Not to be confused with the Olympic medalist, this Tomita Hiroyuki (b. 1977) is a talented potter pushing the bounds of an otherwise conservative field where many ceramic forms are carried forward for centuries and sometimes millennia. Beginning his artistic endeavors in the field of metal casting, he soon met and became a student to Ijuin Mariko who introduced him to the world of ceramics. In 2007 he opened his own workshop and since that time he has been actively creating and exhib...

Japanese Jubako, traditional stacked lacquerware food boxes, represent not only culinary refinement but also an important aspect of Japanese food culture. These elegantly tiered containers, often adorned with intricate designs and vibrant colors, are integral to the presentation of special occasion meals such as New Year’s celebrations and formal picnics. Crafted with meticulous attention to detail, Jubako boxes like the one featured here showcase the artistry of Japanese lacquerwa...

Crafted with meticulous attention to detail and showcasing a soft and gracefully executed red glaze, this Raku tea bowl exudes a sense of ease, tenderness, and tranquility. Adorned with subtle crackling patterns and variations in texture, the tea bowl's surface adds to its unique and organic feel. Made by one of the true veterans of Japanese pottery, these are some of the finest Raku tea bowls you will find in all of Japan.

Sugimoto (b. 1935) is one of the most important...

Crafted from locally sourced Bizen clay, this mid-Edo period vase embodies simplicity, beauty, and understated elegance. Originally crafted as a tokkuri, or sake flask, it was recovered from the estate of a tea-practitioner who reportedly cherished it as a vase that would hold colorful flowers and various grasses throughout the seasons.

Thanks to the dedication and passion of a researcher by the name of Katsura Matasaburo (1901-1986) we can be assured that this vase is a...

Japanese bamboo crafting, known as "Takezaiku," is a traditional art form that involves the skilled manipulation of bamboo to create various functional and decorative objects. Craftsmen trained in this art carefully select bamboo of appropriate size and quality, then use specialized tools to cut, shape, and join the bamboo pieces. Techniques such as splitting, bending, weaving, and binding are employed to achieve intricate designs and durable structures. Bamboo crafting encompasses a...

During the Meiji period in Japan, the humble iron kettle, known as a "tetsubin," emerged as an iconic symbol of traditional craftsmanship and functional artistry. Crafted with meticulous attention to detail and often adorned with intricate designs—as can be seen here with a cherry blossom motif and a what appears to be a pine-cone for a gripper—they became an essential tool in the Japanese tea ceremony. These kettles were prized not only for their practicality in boiling water bu...

Victorian sterling silver baby cup. Made by John Aldwinckle & Thomas Slater in London in 1887. Straight and gently upward tapering sides and c-scroll handle. Ornamental borders engraved at top and bottom including ribbon-tied garlands. Festive and celebratory with plenty of room for announcing a special event. Interior gilt washed. Fully marked. Very good condition.

Dimensions: H 3 x W 3 3/8 x D 2 3/8 in. Weight: 3.4 troy ounces. #BW400

A pair of blue topaz earrings. The pear shaped stones measure 1/2" x 3/8" while the setting measures 3/4" x 5/8". The butterfly clutches are marked 14k.

Dubya-era sterling silver mint julep. Made by Scearce in Shelbyville, Kentucky. Straight and tapering sides, and beaded and molded rim and foot. A great barware cup from the surprisingly long ago aughts. Marks include maker's stamp and presidential date code "GWB". Very good condition.

Dimensions: H 4 x D 3 1/8 in. Weight: 5.4 troy ounces. #BY876

English King sterling silver wine bottle coaster. Made by Tiffany & Co. in New York. Round well with chased wavy borders. Applied bead-and-reel rim interspersed with scallop shells. Interlaced script monogram engraved in well. Fully marked including maker’s stamp, pattern no. 11161 and director’s letter C (1902-7). Very good condition.

Dimensions: H 3/4 x D 6 1/2 in. Well diameter: 4 in. Weight: 5.4 troy ounces. #BY833

English King sterling silver wine bottle coaster. Made by Tiffany & Co. in New York. Round well with chased wavy borders. Applied bead-and-reel rim interspersed with scallop shells. Interlaced script monogram engraved in well. Fully marked including maker’s stamp, pattern no. 11161 and director’s letter C (1902-7). Very good condition.

Dimensions: H 3/4 x D 6 1/2 in. Well diameter: 4 in. Total weight: 5.4 troy ounces. #BY832

Fiddle Thread & Shell sterling silver dinner and lunch set. Made by James Robinson in London, 1980-2000. This set comprises 61 pieces (dimensions in inches):

Forks: 12 dinner forks (8 1/8) and 12 luncheon forks (7);

Spoons: 12 soup spoons (7 1/8), 12 teaspoons (5 3/4), and 1 tablespoon (8 1/8);

Knives: 12 dinner knives.

Dinner knife blades stainless steel.

Traditional Georgian spanning the early Thatcher era to Tony Blair’s Cool Britannia.

All pieces fully marked including maker...

Modern sterling silver tray. Made by Tiffany & Co. in New York, ca 1915. Round with tapering shoulder and reeded rim. Fully marked including maker’s stamp, pattern no. 18975 (first produced in 1915), and director’s letter m. Very good condition.

Dimensions: H 3/8 x D 11 in. Weight: 18.8 troy ounces. #BX721

Victorian Classical sterling silver paper knife. Made by Tiffany & Co. in New York, ca 1885. Serpentine and integral with hollow handle tapering into flat blade. Handle has allover floral repousse with feathered leaf border at bottom. Blade recto has acid-etched monogram with elongated, interlaced, and whiplash letters. Fully marked including maker’s stamp, director’s letter M (1873-91), and no. 730. Very good condition.

Dimensions: H 10 x W 1 1/4 x D 3/4 in. Weight: 3 troy ounces. #BZ252...

German 800 silver figural bird spice box, ca 1900. A raven with hunched shoulders, tucked-down wings, and spindly legs; detachable head downturned with pensive eyes and long pointed beak. A brooding desk ornament guaranteed to ensure stately solitude. Marks include Hanau maker’s stamp (Neresheimer). Very good condition.

Dimensions: H 11 x W 6 1/2 x D 3 3/4 in. Weight: 18 troy ounces. #BZ289

Modern sterling silver tray. Made by Tiffany & Co. in New York. Deep well, wide shoulder, and flat rim. Fully marked including maker’s stamp, pattern no. 20188, and director's letter L (1956-ca 1965). Very good condition.

Dimensions: H 7/8 x D 13 in. Heavy weight: 28.5 troy ounces. #BY657

Grande Imperiale sterling silver dinner set. Made by Mario Buccellati in Italy. This set comprises 48 pieces (dimensions in inches):

Forks: 8 dinner forks (8 5/8) and 8 salad forks (7);

Spoons: 8 tablespoons (8 1/2), 8 dessert spoons (6 7/8), and 8 ice cream spoons (5 1/4);

Knife: 8 dinner knives (9 3/4).

Dinner knives have stainless steel blades.

Complete with impressive sculptural heft.

All pieces fully hallmarked including maker’s stamp (“M. Buccellati”). Very good condition...

Art Nouveau glass claret jug with engraved silver overlay. Made by Alvin Corp. in Providence, ca 1900. Cylindrical with small lip spout and spread base; c-scroll handle in silver collar. On underside cut-to-clear star. Overlay in form of entwined and scrolling fruiting grapevine with pendant bunches and leaves. Asymmetrical scrolled cartouche engraved with interlaced script monogram. Silver fully marked including maker’s stamp and no. R326. Very good condition.

Dimensions: H 9 1/2 x W 5 1/2 ...

German 800 silver figural bird spice box, ca 1900. A hen with neat feathers and firmly planted talons. Detachable head tilted to side with intent glass eyes and small crown. A sweet barnyard helpmate with funny, flouncy tail. A desirable table ornament from all angles. Hanau marks. Very good condition with nice patina.

Dimensions: H 8 3/4 x L 9 x W 4 1/4 in. Weight: 22.5 troy ounces. #BZ290

Pair of English Victorian Neoclassical sterling silver candlesticks. Made by William Hutton & Sons in London in 1889. Each: Traditional column with stop-fluted shaft on stepped square foot. Composite Corinthian capital with concave sides and detachable bobeche. Beading. Fully marked. Very good condition. Some pings especially on foot rim, and split, also on foot.

Dimensions: H 11 3/4 x W 4 7/8 x D 4 7/8 in. Weighted. #BX827

Pair of English Victorian Neoclassical sterling silver candlesticks. Made by William Hutton & Sons in London in 1889. Each: Traditional column with stop-fluted shaft on stepped square foot. Composite Corinthian capital with concave sides and detachable bobeche. Beading. Fully marked. Good condition. Some pings especially on foot rim. One has bung.

Dimensions: H 11 3/4 x W 4 7/8 x D 4 7/8 in. Weighted. #BX828

Art Nouveau Craftsman glazed earthenware whiskey jug with engraved silver overlay. Made by Rookwood Pottery in Cincinnati in 1893. Globular with short neck; silver collar round mouth with lip spout flowing into c-scroll handle. Painted ear of corn with exposed kernels on shaded brown green ground. Overlay in form of entwined grapevine and berry branches with succulent fruit and outsized leaves.

The painter was Harriette Rosemary Strafer (1873-1935), who began working at Rookwood Pottery in 189...

Gorgeous Titania glass vase by historic maker Loetz with engraved silver overlay, ca 1900. Upward tapering sides with gently flared mouth. Sides concave and corners chamfered. Overlay in form of vertical leafing scrollwork mounted at corners and joined on sides by double arches. Glass is mottled and iridescent white shading to green with exposed patches of the solid cobalt blue interior. Very good condition.

Dimensions: H 8 1/8 x W 3 3/4 x D 3 3/4 in. #BZ193

Pair of Eisenhower-era sterling silver mint juleps. Made by Scearce in Shelbyville, Kentucky. Straight and tapering sides, and beaded and molded rim and foot. A great way in these tumultuous times to get back in touch with your inner country club Republican. Fully marked including maker’s stamp and presidential date code (DDE) for the years 1953-61. Very good condition.

Dimensions: H 3 3/4 x D 3 1/8 in. Total weight: 9 troy ounces. #BY868

George VI sterling silver tray. Made by Thomas Bradbury & Sons Ltd in Sheffield in 1946. Rectangular with molded rim and double-scroll corners; end bracket handles same. Traditional Georgian for the postwar era. Fully marked including retailer’s stamp (Peter Guille) and phrase “Made in England”. Very good condition.

Dimensions: H 7/8 x W 26 3/8 x D 16 in. Heavy weight: 120 troy ounces. #BY716

Pretty Edwardian sterling silver basket with roses. Made by Tiffany & Co. in New York. Circular well with flared sides and wide mouth. Sides have alternating solid and pierced trellis. Scrolled and wavy rim in form of flowering rose vine with both tight buds and full blooms. Stationary u-handle applied with graduated flower heads and split scroll mounts. Fully marked including maker’s stamp, pattern no. 16268 (first produced in 1904), and director’s letter C (1902-7). Very good condition.

...

Georgian-inspired sterling silver tray. Made by Tiffany & Co. in New York. Rectangular with molded rim and double c-scroll corners. A great midcentury take on 18th-century design. Fully marked including maker’s stamp and postwar pattern no. 23967. Very good condition.

Dimensions: H 1/4 x W 14 1/4 x D 10 1/4 in. Heavy weight: 36 troy ounces. #BY899

Pair of pretty Austrian Biedermeier Classical silver candlesticks, 1863. Each: Tapering socket with turned-down rim and overhanging base mounted to knopped baluster shaft on domed and curvilinear foot with stippled flowers at corners. Fluting and lobing. Perfect for reading Goethe by candlelight. Marks include dated Viennese assay stamp indicating 13 loths (that is 812.5 silver) and maker’s initials IC. Very good condition.

Dimensions: H 11 5/8 x D 5 3/4 in. Weighted. #BY787

Set of 6 Midcentury Modern sterling silver seafood scallop shell plates. Made by Gorham in Providence. Each: Straight and tiered flutes, scalloped rim, and 2 ball supports. The hard-to-find size for the new era of small dinner parties. Fully marked including maker’s stamp and no. 42677. Four have date codes from 1940s and ’50s. Very good condition.

Dimensions: H 1 1/4 x W 6 x D 6 in. Total weight: 31 troy ounces. #BY776

Large Midcentury Modern sterling silver tray. Made by Tiffany & Co. in New York. Round well with narrow shoulder and folded-over rim. Super functional with nice heft and balance. Fully marked including maker’s stamp, postwar pattern no. 23427, and director’s letter L (1956-ca 1965). Very good condition.

Dimensions: H 3/4 x D 18 in. Heavy weight: 66 troy ounces. #BY443

Large Victorian Classical sterling silver tray. Made by Dominick & Haff in New York in 1890. Rectangular with curved corners. Fluted sides and gadrooned rim. Stylistically restrained with nice heft. Fully marked including dated maker’s stamp, retailer’s stamp (JE Caldwell), and no. 772S. Very good condition.

Dimensions: H 1 1/8 x W 24 x D 18 in. Weight: 145 troy ounces. #BZ212

Pair of English Neoclassical sterling silver candlesticks. Made by Tiffany & Co. in New York, ca 1916. Each: Tapering column on dome flowing into stepped and concave base. Tapering socket with detachable bobeche. Ribboned swags. Fine fluting that shimmers in candlelight. Fully marked including maker's stamp, pattern no. 19187 (first produced in 1916), director’s letter m, and phrase “Reproduction Original by John Parsons & Co. Sheffield 1784”. Very good condition.

Dimensions: H 11 3/4 x ...

Spare and Modern sterling silver geometric centerpiece after design by Frank Lloyd Wright. Retailed by Tiffany & Co. in New York. Large and detachable shallow cone set in small shallow cone mounted to two rows of rectangular pillars in turn mounted to square base. Fully marked including post-1967 Italian maker’s stamp (Pampaloni), retailer’s stamp, and Frank Lloyd Wright Foundation stamp. Very good condition.

Overall dimensions: H 5 7/8 x D 16 in. Heavy total weight: 96.6 troy ounces. #BZ1...

Pretty Edwardian Classical sterling silver water pitcher. Made by Graff, Washbourne & Dunn in New York, ca 1910. Wide-bodied baluster with helmet mouth, leaf-capped high-looping handle, and 4 leaf-mounted volute scroll supports. Chased frames (vacant) entwined with flowers and leafing scrolls Mouth rim has applied leafing scrolls and flowers. Voluptuous form with nice heft. Fully marked including maker’s and retailer’s (JE Caldwell) stamps and no. 626. Very good condition.

Overall dimensio...

George V sterling silver covered urn. Made by Lionel Alfred Chrichton in London in 1916. Girdled urn with half strapwork on stepped domed foot; leaf-capped s-scroll sides handles. Cover double domed with vasiform finial and radiating strapwork. Strapwork chsed and engraved on stippled ground. A poignant tribute to the lasting popularity of Edwardian Neoclassicism in the dark days of World War I. Fully marked. Very good condition.

Dimensions: H 11 1/2 x W 10 1/2 x D 6 in. Heavy weight: 50.8 tro...

Edwardian sterling silver gravy boat. Made by S. Kirk & Son in Baltimore, ca 1940. Ovoid with helmet mouth and raised oval foot; dense floral repousse on stippled ground. Cast leaf-capped and -mounted high-looping handle with low-relief flowers. Fully marked including maker’s stamp (1932-61), no. 278F, and phrase “Hand Decorated”. Very good condition.

Overall dimensions: H 6 x L 8 1/2 x W 4 in. Weight: 9.6 troy ounces. #BY992

Edwardian sterling silver porringer. Made by R. Blackinton & Co. in North Attleboro, Mass., ca 1910. Round with solid lozenge-form handle. Acid-etched frames depicting nursery rhymes with both old favorites like Humpty Dumpty and Little Miss Muffet as well as the more recherche Queen of Hearts and I Was a Bachelor. Fully marked including maker’s stamp and no. 8402. Very good condition with strong definition.

Dimensions: H 1 7/8 x W 6 7/8 x D 4 5/8 in. Weight: 4.5 troy ounces. #BY690

Pair of American Edwardian Georgian sterling silver candlesticks, ca 1910. Retailed by Tiffany & Co. in New York. Bellied socket with bobeche on tapering shaft mounted to domed foot. Ovoid, faceted, and reeded. Fully marked including retailer’s stamp and no. B12. Very good condition.

Dimensions: H 9 1/2 x W 4 1/4 x D 3 3/8 in. Weighted. #BY789

English Art Deco sterling silver serving tray, 1938. Retailed by Harrods in London. Round with curved and tapering sides. Reeded bracket handles mounted vertically to sides. Capacious with nice balance and heft. Fully marked including retailer’s stamp and London assay stamp. Very good condition.

Overall dimensions: H 2 5/8 x W 18 5/8 x D 16 in. Heavy weight: 78 troy ounces. #BY889

Pair of Edwardian Classical silver-plated wine bottle coasters. Made by Tiffany & Co. in New York. Each: Round well with concentric rings. Sides have open scrollwork. Flared rim with applied scrolls and scallop shells. Fully marked including maker’s stamp, pattern no. 11743 (first produced in 1893), director’s letter T (1892-1902), and phrase “Silver-Soldered-E.P.”. Very good condition.

Dimensions: H 2 1/4 x D 6 3/8 in. #BY797

Pair of Edwardian Classical sterling silver candlesticks. Made by Gorham in Providence in 1914. Each: Ovoid socket with detachable bobeche on knopped baluster shaft; domed foot. Fancy floral garlands, gadroons, leaves, and scrolls. Scrolled rims. Fully marked including maker’s stamp, no. A602, and date symbol. Very good condition.

Dimensions: H 11 x D 6 1/2 in. Weighted. #BY800

Set of 4 European gilt 935 silver and glass figural Buddha place card holders, ca 1925. Each: Contemplative and cross-legged figure of the Zen-man himself in molded glass. For a Siddhartha serene dinner party. Colors are green, blue, orange, and clear. Chamfered rectangular base and u-form back support. In leather-bound case with fitted velvet and silk lining. Marked. Very good condition.

Dimensions: H 1 5/8 x W 7/8 x D 3/4 in. Case: H 1 1/2 x W 5 3/4 x D 2 5/8 in. #BY940

American Modern sterling silver tumbler. Sides comprise three concave rings with flared mouth rim. Marked “Tiffany & Co / Sterling / 549”. Very good condition.

Dimensions: H 3 5/8 x D 3 in. Weight: 4.6 troy ounces. #BY651

Set of 4 Victorian sterling silver place card holders. Made by Saunders and Shepherd in Chester in 1899. Each: A rifle is propped against a shilling coin dated 1899, the year war broke out in South Africa between the British and Dutch colonial settlements. The rifle is the famous Lee-Metford, which was by then a tad old fashioned, but still considered reliable by British as well as Dutch troops, who made use of captured specimens. Open lunette base with vertical support. Fully marked including d...

George V sterling silver figural place card holders. Made by William Suckling, Ltd in Birmingham in 1931 Each: Cast canine figure with plain silhouette back mounted to oval base. Each dog different as they are in real life. For a special “pack” night with a few close friends. In leather-bound case with fitted velvet and silk lining with gilt retailer’s stamp (“Jewellers / Nathan & Co / Birmingham”). Very good condition.

Tallest: H 1 1/8 x W 1 5/8 x D 1 1/4 in. Case: H 3 x W 7 7/8 x ...

When the founder of the Urasenke style of tea ceremony, Sen-So Soshitsu (1622 -1697) was invited to Kanazawa as the master of tea ceremony for the powerful Kaga lords in 1666, the first Chōzaemon came with him and established Ōhi-yaki in Kanazawa. Chōzaemon had been the chief apprentice to the Raku family in Kyoto and took with him many of the principles and ideas associated with Raku-ware. Since those auspicious beginnings, Ōhi-ware has held a high place in the world of tea cere...

Cactus sterling silver dinner set. Made by Georg Jensen in Copenhagen. This set comprises 84 pieces (dimensions in inches):

Forks: 12 dinner forks (7 3/4), 12 luncheon forks (6 1/2), and 12 seafood forks (6 1/4);

Spoons: 12 dessert spoons (6 3/4) and 12 teaspoons (6);

Knives: 12 dinner knives (9) and 12 butter spreaders (6 1/8).

Dinner knife blades are stainless steel.

For a special dinner party. Cactus was designed by Gundorph Albertus (1887-1970) and first produced in 1930.

Fully...

Pair of Old Country sterling silver candlesticks. Made by Elgin Silversmith Co., Inc. in New York, ca 1950. Each: Bellied socket on baluster shaft; domed foot with three embossed scroll supports. Naif-style pointille ornament. Marked “ESCO / Sterling”. Very good condition.

Dimensions: H 13 1/8 x D 5 7/8 in. Total weight: 18 troy ounces. #BY595

Pair of Lancaster sterling silver ice tongs. Made by Gorham in Providence, ca 1900. U-form with beaded stem and floral terminal. One jaw ovoid and scalloped with ornamental piercing; the other a cast claw with five talons. A nice early piece in this pattern, which was first produced in 1897. Fully marked including maker’s and retailer’s (Shreve & Co.) stamps. Condition: Nice definition. Taut and springy.

Height: 6 1/2 in. Weight: 1.8 troy ounces. #BY812

Modern carving pair with knife and fork. Made by Christofle in France, ca 1970. Tapering easy-grip silver-plated handles. Knife blade and 3-tine shank are stainless steel. Handy for the holidays and all the days in between. Marked. Good condition.

Dimensions: Knife: H 12 3/4 x W 1 1/2 x D 1/2 in. Fork: H 10 1/8 x W 1 1/8 x D 1/2 in. #BX127

Pair of Repousse sterling silver ice tongs. Made by S. Kirk & Son in Baltimore. U-form applied with dense flowers and leaves in crisp relief; leaf jaws. Fully marked including maker’s stamp (1932-61). Condition: Strong definition. Taut and springy.

Height: 6 1/4 in. Weight: 2 troy ounces. #BY816

Traditional Japanese art tends to be timeless and inspiring in form, however, occasionally lacking in diversity and innovation. That is why artists who can incorporate centuries of experiential knowledge and technique into producing new and interesting forms are oh so valued. Though this Bizen jar fits into the category of mizusashi, a vessel central to tea ceremony that holds fresh water, it seems to transcend this narrow category and stands as an independent art object all its own....

Japanese inlay ceramics (zōgan) are created by making incisions on the surface of a clay body which are then filled with various colored clays, creating a pattern. After the pattern is finalized, an overglaze is applied and the piece is sent to the kiln to be fired. As can be seen here, the results are quite striking and produce unique patterns that cannot be replicated through painting alone. Inlaying as a technique is thought to have originally derived from practices in metal and ...

In Japan, famous for its generational potting families, only a handful have made it all the way through to the 14th generation—the Nakazato line being one of them with over 400 years of history. Handcrafted by the current 14th potter in the renowned Karatsu tradition, this piece displays subtle, earthy tones and organic textures reminiscent of nature. Blending elements seamlessly, a canvas is created that complements the beauty of the floral elements in glossy contrast across the s...

With a masterfully applied black Raku glaze and a noticeable aesthetic of austerity and stillness, this piece is what is refereed to in Japanese as an “utsushi” or what we might call in English a “tribute piece.” Such pieces are typically made by all Raku potters, regardless of the kiln and tradition, and seek to emulate famous works from the early masters over 400 years ago—in this case, a tea bowl created by the brother of the second Kichizaemon, Tanaka Somi, born sometim...

First presented at the Ishikawa Traditional Crafts Exhibition, this fine mizusashi crafted with extraordinary precision is a testament to the generational knowledge, skill, and dedication of one of Japan’s top traditional craftsman. Its tapered polished sides have a beautiful texture and luster that compliment perfectly with the hand-crafted custom lid adorning the top. Truly an exceptional artwork fused with the aesthetics of tea culture that gives it a sense of stability, calm, a...

Francis I sterling silver 3-light candelabrum. Made by Reed & Barton in Taunton. Central socket on spool base to which are mounted to reeded wraparound branches, each terminating in single socket. Branches have short leaf and flower band. Branch plug set in socket mounted to baluster shaft; raised foot. Engraved and low relief ornament with leaves and fruit and flower clusters. Sockets bellied and shaft and foot fluted. Foot and bobeche rims scrolled. Fully marked including maker’s stamp, patt...

Edwardian sterling silver tray. Made by S. Kirk & Son Inc. in Baltimore. Oval well and wide shoulder with repousse floral garland on stippled ground; imbricated leaf rim. Fully marked including maker’s stamp (1925-32), no. 2517, and phrase “Hand Decorated”. Very good condition.

Dimensions: H 1 x W 17 x D 11 3/4 in. Weight: 38.3 troy ounces. #BY473

Modern sterling silver tray. Made by Arthur Stone in Gardner, Mass., ca 1930. Round well with curved sides, tapering shoulder, and molded rim. Fully marked including maker’s stamp and craftsman’s initial T for Herbert A. Taylor, who was active from 1908-37. Very good condition.

Dimensions: H 3/4 x D 12 1/8 in. Weight: 23.7 troy ounces. #BX526

Set of 10 Acorn sterling silver place card holders. Made by Georg Jensen in Copenhagen. Each: Double-sided stylized acorn mounted to rectangle, in turn, mounted to larger rectangle. Marks including maker’s stamp (1945-77), designer’s stamp (Johan Rohde), and no. 62. Very good condition.

Dimensions: H 1 x W 1 1/8 x D 7/8 in. Total weight: 5.7 troy ounces. #BY846