaze fuse, drip, and coalesce—while at the same time bl...

A very large size 12" (30cm) high Chinese mid 20th C. porcelain famille rose with five boys climbing to the Buddha's body. In excellent condition. H:30cm

This eye-catching porcelain composition covered in red-glaze and highlighted with sensational gold-leaf inlay is an iconic design often employed by Ono Hakuko.

Ono Hakuko (1915 -1996) is an important figure in the world of Japanese ceramics and one of the only women in the field to gain wide acclaim and recognition for her work. Taught mainly by her father from a young age, Hakuko later found inspiration in the works of Living National Treasure Kato Hajime (1900 - 1968) whose style...

An interesting sterling silver double jigger in an inverted cone shape. Interestingly, every surface is hand engraved in an ornate paisley-like pattern. The interior is marked “Sterling”.

Origin: America, ca. 1900. Condition: excellent, two small dings only visible from the interior. Dimensions: 4-1/16” tall. Weight: 47.1 gr.

An unusual mid-Century Taxco version of the classis sterling silver thimble jigger. Like most Mexican silver of the era, this piece has tremendous weight and a simple charm. The rim is engraved “Just A Thimbleful 1-1/4”. The bottom bears the hallmark of A. Dominguez and the Eagle stamp used in the late 1950s.

Origin: Mexico, ca. 1955. Condition: excellent, no dings. Dimensions: 1-11/16” tall. Weight: 41.4 gr.

Ohara Koson
Playing Monkeys
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: 1920s-30s.
Reference: K41.17 on pages 57 and 200 of Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Publisher: Daikokuya/Adachi.
Koson signature at lower left.
"Made in Japan" stamped on back.
Condition: Excellent. Uncirculated. Bend at tip of bottom left corner.
Provenance: The Robert O. Muller estate.
.

A very rare pair of hand guards or constructed from a course woven fibre each incorporating three rows of shark's teeth secured with a fine hand made string or cord. These 'gloves' were made on the Gilbert Islands (now Kiribati) probably during the first half of the 20th Century. Condition: excellent - the fibre is frayed in places but apparently no damages or losses. There is old dried mud or soil on the outer surface of each. Extended length: 40cm Finger loops: 4cm long. Back of h...

A very large albumen print of the statue of St. George by Donatello. Originally sculpted about 1416 for the Orsanmichele in Florence, the statue and niche are now at the Bargello. The photograph is very large and dates to the last quarter of the 19th century. Since at that time there were no enlargers, the glass plate negative would have been of the same size as the image. A number of Italian photographers are known for taking images of Renaissance works, including Giorgio Sommer and Fratelli Al...

Chinese calligraphy painting of a famous poem "Li Bai" originally written in the Tang Dynasty. This poem has been rewritten by artist Zhongshan in Autumn of ??22 in Nanjing. Approximate translation of the poem is as follows: "The sun shining (white), the furnace being prepared and the smoke spreading throughout. The waterfall bubbling in front of the river and flowing (with drops of water splashing)..." Size of paper: 53" high x 18 1/4" wide. Size of art: 38" high x 13 3/4" wide. From...

Height approximately 26 cm. A chip at the hat. In good condition.

This is a wonderfully hand-carved netsuke depicting Bakemono "Unreal Thing or Goblin" with a Rokuro-Kubi (whirling Neck), in other words a Goblin creature with an expanding neck like the spring of 'Jack-in-the-box", that, according to legend, twists its head around and leers in the faces of sleepers. The creature is standing on one foot and appears to be praying. Amber Double inlaid eyes. Unsigned, but attributed to the 20th century Japanese artist Koraku. Netsuke measures 1.12 inches (2.8cm...

Kawase Hasui
Evening Snow, Edo River, 1932
Size: Oban, approximately 16.0 x 10.5 inches.
Publisher: Doi. This edition posthumous.
Condition: Excellent.
Provenance: The estate of Henry Colyer, father of woodblock print artist Ted Colyer.

A vintage sterling silver napkin ring, the front decorated with three bears, probably an allusion to the children's story, "Goldilocks and the Three Bears." The back is engraved "Tony" and the interior is stamped "Sterling".

America, ca. 1940. Condition: very good, light wear from polishing, no dings. Weight: 23.4 gr.

A silver jigger decorated with a raised ocean liner pennant enameled in the colors of the Norwegian-American Lines and engraved with the name of the passenger liner SS Stavangerfjord. The ship was commissioned in 1917 and sailed until 1963. In 1964, it was anchored in Tokyo Bay for use a hotel during the Tokyo Olympics. This jigger is engraved "Olympiske Leker", indicating that it comes from the short time the liner was used during the games. The bottom is marked "S830".

Origin: Norway, 19...

A silver jigger engraved with the pennant of the Norwegian-American Lines and the name of the passenger liner SS Stavangerfjord. The ship was commissioned in 1917 and sailed until 1963. In 1964, it was anchored in Tokyo Bay for use a hotel during the Tokyo Olympics. This jigger is engraved "Olympiske Leker", indicating that it comes from the short time the liner was used during the games. The bottom is marked "S830". Origin: Norway, 1964. Condition: excellent, two tiny dings on the bottom edge ...

An Art Deco sterling silver handled double jigger by silversmith John Hasselbring (Brooklyn, NY). The angularity of the handle contrasts nicely with the traditional shape of the cups. Stamped with Hasselbring's hallmark.

Origin: America, ca. 1930. Condition: very good, a few pinpoints on handle and cups visible in strong, raking light; no monograms. Dimensions: 5-3/8" x 4-1/8". Weight: 78.7 gr.

A very large and heavy sterling silver double jigger with a turned ebony handle by Quaker Silver Co. The cups are decorated with an ornate acanthus leaf and bead design reminiscent of Jensen and other Nordic designers of the early 20th century. The jigger is stamped with Quaker's hallmark.

Origin: America, ca. 1925. Condition: excellent, a couple of very tiny pinpoints along the rim of the smaller cup. Dimensions: 4-15/16" tall; 10-3/4"long. Weight: the silver portion is approximately 150...

A sterling silver wine funnel in a classic Georgian design by the luxury English silversmith Asprey & Co. The upper rim is simply decorated in a beaded pattern. The strainer bottom is pierced in a starburst design. The piercing will strain out the larger sediments, and the funnel opens so a piece of muslin or a screen can be inserted to filter even the smallest sediments during decanting. The funnel is fully hallmarked by Asprey and bears the date letter for 1984.

Origin: England, 1984. C...

An elegant pair of 1st standard (950/1000 pure) silver jiggers by Hermes in the form of tankards. Each is fully hallmarked by Ravinet D'Enfert, the company responsible for most of Hermès silver creations in the Deco era. The bottom of each is marked "Hermès Paris". The jiggers are accompanied by an Hermès drawstring pouch.

Origin: France, ca. 1930. Condition: excellent, no dings, no monograms. Dimensions: larger jigger, 3" tall; smaller jigger, 2-5/16" tall. Weight: 132.0 gr.

A very good set of sterling silver cocktail picks, the tops decorated with colorful enameled roosters. The use of the rooster (“cock”) motif in Art Deco barware was a play on the word “cocktail”. Each of the roosters is enameled in a slightly different colorway. The picks are presented in their original fitted case. Each is marked "Sterling Silver".

Origin: America, ca. 1925. Condition: all original, no enamel damage, box has significant wear. Size: 3” long. Weight: 10.8 grams.

Fertility doll, called "akuaba", with its typical cross shape and flat circular head. Wood, with fine glossy patina. Africa, Ghana, Ashanti ethnic group. Height: 10" (26 cm). Old insect infestation at the back lower part (no danger), otherwise very good condition.

Width approximately 42.5 cm (across the handles). Height approximately 24.5 cm. In good condition.

Basket made of yama-budo (crimson glory vine) for body part and akebi (akebia vine) for handles. It is from Tohoku region, North-East of the Honshu. In excellent condition. 20th century. 48cm x 33cm x 16cm (body part)

Japanese 20th century bronze vase with gold and silver inlays. The inlays are in a geometric design. Made by KASAI TAIZO, born 1922. From Takaoka City. Signed TAIZO on bottom. Comes with TOMOBAKO, original artist signed wooden storage box. 14 1/4" tall by 5" wide at its widest.

A print of a woman in a field of camellias by Shiko Munakata, 1903-1975. A zen Buddhist, he worked in oil painting, then woodblock printing, calligraphy and ceramics. He is sometimes called the Japanese Picasso because of his prolific multi media creative work. He was part of the sasuka-hanga movement and the mingei, folk art, movement. He is from the northern region of Aomori and incorporated many of those local themes into his art. This print measures 11.75" wide by 15.5" tall. Text on the ...

This striking chawan is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre. Fired at extreme temperatures for days in an anagama, the iron in the clay and in the glaze fuse, drip, and coalesce—while at the same time blending with the molten ash of t...

Kawase Hasui
Rain at Ushibori, 1929.
Size: Oban. Approximately 16.75 x 11.75 inches.
Publisher: Origanlly published by Kawaguchi and Sakai. This edition is ca. 1950s and was published by Shobisha.
Condition: Front is excellent. Verso is lightly toned. Two original drying pinholes at margin.

Kawase Hasui
Chuzenji, Utagahama
Size: Approximately 6.0 x 4.0 inches.
Date: 1930s-1950s.
Tipped at top edge to original cardstock.
Medium: Japanese woodblock print.
Condition: Small bend at lower left corner. Light creasing.

A minimal mask carved in very hard wood, note that eyes , noose and mouth are concentrated in the middle of the mask, leaving empty the rest of the mask, carved trisul and colors power offering. From early 20th H 29cm Few more information on local origin on request