Satsuma Studio Nude Geisha by Miyanaga Tozan, circa 1940's

She is 12.25 inches (31 cm) tall by 4.25 inches (11 cm) wide.

She is in good condition with no repairs, or chips, except manufacture defect of firing cracks at the bottom (as seen in the photos).

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Sakiori sodenashi (vest) handwoven of cotton strips recycled from old kimono for weft and asa (hemp) yarn for warp. It has beautiful mixed color of indigo, brown, purple etc. In good condition. The first half of the 20th century. W:48cm, L:73cm

The cormorant prepares to take flight, wings extended, captured in bronze in a moment of excitement, the shapr eyes focused ahead. Captivating realism with simple Art-deco overtones signed below the tail. It is 32 x 36.5 x 25 cm (14-1/2 x 13 x 10 inches) and is in excellent condition. The cormorant, known in Japanese simply as U, is a migratory bird native to the east Palearctic with a range from Taiwan to the Russian Far East...

Add some punch to your table with this colorful set of six vintage Japanese luster eggshell porcelain cups and saucers, circa 1930, richly hand painted with a detailed butterfly design on bright burnt orange ground. Marked Made in Japan. The set is 2 5/8 inches high by 6 inches wide, the cup is 2 inches high by 4 inches wide, and the saucer is 3/4 inch high by 5 1/2 inches wide. They are all in mint condition with no repairs, chips, or cracks.

Japanese Fukagawa porcelain vase decorated with the double arched bridge (Nijyu-bashi) of the Imperial Palace in Tokyo. Singed by the artist、Zippo Araki (1872-1944), in underglaze blue beside his two red seals. This bridge was the one of first place to have electric lights from gas lights in Japan. Mt. Fuji logo of Fukagawa on the base, with inscribed original wood box (tomobako). 8 1/4" (hight) x 7 1/8" (width)

Ohara Koson
Cherry Blossom and Full Moon, 1932.
Size: Oban. Approximately 15.25 x 10.25 inches.
Publisher: Watanabe Shozaburo. Bears the Watanabe C seal, indicating a first edition.
Reference: No. S43.8 and p. 211 in "Crows Cranes and Camellias: The Natural World of Ohara Koson" (Reigle Newland).
Condition: Excellent with very faint mark near lower left corner.
Very rare.

A dynamic early porcelain work in vivid color by Kiyomizu Rokubei VI enclosed in the original signed wooden box titled Futatsuki Kajutu Mon Kashiki (Sweets dish decorated with fruit) bearing his real name, indicating it predates his taking the name Rokubei in 1945. The box bears the seal of the Hattori Tokeiten, purveyors of fine art in Pre-war Japan. The porcelain is 19.7 cm (8 inches) diameter and in excellent condition, signed on the bottom...

A spectacular silver and gold lid covers this small basin by Tomimoto Kenkichi enclosed in a wooden box titled Aka-e Tsutsugata Yunomi and annotated within: Made by Tomimoto Kenkichi Sensei in 1925 signed by Tsujimoto Isamu (for more on him see below). The cup is covered inside with creamy white, outside in red with decoration of gold plum blossoms. It is surmounted by a solid silver lid pierced with leafy vines and peaked with a gold chrysanthemum...

Two pieces of yogi (bedding) which are hand-sewn by a girl student at the sewing school which were established around 1880. It is called "hinagata" and generally one third of measurement of a real one. The left one is sodenashi yogi (sleeveless top cover) and the right one is yogi (top cover with sleeves). The purpose of making sewing samples is efficiency for time and material. It has been made till 1940s in the sewing school of which students are mostly girls...

This extraordinary vase is a truly Japanese expression of a classical Chinese form. Fashioned after cylindrical Song Dynasty pieces that are thought to have been introduced in the 9th century from Syria, the handles are of Chinese origin and represent the mythical "Fenghuang" (Hōu in Japanese). This deity, typically depicted with the body of a bird with characteristics of a dragon, is believed to have originated in the sun and is thought to symbolize virtue, wisdom, and grace...

A colorful Japanese Art Deco man's juban (under kimono), comprising a crazy quilt pattern of wonderful period hand-woven silk crepe fabrics in rich colors of indigo, red, green and purple, and brown, circa 1930, decorative trim and frog clasp, hand stitched, blue silk lining. Measurements: Sleeve tip to tip-48", shoulder to bottom hem-49"; A beautiful example of Art Deco fabrics in fair condition with frayed silks and lining fading, easily restored. Taisho or early Showa period

Dark glaze covers this beautifully crafted Koro from Kawai Kanjiro dating circa 1936 enclosed in the original signed wooden box. It is 11.5 x 9 x 8.5 cm (4-1/2 x 3-1/2 x 3-1/2 inches) excluding the lid and is in excellent condition. The lid is of exotic hardwood with an agate finial, and is a later addition (Kanjiro did not make lids for his koro). For similar examples see the Katsukawa collection published in the biblical tome by the Kyoto National Museum of Modern Art...

A large papier mache lacquered plaque or tray made for export or sale to foreigners during the early 20th Century. This raised relief design incorporating the "Satsuma cross" motif is very common on low grade tea and coffee sets made in vast quantities for export during the 1920s and 1930s. It is unusual to see this brocade style pattern depicted in this medium. Condition - good...

Se-ate (kind of vest only for back) hand-woven of mawata (floss silk) and vegetable indigo dyed. It is very light and warm so that was worn under kimono in cold weather or in cold region. In excellent condition. Late 19th to mid 20th century. 32cm x 54cm

A pair of boro tabi (socks) made of indigo dye cotton and thick cotton cloth for soles. It has fine sashiko for reinforcement on insteps. Metal claps are lost in one of the pair. The first half of the 20th century. W:10cm, L:21.5cm

Japanese cloth taken from an old futon bed cover, decorated with an auspicious motif of pine, bamboo and plum blossoms. The evergreen pine symbolizes the strength and devotion of men; plum blossoms are the purity, subtle beauty and inner strength of women. Bamboos are often used to describe the personality of men and women; for example, a person being as straight (honest) as bamboo, it could also mean flexible (bendable) to a large extent...

Japanese obi, nagoya style, painted with two noh masks on soft satin silk. The base color is a gentle pink/wisteria color with earth-tone. Taisho/Early Showa.

Meisen kimono with kasuri red and black rectangular pattern. It has red red silk lining, so probably made in 1930s. In excellent condition. 124cm x 154cm