Dutch Neoclassical 934 silver salver, late 18 C. Round. Open gallery sides with flowering rinceaux and beaded rim. Four fluted and tapering supports. Fully marked including Amsterdam city stamp. Very good condition with nice patina.

Dimensions: H 1 7/8 x D 12 3/4 in. Weight: 31 troy ounces. #BU158

A beautiful example of Ohi inspired Raku-ware; the body of this stylish tea vessel is a mix of a dark black gradating to charcoal grey with undertones of reddish maroon. A hasami-no-ato mark can be seen where the tongs were used to remove this piece from the kiln, and the potters mark can be seen near the foot of the bowl. Simple and refined, perfect for collectors and practitioners of tea alike.

Born into a generational line of tea-ware potters from Kanazawa, Fumiaki Kaihatsu (b. 1...

Being based in Kyoto we occasionally come across fine Chinese and Korean tea-ware to mix in with our Japanese offerings. Here we have an example of a ceremonial tea bowl from the Shinragi kiln in Korea. Pieces like the one seen here are baked in a traditional wood-fired “climbing kiln” at a temperature of over 1,300 degrees for 5 days. Fashioned after classical works held in museum collections, the motifs are timeless and captivating.

In excellent condition, this piece is 5.5 in...

Master of a very difficult technique from the Chinese Tang Dynasty (618 - 907) known in Japanese as Neriage, the potter who created this elegant vase uses extreme precision to combine sheets of differing types of clay, culminating in a unique visual effect. While many of his pieces are ringed with swirls of colors, this one is more modern and subdued. With quite a lot of character, this lovely vase will draw attention without being overpowering.

Born in Nagano, Kosei Matsui (1927-20...

Swiss Biedermeier silver chafing dish, 19 C. Round with gently curved sides and molded rim. Handle faceted stained wood. Beading. Cover gently raised with naïve-style flower head finial. Marked. Very good condition. Handle has minor chip.

Overall dimensions: H 6 1/2 x W 14 x D 8 in. Gross weight: 40 troy ounces. #BT943

Sensitive and endearing 800 silver animal figure. Made by Buccellati in Italy. A chimp with raised arm, big funny ears, and expressive face sits on amethyst crystal base with joined feet. A playful primate with tensile hands and feet, and shaggy wire fur. Marked “Buccellati Italy 800”. Excellent condition with deep patina.

Dimensions: H (with base) 13 x W 8 1/2 x D 8 in. #BU120

European silver and enamel cigarette case, ca 1920. Rectangular, chamfered, and hinged. On cover a horse’s head appears in an entryway, with two protective borzoi dogs standing guard. Stable drama against a semi-abstract background of brick and stone, and purpling ground. Marks worn. Very good condition with strong color.

Dimensions: H 3 5/8 x W 3 1/4 x D 1/2 in. Gross weight: 4.6 troy ounces. #BT902

French 950 silver inkwell on stand, ca 1910. Straight sides with vertically applied strapwork bands; curved bottom and raised foot. Cover hinged and domed with flower-head finial. Gadrooned rims. Interior has engraved curvilinear border and clear-glass liner. Mounted to oval curvilinear stand with ornamental border. Fully marked including maker’s stamp CG. Very good condition.

Overall dimensions: H 5 x W 9 3/8 x D 5 7/8 in. Weight (without glass): 15.5 troy ounces. #BT381

Large French Etruscan 950 silver coffeepot, ca 1820. Ovoid body with spool neck, side-hinged cover, and raised and round foot. Upright S-spout with ram’s head mouth, and low relief leaves and gadroons. Leaf-and-dart borders. Cover has bud finial on scroll and flower mount. High-looping stained-wood handle with silver mounts: a ram’s head at top, a garlanded face at bottom. Robust Classicism. Fully marked including maker’s initials AL. Fine condition.

Overall dimensions: H 14 1/2 x W 10 ...

European silver sauce boat, ca 1900. Ovoid with fluted v-spout and scrolled monopodia side handles with lion heads. Molded curvilinear rim. Stepped oval foot. A nice revival piece in the 18th-century style. Mark and pseudo-marks. Very good condition.

Overall dimensions: H 3 5/8 x W 6 1/8 x D 5 1/4 in. Weight: 9.5 troy ounces. #BM739

Unusual Antique Russian 875 silver sugar tongs. Stepped and rectilinear frame; jaws trapezoidal with raised diaper interior. Marked. Condition: Taut and functional.

Dimensions: H 5 1/2 x W 3/4 in. Weight: 2.5 troy ounces. #BR772

A beautifully crafted vase from a studio potter in the hills of Iga, a few hours drive east of Kyoto. Iga-ware has quite a long history—by some accounts dating back to the 7th and 8th century—with the major kilns being established some time around the end of the 16th century. Similar in many ways to Shigaraki pottery, the glaze is the result of kiln ash being vitrified and melted on to the surface of the clay body at extremely high temperatures during firing, which can last many days. To add...

If you are familiar with the work of Hiramatsu Ryoma you know that he creates very unconventional ceramics inspired by forms found in nature. Here we have a sake set he describes as “Ou-tekko” (pyrite) and “Ammonite” (same in English - a kind of sea fossil). Part of a series he has been developing, the ancient Ammonite fossil has been the inspiration behind his latest creations. Pyrite, meanwhile refers to the metallic patterning on the outer surface of the clay body. Truly unique pieces...

If you are familiar with the work of Hiramatsu Ryoma you know that he creates very unconventional ceramics inspired by forms found in nature. Here we have a set of sake cups he describes as “Ou-tekko” (pyrite) and “Ammonite” (same in English - a kind of sea fossil). Part of a series he has been developing, the ancient Ammonite fossil has been the inspiration behind his latest creations. Pyrite, meanwhile refers to the metallic patterning on the outer surface of the clay body. Truly uniqu...

Lovely 14K gold and sapphire pin. Pierced floral wreath interspersed with 6 square-cut sapphires. United States, ca 1930s.

Diameter: 1 1/2 in. Weight: 3.9 dwt (6.1 g). #1182

English Egyptian-Revival 18K gold brooch with scarab, ca 1870. Winged sun with fluted and stepped form. Entwined and scaly serpent forms round and open center, inset with rotating double-sided carnelian scarab: On front is a carved beetle; on back the Roman God Mercury. Fine condition with beautifully toned patina.

Overall dimensions: H 7/8 x W 2 5/8 x D 3/8 in. Gross weight: 9.5 dwt. #1180

Gorgeous American Retro 18k yellow gold link bracelet, ca 1940s. A dense and interlocking design comprising 3 rows of rectangular links bordered by narrow ones. Satin finish. Fluid and slinky with a nice hang. Marked “750” and maker’s stamp. Fine condition.

Dimensions: H 3/16 x L 6 5/8 x W 1 1/8 in. Heavy weight: 63.1 dwt. #1176  

Turn-of-the-century French Rococo gilt bronze and pink guilloche enamel picture frame. Rectangular window in same surround with beading and leaf-and-dart ornament. Window bordered by diaper with applied flowers and leaves, and open block corners over wraparound pink guilloche enamel. Floral wreath and ribbon crown with torch and quiver. With glass, silk lining, and hinged wire support. Very good condition apart from a few lines in enamel.

Dimensions: Overall frame: H 19 1/8 x W 13 3/4 in. Wind...

Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors. Interestingly, though it may likely not have been intentional, the abstract sym...

Seated in meditation with open and compassionate heart, this bodhisattva is on a spiritual journey, postponing his own salvation in order to remain on earth to help others achieve enlightenment. In contrast to some images of the Japanese Bodhisattva (Bosatsu), often depicted as austere and inward looking, here, Kimura depicts the Bodhisattva as playful, carefree, and decidedly ornate. The inverted image of white contrast dye on black silk also makes for a striking composition.

A mas...

Yuzo Kondo is one of the more recognized names in the world of modern Japanese pottery of the 20th century. Though known mainly for his sometsuke creations (blue and white porcelain), he did not settle on this style until well into his potting career that lasted over seven decades. The piece shown here then would be from an earlier period and is evidence of his competency with varied styles and glazes—not just the one he is most well-known for. As any experienced potter will tell you, tenmoku ...

Over 400 years ago the first Takatori potter known as “Hachizan” was brought to Japan by the powerful Kuroda clan and was tasked with establishing a kiln in the town of Fukuoka. Since that time, the Takatori lineage has produced many fine works and gained a reputation across Japan for their skill at producing porcelains of thin construction, using many layers of glaze, and with a variety of unique colorations.

Born in 1907, the 11th generation Takatori potter (Seizan), along wit...

The artist who produced this piece, Wataru Motomura, prides himself in living a traditional life in the eastern hills of Kyoto—long known for its rich clay and idyllic pastoral lands. Though the form of this vessel appears innovative and modern, the techniques and materials used to produce it have been around for many hundreds of years. Taking inspiration from the varied pottery traditions of his native Hyogo, Motomura is also known to use clay and methods from the Shigaraki region and many of...

A truly unique work of Shino pottery developed among the company of some of Japan’s most respected and influential potters of the last century. Defying conventions of form and genre, this exceptional mizusashi looks like it could have emerged from the ground fully formed, the result of geological processes lasting millennia. The creator of this fine work is none other than Tsuboshima Dohei, a true master of the ceramic arts.

Born in 1929, at the age of 17 Tsuboshima took an appre...

When the founder of the Urasenke style of tea ceremony, Senso Soshitsu (1622 -1697) was invited to Kanazawa as the lord of the tea ceremony for the powerful Kaga lords in 1666, the first Chozaemon came with him and established Ohi-yaki ware in Kanazawa. Chozaemon had been the chief apprentice for the Raku family in Kyoto and took with him many of the principles and ideas associated with Raku-ware. Since those auspicious beginnings, Ohi-ware has held a high place in the world of tea ceremony desp...

The distinctive and easily recognizable style of Bizen pieces, such as the one featured here, originated in Okayama (south-western Japan) and has a long history that is closely intertwined with that of tea culture. Bizen-ware is known for employing a natural-ash glazing technique that is unique to this type of pottery and which requires extremely long firing times (7-14 days) at very high temperatures. This means that constant attention is required to ensure good results. The tea bowl shown here...

Decidedly masculine in character with straight sculpted edges, a rich palette of color, and a calm steadiness in the hand; this tea bowl was crafted by one of Japan’s great masters, a Mashiko potter by the name of Takauchi Shugo.

A native of Tokyo, Takauchi (b. 1937) took the well-established path of working for a company after graduating from university and it was not until a number of years later—upon visiting the town of Mashiko and being inspired by the works of artists such...

Simple yet classic styling—this tea bowl is perfect for anyone looking for the quintessential Ido-shaped chawan crafted by one of Japan’s master Hagi potters.

Born in the famed pottery town of Karatsu in 1942, Zenzo Hatano spent a number of years learning the various styles particular to his region before taking up an apprenticeship under well-known Hagi potter Yoshiga Taibi. Winner of a number of awards including the Japan Crafts Exhibition Award in 1977, Hatano’s greatest d...

Ramp up your allure with a turn-of-the-century parasol handle. Silver and amber cylinder mounted to cone with enameled stylized vertical leafing branches on green guilloche basket-weave ground. Silver rim with seed-pearl border and cabochon-cut pink hardstone top. For a flirty, twirling come-hither. In a leather-bound case with fitted velvet and silk lining with Parisian retailer’s gilt stamp (Dupuy). Worn marks appear to be those of Georg Adam Scheid; also, French import marks. Very good cond...

Turn-of-the-century European silver bell. Tulip-bowl with twisted gadrooning. Figural handle depicting an old-fashioned countryman holding two live fowl. Here’s dinner—eventually. Substantial and tactile with melodious ting-a-ling. Marked. Very good condition with deep patina.

Dimensions: H 4 1/2 x D 1 7/8 in. Weight: 5 troy ounces. #BN700

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.

This piece is quite unique for its brown color which may have been produced using a copper glaze under very specific conditions. Typical o...

Exquisitely painted cherry blossoms (sakura) and willow branches (yanagi) on a background of jet-black traditional lacquer.

The craftsman, Wakashima Takao (b. 1935) was born in the north of Japan in the picturesque town of Wajima. The lacquer technique particular to this region (Wajima-nuri) is rather unique in its use of an undercoating incorporating special compounds that make it exceptionally durable over time. Wakashima perfected this demanding technique and, over the course of...

Pair of Retro 14K gold pins. Each: Open and shaped triangle with strapwork scroll bisected by stepped arch. Fluid and snazzy. United States, ca 1940. Hallmarked. The original Tiffany stamp was lost during conversion. Very good condition.

Dimensions: H 1 5/8 x W 1 3/8 x D 1/2 in. Total weight: 15.4 dwt. #896

Tsutsu-shaped chawan have a unique and especially attractive shape. They are used mainly in the depths of winter to keep in the heat, and prevent the tea from cooling too quickly. Tea disciples of all stripes appreciate this type of bowl for its elegant lines and functional properties.

This tea bowl was fired in the kilns of one of Kyoto’s best known Raku-yaki potters, Sasaki Shoraku III (1944-). The Shoraku line began when the grandfather of the current potter established a kiln...

Sweet 14k white and yellow gold ring with rose-cut diamond in square mount (0.4 carats). United States, ca 1940s. Very good condition.

Size: 7 1/2. #1141

Delightful 18k gold figural pin. Stylized owl with ribbed crown, rose-diamond eyes set in concave disc sockets, sweet wing flaps, and branch-gripped talons. Breast inset with turquoise stone. A symbol of wisdom in the advanced taste. United states, ca 1930. Stamped “750”. Very good condition with great color.

Dimensions: H 1 5/8 x W 7/8 x D 1/2 in. #873