Chrysanthemum sterling silver 5-light centerpiece candelabrum. Made by Tiffany & Co. in New York. Sizable baluster shaft on raised squarish foot with corner volute supports. Four scrolled arms, each terminating in single socket, joined by applied leaves and surrounding central raised socket. Flowers and leaves wrapped around shaft and arms and applied to foot. Massive and sculptural. A hard-to-find solo stick in the fashionable Japonesque pattern that was first produced in 1880. Fully marked inc...
Unusual Antique Russian 875 silver sugar tongs. Stepped and rectilinear frame; jaws trapezoidal with raised diaper interior. Marked. Condition: Taut and functional.
Dimensions: H 5 1/2 x W 3/4 in. Weight: 2.5 troy ounces. #BR772
English Georgian sterling silver salver, 1726. Square with lobed corners and same corner supports. Beautiful early Georgian. Fully marked including London assay stamp; maker’s mark worn. Good condition with nice period wear.
Dimensions: H 1 x W 5 3/4 x D 5 3/4 in. Weight: 6.4 troy ounces. #BT656
Exotic mixed metal tea caddy. Made by Tiffany & Co. in New York, ca 1910. Sterling silver ginger-jar with squat and tapering sides, short neck, and snug-fitting cover. Copper ornament with irregular scrollwork. Fully marked including pattern no. 11975, director’s letter m, and phrase “Copper and Silver”. Very good condition.
Dimensions: H 3 3/4 x D 3 3/8 in. Weight: 5.6 troy ounces. #BT602
If you are familiar with the work of Hiramatsu Ryoma you know that he creates very unconventional ceramics inspired by forms found in nature. Here we have a sake set he describes as “Ou-tekko” (pyrite) and “Ammonite” (same in English - a kind of sea fossil). Part of a series he has been developing, the ancient Ammonite fossil has been the inspiration behind his latest creations. Pyrite, meanwhile refers to the metallic patterning on the outer surface of the clay body. Truly unique pieces...
If you are familiar with the work of Hiramatsu Ryoma you know that he creates very unconventional ceramics inspired by forms found in nature. Here we have a set of sake cups he describes as “Ou-tekko” (pyrite) and “Ammonite” (same in English - a kind of sea fossil). Part of a series he has been developing, the ancient Ammonite fossil has been the inspiration behind his latest creations. Pyrite, meanwhile refers to the metallic patterning on the outer surface of the clay body. Truly uniqu...
Pair of Japonesque sterling silver open salts. Made by John C. Moore for Tiffany & Co. in New York. Round with open rectangular bracket handles and straight foot. Engraved overlapping seals decorated with modish motifs, including fan, bug, vase, and bamboo. Foot decorated with acid-etched spirals and lunette-form flower heads, and pierced leaves. Union Square mark (1870-5) with pre-1875 pattern no. 3007 and order no. 901. Very good condition.
Dimensions: H 1 7/8 x W 4 5/8 x D 3 3/8 in. Total w...
Lovely 14K gold and sapphire pin. Pierced floral wreath interspersed with 6 square-cut sapphires. United States, ca 1930s.
Diameter: 1 1/2 in. Weight: 3.9 dwt (6.1 g). #1182
English Egyptian-Revival 18K gold brooch with scarab, ca 1870. Winged sun with fluted and stepped form. Entwined and scaly serpent forms round and open center, inset with rotating double-sided carnelian scarab: On front is a carved beetle; on back the Roman God Mercury. Fine condition with beautifully toned patina.
Overall dimensions: H 7/8 x W 2 5/8 x D 3/8 in. Gross weight: 9.5 dwt. #1180
Gorgeous American Retro 18k yellow gold link bracelet, ca 1940s. A dense and interlocking design comprising 3 rows of rectangular links bordered by narrow ones. Satin finish. Fluid and slinky with a nice hang. Marked “750” and maker’s stamp. Fine condition.
Dimensions: H 3/16 x L 6 5/8 x W 1 1/8 in. Heavy weight: 63.1 dwt. #1176
Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors. Interestingly, though it may likely not have been intentional, the abstract sym...
Seated in meditation with open and compassionate heart, this bodhisattva is on a spiritual journey, postponing his own salvation in order to remain on earth to help others achieve enlightenment. In contrast to some images of the Japanese Bodhisattva (Bosatsu), often depicted as austere and inward looking, here, Kimura depicts the Bodhisattva as playful, carefree, and decidedly ornate. The inverted image of white contrast dye on black silk also makes for a striking composition.
A mas...
Yuzo Kondo is one of the more recognized names in the world of modern Japanese pottery of the 20th century. Though known mainly for his sometsuke creations (blue and white porcelain), he did not settle on this style until well into his potting career that lasted over seven decades. The piece shown here then would be from an earlier period and is evidence of his competency with varied styles and glazes—not just the one he is most well-known for. As any experienced potter will tell you, tenmoku ...
Over 400 years ago the first Takatori potter known as “Hachizan” was brought to Japan by the powerful Kuroda clan and was tasked with establishing a kiln in the town of Fukuoka. Since that time, the Takatori lineage has produced many fine works and gained a reputation across Japan for their skill at producing porcelains of thin construction, using many layers of glaze, and with a variety of unique colorations.
Born in 1907, the 11th generation Takatori potter (Seizan), along wit...
The artist who produced this piece, Wataru Motomura, prides himself in living a traditional life in the eastern hills of Kyoto—long known for its rich clay and idyllic pastoral lands. Though the form of this vessel appears innovative and modern, the techniques and materials used to produce it have been around for many hundreds of years. Taking inspiration from the varied pottery traditions of his native Hyogo, Motomura is also known to use clay and methods from the Shigaraki region and many of...
Classical sterling silver trophy cup. Traditional amphora urn with high-looping side handles and stepped and raised foot. Cover domed with engraved bands and acorn finial. A nice cup with lots of room for engraving. Marked “Sterling / By / Fina”. Very good condition.
Dimensions: H 12 x W 8 x D 5 1/8 in. Weight: 28.5 troy ounces #BT261
Pair of Modern Georgian sterling silver candlesticks. Made by Blackinton in North Attleboro, Mass., ca 1940. Knopped baluster shaft on domed foot. Reeding. A voluptuous interpretation of a traditional form. Fully marked and numbered A100. Very good condition.
Dimensions: H 12 x D 5 1/4 in. Weighted. #BT087
A truly unique work of Shino pottery developed among the company of some of Japan’s most respected and influential potters of the last century. Defying conventions of form and genre, this exceptional mizusashi looks like it could have emerged from the ground fully formed, the result of geological processes lasting millennia. The creator of this fine work is none other than Tsuboshima Dohei, a true master of the ceramic arts.
Born in 1929, at the age of 17 Tsuboshima took an appre...